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Contents

Borderless, October 2026

Art by Sohana Manzoor

Editorial

Stories, Spooks, AIs and More…Click here to read.

Translations

Nazrul’s ‘Aamar Shyamla Boron Bangla Mar Roop’ (The Dusky Beauty of My Mother Bengal) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Who can Blow Out the Sun?, a Balochi poem by Ghulam Hussain Shohaz, has been translated by Fazal Baloch. Click here to read.

Chapter 3 of Isa Kamari’s novel, The Throne, has been translated by the author from Malay. We will be running the whole novel as serial through the year. Click here to read.

Half-a-beat Behind, a poem, has been written by and translated from Korean by Ihlwha Choi. Click here to read.

Pothik (Traveller), a poem by Tagore, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

John Swain, Ananya S Guha, George Freek, Laila Brahmbhatt, Joseph C. Ogbonna, Ajeeti S, Anne Whitehouse, Ahaduzzaman M. Ali, Jenny Middleton, Jahnavi Gogoi, John Britten, Goutam Roy, Stephen House, Luis Cuauhtémoc Berriozábal, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

In Curtains for You, Rhys Hughes takes on the persona of a lovelorn curtain. Click here to read.

Musings/Slices from Life

Headwinds to Port Hedland

Meredith Stephens shares more sailing adventures around Australia with photographs by Alan Noble. Click here to read.

Watch your Words!

Jun A. Alindogan reflects on linguistic forays among people. Click here to read.

The Changing Face of Deolali

Saeed Ibrahim takes a nostalgic relook at a small hill station. Click here to read.

Luck and Life

Kuldip Raj Chopra muses on luck and life from a long-term perspective. Click here to read.

Musings of a Copywriter

In Bedsheet Bedlam, Devraj Singh Kalsi takes us shopping for bedding with a sprinkling of humour. Click here to read.

Notes from Japan

In Art among the Fallen Leaves, Suzanne Kamata takes us on a fiesta of outdoor art in Japan. Click here to read.

Essays

Who can be the Modern Hero in the Age of AI?

Ravi Varmman K Kanniapan explores what values are needed while creating rules to survive with AI. Click here to read.

A Cyclist’s Diary: Ride through Kazakhstan and Kyrgyzstan

Farouk Gulsara cycles through the untamed landscape of Central Asia and shares his narrative and photographs from his trip. Click here to read.

Women Writers in Kazi Nazrul Islam’s ‘Dhumketu’

Niaz Zaman writes of Bengali women writers in Nazrul’s magazine in the last century. Click here on the link to read.

Stories

The Algorithms

Brindley Hallam Dennis explores a world run by algorithms. Click here to read.

Two Small Town Girls that Dressed Up for Wednesday

Jonathon Ferrini sprinkles a bit of magic to find hope. Click here to read.

Oasis

Sayan Sarkar shares a story set in Santiniketan. Click here to read.

The Oil-press Ox and the Ceremonial Bull

Naramsetti Umamaheswararao gives a fable set in Southern India. Click here to read.

Conversation

Keith Lyons converses with Dr Hannah Stevens, author of On the Bodies of Strangers and In their Absence. Click here to read.

Book Excerpts

An excerpt from The Raj in Ghostly Light, edited by B.C.Dutt. Click here to read.

An excerpt from Janaki Ballav Patnaik: An Unfinished Memoir, translated from Odia by Bhaskar Parichha. Click here to read.

Book Reviews

Somdatta Mandal reviews Geetanjali Shree’s Once Elephants Lived Here: Stories, translated from Hindi by Daisy Rockwell. Click here to read.

Rakhi Dalal reviews Teresa Rehman’s Her Hajj Story: Travel Diaries of Women Pilgrims from Assam. Click here to read.

Farah Imam reviews Raina/Rituparna Khan’s Her Story: Beyond Dimension. Click here to read.

Bhaskar Parichha reviews Reetika Khera’s Freebies or Rights: Rethinking India’s Social Policy. Click here to read.

