Categories
Celebrating Humanity

Can Old Acquaintances be Forgot…

Our January 2025 Cover: Art by Sohana Manzoor

It has been a strange year for all of us. Amidst the chaos, bloodshed and climate disasters, Borderless Journal seems to be finding a footing in an orphaned world, connecting with writers who transcend borders and readers who delight in a universe knit with the variety and vibrancy of humanity. Like colours of a rainbow, the differences harmonise into an aubade, dawning a world with the most endearing of human traits, hope.

A short round up of this year starts with another new area of focus — a section with writings on environment and climate. Also, we are delighted to add we now host writers from more than forty countries. In October, we were surprised to see Borderless Journal listed on Duotrope and we have had a number of republications with acknowledgement — the last request was signed off this week for a republication of Ihlwha Choi’s poem in an anthology by Hatchette US. We have had many republications with due acknowledgment in India, Bangladesh, Pakistan and UK too among other places. Our team has been active too not just with words and art but also with more publications from Borderless. Rhys Hughes, who had a play performed to a full house in Wales recently, brought out a whole book of his photo-poems from Borderless. Bhaskar Parichha has started an initiative towards another new anthology from our content — Odia poets translated by Snehaprava Das. We are privileged to have all of you — contributors and readers — on board. And now, we invite you to savour some of our fare published in Borderless from January 2025 to December 2025. These are pieces that embody the spirit of a world beyond borders… 

Poetry

Click on the names to read the poems

Arshi, Luis Cuauhtémoc Berriozábal, Snehaprava Das, Ron Pickett, Nziku Ann, Onkar Sharma, Harry Ricketts, Ashok Suri, Heath Brougher, Momina Raza, George Freek, Snigdha Agrawal, Stuart Macfarlane, Gazala Khan , Lizzie Packer, Rakhi Dalal, Jenny Middleton, Afsar Mohammad, Ryan Quinn Flanagan, Rhys Hughes

Translated Poetry

The Lost Mantras, Malay poems written and translated by Isa Kamari

The Dragonfly, a Korean poem written and translated by Ihlwha Choi

Ramakanta Rath’s Sri Radha, translated from Odiya by the late poet himself.

Identity by Munir Momin, translated from Balochi by Fazal Baloch

Found in Translation: Bipin Nayak’s Poetry, translated from Odiya by Snehaprava Das.

For Sanjay Kumar: To Sir — with Love by Tanvir , written for the late founder of pandies’ theatre, and translated from Hindustani by Lourdes M Surpiya.

Therefore: A Poem by Sukanta Bhattacharya, translated from Bengali by Kiriti Sengupta.

Poetry of Jibanananda Das, translated from Bengali by Fakrul Alam.

Tagore’s Pochishe Boisakh Cholechhe (The twenty fifth of Boisakh draws close…) translated from Bengali by Mitali Chakravarty. 

Fiction

An excerpt from Tagore’s long play, Roktokorobi or Red Oleanders, has been translated by Professor Fakrul Alam. Click here to read.

Ajit Cour’s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

A Lump Stuck in the Throat, a short story by Nasir Rahim Sohrabi translated from Balochi by Fazal Baloch. Click here to read.

Night in Karnataka: Rhys Hughes shares his play. Click here to read.

The Wise Words of the Sun: Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Looking for Evans: Rashida Murphy writes a light-hearted story about a faux pas. Click here to read.

Exorcising Mother: Fiona Sinclair narrates a story bordering on spooky. Click here to read.

The Fog of Forgotten Gardens: Erin Jamieson writes from a caregivers perspective. Click here to read.

Jai Ho Chai: Snigdha Agrawal narrates a funny narrative about sadhus and AI. Click here to read.

The Sixth Man: C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White Terror. Click here to read.

Sleeper on the Bench: Paul Mirabile sets his strange story in London. Click here to read.

I Am Not My Mother: Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

Persona: Sohana Manzoor wanders into a glamorous world of expats. Click here to read.

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Sandy Cannot Write: Devraj Singh Kalsi takes us into the world of advertising and glamour. Click here to read.

Non Fiction

Classifications in Society by Tagore has been translated from Bengali by Somdatta Mandal. Click here to read.

The Day of Annihilation, an essay on climate change by Kazi Nazrul Islam, translated from Bengali by Radha Chakravarty. Click here to read.

The Bauls of Bengal: Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

The Literary Club of 18th Century London: Professor Fakrul Alam writes on literary club traditions of Dhaka, Kolkata and an old one from London. Click here to read.

Roquiah Sakhawat Hossein: How Significant Is She Today?: Niaz Zaman reflects on the relevance of one of the earliest feminists in Bengal. Click here to read.

Anadi: A Continuum in Art: Ratnottama Sengupta writes of an exhibition curated by her. Click here to read.

Reminiscences from a Gallery: The Other Ray: Dolly Narang muses on Satyajit Ray’s world beyond films and shares a note by the maestro and an essay on his art by the eminent artist, Paritosh Sen. Click here to read.

250 Years of Jane Austen: A Tribute: Meenakshi Malhotra pays a tribute to the writer. Click here to read.

Menaced by a Marine Heatwave: Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

Linen at Midnight: Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman: Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read

‘Verify You Are Human’: Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Where Should We Go After the Last Frontiers?: Ahamad Rayees writes from a village in Kashmir which homed refugees and still faced bombing. Click here to read.

The Jetty Chihuahuas: Vela Noble takes us for a stroll to the seaside at Adelaide. Click here to read.

The Word I Could Never Say: Odbayar Dorj muses on her own life in Mongolia and Japan. Click here to read.

On Safari in South Africa by Suzanne Kamata takes us to a photographic and narrative treat of the Kruger National Park. Click here to read.

The Day the Earth Quaked: Amy Sawitta Lefevre gives an eyewitness account of the March 28th earthquake from Bangkok. Clickhere to read.

From Madagascar to Japan: An Adventure or a Dream: Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Clickhere to read.

How Two Worlds Intersect: Mohul Bhowmick muses on the diversity and syncretism in Bombay or Mumbai. Click here to read.

Can Odia Literature Connect Traditional Narratives with Contemporary Ones: Bhaskar Parichha discusses the said issue. Click here to read.

A discussion on managing cyclones, managing the aftermath and resilience with Bhaksar Parichha, author of Cyclones in Odisha: Landfall, Wreckage, and Resilience. Click here to read.

A discussion of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal, with an online interview with the translator. Click here to read.

A conversation with the author in Anuradha Kumar’s Wanderers, Adventurers, Missionaries: Early Americans in India . Click here to read.

Keith Lyons in conversation with Harry Ricketts, mentor, poet, essayist and more. Click here to read.

Categories
Celebrating Translations

Connecting Worlds with Words

While mankind started out perhaps speaking the same language in the heart of Africa, now there are more than 7, 100 languages in the world. The differences in languages, cultures and rituals could be fanned as unsurmountable divides for political needs. However, translators build bridges with cultural and linguistic comprehension to create an overarching rainbow that shimmers with the colours of shared emotions. We celebrate International Translation Day with a discussion with five translators from South Asia on how they create links not just across vernaculars, but across cultures, time and space. We also have gathered together the colours of 28 languages and cultures and some unique discussions about books that have been translated recently.

Bridging Cultures across Time and Space: An exclusive discussion with Aruna Chakravarti, Radha Chakravarty, Somdatta Mandal, Fakrul Alam and Fazal Baloch. Click here to read.

We are the World: Celebrating writers and translators who have connected us with these ideas across boundaries of time and place, we bring to you translated writings in English from twenty eight languages. Click here to read.

A discussion with Somdatta Mandal on her translation of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas. Click here to read.

A conversation with Nazes Afroz, former BBC editor, along with a brief introduction to his new translations of Syed Mujtaba Ali’s Tales of a Voyager (Jolay Dangay). Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Saint Jerome (the patron saint of translators) by Domenico Ghirlandaio (1448-1494). The International Translation Day is celebrated on the the feast day of St Jerome, 30th September each year. From Public Domain

Categories
Editorial

Seasons Out of Time

Today, as I gaze in this autumnal light,
I feel I am viewing life anew.

— Tagore's Aaj Shororter Aloy (Today, in the Autumnal Light)
Autumn Garden by Vincent Van Gogh (1853-1890). From Public Domain

September heralds the start of year-end festivities around the world. It’s autumn in one part and spring in another – both seasons that herald change. While our planet celebrates changes, dichotomies, opposites and inclusively gazes with wonder at the endless universe in all its splendour, do we? Festivals are times of good cheer and fun with our loved ones. And yet, a large part of the world seems to be in disarray with manmade disasters wrought by our own species on its own home planet. Despite the sufferings experienced by victims of climate and war-related calamities, the majority will continue to observe rituals out of habit while subscribing to exclusivity and shun change in any form. Occasionally, there are those who break all rules to create a new norm.

One such group of people are the bauls or mendicants from Bengal. Aruna Chakravarti has shared an essay about these people who have created a syncretic lore with music and nature, defying the borders that divide humanity into exclusive groups. As if to complement this syncretic flow, we have Professor Fakrul Alam’s piece on a human construct, literary clubs spanning different cultures spread over centuries – no less an area in which we find norms redefined for, the literary, often, are the harbingers of change.

Weaving in stories from around the world, our non-fiction section offers parenting tips ( or are these really nerdy meanderings?) from Farouk Gulsara who looks inclusively at all life forms — big and small, including humans. Meredith Stephens brings us a sobering narrative with a light touch from the Southern Hemisphere. Prithvijeet Sinha takes us to explore an ancient monument of Lucknow and Jun A. Alindogan tells us “what’s in a name” in Philippines — it’s quite complex really  — it reads almost as complicated as a Japanese addresses explained in her column by Suzanne Kamata. In this issue, she takes us through the complexities of history in South Carolina, while Devraj Singh Kalsi analyses literary awards with a dollop of irony!

Humour is brought into poetry by Rhys Hughes, though his column houses more serious poems. Joseph C.Obgonna has an interesting take on his hat — if you please. We have poetry on climate by Onkar Sharma. Verses as usual mean variety on our pages. In this issue, we have a poem (an ekphrastic, if we were given to labelling) by Ryan Quinn Flanagan on a painting, by Ron Pickett on aging and on a variety of issues by Arshi, Joseph K Wells, Shamim Akhtar, Stephen House, Mian Ali, John Grey, Jim Murdoch, Juliet F Lalzarzoliani, Jim Bellamy, Soumyadwip Chakraborty, Richard Stimac and Sanzida Alam. We have translations of poetry. Ihlwha Choi has self-translated his poem on a dragonfly from Korean. Snehprava Das has brought to us another Odia poet, Ashwini Mishra. Tagore’s Aaj Shororter Aloy (Today, in the Autumnal Light) has been translated from Bengali. Though the poem starts lightly with the poet bathed in autumnal light, it dwells on ‘eternal truths’ while Nazrul’s Karar Oi Louho Kopat (Those Iron Shackles of Prison), transcreated by Professor Alam, reiterates breaking gates that exclude and highlight differences. In the same spirit as that of the bauls, Nazrul’s works ask for inclusivity as do those of Tagore.

We have more poetry in book excerpts with Sinha’s debut collection of poems, A Verdant Heart, and in reviews with veteran poet Kiriti Sengupta’s Selected Poems, reviewed by academic Pradip Mondal. Rakhi Dalal has written on Mohua Chinappa’s Thorns in my Quilt: Letters from a father to a Daughter. while Bhaskar Parichha has discussed Kalyani Ramnath’s Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942–1962, a book that explores beyond the boundaries that politicians draw for humanity. The pièce de résistance in this section is Somdatta Mandal’s exploration of Aruna Chakravarti’s selected and translated, Rising from the Dust: Dalit Stories from Bengal. The book stands out not just for the translation but also with the selection which showcases an attempt to create bridges that transcend linguistic and cultural barriers.

Mandal, herself, has a brilliant translation featured in this issue. We have a review of her book, an interview with her, and an excerpt from the translation of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas. Written and first published in the Tagore family journal, Bharati, the narrative is an outstanding cultural bridge which even translates Bengali humour for an Anglophone readership. That Sen had a strictly secular perspective in the nineteenth century when blind devotion was often a norm is showcased in Mandal’s translation as well as the stupendous descriptions of the Himalayas that haunt with elegant simplicity. 

Our fiction this month seems largely focussed on women’s stories from around the world. While Fiona Sinclair and Erin Jamieson reflect on mother-daughter relationships, Anandita Dey looks into a woman’s dilemma as she tries to adjust to the accepted norm of an ‘arranged’ marriage. Rashida Murphy explores deep rooted social biases that create issues faced by a woman with a light touch. Naramsetti Umamaheswararao brings in variety with a fable – a story that reflects human traits transcending gender disparity.

The September issue would not have been possible without contributions of words and photographs by many of you. Huge thanks to all of you, to the fabulous team and to Sohana Manzoor, whose art has become synonymous with our journal. And our heartfelt thanks to our wonderful readers, without who the effort of putting together this journal would be pointless. Thank you all.

Looking forward to happier times.

Mitali Chakravarty

borderlessjournal.com

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Categories
Excerpt

Travels of Jaladhar Sen

Title: The Travels of a Sadhu in the Himalayas

Author: Jaladhar Sen

Translated from Bengali by Somdatta Mandal

Publisher: Speaking Tiger Books

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6th May, Wednesday

I had arranged to leave at half past four in the morning; my friends arrived even earlier to bid me farewell. It was a moonlit night, and the entire world lay silent and still. Could this small change in my life affect the grand workings of the earth? I was leaving everyone behind; friends and relatives accompanied me for quite some distance. It was evidently difficult for them to sever the affectionate ties they had nurtured with me for so long. I requested that they not proceed further; in the end, they reluctantly turned back. I, too, glanced back several times to take one last look at them. I couldn’t help but wonder—if this separation from friends was so painful, how much more difficult would it be to part from one’s own family?

A few days ago, I had read Pilgrim’s Progress*, and one scene from the book kept recurring in my mind. As we walked, my thoughts wandered to such reflections. Soon, the sun rose. We began moving towards Hrishikesh. This was an unfamiliar route—rarely travelled by others. After crossing several mountains and forests, we arrived at a small village called ‘Khanu’† around 11 a.m. This peaceful village with only five to seven houses nestled beneath a canopy of trees, resembled a tiny bird’s nest. A small stream meandered near the village. We went and took shelter under a tree by the stream, and, parched and famished, we gratefully drank its water to our hearts’ content. After eating our meal there, we resumed our journey around 5 p.m.

After leaving the village, we noticed two monks walking ahead of us. Since it was just the two of us travelling, I thought, why not join these holy men? At least the four of us could travel together for a while. We quickened our pace, but when we caught up to the two sanyasis, I felt a mix of amusement and irritation. One of them turned out to be my former servant, whom I had dismissed twenty or twenty-five days earlier for theft. His transformation was remarkable—dressed in the elaborate robes of a sanyasi, with tangled hair and constant chants of ‘Har Har Bom Bom’, he was barely recognisable as the thief he once was. It was sheer bad luck on his part that our paths crossed that day.

I recounted the whole story to Swamiji, who commented, ‘Perhaps his companion has some money in his jhola, and he has disguised himself in this manner to swindle it.’

Indeed, there seemed to be no limit to the number of people who cloaked themselves in saffron robes, with matted hair and a kamandalu, only to engage in theft, deceive innocent people, or even commit heinous crimes when the opportunity arose. Readers will encounter many such so-called sadhus in my travel narrative.

At first, my servant seemed confident I wouldn’t recognise him in his new guise. He appeared smug, believing that his ‘western intelligence’ would outwit my ‘Bengali intellect’. Seeing us, he began chanting ‘Bom Bom’ even louder, as if to reinforce his act. Unable to tolerate his pretence any longer, I burst out laughing and said, ‘Aare lounde, kabse chori chhod ke sadhu ban giya?——Oh, you scoundrel, since when did you give up thievery to become a monk?’

He was utterly stunned and rendered speechless by my words. I then explained everything to his companion, a naïve and well-meaning man. This stout young fellow had accepted my servant as his disciple, feeding him well in exchange for a few religious sermons. I said, ‘Sadhu, you may keep him and feed him—I have no objection. But if you have any money in your jhola, guard it carefully. If a man can become a sadhu in ten or twelve days, there’s nothing stopping him from becoming a murderous dacoit in a few hours.’

Later, I heard that the sadhu heeded my unsolicited advice.

By evening, we reached Bhogpur. This village was home to many people, and the presence of small brick houses suggested that some wealthy residents lived there. Close to the homes of these affluent villagers stood a dharamshala, built and maintained by the villagers themselves. Travellers and sadhus from afar could find shelter here, with food and amenities provided by the locals. However, if a traveller carried money or the village had a shop, they need not rely on these dharamshalas.

There is a great deficiency of dharamshalas in Bengal. In many respects, we are far more developed and civilised than people from other parts of India; however, we are so preoccupied that we do not have the leisure to spare time for travellers or sick people who might perish on their journeys. Of course, it must be acknowledged that there are still a few among us who are exceptions to this. Nevertheless, I feel that the uneducated Garhwali farmers, who help others, offer shelter to the distressed, and wholeheartedly care for guests, are far more sincere than the educated people of Bengal.

We spent the night at the dharamshala in Bhogpur. Exhausted from the rigours of travelling, we had no need for food and instead went straight to sleep.

7th May, Thursday

We resumed our journey early in the morning and entered the forest of Hrishikesh, which we had traversed before. Although the forest was familiar, the path was entirely unknown; we could not determine whether we were following the same route we had previously taken. We reached Hrishikesh at 1 p.m. and rested beneath a tree, still without any food. Once the afternoon sun’s glare had lessened, we resumed our journey and reached Lakshman Jhula by evening.

The few shops overlooking the Ganga at Lakshman Jhula were bustling with travellers. A group of Udasi sanyasis had arrived that very day. They were Sikhs.

(Excerpted from The Travels of a Sadhu in the Himalayas by Jaladhar Sen, translated by Somdatta Mandal. Published by Speaking Tiger Books, 2025.)

THE BOOK

In the summer of 1890, Jaladhar Sen left behind a life of domesticity and embarked on an adventure across some of India’s most sacred landscapes, from Hrishikesh, all the way to Badrinath. Armed with little more than a blanket, a staff, and a book of songs by the renowned Bengali poet and Baul singer Kangal Harinath, he journeyed through perilous mountain passes, snowbound valleys, and remote pilgrim towns—seeking not the divine, but solace for a life fractured by loss.

Sen’s deeply personal travelogue chronicles the breathtaking beauty of the Himalayas—the roaring Alakananda, the towering peaks of Nara and Narayan, the spiritual might of Shankaracharya’s Joshimath, the bustling markets of Srinagar, and the ethereal stillness of Badrinath—along with a vivid cast of characters—from stoic sadhus, cunning pandas and officious police personnel to ailing young boys, large-hearted villagers and even fellow Bengali pilgrims. In the shadow of the Himalayas, Sen reflects on the complexities of faith, the hypocrisies of ascetic life, and the profound tenderness of human connection.

Blending diary observations and literary flourish, Himalay—first published in 1900—had once captured the imagination of a generation of Bengalis, inspiring them to travel far beyond their homeland. This English translation reintroduces Sen’s compelling account to a new audience, highlighting its historical importance and enduring charm as one of the earliest modern Bengali narratives of the Himalayan experience.

 THE AUTHOR

Jaladhar Sen (1860–1939) was a Bengali writer, poet, editor and a philanthropist, traveller, social worker, educationist, and littérateur. He was awarded the title of ‘Ray Bahadur’ by the British Government. In 1887 he suffered the greatest loss in his life when his mother, wife and daughter died in quick succession. Overwhelmed by grief and seeking solace, Jaladhar moved to Dehradun at the foothills of the Himalayas, where he worked as a teacher. It was during this time, in 1890, that he travelled to the Garhwal Himalaya. This journey inspired his travelogue Himalay.

THE TRANSLATOR

Somdatta Mandal is the Former Professor of English and Chairperson at the Department of English & Other Modern European Languages, Visva-Bharati, Santiniketan. Somdatta has a keen interest in translation and travel writing.

Read an interview with a the translator and a review by clicking here

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