Categories
Editorial

Towards a Brave New World

Painting by Sohana Manzoor

With Christmas at our heels and the world waking up slowly from a pandemic that will hopefully become an endemic as the Omicron seems to fizzle towards a common cold, we look forward to a new year and a new world. Perhaps, our society will evolve to become one where differences are accepted as variety just as we are fine with the fact that December can be warm or cold depending on the geography of the place. People will be welcomed even if of different colours and creed. The commonality of belonging to the same species will override all other disparities…

While we have had exciting developments this year and civilians have moved beyond the Earth — we do have a piece on that by Candice Louisa Daquin — within the planet, we have become more aware of the inequalities that exist. We are aware of the politics that seems to surround even a simple thing like a vaccine for the pandemic. However, these two years dominated by the virus has shown us one thing — if we do not rise above petty greed and create a world where healthcare and basic needs are met for all, we will suffer. As my nearly eighty-year-old aunt confided, even if one person has Covid in a remote corner of the world, it will spread to all of us. The virus sees no boundaries. This pandemic was just a start. There might be more outbreaks like this in the future as the rapacious continue to exploit deeper into the wilderness to accommodate our growing greed, not need. With the onset of warmer climates — global warming and climate change are realities — what can we look forward to as our future?

Que sera sera — what will be, will be. Though a bit of that attitude is necessary, we have become more aware and connected. We can at least visualise changes towards a more egalitarian and just world, to prevent what happened in the past. It would be wonderful if we could act based on the truth learnt from history rather than to overlook or rewrite it from the perspective of the victor and use that experience to benefit our homes, planet and all living things, great and small.  In tune with our quest towards a better world, we have an interview with an academic, Sanjay Kumar, founder of a group called Pandies, who use theatre to connect the world of haves with have-nots. What impressed me most was that they have actually put refugees and migrant workers on stage with their stories. They even managed to land in Kashmir and work with children from war-torn zones. They have travelled and travelled into different dimensions in quest of a better world. Travelling is what our other interviewee did too — with a cat who holds three passports. CJ Fentiman, author of The Cat with Three Passports, has been interviewed by Keith Lyons, who has reviewed her book too.

This time we have the eminent Aruna Chakravarti review Devika Khanna Narula’s Beyond the Veils, a retelling of the author’s family history. Perhaps, history has been the common thread in our reviews this time. Rakhi Dalal has reviewed Anirudh Kala’s Two and a Half Rivers, a fiction that focusses on the Sikh issues in 1980s India from a Dalit perspective. It brought to my mind a family saga I had been recently re-reading, Alex Haley’s Roots, which showcased the whole American Revolution from the perspective of slaves brought over from Africa. Did the new laws change the fates of the slaves or Dalits? To an extent, it did but the rest as fact and fiction showcase were in the hands that belonged to the newly freed people. To enable people to step out of the cycle of poverty, the right attitudes towards growth and the ability to accept the subsequent changes is a felt need. That is perhaps where organisations like Pandies step in.  Another non-fiction which highlights history around the same period and place as Kala’s novel is BP Pande’s In the Service of Free India –Memoirs of a Civil Servant. Reviewed by Bhaskar Parichha, the book explores the darker nuances of human history filled with violence and intolerance.

That violence is intricately linked to power politics has been showcased often. But, what would be really amazing to see would be how we could get out of the cycle as a society. With gun violence being an accepted norm in one of the largest democracies of the world, perhaps we need to listen to the voice of wisdom found in the fiction by Steve Davidson who meets perhaps a ghost in Hong Kong. Musing over the ghost’s words, the past catches up in Sunil Sharma’s story, ‘Walls’. Sharma has also given us a slice from his life in Canada with its colours, vibrancy and photographs of the fall. As he emigrated to Canada, we read of immigrants in Marzia Rahman’s touching narrative. She has opted to go with the less privileged just as Lakshmi Kannan has opted to go with the privileged in her story.

Sharma observes, while we find the opulence of nature thrive in places people inhabit in  Canada, it is not so in Asia. I wonder why? Why are Asian cities crowded and polluted? There was a time when Los Angeles and London suffered smogs. Has that shifted now as factories relocated to Asia, generating wealth in currency but taking away from nature’s opulence of fresh, clean air as more flock into crowded cities looking for sustenance?

Humour is introduced into the short story section with Sohana Manzoor’s hilarious rendering of her driving lessons in America, lessons given to foreigners by migrants. Rhys Hughes makes for  more humour with a really hilarious rendition of men in tea cosies missing their…I  think ‘Trouser Hermit’ will tell you the rest. He has perhaps more sober poetry which though imaginative does not make you laugh as much as his prose. Michael Burch has shared some beautiful poetry perpetuating the calmer nuances of a deeply felt love and affection. George Freek, Anasuya Bhar, Ryan Quinn Flanagan, Dibyajyoti Sarma have all given us wonderful poetry along with many others. One could write an essay on each poem – but as we are short shrift for time, we move on to travel sagas from hiking in Australia and hobnobbing with kangaroos to renovated palaces in Bengal.

We have also travelled with our book excerpts this time. Suzanne Kamata’s The Baseball Widow shuttles between US and Japan and Somdatta Mandal’s translation of  A Bengali lady in England by Krishnabhabi Das, actually has the lady relocate to nineteenth century England and assume the dress and mannerisms of the West to write an eye-opener for her compatriots about the customs of the colonials in their own country.

While mostly we hear of sad stories related to marriages, we have a sunny one in which Alpana finds much in a marriage that runs well with wisdom learnt from Kung Fu Panda.  Devraj Singh Kalsi has given us a philosophical piece with his characteristic touch of irony laced with humour on statues. If you are wondering what he could have to say, have a read.

In Nature’s Musings, Penny Wilkes has offered us prose and wonderful photographs of the last vestiges of autumn. As the season hovers between summer and winter, geographical boundaries too can get blurred at times. A nostalgic recap given by Ratnottama Sengupta along the borders of Bengal, which though still crossed by elephants freely in jungles (wild elephants do not need visas, I guess), gained an independence from the harshness of cultural hegemony on December 16th, 1971. Candice Louisa Daquin has also looked at grey zones that lie between sanity and insanity in her column. An essay which links East and West has been given to us by Rakibul Hasan about a poet who mingles the two in his poetry. A Bengali song by Tagore, Purano shei diner kotha,  that is almost a perfect trans creation of Robert Burn’s Scottish Auld Lang Syne in the spirit of welcoming the New Year, has been transcreated to English. The similarity in the content of the two greats’ lyrics showcase the commonalities of love, friendship and warmth that unite all cultures into one humanity.

Our first translation from Uzbekistan – a story by Sherzod Artikov, translated from Uzbeki by Nigora Mukhammad — gives a glimpse of a culture that might be new to many of us. Akbar Barakzai’s shorter poems, translated by Fazal Baloch from Balochi and Ratnottama Sengupta’s transcreation of a Tagore song, Rangiye Die Jao, have added richness to our oeuvre along with  one from Korean by Ihlwha Choi. Professor Fakrul Alam, who is well-known for his translation of poetry by Jibonanda Das, has started sharing his work on the Bengali poet with us. Pause by and take a look.

There is much more than what I can put down here as we have a bumper end of the year issue this December. There is a bit of something for all times, tastes and seasons.

I would like to thank my wonderful team for helping put together this issue. Sohana Manzoor and Sybil Pretious need double thanks for their lovely artwork that is showcased in our magazine. We are privileged to have committed readers, some of who have started contributing to our content too. A huge thanks to all our contributors and readers for being with us through our journey.

I wish you a very Merry Christmas and a wonderful transition into the New Year! May we open up to a fantastic brave, new world!

Mitali Chakravarty

Borderless Journal

Categories
Slices from Life Travel

How I Transitioned from a Desk Worker to a Rugged Trail Hiker at Age Sixty

Meredith Stephens shares how the pandemic impacted her life choices, with photographs and narration of her adventures

When I worked in Japan I prided myself on my routine of only exercising when incorporating physical movement into my daily routine. I would cycle to and from work, and between buildings on the university campus. This was easy unless there was a storm. Then I would cycle attempting to hold my umbrella, but to no avail. It wasn’t just that cycling with an umbrella was illegal. It was also that my umbrella would turn inside out in the gale and the spokes would break.

When there was a typhoon we were forbidden to go to campus, but I took no notice. Rather than cycling to work I walked. I would run between each building block hoping not to be swept into the air, and when I left the campus to walk home along the riverbank, I would hope that the wind would not pick me up and fling me into the river.

Every day at work I would walk up and down the stairs instead of taking the lift. This was natural given that university policy frowned upon using the lift unless you had to go beyond the third floor. I developed strong calf muscles from climbing the stairs, and strong biceps from carrying books up and down the stairs. I secretly looked down on those who drove to work and then spent their evenings at the gym.

I returned to Australia to visit family just before the pandemic started. Soon after my arrival the Australian government warned its citizens, ‘Do not travel’. I followed this advice and continued working remotely. My return coincided with that of my friend Alex who resided as an expat in the UK. He too decided to follow the advice of the government travel ban. Every now and then Alex invited me to go hiking with him and his daughter Verity. I keenly accepted, since I was so proud of my fitness and strength.

Alex and I began with regular seven kilometre beach walks. The terrain was flat, and I proudly maintained the same pace as him. Then Alex invited me to hike with him in the Innes National Park on the tip of the boot-shaped Yorke Peninsula in South Australia.

I had as much stamina as Alex and I was determined not to lag behind, but there were numerous distractions. We were walking along rugged coastline on the south of the peninsula overlooking Wedge Island when a pair of roos caught my attention. The buck was overlooking the cliff, and the doe, who was beneath, was bathing herself in the warm sand, with her joey’s legs poking out of her pouch. In the glare, I fumbled to see the image on my phone’s camera in order to snap a photograph.

Next the bright yellow wildflowers rising from the succulents demanded my attention as I gazed at the grainy sand and rocks before me.

When I looked up I noticed a gap widening between Alex, Verity, and me.

“Why are you so far behind? Goodness Gracious!” Alex exclaimed.

I tried to explain myself but my voice was carried away in the wind.

I hastily caught up with Alex and Verity, and we completed the walk. Alex announced that our next walk would be along a trail of ruins in the deserted township of Inneston, a few kilometres inland. Now part of a National Park, Inneston had formerly been a gypsum mining town. The township featured a long-abandoned cricket ground, restored houses, and ruins of houses and a bakery. Abandoned farm machinery and mining equipment, long since left to rust, dotted the trail.

Alex informed me that the Inneston hike was seven kilometres and I bravely assured him that I could take it in my stride. The former railway track where gypsum had been transported had been transformed into a hiking trail.

Because I had lagged so far behind on the coastline walk, Alex now insisted I walk in front. I continued to stride confidently, safe in my position as trail leader. Alex monitored the number of kilometres we had covered on My Tracks on his phone. I felt like we had covered five kilometres but when I asked him he said that we had only covered three. Then when I felt we had covered ten kilometres we had only covered seven. On the return journey I could sense Alex’s strides growing closer behind me, and then Verity’s strides growing closer behind him.

“Hurry up!” insisted Alex.

I couldn’t reply. I was so proud of my stamina and endurance. Alex sensed my silence,

“Are you okay? I guess if you combine all of today’s walks we would have walked seventeen kilometres in total.”

I could feel my face burning and eyes swelling. I took a deep breath to calm myself, but couldn’t help blurting out.

“You go ahead. I don’t mind taking the rear.”

As we covered the remaining few kilometres to the carpark I started lagging further and further behind. I took less interest in the ruins and restored houses. When we arrived back at the car I gratefully heaved myself into the passenger seat and let Alex drive us back to our lodgings. On the way Alex stopped to look at the historic jetty in Stenhouse Bay but I did not budge from the passenger seat when invited to join him.

The next morning we resumed our hiking, and I was back in form, climbing up and down sandy dunes to the beach. It’s not so much that I was shorter than Alex or Verity, or even slower, but rather that I got distracted by the purple, yellow and white wildflowers, and the families of roos. Admittedly, I did start to lose stamina after hiking the first few kilometres while trying to hide from the intense Australian sunshine and stopping the legions of flies from entering my mouth.

After the Yorke Peninsula trip, Alex announced that our next hike would be on Kangaroo Island, which lies between the South Australian mainland and the Southern Ocean. No doubt, I will continue to be mesmerised by nature, not least because the kangaroos are smaller over there and have thick chocolate fur, with darker colouring on the tips of their ears, limbs and tails. I might even spot an endangered glossy-black cockatoo, or a seal. Despite these distractions, I am confident that I will keep up. Unless, of course, I stop to take some photographs along the way.

Meredith Stephens is an applied linguist in Japan. Her work has appeared in Transnational Literature, The Blue Nib, The Font – A Literary Journal for Language Teachers, The Journal of Literature in Language Teaching, The Writers’ and Readers’ MagazineReading in a Foreign Languageand in chapters in anthologies published by Demeter Press, Canada.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Review

From Japan to Australia with a Cat

Book Review by Keith Lyons

Title: The Cat with Three Passports

Author: CJ Fentiman

Going to Japan to teach English seemed like a good way to earn money, but animal lover CJ Fentiman came away from living and working in Japan with more than she expected as chronicled by her in The Cat with Three Passports: What a Japanese cat taught me about an old culture and new beginnings.

A book  that could be  considered a travel memoir, but it stretches beyond the normal scope of a travelogue, due partly to the introverted author’s inner reflection and personal transformation, but mainly due to the courageous actions of the writer in turning a soft spot for a cat into an international animal relocation mission. Sorry to spoil the ending of the book, but in most cases, foreigners going to a strange and different country take a “What happens in Vegas, stays in Vegas” approach. So when they leave, it is with fond memories, tales of culture shock and culinary misadventures, and bulging suitcases.

Not so with Fentiman and her partner, Ryan, who faced new challenges while taking a homeless cat with them to Australia, some 8,000 kilometres away. So why would you rescue from the streets a bedraggled silver tabby and then contemplate taking it with you across the oceans? If you are a cat lover, you already know the answer.

Let’s back up. One of the reasons The Cat with Three Passports is such a good read is that from the outset, the reader is invited in to experience Japan as seen through the eyes of someone right off the plane after a long flight. Throughout the book, there are vivid descriptions of landscapes, encounters and events, including weird festivals (naked men) which give an insight into an unfamiliar culture.

If the anticipation isn’t enough, the author exposes her vulnerability by sharing her anxieties and self-doubts, along with her past patterns of escaping situations and places, and how she has been distant from her estranged family.

Cats feature literally and figuratively throughout the book, and the author has blended in feline-related sayings and some of Japan’s cat wisdom. In a way, the cats make CJ and Ryan more “at home” in Japan among the cherry blossoms, bullet trains and vending machines. Essentially, the cats they encounter are the facilitators of the adaption and softening, helping them discover their purpose and giving them fulfilment.

Things take a turn for the surreal when they transfer to a job at a school set in a British theme park high in the mountains. Their time in Japan is not complete without a visit to the famed Cat Island, where cats outnumber humans perhaps thirty five to one. In the same way that cats love warmth and sun, humans are also attracted to cats because they bestow blessings on homo sapiens. One study found that cat owners have better psychological health than people without pets. Cat feeders claim to feel happier, more confident, less nervous and to sleep, focus and face problems better in their lives.

The Cat with Three Passports will appeal to anyone who has or wants to visit Japan, any animal lover or ailurophile along with readers who enjoy travel memoirs. It is a heart-warming and touching tale of outer and inner discovery.

If you’ve already encountered some travel classics on Japan, such as Lost Japan by Alex Kerr, Hokkaido Highway Blues by Will Ferguson, or Pico Iyer’s recent A Beginners Guide to Japan, consider reading The Cat with Three Passports even if you aren’t a pet lover or Japan fan.

Keith Lyons (keithlyons.net) is an award-winning writer, author and creative writing mentor, who gave up learning to play bagpipes in a Scottish pipe band to focus on after-dark tabs of dark chocolate, early morning slow-lane swimming, and the perfect cup of masala chai tea. Find him@KeithLyonsNZ or blogging at Wandering in the World (http://wanderingintheworld.com).

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Click here to read the book excerpt.

Click here to read CJ Fentiman’s interview.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Interview

Lessons old and new from a stray Japanese cat

CJ Fentiman in conversation with Keith Lyons

CJ Fentiman & the much travelled cat. Courtesy: CJ Fentiman

CJ Fentiman is a writer, an entrepreneur, and an animal lover, originally from the UK, but currently living in Australia with her partner and two cats. She runs the Australian website, Pet Friendly Accommodation, and published a handy guidebook Travelling with Pets on Australia’s East Coast now in its fifth edition. Regarded as an expert on pet travel, CJ’s memoir The Cat with Three Passports: What a Japanese cat taught me about a old culture and new beginnings tells the story of her adventures as an English teacher in Japan, a fateful encounter with a homeless cat, and her own personal journey of growth and discovery, Fentiman and her partner, Ryan, lived in Japan from 2004 to 2007, but as we’ll learn, some of the biggest challenges came from CJ’s past and their future after working in Japan.

What attracted you to live and work in a place which is very foreign?

When a teaching opportunity came up in Japan, complete with two cats in the work apartment, I jumped at the chance. At first, Japan offered a way to travel and make money, I never thought I’d fall in love with the culture as much as I did, and that I’d learn so much from living there.

Do you think living in a strange and foreign place, and living as a couple, focused more on you, how you are in the world, and past patterns?

It can be quite a culture shock with regard to the work ethic and way of doing things in Japan, but the longer I was there I developed a real appreciation for the attention to detail to things, the politeness, respect, and courtesy. It also made me appreciate how fortunate I am to have the opportunities I have as an English speaker to work and study abroad without too many visa restrictions. I love the anonymity that Japan provided me. There I was just another ‘foreigner’.

Living as a couple in Japan was attractive to many employers, as I guess they saw you as more stable than a single person, so it actually helped when applying for jobs.

One of the themes is about your running away from things in the past. What do you think was behind this flight/escape urge?

That’s a good question. Three generations of women in my family have all emigrated internationally for one reason or another, so I guess I was following in their footsteps. The main temptation in living away from home offers you the opportunity to reinvent yourself and start afresh.

How did Japan, travel and cats (and Ryan) help you deal with this instinctive response?

Being able to just be the gaijin (foreigner) was really liberating for me, I was able to shed a lifetime of labels and reboot myself in a very positive way. Having a cat also meant a commitment, so I couldn’t just flit off when I chose. It gave me a reason to stay in one place and put down some roots and by doing so, connected with local people on a much deeper level, and was warmly welcomed as part of their community.

What do you think makes your book a little different from the standard foreigner goes to Japan travel memoir?

I like to think that it has a message of hope that no matter how bad things get, there is a way out. Changing your location and your surroundings can have a huge impact on how you see the world, and for me travel has been the greatest teacher.

How did your experiences in Japan and then moving Gershwin develop into articles and then your book and website?

It happened very naturally.  Seeing people take their pets on holiday in Japan, was the inspiration for my first book, which is about ‘Travelling with Pets’. I remember seeing a couple at Lake Inawashiro in Fukushima Prefecture with a cat and dog, thinking that’s exactly what I want to do! The inspiration for my second book, The Cat with Three Passports, was the experience of relocating internationally with a pet, and all the amazing people I met along the way.

How was the process of writing The Cat with Three Passports, given that it was your first book of that kind?

It was a challenge because I had so many positive experiences while living in Japan that I felt would be good material, I almost had too much, so I had to spend a lot of time editing. My first book pretty much wrote itself, but as a travel memoir is much more personal, I had to dig a lot deeper, which wasn’t always easy!

Who do you think your book will appeal to?

It will definitely appeal to people interested in going to Japan, cat lovers, and even Japanese people themselves. Recently, I received a lovely message from a Japanese lady, who said how much she enjoyed the book because she was living in New Zealand during the lockdown and couldn’t return home to Japan, she said my book helped her with homesickness. It was a very special moment for me.

How are sales of your book going, and in what countries is it selling? 

It seems to be hugely popular in the USA at the moment, and it even won an award there at the International Book Awards for American Book Fest in the narrative non-fiction category for animals.

What have been the highlights and lasting experiences of having your book appear in print and in bookshops?

I would say the biggest highlight has been the people that I have met, to hear that people have felt connected to the story is amazing. It’s nice to know that there are others out there that have had similar experiences in life.

The comments I get from different people around the world about how much people related to my story are beyond rewarding and make it all worthwhile.

You’ve lived away from the UK for quite some time — where are you now, and what are your plans for future, such as going back to the UK?

Never say never – but the older I get, the more I realise how lucky I am to have lived in many countries. I love the UK and will always consider it home, it’s just there are so many other places I’d love to visit and live in. We currently live in Australia, and although I do have a romantic idea of living back in the UK, I’m unsure when that will happen at the moment.

Click here to read an excerpt of The Cat with Three Passports.

Click here to read the review of the book.

Keith Lyons (keithlyons.net) is an award-winning writer, author and creative writing mentor, who gave up learning to play bagpipes in a Scottish pipe band to focus on after-dark tabs of dark chocolate, early morning slow-lane swimming, and the perfect cup of masala chai tea. Find him@KeithLyonsNZ or blogging at Wandering in the World (http://wanderingintheworld.com).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Interview

In Conversation with Jessica Mudditt

Keith Lyons interviews Jessica Mudditt, who spent four years in Myanmar and wrote a book about it

Jessica Mudditt holding her book. Photo sourced from author

Australian author and journalist Jessica Mudditt studied and worked in the UK, but it is the seven years she spent in Bangladesh and Myanmar which seems to have made the most significant impact on her professional career and personal life. Mainly covering business, technology and lifestyle, her articles have appeared in The Economist, BBC, The Telegraph, The Guardian, CNN, GQ and Marie Claire. 

She lived and worked in Myanmar’s former capital Yangon in the mid-2010s, and after returning to Australia, Our Home in Myanmar – Four Years in Yangon (Hembury Press, May 2021) was published with an Epilogue placing the book’s focus in the context of the military coup which stole back power in February this year following democratic elections. 

From Sydney, Jessica reflected on her time in Myanmar, and the recent events which have curtailed hopes for democracy, freedom and economic growth. 

Looking back on what happened this year, does it make your time in Myanmar seem more special?

In a way, it makes even my most happy and carefree memories bittersweet. When I was reading back over the book as part of the editing process, some of the situations I described became quite poignant, knowing what I know in hindsight. For example, after the 2015 elections, it was Senior General Min Aung Hlaing who was the first to come out and say that as the commander-in-chief, he would respect the election results and the will of the people in voting for Aung San Suu Kyi’s party. Five years later, it was he who staged this terrible coup and is holding the entire country hostage. What changed for him, I wonder, between then and now? It was like he tried the shoe on one day and decided that it didn’t fit.

If you were still in Myanmar at the time of the coup, would you get out or stay given the dangerous time for journalists right now?

I would leave. It is simply too unsafe. There are no newspapers left to write for at any rate, other than The Global New Light of Myanmar. Mizzima and Irrawaddy and others have been stripped of their operating licenses and as such, are illegal entities. If you go on The Myanmar Times website, it turns black, and then a pop-up notice announces that the newspaper has been suspended for three months. That was six months ago. There are very, very few foreign journalists left inside the country. Of course, every expat was heartbroken to leave and many have expressed that they feel guilty about the people they have left behind. Everyone is in an impossible situation right now.  

You added to the book from 2015 with updates on where some of the key players are now: The Myanmar Times co-founder Ross Dunkley was pardoned after the coup and is now back in Australia, have you had any contact with him, and if so, how do you feel about how it all panned out for him?

When Ross got a 13-year sentence in 2019 on drugs charges, I worried that he may not survive such a long period in prison. He is not a young man anymore. However, Ross turned out to be a cat with nine lives. He was released shortly after the coup (he joked in an interview that he is the only person to have benefitted from the coup). What astounded me was that despite everything he has been through in Myanmar, he expressed a wish to return there. I suppose it is his home, after all the years he has spent there. But even so! I sent him a message on Facebook just saying I was glad and relieved for him. However, I don’t think he has logged onto it since his release. 

Photos of jailed former advisor to Aung San Suu Kyi, Sean Turnell, being vaccinated were released recently; are you concerned about his fate and also that of journalist Danny Fenster from Frontier who is also in Insein?

I feel sick when I think about them. I don’t know Danny personally, but Sean was a source for a few stories, and I met him in Sydney. I have so much respect for him, and he was always so kind and helpful. I am friends with his wife, Ha Vu, on Facebook, and her anguished posts are deeply upsetting. Yesterday was her birthday and she wrote that it was the first time in a decade that her husband hadn’t been able to wish her a happy birthday. She knew it would upset him. Sean has done nothing wrong – nor has Danny, of course – and I just wish that the military would let them go – along with the other 6,000 innocent people they have arrested.

Do you think you were lucky to have been in the country during its opening up and transformation?

