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Jayanta Mahapatra: A Poetic Luminary

By Dikshya Samantrai

Jayant Mahapatra (1928-2023), Courtesy: Creative Common

While we celebrate the life and works of Jayanta Mahapatra, we are reminded that his poetry transcends time and place. It invites us to contemplate our own existence, our relationships, and our place in the world. Through his words, he has left an indelible mark on the world of literature, demonstrating that poetry has the power to illuminate the soul and bridge the gaps that separate us.

In the realm of Indian English poetry, few names shimmer as brightly as Jayanta Mahapatra’s. With his pen as his brush and words as his palette, Mahapatra has painted a rich tapestry of emotions, existential contemplations, and cultural explorations across his entire oeuvre. His poetic journey is a testament to the transformative power of words, a journey that has touched the hearts and minds of readers across the globe. Born in Cuttack, Odisha, in 1928, Jayanta Mahapatra emerged as a prominent figure in Indian English poetry during the latter half of the 20th century. His literary contributions are marked by an intricate interplay between his Odia heritage and a universal sensibility, transcending geographical and linguistic boundaries. His poetry resonates with the human soul, delving into the complexities of existence and the nuances of human emotions.

Mahapatra’s poetry is characterised by its profound introspection. He peers into the innermost recesses of the human psyche, unearthing the facets of identity, memory, love, and loss. His verses serve as mirrors, reflecting not only his own experiences but also inviting readers to confront their own inner landscapes. This journey of self-discovery is a central theme in much of his work. A Rain of Rites(1976), marked his debut in the world of poetry. In this collection, Mahapatra’s poetic voice emerges with striking clarity. He grapples with the isolation of the individual in a complex world, where traditions and rituals rain down upon us like a deluge. His poems often evoke a sense of longing and the search for self-identity, themes that resonate with many who grapple with the modern human condition. Some of his most celebrated poems like “Five Indian Songs”, “Samsara”, “The Whorehouse in a Calcutta Street”, “Hunger”, and “Dawn at Puri” are featured in this collection.

Mahapatra’s deep connection to his homeland, Odisha, infuses his poetry with a unique sense of place and culture. His verses are filled with vivid depictions of Odisha’s landscapes, its people, and its age-old traditions. The collections Shadow Space (1997), Life Signs (1983) and Waiting (1979) stand as testaments to this connection. Through his words, he transports readers to the shores of Puri, the temples of Konark, and the chaotic streets of Cuttack in poems at the same time intertwining them with stark social evils such as rape, poverty, widowhood and casteism. Mahapatra often juxtaposes moments of exquisite beauty with stark desolation in his poems. This interplay between the beautiful and the unsettling creates a sense of dissonance that challenges conventional notions of aesthetics and forces readers to grapple with the coexistence of contrasting elements in life.

In “Relationship” (1980), the book that fetched him the Sahitya Akademi Award, Mahapatra delves into the intricate web of human connections of his personal life. Briefly, “Relationship” is a single poem that deals with the diverse relationships the poet shares with the Konark temple, Kalinga war, friends, parents, anxieties, scruples, suffering, and glory and decay of Odisha. In his words, the poem “was a romance with my own land and with my innermost self”. He explores the complexities of relationships, both personal and societal, with a keen and compassionate eye. Many of his poems resonate with readers on a universal level, as they ponder the nature of love, the fragility of bonds, and the ever-shifting dynamics of human interaction.

Mahapatra’s poetry often treads the fine line between the spiritual and the worldly. In Temple (1987), he dives deep into the realm of faith and spirituality. His verses serve as a bridge between the sacred and the profane, inviting readers to reflect on the profound interplay between the material and the divine. These poems are an exploration of the human quest for transcendence, a theme that has been a consistent thread in his work. In his collections such as Hesitant Light (2016), Land (2013), Random Descent (2005) The False Start (2001), Mahapatra continued to delve into existential questions with unwavering honesty. A number of his poems serve as a mirror to the complexities of life, urging readers to confront the transient nature of existence, the ever-elusive pursuit of meaning, and the relentless passage of time. Throughout his career, Jayanta Mahapatra has exhibited a strong sense of social consciousness. He uses his poetry as a medium to address issues of poverty, inequality, and human suffering. His empathetic voice bears witness to the world’s injustices, serving as a reminder of the poet’s responsibility to shed light on society’s darker corners. His poetry challenges us to confront uncomfortable truths and advocate for change through the power of words in poems such as “Crossing the River”, “Village Mythology”, “Progress”, “Bazaar Scene”, “These Women”, “Blind Singer in a Train”, “Hunger” and many others.

