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Contents

Borderless, February 2026

Art by Sohana Manzoor

Editorial

What Do We Yearn for?… Click here to read.

Translations

Nazrul’s Ashlo Jokhon Phuler Phalgun (When Flowers Bloom Spring) has been translated from Bengali to English by Professor Fakrul Alam. Click here to read.

An Elegy for the Merchant of Hope by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Two of her own Persian poems have been written and translated by Akram Yazdani. Click here to read.

The Beaten Rooster, a short story by Hamiruddin Middya, has been translated from Bengali by V Ramaswamy. Click here to read.

Tagore’s Shishur Jibon (The Child’s Life) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Allan Lake, Goutam Roy, Chris Ringrose, Alpana, Lynn White, C.Mikal Oness, Shamim Akhtar, Luis Cuauhtémoc Berriozábal, Snehaprava Das, Jim Bellamy, Manahil Tahir, John Swain, Mohul Bhowmick, Ryan Quinn Flanagan, SR Inciardi

Poets, Poetry & Rhys Hughes

In The Clumsy Giant, Rhys Hughes shares a funny poem about a gaint who keeps stubbing his toes! Click here to read.

Musings/Slice from Life

From the Land of a Thousand Temples

Farouk Gulsara shares attitudes towards linguistic heritage. Click here to read.

A Tangle of Clothes Hangers

Mario Fenech explores the idea of time. Click here to read.

Dreaming in Pondicherry

Mohul Bhowmick muses in Pondicherry. Click here to read.

Champagne Sailing

Meredith Stephens narrated a yatch race between Sydney and Hobart with photographs by Alan Noble. Click here to read.

In the Company of Words

Gower Bhat shares a heartfelt account of a bibliophile. Click here to read.

Musings of a Copywriter

In Horoscope or Horrorscope, Devraj Singh Kalsi reflects on predictions made at his birth. Click here to read.

Essays

The Chickpea That Logged More Mileage Than You

Ravi Varmman K Kanniappan gives an interesting account of the chickpeas journey through time and space, woven with a bit of irony. Click here to read.

Memories: Where Culture Meets Biology

Amir Zadnemat writes of how memory is impacted by both science and humanities. Click here to read.

The Restoration of Silence

Andriy Nivchuk brings to us repetitious realities that occur through histories. Click here to read.

Aeons of Art

In If Variety is the Spice of Life…, Ratnottama Sengupta introduces upcoming contemporary artists. Click here to read.

Stories

The Onion

JK Miller brings to us the story of a child in Khan Yunis. Click here to read.

Santa in the Autorickshaw

Snigdha Agrawal takes us to meet a syncretic spirit with a heartwarming but light touch. Click here to read.

Disillusioned

Sayan Sarkar shares a story of friendship and disillusionment. Click here to read.

Decluttering

Vela Noble shares a spooky fantasy. Click here to read.

The Value of Money

Naramsetti Umamaheswararao writes a story that reiterates family values. Click here to read.

Book Excerpts

An excerpt from Arupa Kalita Patangia’s Moonlight Saga, translated from Assamese by Ranjita Biswas. Click here to read.

An excerpt from Natalie Turner’s The Red Silk Dress. Click here to read.

Interview

Keith Lyons in conversation with Natalie Turner, author of The Red Silk Dress. Clickhere to read.

Book Reviews

Somdatta Mandal reviews Sanjoy Hazarika’s River Traveller: Journeys on the TSANGO-BRAHMAPUTRA from Tibet to the Bay of Bengal. Click here to read.

Rakhi Dalal reviews Sujit Saraf’s Every Room Has a View — A Novel. Click here to read.

Anindita Basak reviews Taslima Nasrin’s Burning Roses in my Garden, translated from Bengali by Jesse Waters. Click here to read.

Bhaskar Parichha reviews Kailash Satyarthi’s Karuna: The Power of Compassion. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

What Do We Yearn for?

Most people like you and me connect with the commonality of felt emotions and needs. We feel hungry, happy, sad, loved or unloved and express a larger plethora of feelings through art, theatre, music, painting, photography and words… With these, we tend to connect. And yet, larger structures created over time to offer security and governance to the masses—of which you and I are a part — have grown divisive, and, by the looks of it, the fences nurtured over time seem insurmountable. To retain these structures that were meant to keep us safe, wars are being fought and many are getting killed, losing homes and going hungry. We showcase such stories, poems and non-fiction to create an awareness among those who are lucky enough to remain untouched. But is there a way out, so that all of us can live peacefully, without war, without hunger and with love and a vision towards surviving climate change which (like it or not) is upon us?

Creating an awareness of hunger and destruction wreaked by war is a heartrending story set in Gaza by JK Miller. While Snigdha Agrawal’s narrative gives a sense of hope, recounting a small kindness by a common person, Sayan Sarkar shares a more personal saga of friendship and disillusionment — where people have choice. But does war leave us a choice as it annihilates friendships, cities, homes and families? Naramsetti Umamaheswararao’s story reiterates the belief in the family – peace being an accepted unit. Vela Noble’s fantastical fiction and art comes like a respite– though there is a darker side to it — with a touch of fun. Perhaps, a bit of fantasy and humour opens the mind to deal with the more sombre notes of existence.

The translation section hosts a story by Hamiruddin Middya, who grew up as a farmer’s son in Bengal. Steeped in local colours, it has been rendered into English by V Ramaswamy. Nazrul’s song revelling in the colours of spring has been translated from Bengali by Professor Fakrul Alam. Atta Shad’s pensive Balochi lines have been brought to us in English by Fazal Baloch. Isa Kamari continues to bring the flavours of an older, more laid-back Singapore with translations of his own Malay poems. A couple of Persian verses have been rendered into English by the poet, Akram Yazdani, herself. Questing for harmony, Tagore’s translated poem while reflecting on a child’s life, urges us to have the courage to be like a child — open, innocent and willing to imagine a world laced with trust and hope. If we were all to do that, do you think we’d still have wars, violence and walls built on hate and intolerance?

While in a Tagorean universe, children are viewed as trusting and open, does that continue a reality in the current world that believes in keeping peace with weapons? Contemporary voices think otherwise. Manahil Tahir brings us a touching poem in a doll’s voice, a doll belonging to a child victimised by violence. While violence pollutes childhood, pollution in Delhi has been addressed by Goutam Roy in verse. Poignant lines from Luis Cuauhtémoc Berriozábal make one question the idea of home and borders while Snehaprava Das has interpreted the word ‘borderless’ in her own way. We have more colours of humanity from Allan Lake, Chris Ringrose, Alpana, Lynn White, C.Mikal Oness, Shamim Akhtar, Jim Bellamy,John Swain, Mohul Bhowmick and SR Inciardi. Ryan Quinn Flanagan has given fun lines about a snow fight while Rhys Hughes has shared a humorous poem about a clumsy giant.

Bringing in humour in prose is Devraj Singh Kalsi’s musing about horoscopes! While, with a soupçon of irony Farouk Gulsara talks of his ‘holiday’, Meredith Stephen takes us to a yacht race in Australia and Mohul Bhowmick to Pondicherry. Gower Bhat writes of his passion for words while discussing his favourite books. Ratnottama Sengupta introduces us to contemporary artists from her part of the world.

Mario Fenech takes a look at the idea of time. Amir Zadnemat writes of how memory is impacted by both science and humanities while Andriy Nivchuk brings to us snippets from Herodotus’s and Pericles’s lives that still read relevant. Ravi Varmman K Kanniappan gives the journey of chickpeas across space and time, asserting: “The chickpea does not care about your ideology, your portfolio, or your meticulously curated identity. It will grow, fix nitrogen, feed someone, and move on without a press release.” It has survived over aeons in a borderless state!

In book excerpts, we have a book that transcends borders as it’s a translation from Assamese by Ranjita Biswas of Arupa Kalita Patangia’s Moonlight Saga. Any translation is an attempt to integrate the margins into the mainstream of literature, and this is no less. The other excerpt is from Natalie Turner’s The Red Silk Dress. Keith Lyons has interviewed Turner about her novel which crosses multiple cultures too while on a personal quest.

In reviews, Somdatta Mandal discusses a book that explores the colours of a river across three sets of borders, Sanjoy Hazarika’s River Traveller: Journeys on the TSANGO-BRAHMAPUTRA from Tibet to the Bay of Bengal. Rakhi Dalal writes about a narrative centring around migrants, Sujit Saraf’s Every Room Has a View — A Novel. Anindita Basak reviews Taslima Nasrin’s poetry, Burning Roses in my Garden, translated from Bengali by Jesse Waters. Bhaskar Parichha reviews Kailash Satyarthi’s Karuna: The Power of Compassion. In it, Satyarthi suggest the creation of CQ — Compassion Quotient— like IQ and EQ, claiming it will improve our quality of life. What a wonderful thought!

Could we be yearning compassion?

Holding on to that idea, we invite you to savour the contents of our February issue.

Huge thanks to all our contributors and readers for making this issue possible. Heartfelt thanks to our wonderful team, especially Sohana Manzoor for her fabulous artwork.

Enjoy the reads!

Let’s look forward to the spring… May it bring new ideas to help us all move towards more amicable times.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE FEBRUARY 2026 ISSUE.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Musings

A Tangle of Clothes Hangers

By Mario Fenech

There are many great cinematic representations of time such as the 1960 George Pal version of the Time Machine and from the same period  the Time Travellers ( which was remade as the inferior Journey to the Centre of Time some years later) had some interesting juxtapositions near the end. But the sequence that has stuck in my head is from Kubrick’s 2001 a Space Odyssey, where a shattering glass is used to convey the passage of subjective time for Bowman. For the majority of living things, time is a subjective concern,  a relative few spend most of their lives looking at the cosmic scheme of things — philosophers,  scientists and writers.

Aristotle differed from Plato and over the centuries there were many unique  interpretations ranging from bleak existential views to epic works comfortingly tied to Madeleines. Our concept of time is reinforced by popular  culture. A 1960 film titled When the Clock  Strikes, is about a criminal condemned to be executed at midnight. It’s a stormy night and an assortment of characters converge on Cady’s place not far from the prison where the convicted murderer will be hung. Cady’s is a convenient place to shelter from the storm for a juror who is wracked with guilt that he might have sent an innocent man to the gallows. He has an opportunity to convey his concerns when the warden calls on the way to prison. Also there is a woman pretending to be the wife of the condemned man and somehow a man struggles through the stormy night and arrives at Cady’s to announce that he is the guilty one but he is too late to stop the execution as the phone lines are down. The rest of the movie deals with a plan to somehow get the stolen money the deceased man had hidden. This is a good example of how time hangs over our existence, providing motivation and sometimes pushing us to the limits of endurance rather than be beaten by the relentless arrow of time.

Newton ‘s Universe served us well until the electron microscope focused attention on the underlying structure of the Universe. No longer could we accept that the Universe functioned like clockwork as in the languorous days gone by. Even Einstein knew that, for want of a better word, ‘spooky’ things were happening at a sub-atomic level. The Universe is essentially  vast amounts of information.  In the 20th century, devices were invented to record sound and visual information . These devices proved invaluable to scientific research as well as arts a and entertainment. Scientific and creative minds found ways of mixing, compressing and manipulating information in much the same way that information goes through various transformations in a cosmic setting such as event horizon of a black hole for instance. The Universe is composed of sequences of information , timelines branching in all directions.  Some entities will follow one timeline while others will sample multiple timelines. On a quantum level, time foam can occur under the right conditions and elsewhere there are shards of time and no doubt there is time that resembles the contents of a document shredder.

This is the 21st century and we should have mastered time with all the technological marvels at our disposal. Modern transport can get us from A  to B so much quicker, at least it would if only governments would spend enough on infrastructure so we did not spend so much time in traffic jams. AI should be facilitating a more a meaningful existence but algorithms can be time wasters when corporations use them to maximise profits. At a time when there are record numbers of lonely people someone comes up with the bright idea of creating a virtual reality where participants interact with avatars creating another wedge between people and the real world. Such virtual worlds can attract people predisposed to such immersion.  Gambling addicts can spend days, weeks, years, gambling on poker machines. The tragedy is playing out right now as these individuals lose their partners,  families and souls to the machines. It’s a limbo world where nothing meaningful happens. Lost time.

Scientists say the concept of time was invented by us to create a sense of order to our existence  but is time not a thing? We should make the most of  whatever devices are at our disposal to improve our lives and the lives of those around us. A meaningful existence is one that acknowledges that we are creatures like all other creatures on this planet and we are sustained  by this planet and the complex ecosystems around us.

The answers to the mysteries of time might be solved by  the collective wisdom of the world’s indigenous people. It might also come some time in the future in conversations with sperm whales at a depth of three thousand metres.

From Public Domain

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Mario Fenech is an artist, writer. His visual art is mainly sculptures and had many exhibitions around Melbourne over the years. His writing has been essentially science fiction ideas and most were short stories although he self-published a novella in 2013 titled, ‘The Rock in Room Ten’. He is currently two thirds into his latest science fiction story.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International