I was incredibly lucky. The pace of change was so fast that I often had the sensation that I was watching history unfold in front of me. That may never happen again in my life. The liberalisation of the media was incredible. As a freelance journalist, when I had an idea for a story, I would google the topic to see what had been previously written. There were many instances when there was virtually nothing at all because it had never been possible to write of such topics under the draconian censorship laws (most of these laws were lifted not long after I arrived). I wrote the first stories on Myanmar’s human hair trade, cobras being found inside peoples’   homes in Yangon, children with cancer and elderly care. Journalism was challenging in Myanmar because there was a dearth of reliable data and finding sources could be tricky, as people were not always willing to speak as they still mistrusted the military (with good reason, it turned out). But it was also rewarding because it gave people the chance to tell their stories for the first time, and to provide information to readers that had perhaps not been in the public domain before. 

What do you think attracted others from overseas to witness, take part or benefit from the changes?

One of the reasons I loved living in Yangon was because the ex-pat community was very interesting. At a party, for example, I could walk up to someone and ask, “What brought you to Myanmar?” or “What are you doing in Myanmar” and the answer would just about always be fascinating. Myanmar is a beautiful country with wonderful people, but it isn’t an easy place to live and many of the things associated with the ‘good life’ are unavailable. I think that if you moved to Myanmar, you wanted something different out of life, or to do things in a different way. 

I’m pretty sure that there were a host of motivations though, and I’m sure that a few were motivated partially by greed. Myanmar was an untapped market with a large population, although spending power is comparatively low. There were also few laws regulating business dealings, so it was a bit of a wild west and that attracted a few shandy operators. But I think, for the most part, people’s intentions were good. They were there because they wanted to make a difference as well as to witness something really historic, in a political sense.

As a woman in Myanmar how safe did you feel, and do you think that helped or hindered your work?

I felt safe in Myanmar, as it has some of the lowest crime rates in Asia. I remember reading in Lonely Planet that muggings and pickpocketing are rare, and that if you accidentally drop money on the ground in a big city like Yangon, it’s more likely that someone will come chasing after you to return it. That actually happened to me. I would sit at a beer station in the evening with my bag slung behind my chair or on the ground or whatnot, and I never gave it a second thought. I wouldn’t do that in Sydney.

Sexual harassment is nowhere near as prevalent as it is in places such as India. In saying that, I am referring to sexual harassment against expat women. There were frequent reports of Burmese women being groped on crowded buses, for example.

Someone in Yangon told me last week that even though the current situation is desperate, and millions of people are starving and displaced, there is a huge amount of cooperation among the people, who help each other in any way they can. Sadly, we all know that the criminals in Myanmar are the military. The reams of razor wire that sit atop six-foot fences around people’s homes are there not because there are a lot of burglaries, but because the military comes for people in the night. They were doing it for decades before I arrived, and they are doing it again now. 

What misconceptions about Myanmar do you think are held outside the country?

I’m not sure if it’s a misconception, but Myanmar’s political history is so complex that it can be difficult for people to get their head around it, and difficult to explain. The first thing most people say to me when the subject of Myanmar comes up is “What is the deal with Aung San Suu Kyi? I thought she was a good person – why did she fall from grace?” Or they will say they have heard of the terrible situation with the Rohingya, but they don’t understand how the genocide came about, or why they are still living in refugee camps. Most people outside Myanmar assume that Buddhism is a religion of peace, so they don’t understand why so much violence has taken place, or that Buddhism can turn militant and be infected with extreme nationalism. 

Were you more surprised about the frosty reception you got from fellow ex-pats at your first newspaper job, or the treatment you got working for a newspaper once considered a mouthpiece for the military and government?

I was more surprised by the frosty reception I got at The Myanmar Times. I was wildly excited to be working there and went through a lot of difficulties to get my first visa (I brush over it in the book, but Sherpa and I initially applied from Bangladesh and were denied visas, so in the end we had to apply from Thailand). My colleagues at newspapers in Bangladesh had always been fantastically friendly, so it just never crossed my mind that my expat colleagues in Myanmar wouldn’t be friendly. My expectations were way too high, but I was pretty crushed, I have to say. Over time though, things improved, and I ended up with a terrific group of friends at work. We had a lot of fun nights out too. 

My colleagues at The Global New Light of Myanmar were really kind and wonderful. I learnt so much about Myanmar from them, both on the job and during the casual conversations we’d have while smoking cigarettes or drinking whisky together after work. Myanmar people are so kind –so it wasn’t my colleagues’ kindness that surprised me. It was how strongly opposed to the military they were. I had not expected them to be staunch supporters of Aung San Suu Kyi, or even to themselves be former political prisoners. Many worked at the state-run newspaper because it was one of the few opportunities to use English in a professional context. To me, it showed just how pervasive the desire is for democracy and human rights among the people of Myanmar.

When did you get the idea for writing a book about your time in Myanmar?

I got the idea after I returned from Myanmar to Australia. Funnily enough, while I was living in Myanmar, I had been writing a book about Bangladesh. When I got back to Australia, I had no luck getting a publishing deal for the memoir on Bangladesh, so I decided to put it aside and start one on Myanmar. I started it in 2018 and finished it in April 2021. I’m glad that I decided to do that, because it would be hard to write the same book knowing that a coup would take place after I left. I am sure I would write it differently — with less optimism. As I mention in the epilogue, I thought I was simply writing about the ‘new Myanmar’ and that many books would follow in the same vein. I had no idea that I was inadvertently writing a history book.

In light of the events of 2021 with the military coup and Covid, do you see any hope for Myanmar, or is it a failed state?

There has possibly never been a darker time in Myanmar’s history, with the twin crises of COVID-19 and the military takeover to endure. But I don’t believe that this is how the story ends for Myanmar. It is evident that the people are unwilling to give up their democratic freedoms and human rights – I get the sense that they will fight until there is no one left standing. 

However, the country is on the brink of becoming a failed state, if it isn’t already, and the suffering has already been immense. I know from my time in Myanmar that building back after half a century of dictatorship and a mismanaged economy was already difficult enough – I worry about how much this puts the country back on the path to progress. I take a long-term view of things though, and I believe that democracy will be restored, and the military will be booted out of all aspects of civilian life, including their 25% quota of parliamentary seats. I have no idea when this may occur, but I do believe that it will.

Click here to read an excerpt of Our Home In Myanmar.

Click here to read the review of the book.

Keith Lyons (keithlyons.net) is an award-winning writer, author and creative writing mentor, who gave up learning to play bagpipes in a Scottish pipe band to focus on after-dark tabs of dark chocolate, early morning slow-lane swimming, and the perfect cup of masala chai tea. Find him@KeithLyonsNZ or blogging at Wandering in the World (http://wanderingintheworld.com).

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Categories
Interview National Day Special

In Conversation with Kirpal Singh

Dr Kirpal Singh
we are known globally
as a nation of multi-cultures
but we are united as one people.

not an easy goal to realise
knowing how differences divide
and make unity problematic.

-- Reaching Out... Kirpal Singh, 2021

Kirpal Singh is a poet and a literary critic from Singapore. An internationally recognised scholar whose core research areas include post-colonial literature, Singapore and Southeast Asian, literature and technology, and creativity thinking,  Singh has won research awards and grants from local and foreign universities. He was one of the founding members of the Centre for Research in New Literatures, Flinders University, Australia in 1977; the first Asian director for the Commonwealth Writers’ Prize in 1993 and 1994, and chairman of the Singapore Writers’ Festival in the 1990s. In 2004, he became the first Asian and non-American to be made a director on the American Creativity Association’s board. He retired dean of Singapore Management University.

Singh was born as a part of Malaya in 1949 to a father of Sikh descent and a Jewish-Scottish mother. He lived through three regimes in this part of the world: colonial, Malayan and Singaporean. His poetry is perhaps what best tells us about his faith in the little island state that came to its own in 1965. In this interview, he shares his life story with us, the last being a huge donation of books that he is making to the National Library of Singapore – a donation of 3,000 books collected over decades.

You are an academic, critic and writer who stretches out across SE Asia. When did your ancestors move to Singapore from India and why?

My paternal grandparents moved to Singapore from Punjab in 1901. They came to the then Federation of Malaya in search of a better life.

You have never lived in India but shuttled between Singapore and Malaysia. Probably at that time it was all part of Malaya. Can you recall Singapore/Malaya during your childhood?

Yes, though born in Singapore in March 1949, I was taken back to be with my dadiji (paternal grandma) in Malaya when I was two months old.  However, I was brought back to Singapore when I was seven to begin school. My grandparents thought Singapore was a better place to receive an English education.

Your mother was Scottish and father, an Indian. What languages did you grow up speaking? What language is most comfortable for you to write in? 

I grew up speaking bits of Punjabi, Malay and, of course, English. In my teenage years I also picked up some Chinese dialects. Though I did study Mandarin in school, I am not too good at it. I can only speak a smattering of it. I am most comfortable writing in English.

You have seen Singapore move from infancy to its current state. Can you tell us what this journey has been like?

It has been an astonishing journey. When I was young-preschool age — Singapore was a British colony. In 1963, Singapore joined Malaya to become part of a new entity then known as Malaysia. However due to basic differences, Singapore pulled out of Malaysia and became an independent, sovereign nation in August 1965.

You are an academic who retired dean of Singapore’s major management institute. And yet, you write poetry. Can you tell us a bit about your journey?

At the then newly established Singapore Management University which I was invited to join as Founding Faculty in 1999, I was told to introduce Creative Thinking as a new mandatory module for all undergraduates. I helmed this exciting and new programme for ten years. SMU was the first University in the world to make Creative Thinking a compulsory course for all undergraduates. Sadly in 2010 this was made optional.

You have a huge collection of books —25,000. How long has it taken you to collect these books?

It has taken me more than 50 years.

Tell us a bit about your book collection. What are your favourite books?

My collection is eclectic. Most of my books, however, belong to the humanities, and within this, most belong to the literary genre. I loved reading from a very young age (being alone at home, reading brought me solace and also knowledge). Among my favourite books, the tragedies of Shakespeare and Sophocles feature prominently. Some 20th century books (those of D H Lawrence and Aldous Huxley in particular), I value tremendously. I should also add that I have been very blessed to have met many of the more well-known/established writers of the 20th century and blessed to have been given signed copies by these wonderful authors: among them Doris Lessing, William Golding, Brian Aldiss, and numerous others.

Did your reading impact your writing?

Quite naturally, yes. I think it’s hard not to be affected by what one reads when it comes to one’s own writing. Even with writers who consciously try to ensure that no clear influences obtain, critics have frequently found far too many disguised references not to infer which authors influenced those writers.

Recently, you made an announcement that you will donate 3,000 books to promote love of reading in Singapore. Do you think donating these books will be enough to make book lovers of non-readers?

I doubt if the mere act of donating will create readers. However, I feel that having a few thousand additional books in a library will, hopefully, draw at least the attention of a few readers and maybe among these will be new readers.

Most people read bestsellers.  What do you think will attract more to appreciate literature like EM Foster, DH Lawrence, and Coleridge?

Yes, in the age of commercialisation, classic writers may not obtain immediate readership– hence schools and colleges/universities play a vital (and necessary) role to ensure that our graduates are educated– at least minimally– in the works of writers who helped change and shape new sensibilities.

Thank you for your time. 

Click here to access poetry by Kirpal Singh

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Categories
Poetry

Slices of the Sun

Poems by John Grey

Tanager
ORANGE

Holy scent
of after rain,
the sigh of breezes
in the canopy,
flowers unbowed
by gilded rainbow,
brisk tanager
chirps crimson in the mist.

Such birthright. Such bequest.
Fervour of daylight,
silky sheen of utter midday,
luminous dawn,
crisp with heaven's air,
twilight,
the second wind of fire.

Night falls.
I eat an orange,
cut in quarters,
slices of the sun.



THE TRAUMA THAT REMAINS

You’re terrified of fire.
I can see it in your eyes.
A roaring hearth before you.
You struggle to tamp it down with tears.

Your mother and sister
perished in a blaze, 
caused by a faulty electric wire.
You were staying with friends at the time.

You’re also afraid of staying with friends.
You need to leave, go home to your empty apartment.
There’s no one there in need of saving.
At least, not until you get there.




THIS IS MY WORLD

The lake below the town
is a blue haze
in which two mute swans
glide back and forth like yellow-beaked sailboats.
The old fishing shack is half-smothered in moss.
An egret is shaking out its wings.
Light fades from the sky.
A chanting chorus of frogs
pulse the edge of day.
You can catch me at home later.
I’ll be listening to jazz.


John Grey is an Australian poet, US resident, recently published in Orbis, Dalhousie Review and the Round Table. His latest books, Leaves On Pages and Memory Outside The Head, are available through Amazon.

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Categories
Slices from Life

Moving from the Podium to the Helm

By Meredith Stephens

For many years my preferred pastimes had been reading, writing, drinking coffee and avoiding exercise. Admittedly, I did cycle to and from work and between my office and classrooms and I had a weight routine that consisted of carrying books up and down stairs. I was proud of having built my exercise routine into my daily movements rather than having to go out of my way to get fit.

It was February and the Japanese winter was dragging on. My office faced north, and it was already dark even though it was early evening. I had a sudden desire to return to Australia earlier than planned to catch the end of the summer and be reunited with my adult children, Emilia and Annika. I made a quick call to the office to let them know of my plans, and then logged on to the airlines and brought my flight forward a week. Little did I know I would continue in Australia not only that summer but also the following summer.

I found myself arriving in Adelaide shortly before the outbreak of a global pandemic and the closing of international borders. I landed bedraggled after my eighteen-hour journey. I descended the escalators to the carousel and waited for my baggage. A short wiry man was staring at me from the other side of the carousel. I averted my gaze, but he walked towards me and stood squarely in front of me. I met his eyes and stared at him for thirty seconds. Gradually, I saw the face of the teenager he once was.

“Are you Alec?” I probed.

I hadn’t seen Alec for twenty years or so since my undergraduate days. His piercing pale blue eyes were unchanged, but his mop of shoulder-length dark curly hair had turned grey and was now neatly trimmed.

“Yes, Meredith,” he acknowledged.

He told me that he had just returned from the UK where he worked as a merchant banker, and that he escaped the northern winter each year to the sail in the Australian summer. We exchanged news about our life events over the past twenty years. I looked up and noticed the other passengers had vanished, and there were only two suitcases moving around on the carousel.

“Let’s catch up again while you are here. Can I have your number?” Alec asked.

I gave him my number and exited the terminal. The sunlight was blinding, and I pushed my suitcases to the kerb and waited until my daughter Emilia drove past to pick me up.

A few days later, Alec sent me an email inviting me to a cafe in Norwood. He picked me up in his dark green Nissan Pathfinder and drove us there.

“I used to have a crush on you at university,” he confided as we exited the car and walked towards the cafe. I was taken aback. Alec had always been so focused on his studies and I could not imagine that he would ever have been interested in anything other than academic topics. I continued feeling stunned by this admission and looked away. I had always admired his quick questioning mind, not to mention his dark curly hair and pale blue eyes, but I said nothing.

Since leaving university Alec had taken up sailing, and he even preferred the sea to the land. He invited me, Emilia, and Annika to sail with him and his sister Verity to Kangaroo Island, south of Adelaide. We eagerly accepted, and soon we found ourselves on his boat heading to the island. Emilia and Annika position themselves at the front of the boat.

Alec liked to keep his use of diesel on the boat to a minimum. Once out at sea, he set the sails and turned off the engine. I was not sure how to help him with the sails, but I did my best to loosen the rope in the winch as he called out instructions to me above the sound of the wind.

Alec had carefully planned the menus for the trip. Because of the panic-buying of milk in the supermarket, there was no cow milk left and he had bought goat milk. He made an espresso coffee for me. I had never had coffee with goat milk before but it was tasty.

Emilia and Annika remained at the front of the boat, and soon Alec summoned his voice to penetrate through the wind to pronounce ‘Dolphins!’ Soon the girls spotted a school of dolphins accompanying us at the front of the boat.

As we sailed along the north coast of Kangaroo Island we passed Smith Bay. Alec informed me that there was a plan to develop a port there. He mentioned that pine forests had been established twenty years ago even though there was no way of getting the wood off the island. The proposed port would provide a means of exporting wood chips. Alec was opposed to this plan because of the threat to the local marine ecosystem, not to mention the dolphins.

We continued west to Dashwood Bay where we anchored for the night. I slumbered peacefully in my cabin as it gently rocked from side to side. Alec had promised to take Emilia and Annika to snorkel with dolphins in the bay. In the morning I was woken by the light penetrating through the cabin window. Alec ushered Verity, Emilia, and Annika on to the dinghy, and took them to the shore.

I remained on board, content to enjoy snorkeling vicariously. I did not miss out, because as I sat at the stern the surface of the water was broken by splashes when dolphins passed by. Finally, the party returned and Alec set sail for the mainland. We farewelled a landscape devoid of human activity apart from a single homestead and a single car parked on the beach.

Alec and I shared the helm for a while but he was feeling tired from the morning snorkeling so I took over. I didn’t expect it would be so cold in the middle of summer, and my left hand slowly became numb. I scanned the horizon for small fishing boats which may not have satellite systems to notify them of our presence. I imagined being distracted for a moment and colliding with one of them. Alec noticed how tense I was and relieved me of my duty. I returned to my cabin and enjoyed the bouncing motion as we crossed the waves of Investigator Strait at a ninety-degree angle on our beam.

It took a pandemic to force me away from my lifestyle of cycling to work and ascending and descending stairs many times a day carrying books. Border closures led to a sequence of events in which I found myself sailing for the first time in my life. I caught the look of wonder in Annika’s eyes and thought we might be dreaming. I closed my eyes and imagined myself once again working in Japan. However, when I opened my eyes we were still on the boat. The pandemic had brought about a revolution in my lifestyle, but one of the few continuities was that my pastimes continued to be reading, writing, and drinking coffee. Even if it was with goat milk.

Meredith Stephens is an applied linguist in Japan. Her work has appeared in Transnational Literature, The Blue Nib, The Font – A Literary Journal for Language Teachers, The Journal of Literature in Language Teaching, The Writers’ and Readers’ MagazineReading in a Foreign Languageand in chapters in anthologies published by Demeter Press, Canada.

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Categories
Musings

No Longer Smug in South Australia

Meredith Stephens gives a first person account of how the pandemic free South Australia is faring balancing fears

Not only does Australia feel geographically isolated, South Australia feels isolated within Australia. Thanks to this isolation we somehow feel immune to the pandemic and enjoy months of zero cases. We look at the evening news aghast as cases soar in Europe and America. Finally, our neighbouring state Victoria gets the numbers under control, and travel between the states becomes possible. Alex has been looking forward to the borders with Tasmania opening so he can sail there from Adelaide and circumnavigate the island. First, he will sail to the historic town of Robe in the south-east of the state, and from there he will sail to Tasmania, weather permitting. He enjoys the extensive preparation, ordering a new inflatable life raft, a new dinghy, a new chart plotter, and installing a wind turbine. He has the standing rigging replaced too.

I want to sail with Alex but can’t because I’m teaching online. I wouldn’t be able to readily access the internet at sea due to the slow satellite connection. I ask Alex to prepare one of his T-shirts for me to take to bed in his absence. He wears the same T-shirt for several days in order to permeate it with his scent.

Suddenly there is news of a six-day lockdown. We have been spared lockdowns to date as we have smugly watched television news of excruciating lockdowns elsewhere. We have until midnight to attend to immediate business. The Chief Medical Officer appears on television and tells us we must decide where we will stay for the next six days. I opt to stay with my ailing mother and take Alex’s T-shirt with me to comfort myself.

I part from Alex and dutifully head to my mother’s home. After making her dinner and cups of tea, I accompany her to her bed, and make sure she takes her medicines. I heat her wheat bags to place behind her neck and on her toes. I watch some television to distract myself, and then exchange texts with Alex. Next, I have to face the night away from him. I don his T-shirt and hope his scent will soothe me to sleep, but it’s no substitute. I wake up with pain throbbing in my right temple and shooting up the right side of my neck. I touch my temple and feel the familiar dilated vein.

I must teach two classes online. I want to cancel because of my migraine, but if I do so I must make up the classes, so I persist with the lessons. The bright light of the screen pierces my eyes, but I find relief when I usher the students into breakout rooms and lie down for five minutes each time they interact with one another.

I search the house for pain relief. I beg Mum for some of her prescribed opiate tablets. She only has two left and permits me to have a quarter of one which she has cut out with the tablet cutter. Then the pain intensifies. I cannot find any aspirin but manage to find some Panadol from an expired blister pack. This gives me no relief. I am not sure I could get a doctor’s appointment at such short notice. Going to the emergency room would be counterproductive during a pandemic. I resolve to go to my daughter’s house. I know that she has two left-over prescribed opiate tablets. I determine to make the long drive despite the injunction not to leave the house. I go into Mum’s room to explain, but she is sleeping. So I leave a note on her bedside table. I leave my laptop there because I will be back in the evening.

I venture onto the deserted main roads. Will I be stopped and questioned by the police? After twenty minutes of driving, I see ten police cars on the opposite side of the main road, stopping drivers. I resolve not to take that route when I return to Mum’s. When I arrive at my daughter’s house, there is a text from Mum:

“Where are you? Are you okay? I am worried about you. I heard you leave.”

“I left a note by your bedside table. Didn’t you see it?”

“No. I missed it.”

“I’ll come back tonight.”

“No, Darling. I’ll be okay for the night. It’s too dangerous for you to drive in your condition.”

“Okay then. I’ll pop back tomorrow morning in time to Zoom my classes.”

Then my sister Rebecca texts me and asks after Mum. I explain that I have had to leave her in search of pain relief. I continue that I am worried about having left the house, but then my other sister Jemima forwards me a government message from social media saying that you may leave the house to care for an infirm relative or friend. Now I can consider my daughter’s house to be my base, and my trip to Mum’s to be legitimate. Rebecca and Jemima offer to take turns to stay with Mum until I recover.

I retrieve one of the prescribed opiate tablets at my daughter’s house, but the pain persists until the morning. I telephone the local clinic and make a telehealth appointment. The doctor calls me back at the appointed time and texts me a script.

Alex texts me asking how I am, and I send him the government message indicating that movement to care for someone who is unwell is legitimate. He offers to visit me and pick up the medicine on the way. My daughter shows me how to forward the script to him on my phone. Alex receives it and promises to come. I absorb his resonant voice, gentle tone, and the calm in his measured and carefully articulated speech. The tension eases and somehow, I find myself explaining to him that I am finally without pain.

Alex arrives at my door with my prescription tablets, but by now the pain has subsided. Knowing that I have left my laptop at Mum’s, he has brought me one of his. Not only that, he has brought South Australian yellowfish tuna which we can eat as sashimi, oysters, and some salmon. We sit down together while he explains to me how to use the Chromebook laptop, but rather than fixing my eyes on the screen I fix them on him, and once again imbibe his scent. We enjoy each other’s company for an hour before Alex has to return home.

Then my daughter informs us that the lockdown has been shortened. It appears that there was a misunderstanding during one of the contact tracing interviews and that the lockdown period will be reduced to three days. Travel within the state will be permitted.

Alex is relieved that at least he will not have to forego sailing, even though the circumnavigation of Tasmania will have to wait. Instead, he will sail into Spencer Gulf, within the state. The ocean is beckoning him, and he is grateful that he can now heed her call. The months of planning equipment, meals, and reading material will have paid off; he can resume his position at the helm, catch fish and squid for his meals, make use of his instinctive sense of wind direction, and be free to move or to stay according to whim, without a single care for COVID.

Meredith Stephens is an applied linguist in Japan. Her work has appeared in Transnational Literature, The Blue Nib, The Font – A Literary Journal for Language Teachers, The Journal of Literature in Language Teaching, The Writers’ and Readers’ MagazineReading in a Foreign Languageand in chapters in anthologies entitled What’s Cooking Mom? Narratives about Food and Family, The Migrant Maternal: “Birthing” New Lives Abroad, and Twenty-First Century Friendshipall published by Demeter Press, Canada.

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Categories
Poetry

Giants and more…

By John Grey

Giants

The elephant enclosure

is dotted with heaps of hay.

Three giant gray thirty-somethings

jolt each other softly,

as trunkfuls of feed

are packed into open mouths.

A crowd gathers behind a fence,

watches these gentle behemoths

fills their massive bodies.

.

A sign nailed to a post

gives Latin name,

location in the wild,

color-codes Loxodonta Africana

as threatened.

Herds and habitat are shrinking.

There’s so little that can live

on such a grand scale.

.

The Law-giver

Shorter days panic

the apples into ripening.

Those that don’t fall

are plucked, fill buckets,

are trafficked from orchard

to ramshackle road-side shack

where scrawled sign and cheap scales

make for a fleeting Autumn store.

.

Bright red Washingtons are traded

for crisp green Washingtons.

A plush, juicy Granny Smith

is sold to a bent, age-smudged Granny Smith.

.

A gray-haired woman holds court

from her ancient lawn-chair,

while noisy children chase dogs

in and out of her legs.

.

A guy in a Buick drives up,

checks through a bushel so fresh,

the smell of the tree is still on their skin.

He scowls at the spots, the bruises.

.

The first law of apples is that

the scruffier the look, the tastier the fruit.

The red-cheeked woman in rumpled dress,

is the law-giver.

John Grey is an Australian poet, US resident. Recently published in Sin Fronteras, Dalhousie Review and Qwerty with work upcoming in West Trade Review, Willard and Maple and Connecticut River Review.

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