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Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Published from Singapore, ISSN: 2737-4688.

Categories
Editorial

Stories, Spooks, AIs and More…

Art by Salvador Dali (1904-1989). From Public Domain

Humans for a long time lived in a world that was centred around them. The planets, plants, animals existed to serve them. The resultant effect was not exactly what could be called ‘pleasant’. Climate change and extinctions are proof of that. One cannot of course be held responsible for the extinction of giant dinosaurs for they were long gone before us. Would we have existed in our current form if they had not become extinct?

Perhaps, part of evolution is extinction of the old and birth of the new. However, we are the only species to have used the planet to suit our own needs. We evolved technology. Technology birthed computers and eventually, artificial intelligence. Almost a century ago, Isaac Asimov spun out science fiction about robots terraforming worlds for men. In these novels, he had instituted the laws of robotics, so that they would not harm humans. His robots were humanoids with AI.

As humanity races towards a tech savvy existence with AI taking on roles which were essentially human tasks, perhaps, we have to ask ourselves some salient questions. Ravi Varmman K Kanniapan has voiced such valid concerns over the deployment of AI in his essay. He writes: “The question should not merely be whether artificial intelligence can make institutions faster, cheaper, or more productive. The deeper question is, for whom?”  While pondering over this issue, if we take a look at Farouk Gulsara’s experiences pedalling through Kyrgystan and Kazakhstan, one wonders if AI impacts the whole world or will it deepen divides between technocrats and people who live closer to nature! Sailing through the Australian seas, Meredith Stephens takes us on an adventure to Port Hedland. Her narrative is accompanied by beautiful photographs by Alan Noble.

While Suzanne Kamata introduces us to mores on the artistic ethos of Japan, Jun A Alindogan expresses concerns over linguistic forays. Saeed Ibrahim steps into nostalgia taking us to a tiny town called Deolali and Kuldip Raj Chopra muses philosophically gazing back and forth to reflect on life lessons. In a contrary vein, Devraj Singh Kalsi splashes comic frivolity as he describes his attempts at purchasing bedsheets!

Niaz Zaman has shared a learned essay on women writers in Nazrul’s magazine, Dhumketu (Comet), in the early twentieth century, while Professor Fakrul Alam has translated the lyrics of a song by the poet from Bengal. Fazal Baloch has brought to us a powerful Balochi poem by the late Ghulam Hussain Shohaz in English. Isa Kamari has shared the third chapter of his self-translated Malay novel, The Throne, weaving in life in the newly-minted Singapore of the mid-twentieth century. Ihlwha Choi has translated his own Korean poem on how he found poetry. Winding up the translations, is a poem by Tagore called Pothik (traveller). 

Poetry brings to us different aspects of existence. Goutam Roy reflects on children’s issues through an analogy with nature while Stephen House critiques how 585 trees would be cut in his area to give way to buildings. We have more variety in verses with John Swain, George Freek, Laila Brahmbhatt, Joseph C. Ogbonna, Ajeeti S, Anne Whitehouse, Ahaduzzaman M. Ali, Jenny Middleton, Jahnavi Gogoi, John Britten and Luis Cuauhtémoc Berriozábal. Ryan Quinn Flanagan paints a vision of merry, swaying boats parked at sea with words. Ananya S Guha gives us a glimpse of the misty rain in Shillong. Rhys Hughes as usual wafts absurdity and humour by taking on the persona of a (male) curtain in love in rather a funny poem.

AI or rather algorithms are woven into a quirky fiction by Brindley Hallam Dennis. Sayan Sarkar shares a story reflecting the need for compassion while Jonathon B Ferrini sprinkles a bit of magic between a father and daughter in a poignant tale. Naramsetti Umamaheswararao weaves a fable with traditions of rural Southern India.

We have an interesting excerpt from a ‘The Brown Hand’, a spooky story by Sir Arthur Conan Doyle from The Raj in Ghostly Light, edited by B.C.Dutt. One has to realise while reading such stories that what is seen as a controversial attitude in today’s world could well have been an accepted norm a century or two ago. We have another excerpt from a more modern non-fiction — Bhaskar Parichha’s recent translation from Odia of Janaki Ballav Patnaik: An Unfinished Memoir. Describing the art of tattooing is yet another excerpt from a story by Hannah Stevens, a writer shortlisted for the W&A Working Class Writers’ Prize, which follows her conversation with Keith Lyons.

Short stories have wound their way into our reviews section too. Somdatta Mandal has discussed Geetanjali Shree’s Once Elephants Lived Here: Stories, translated from Hindi by Daisy Rockwell. Mandal writes: “The book…presents a great challenge to the layman reader who cannot simply pick it up and start reading at leisure. One must read meticulously, ponder over the distortion of the usual short story genre, keep track of the convoluted or sometimes half-finished sentences and wonder where the narrator or the protagonist of the story is leading you – sometimes round and round and without reaching a denouement. All said and done, one must pick up this book to savour how post-modern storytelling can become an art in itself.” Rakhi Dalal has written about Teresa Rehman’s Her Hajj Story: Travel Diaries of Women Pilgrims from Assam while Farah Imam elaborates on Raina/Rituparna Khan’s Her Story: Beyond Dimension. Parichha has brought to us Reetika Khera’s Freebies or Rights: Rethinking India’s Social Policy. He writes: “Freebies or Rights presents a case for seeing social protection not as charity, but as part of the infrastructure of a democratic society. Its central message is both simple and consequential: dignity cannot be secured by economic growth alone. For millions of Indians, it also depends on whether the state can make basic rights real in everyday life.”

Though we reflect on diverse themes in this issue, the collective concern is for the welfare of our species, our planet and our very existence, occasionally drizzled with humour.  Do pause by our contents page to browse on our October issue.

We are hugely grateful to all the contributors, our team who step in to help create the content and put it before all our readers, especially Sohana Manzoor for her wonderful artwork. We remain thankful to all our readers without who our efforts would be in vain.

Have a wonderful October!

Happy reading.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE OCTOBER 2026 ISSUE

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Musings

Luck and Life

By Kuldip Raj Chopra

Luck, much like money, time and physical energy, appears to be a finite resource as we travel through life. We notice it when it comes our way and feel its absence when it does not. But perhaps what we see, recognise and count as luck is only the visible part. There may be a much larger, unmapped portion hidden somewhere along the road of life.

We cannot discover it simply by waiting for it. We have to move. We have to work, take decisions, take risks and keep exploring. In that sense, our work is the digging through which we may uncover what was hidden from us. And when we uncover something, we may not immediately figure out if it’s good luck or bad luck.

This is why luck and effort are so difficult to separate while we are actually living our lives. We work, make decisions and take risks, but then something happens that we could neither have planned nor controlled. Our effort takes us forward; luck determines, at least partly, what we encounter on the way. Only later do we begin to understand how the two worked together.

This becomes especially important when we are young. We do not have the patience to wait and see what life will reveal. We want to move forward, achieve something and prove ourselves. We need the feeling that we can do it. Sometimes that feeling becomes overconfidence. We believe we can move mountains.

Looking back, that overconfidence may appear foolish. But at that age, it can be a great force. It gives us the vigour to accept challenges we may otherwise avoid. It makes us persist in our exploration further, especially when the first attempt does not give us the desired result. We keep digging because we believe that something worthwhile must be there.

And this is where failure  may enter the journey.

When our first attempt fails, we are forced to look at the other side of the problem. What appeared to be a dead end, may reveal another direction. The result may not be what we originally wanted, and it may not even be the maximum we could have achieved. Yet it may be meaningful enough to make us continue.

So failure is not always the end of an effort. Sometimes, it changes the direction of the effort. What began as a search for one thing may lead us to another. At that moment, we may name it as a compromise. However, later, we realise that the compromise itself had become a part of the journey.

I have seen something similar in the mining industry. When the drilling begins, it is based on survey information and an expectation about what lies underground. Suppose we expect metallurgical coal, used for making steel, but instead find coal of lower quality, more suitable for a power plant. The result is not what we originally expected.

Yet in our final discussion, we could present our findings differently: we had explored this new low-grade coal for power generation and had discovered another resource. The coal had not changed. What changed was the meaning we gave to the result. Perhaps we can do something similar with our own lives.

As we grow older, we remember our successes more readily when speaking to the next generation. Some failures remain quietly hidden. We may be shy about discussing them, or may not want to expose the whole truth of our disappointments. A difficult decision may later be described as a necessary choice. A disappointment may become an experience. A result that fell short of what we wanted may become a compromised success.

But with age comes something youth does not have: time to review our own past. The failure that once hurt us may have pushed us in another direction. The opportunity we missed may have made another opportunity possible. The result that seemed inadequate at the time may have proved sufficient for what came later.

Slowly, the separate events begin to lose their sharp boundaries.

Old age may have weaker legs, but the years those legs walked have gathered a great deal. Success and failure, luck and effort, achievement and compromise— have all been experienced, and have left a residue.

At this stage, we can look back and ask again: how much of our life was created by our own effort, how much by luck, and how much by destiny?

There is still no mathematical answer.

The luck we could see and count was finite. But perhaps the unmapped portion was much larger than we knew. We encountered some of it through our work, some through our decisions, some through failures and some through circumstances entirely beyond our control.

By then, the dissection hardly matters.

What mattered at twenty may not matter in the same way at eighty. The young person wanted to know whether he had won or lost. The older person can see that both winning and losing contributed to the person he eventually became.

This is where the horizon becomes meaningful.

We know that the horizon is technically an illusion. There is no physical line where the earth and sky actually meet. Yet from a distance we see it as a beautiful, cohesive boundary.

Perhaps a long life looks like that when viewed from old age.

When we are close to each event, we see separate colours. This was luck. That was hard work. This was a failure. That was a success. Here we made a mistake. There we achieved more than expected.

But when we move far enough away, the separation becomes less important.

Everything begins to merge.

The visible luck and the luck we never recognised, the effort and the overconfidence that gave us the courage to make it, the failures that forced us to change direction, the compromises that later acquired a different meaning, the successes that gave us confidence. even the disappointments we once preferred to hide —  all of these become part of the same picture.

A rainbow does not ask us to identify which colour contributed more than another. Its beauty lies precisely in the fact that different colours exist together and create one whole.

Perhaps that is what a long life finally gives us—not an exact account of how much was luck, how much was effort, and how much was destiny, but the ability to see them together.

We may still remember the failures. We may still wish that some things had happened differently. But we no longer need to live by the accounting system of youth, where every event must be declared a success or a failure.

We can simply cherish the whole.

And perhaps that is what we finally have to offer the generation that comes after us. Not a perfect story in which everything went according to plan, but a real journey in which we worked, took chances, failed, adjusted, accepted compromises, discovered unexpected opportunities and kept moving.

The rainbow is not a record of perfect colours.

It is beautiful because all the colours are there.

Perhaps life is the same. The luck we saw, the luck we never saw, the efforts we made, the failures we endured and the compromises we accepted have all travelled with us.

Only at the end do we have enough distance to see what finally emerged — a cohesive rainbow—something not merely to explain, but to cherish, to enjoy, and perhaps, with honesty and affection, to show to those who will continue their journey after us.

Kuldip Raj Chopra is a retired mechanical engineer and graduate in Industrial Engineering. With a distinguished career spanning over 36 years in the coal industry, he retired as a Chief General Manager. Now, in this reflective phase of life, he applies his deep understanding of systems, effort, and balance to the human journey, exploring the intersection of timeless philosophy and everyday generational wisdom.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles