Categories
Celebrating Translations

Connecting Worlds with Words

While mankind started out perhaps speaking the same language in the heart of Africa, now there are more than 7, 100 languages in the world. The differences in languages, cultures and rituals could be fanned as unsurmountable divides for political needs. However, translators build bridges with cultural and linguistic comprehension to create an overarching rainbow that shimmers with the colours of shared emotions. We celebrate International Translation Day with a discussion with five translators from South Asia on how they create links not just across vernaculars, but across cultures, time and space. We also have gathered together the colours of 28 languages and cultures and some unique discussions about books that have been translated recently.

Bridging Cultures across Time and Space: An exclusive discussion with Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch. Click here to read.

We are the World: Celebrating writers and translators who have connected us with these ideas across boundaries of time and place, we bring to you translated writings in English from twenty eight languages. Click here to read.

A discussion with Somdatta Mandal on her translation of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas. Click here to read.

A conversation with Nazes Afroz, former BBC editor, along with a brief introduction to his new translations of Syed Mujtaba Ali’s Tales of a Voyager (Jolay Dangay). Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Saint Jerome (the patron saint of translators) by Domenico Ghirlandaio (1448-1494). The International Translation Day is celebrated on the the feast day of St Jerome, 30th September each year. From Public Domain

Categories
Editorial

Seasons Out of Time

Today, as I gaze in this autumnal light,
I feel I am viewing life anew.

— Tagore's Aaj Shororter Aloy (Today, in the Autumnal Light)
Autumn Garden by Vincent Van Gogh (1853-1890). From Public Domain

September heralds the start of year-end festivities around the world. It’s autumn in one part and spring in another – both seasons that herald change. While our planet celebrates changes, dichotomies, opposites and inclusively gazes with wonder at the endless universe in all its splendour, do we? Festivals are times of good cheer and fun with our loved ones. And yet, a large part of the world seems to be in disarray with manmade disasters wrought by our own species on its own home planet. Despite the sufferings experienced by victims of climate and war-related calamities, the majority will continue to observe rituals out of habit while subscribing to exclusivity and shun change in any form. Occasionally, there are those who break all rules to create a new norm.

One such group of people are the bauls or mendicants from Bengal. Aruna Chakravarti has shared an essay about these people who have created a syncretic lore with music and nature, defying the borders that divide humanity into exclusive groups. As if to complement this syncretic flow, we have Professor Fakrul Alam’s piece on a human construct, literary clubs spanning different cultures spread over centuries – no less an area in which we find norms redefined for, the literary, often, are the harbingers of change.

Weaving in stories from around the world, our non-fiction section offers parenting tips ( or are these really nerdy meanderings?) from Farouk Gulsara who looks inclusively at all life forms — big and small, including humans. Meredith Stephens brings us a sobering narrative with a light touch from the Southern Hemisphere. Prithvijeet Sinha takes us to explore an ancient monument of Lucknow and Jun A. Alindogan tells us “what’s in a name” in Philippines — it’s quite complex really  — it reads almost as complicated as a Japanese addresses explained in her column by Suzanne Kamata. In this issue, she takes us through the complexities of history in South Carolina, while Devraj Singh Kalsi analyses literary awards with a dollop of irony!

Humour is brought into poetry by Rhys Hughes, though his column houses more serious poems. Joseph C.Obgonna has an interesting take on his hat — if you please. We have poetry on climate by Onkar Sharma. Verses as usual mean variety on our pages. In this issue, we have a poem (an ekphrastic, if we were given to labelling) by Ryan Quinn Flanagan on a painting, by Ron Pickett on aging and on a variety of issues by Arshi, Joseph K Wells, Shamim Akhtar, Stephen House, Mian Ali, John Grey, Jim Murdoch, Juliet F Lalzarzoliani, Jim Bellamy, Soumyadwip Chakraborty, Richard Stimac and Sanzida Alam. We have translations of poetry. Ihlwha Choi has self-translated his poem on a dragonfly from Korean. Snehprava Das has brought to us another Odia poet, Ashwini Mishra. Tagore’s Aaj Shororter Aloy (Today, in the Autumnal Light) has been translated from Bengali. Though the poem starts lightly with the poet bathed in autumnal light, it dwells on ‘eternal truths’ while Nazrul’s Karar Oi Louho Kopat (Those Iron Shackles of Prison), transcreated by Professor Alam, reiterates breaking gates that exclude and highlight differences. In the same spirit as that of the bauls, Nazrul’s works ask for inclusivity as do those of Tagore.

We have more poetry in book excerpts with Sinha’s debut collection of poems, A Verdant Heart, and in reviews with veteran poet Kiriti Sengupta’s Selected Poems, reviewed by academic Pradip Mondal. Rakhi Dalal has written on Mohua Chinappa’s Thorns in my Quilt: Letters from a father to a Daughter. while Bhaskar Parichha has discussed Kalyani Ramnath’s Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942–1962, a book that explores beyond the boundaries that politicians draw for humanity. The pièce de résistance in this section is Somdatta Mandal’s exploration of Aruna Chakravarti’s selected and translated, Rising from the Dust: Dalit Stories from Bengal. The book stands out not just for the translation but also with the selection which showcases an attempt to create bridges that transcend linguistic and cultural barriers.

Mandal, herself, has a brilliant translation featured in this issue. We have a review of her book, an interview with her, and an excerpt from the translation of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas. Written and first published in the Tagore family journal, Bharati, the narrative is an outstanding cultural bridge which even translates Bengali humour for an Anglophone readership. That Sen had a strictly secular perspective in the nineteenth century when blind devotion was often a norm is showcased in Mandal’s translation as well as the stupendous descriptions of the Himalayas that haunt with elegant simplicity. 

Our fiction this month seems largely focussed on women’s stories from around the world. While Fiona Sinclair and Erin Jamieson reflect on mother-daughter relationships, Anandita Dey looks into a woman’s dilemma as she tries to adjust to the accepted norm of an ‘arranged’ marriage. Rashida Murphy explores deep rooted social biases that create issues faced by a woman with a light touch. Naramsetti Umamaheswararao brings in variety with a fable – a story that reflects human traits transcending gender disparity.

The September issue would not have been possible without contributions of words and photographs by many of you. Huge thanks to all of you, to the fabulous team and to Sohana Manzoor, whose art has become synonymous with our journal. And our heartfelt thanks to our wonderful readers, without who the effort of putting together this journal would be pointless. Thank you all.

Looking forward to happier times.

Mitali Chakravarty

borderlessjournal.com

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Categories
Excerpt

Travels of Jaladhar Sen

Title: The Travels of a Sadhu in the Himalayas

Author: Jaladhar Sen

Translated from Bengali by Somdatta Mandal

Publisher: Speaking Tiger Books

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6th May, Wednesday

I had arranged to leave at half past four in the morning; my friends arrived even earlier to bid me farewell. It was a moonlit night, and the entire world lay silent and still. Could this small change in my life affect the grand workings of the earth? I was leaving everyone behind; friends and relatives accompanied me for quite some distance. It was evidently difficult for them to sever the affectionate ties they had nurtured with me for so long. I requested that they not proceed further; in the end, they reluctantly turned back. I, too, glanced back several times to take one last look at them. I couldn’t help but wonder—if this separation from friends was so painful, how much more difficult would it be to part from one’s own family?

A few days ago, I had read Pilgrim’s Progress*, and one scene from the book kept recurring in my mind. As we walked, my thoughts wandered to such reflections. Soon, the sun rose. We began moving towards Hrishikesh. This was an unfamiliar route—rarely travelled by others. After crossing several mountains and forests, we arrived at a small village called ‘Khanu’† around 11 a.m. This peaceful village with only five to seven houses nestled beneath a canopy of trees, resembled a tiny bird’s nest. A small stream meandered near the village. We went and took shelter under a tree by the stream, and, parched and famished, we gratefully drank its water to our hearts’ content. After eating our meal there, we resumed our journey around 5 p.m.

After leaving the village, we noticed two monks walking ahead of us. Since it was just the two of us travelling, I thought, why not join these holy men? At least the four of us could travel together for a while. We quickened our pace, but when we caught up to the two sanyasis, I felt a mix of amusement and irritation. One of them turned out to be my former servant, whom I had dismissed twenty or twenty-five days earlier for theft. His transformation was remarkable—dressed in the elaborate robes of a sanyasi, with tangled hair and constant chants of ‘Har Har Bom Bom’, he was barely recognisable as the thief he once was. It was sheer bad luck on his part that our paths crossed that day.

I recounted the whole story to Swamiji, who commented, ‘Perhaps his companion has some money in his jhola, and he has disguised himself in this manner to swindle it.’

Indeed, there seemed to be no limit to the number of people who cloaked themselves in saffron robes, with matted hair and a kamandalu, only to engage in theft, deceive innocent people, or even commit heinous crimes when the opportunity arose. Readers will encounter many such so-called sadhus in my travel narrative.

At first, my servant seemed confident I wouldn’t recognise him in his new guise. He appeared smug, believing that his ‘western intelligence’ would outwit my ‘Bengali intellect’. Seeing us, he began chanting ‘Bom Bom’ even louder, as if to reinforce his act. Unable to tolerate his pretence any longer, I burst out laughing and said, ‘Aare lounde, kabse chori chhod ke sadhu ban giya?——Oh, you scoundrel, since when did you give up thievery to become a monk?’

He was utterly stunned and rendered speechless by my words. I then explained everything to his companion, a naïve and well-meaning man. This stout young fellow had accepted my servant as his disciple, feeding him well in exchange for a few religious sermons. I said, ‘Sadhu, you may keep him and feed him—I have no objection. But if you have any money in your jhola, guard it carefully. If a man can become a sadhu in ten or twelve days, there’s nothing stopping him from becoming a murderous dacoit in a few hours.’

Later, I heard that the sadhu heeded my unsolicited advice.

By evening, we reached Bhogpur. This village was home to many people, and the presence of small brick houses suggested that some wealthy residents lived there. Close to the homes of these affluent villagers stood a dharamshala, built and maintained by the villagers themselves. Travellers and sadhus from afar could find shelter here, with food and amenities provided by the locals. However, if a traveller carried money or the village had a shop, they need not rely on these dharamshalas.

There is a great deficiency of dharamshalas in Bengal. In many respects, we are far more developed and civilised than people from other parts of India; however, we are so preoccupied that we do not have the leisure to spare time for travellers or sick people who might perish on their journeys. Of course, it must be acknowledged that there are still a few among us who are exceptions to this. Nevertheless, I feel that the uneducated Garhwali farmers, who help others, offer shelter to the distressed, and wholeheartedly care for guests, are far more sincere than the educated people of Bengal.

We spent the night at the dharamshala in Bhogpur. Exhausted from the rigours of travelling, we had no need for food and instead went straight to sleep.

7th May, Thursday

We resumed our journey early in the morning and entered the forest of Hrishikesh, which we had traversed before. Although the forest was familiar, the path was entirely unknown; we could not determine whether we were following the same route we had previously taken. We reached Hrishikesh at 1 p.m. and rested beneath a tree, still without any food. Once the afternoon sun’s glare had lessened, we resumed our journey and reached Lakshman Jhula by evening.

The few shops overlooking the Ganga at Lakshman Jhula were bustling with travellers. A group of Udasi sanyasis had arrived that very day. They were Sikhs.

(Excerpted from The Travels of a Sadhu in the Himalayas by Jaladhar Sen, translated by Somdatta Mandal. Published by Speaking Tiger Books, 2025.)

THE BOOK

In the summer of 1890, Jaladhar Sen left behind a life of domesticity and embarked on an adventure across some of India’s most sacred landscapes, from Hrishikesh, all the way to Badrinath. Armed with little more than a blanket, a staff, and a book of songs by the renowned Bengali poet and Baul singer Kangal Harinath, he journeyed through perilous mountain passes, snowbound valleys, and remote pilgrim towns—seeking not the divine, but solace for a life fractured by loss.

Sen’s deeply personal travelogue chronicles the breathtaking beauty of the Himalayas—the roaring Alakananda, the towering peaks of Nara and Narayan, the spiritual might of Shankaracharya’s Joshimath, the bustling markets of Srinagar, and the ethereal stillness of Badrinath—along with a vivid cast of characters—from stoic sadhus, cunning pandas and officious police personnel to ailing young boys, large-hearted villagers and even fellow Bengali pilgrims. In the shadow of the Himalayas, Sen reflects on the complexities of faith, the hypocrisies of ascetic life, and the profound tenderness of human connection.

Blending diary observations and literary flourish, Himalay—first published in 1900—had once captured the imagination of a generation of Bengalis, inspiring them to travel far beyond their homeland. This English translation reintroduces Sen’s compelling account to a new audience, highlighting its historical importance and enduring charm as one of the earliest modern Bengali narratives of the Himalayan experience.

 THE AUTHOR

Jaladhar Sen (1860–1939) was a Bengali writer, poet, editor and a philanthropist, traveller, social worker, educationist, and littérateur. He was awarded the title of ‘Ray Bahadur’ by the British Government. In 1887 he suffered the greatest loss in his life when his mother, wife and daughter died in quick succession. Overwhelmed by grief and seeking solace, Jaladhar moved to Dehradun at the foothills of the Himalayas, where he worked as a teacher. It was during this time, in 1890, that he travelled to the Garhwal Himalaya. This journey inspired his travelogue Himalay.

THE TRANSLATOR

Somdatta Mandal is the Former Professor of English and Chairperson at the Department of English & Other Modern European Languages, Visva-Bharati, Santiniketan. Somdatta has a keen interest in translation and travel writing.

Read an interview with a the translator and a review by clicking here

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