Jayanta Mahapatra’s literary journey has been paved with accolades and awards that reflect his enduring impact on literature. He was honoured with the Sahitya Akademi Award in 1981, the Commonwealth Poetry Prize in 1987, and the Padma Shri, one of India’s highest civilian honours, in 2009. These accolades acknowledge not only his literary prowess but also his ability to touch the hearts of readers with his profound insights and evocative verses.

Jayanta Mahapatra’s legacy is not confined to his words on paper; it lives on in the hearts and minds of those who have been touched by his verses. His poetry is a timeless gift to humanity, a profound reflection on the human experience, and an enduring testament to the power of the written word. It becomes a powerful catalyst for introspection and reflection. A deeper understanding of both the self and the world challenges readers to confront uncomfortable truths, inviting them to embark on a journey of self-discovery and intellectual engagement. His work not only unsettles but also deeply enriches and provokes us to think. We are reminded that his legacy will continue to inspire and resonate and Jayanta Mahapatra’s name will forever remain etched in the annals of literature, a testament to the enduring power of the poet’s voice.

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Dikshya Samantarai is a PhD Research Scholar from the Department of English, School of Humanities, IGNOU. Working on the representation of body politics in Jayanta Mahapatra’s poetry, her research contributes to the ambit of critical discourses in Indian English.

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Categories
Independence Day

I Have a Dream…

On the 4th of July, 1776, one of the world’s largest democracies came into being amidst revolution and violence. It grew as a land of immigrants to attract the best talents for many years. While the original inhabitants of the land who survived the exodus of the first generation immigrants were pushed into reserves, majority of the world looked up to the land of plenty in hope of a better life, especially post the two World Wars. Today, while looking forward to a new start in a post pandemic scenario, we present to you poetry that explores different facets of the United States of America.

Configuration by Jared Carter explores American impressionist Glen Cooper Henshaw (1880-1946) through art. Click here to read.

American Dreams, consisting of two poems by Michael R Burch, traces the historic growth of the country. Click here to read.

In the Honduran Dusk by Lorraine Caputo, giving voice to the spirit of exploration. Click here to read.

Languages Lost & Found, three poems by Luis Cuauhtémoc Berriozabal, gives voice to modern immigrants. Click here to read.

Waiting, four poems from Suzanne Kamata, give us glimpse of a heinous crime against women that is rampant worldwide, but to break silences helps move towards resolution. Click here to read.

‘Will Hudson have a chance to live in a Golden Age?’, two poems by Ron Pickett, bring a modern post pandemic America. Click here to read.

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Editorial

We are All Going on a Summer Holiday…

Yes! It is vacation time, and we are all able to travel at last. Though the pandemic which had closed borders for us seems to be evolving as an endemic, another huge human crisis, a war which cannot be justified in any way, stares us in the face. Loss of lives, homes, towns, cities and threats of global recession follow in the footsteps of refugees wandering into our lives. Lesya Bakun, the Ukrainian refugee whose story we have been following, told me four of her relatives’ homes in Mariupol have been erased out of existence and her extended family has scattered where they found safety as her cousin continues a prisoner of war, captured while defending the iron and steel factory at Azovstal. While majority of the world expresses solidarity with the Ukrainians, another set of refugees remain in shadows. They have completely lost their country in which they had lived from ancient times. I am referring to the Rohingya of Arakan. CNN world states:

“The Rohingya are a stateless Muslim minority in Myanmar’s Rakhine State, thought to number about 1 million people.

“Myanmar does not recognize them as citizens or one of the 135 recognized ethnic groups in the country.”

 We are privileged to host a powerful poignant translation by Arifa Ghani Rahman of Shaheen Akhtar’s short story about such a voiceless Rohingya child in a refugee camp. Though this is a fiction inspired by Akhtar’s visits to such shelters, we hope at some point these children will be able to build new lives to create a world free of violence, intolerance, hatred and greed.

One of the questions that springs to one’s mind, watching such atrocities destroy innocent lives is that should one accept bullies and give in to their pressure tactics? Bullies can be found among world leaders as well as perpetrators of decadent societal norms which are often critiqued by satires. Somdatta Mandal has translated one such satirical playlet where social conventions are targeted in a lighter vein by Tagore. In the same spirit, the maestro’s iconic poem about a palmyra tree called Taal Gaachh has been transcreated to bring the joy of innocent wanderings back into the narrative, creating an island of healing thoughts. We continue with our translations of Jibananada Das by Professor Fakrul Alam, a Korean poem by Ihlwha Choi and a magical Balochi folktale by Fazal Baloch. Let us read such translations to connect with varied cultures so that compassion and acceptance of diverse perspectives end horrors like wars, starvation and hunger.  

Tagore’s writings translated to English by Mandal in Gleanings of the Road, a collection covering the maestro’s travel to the West, is part one of our book excerpts and highlights Rabindranath’s perspectives on the need to connect with the larger world. The other book excerpt, from Waiting, poetry by Suzanne Kamata, takes up the theme of victimisation, crime and murder. Dwelling on no less horrific narratives, though justified as non-criminal, is a review by Meenakshi Malhotra of Harsh Mander’s Locking down the Poor: The Pandemic and India’s Moral Centre. Gracy Samjetsabam’s assessment of Half-Blood by Pronoti Datta informs about the greyer areas of a whole community in Mumbai. Indrashish Banerjee reviewed Keki Daruwalla’s stories on human relationships anthologised in a collection called Going: Stories of Kinship while Bhaskar Parichha has acquainted us with Deepti Priya Mehrotra’s Her Stories –Indian Women Down the Ages — Thinkers, Workers, Rebels, Queens, a non-fiction that visits inspiring women.

Inspiration can also be drawn from Rinki Roy Bhattacharya’s and Maithili Rao’s The Oldest Love Story, featuring a medley of men and women writing on the theme of motherhood along with some narratives about their mothers or on the experience of being one. The medley includes well-known names from films and literature like Shabana Azmi, Saeed Mirza, Shashi Deshpande, Nabanita Dev Sen and more. We interviewed Roy Bhattacharya to find out more about this impactful book. Achingliu Kamei, an academic and writer, has conversed with Naga writer, Veio Pou, whose award-winning book, Waiting for the Dust to Settle, was reviewed earlier — a book that gives a glimpse of conflicts in the Northeast of India.

Taking on the theme of conflicts at a personal level, Atreyo Chowdhury’s and Banerjee’s stories create a sense of disquiet as Paul Mirabile’s explores crime, madness and its impact on humans. G Thomas takes a relook at heroism and bravery as a concept. His story set in Kerala shakes our complacency, upending traditional concepts of heroism and bravery just as Candice Louisa Daquin has upended the cult of positivity in her essay. Notes of discord and accord seem to ring through this edition and the undertones of greys spread out towards an exploration of life and death. We have multiple ghost stories this time, even from the Nithari column written by Kiran Mishra, a youngster who got over the trauma of violence in the community and discovered her place as a bilingual writer and educator.

Our poetry section is honoured to host Walt Whitman Award winner, Jared Carter, again with his poetry on a Japanese artefact as George Freek’s continues to be inspired by the style of Song dynasty poets. Michael Burch writes beautiful love poems. We have a vibrant poetry section with Daquin, Sutputra Radheye, Ryan Quinn Flanagan, Antara Mukherjee, Rhys Hughes, who has also revisited ‘The Penguin Café Orchestra‘. This band started a new kind of musical trend with nothing but passion and conviction. Hughes of course cannot escape the bonds of his tongue-in-cheek style, also adopted by Devraj Singh Kalsi while he pretends to be an ant.

Keith Lyons has got the bug of tongue-in-cheek too as he gives us a piece on his travels in Varanasi that well captures the dichotomies we find in India. Dwelling on social dichotomies also is Ratnottama Sengupta’s powerful tribute to Swatilekha Sengupta, a film and theatre doyenne who brought to life Tagore’s novel, Ghare Baire (Home and the World, 1985). An essay by Mozid Mahmud exploring both the syncretic elements in Tagore’s and Kabir’s works, the medieval poet’s impact on the Nobel laureate and a dispute over Rabindranath’s own translation blends with the tone of greys in this edition.

Travel narratives and photographs by Meredith Stephens sailing the seas in Tasmania and Ravi Shankar trekking on the slopes of the Himalayas to get a view of Mt Everest make for perfect holiday adventures. From Japan, Kamata has given us a narrative set in the pandemic. And environmentalist Kenny Peavy dwells on reconnecting with nature in Mission Earth.

We have a fair deal from across the globe in the June issue. But, as usual, some of the treats in the content have not been mentioned though they are wonderful pieces of writing too. We look forward to your continued support as you delve into our treasure trove of gems from across the oceans. A huge thanks to our fabulous team, to the contributors and readers. I especially want to thank Sohana Manzoor for sharing her lovely artwork and wish you all a wonderful read!

I hope you have a fabulous summer.

Thank you.

Mitali Chakravarty

borderlessjournal.com

Categories
Excerpt

Waiting

Title: Waiting

Author: Suzanne Kamata

Publisher: Kelsay Books, 2022

Waiting
 
My brother Benjamin waits
for Gent
our lost cocker spaniel
to come home.
 
Dad waits 
for his boss
to give him a promotion.
 
Mom waits
for portents
and signs.
 
My boyfriend waits
for me to say 
“yes.”
 
I wait 
for the future
far away from
here.
 
The town waits
for a missing girl
to turn up and tell us
it was all just a joke. 


Vigil
 
My little brother Benjamin 
fills the plastic dish
only to later dump

the untouched nuggets
and fill the dish
again, a ritual
a sacrificial offering
to our lost cocker spaniel.
 
He’s gone door to door
promising mown lawns
washed windows
shined cars
in exchange for information.
No one helps.
Everyone is more concerned about
the disappearance of a young woman.
 
Young women disappear
with alarming regularity.
Two dead, in the woods
naked.
A third 
still missing.
Shira Bates.


Shira
 
I was invited to her birthday party
in kindergarten.
I tried to wrap up
my mother’s engagement ring
after snatching it from a crystal saucer
while she washed dishes
a suitable gift for such a princess of a girl
I thought.
 
Mom caught me
spanked my behind
made me give Shira a Barbie
with silky blonde hair
smooth skin

wearing the latest fashions
like the birthday girl herself.
 
I was more Raggedy Ann.
 
Later, Shira and I drifted apart.
She fell in with the cheerleaders
became star of the chorus
girlfriend to Number One Hottie
Greg Shealy
found God.
 
While I faded into
gawkiness
good grades
and hid behind glasses 
and my long stringy hair.
 
Invisible me.


Her Voice
 
On the last day of school
a week before she went missing
Shira Bates sang with the chorus in
the school cafeteria
while I ate my blueberry yogurt.
 
Her voice blended then
soared above, the others went
silent, listening to her solo before
jumping back in again.
 
That girl could sing angels out of
the sky, could get larks to land on
her outstretched hands, I thought with
a kind of wonder instead of the usual
jealousy that I felt around Shira Bates.
  

ABOUT THE BOOK

American Suzanne Kamata attended Lexington High School in South Carolina with Sharon Faye “Shari” Smith, who was kidnapped and murdered by Larry Gene Bell in 1985. This crime compelled the writing of Waiting.

ABOUT THE AUTHOR

Suzanne Kamata was born and raised in Grand Haven, Michigan. She now lives in Japan with her husband and two children. Her short stories, essays, articles and book reviews have appeared in over 100 publications. Her work has been nominated for the Pushcart Prize five times, and received a Special Mention in 2006. She is also a two-time winner of the All Nippon Airways/Wingspan Fiction Contest, winner of the Paris Book Festival, and winner of a SCBWI Magazine Merit Award.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL