Categories
Excerpt

Once Around the Sun: From Cambodia to Tibet

Title: Once Around the Sun: From Cambodia to Tibet

Author: Jessica Mudditt

Chapter 20 – In or out?

As I walked the streets of downtown Hohhot in search of a travel agency, I felt further than five hundred kilometres from Beijing. I was still in East Asia, but the capital city of Inner Mongolia had Central Asian influences too, such as the cumin seed flatbread I bought from a hawker with ruddy cheeks and a fur hat. I passed a Muslim restaurant with Arabic lettering on the front of its yellow-and-green facade, and many street signs and shops featured Mongolian script as well as Mandarin. With its loops, twirls and thick flourishes, Mongolian looked more similar to Arabic than Chinese. In actual fact, the top-down script is an adaptation of classical Uyghur, which is spoken in an area not far to the west.

The winds that blew in from the Russian border to the northeast were icy cold, so I was glad to soon be inside a travel agency. It was crammed with boxes of brochures and a thick film of dust covered the windowpanes. Hohhot is the main jumping-off point for tours of the grasslands, so I was able to get a ticket for a two-day tour that began the following morning.

I wasn’t enthusiastic about going on a tour because I preferred to move at my own pace, however there was no other way to access the grasslands. The upside was that I was guaranteed to sleep inside a ger, which is a circular tent insulated with felts. The Russian term of ‘yurt’ is better known. I had read that Inner Mongolia was a bit of a tourist trap for mainland Chinese tourists, but I was nonetheless excited to get a glimpse of the Land of the Weeping Camel.

I walked into a noodle shop and a customer almost dropped her chopsticks when she saw me. The girls at the cash register were giggling and covering their faces as I pointed at a flat noodle soup on a laminated menu affixed to the counter.

Foreign tourists must be thin on the ground in Hohhot, I thought as I carried my bowl over to a little table by the window.

Inner Mongolia was one of the few places that Lonely Planet almost discouraged people from visiting: ‘Just how much you can see of the Mongolian way of life in China is dubious.’ But I was still keen to see what I could.

I ate slowly, enjoying each fatty morsel of mutton. I was pretty good with chopsticks by that point – I’d never be a natural, but I didn’t drop any bits of mutton into the soup with a splash, as I used to in Vietnam.

Hohhot seemed a scruffy, rather bleak sort of city – or at least in the area where I was staying close to the train station. Street vendors stood cheek by jowl on one side of the road, calling out the prices of their wares. The opposite side was under construction and the one still in use was unpaved, which meant that two lanes of traffic had to navigate a narrow area of bumpy stones while avoiding massive potholes and piles of dirt. I saw a motorbike and a three-wheel truck almost collide.

I spent the next few hours wandering around the Inner Mongolia Museum, which has a staggering collection of 44,000 items. Some of the best fossils in the world have been discovered in Inner Mongolia because its frozen tundra preserves them so effectively. The standout exhibit for me was the mammoth. It had been discovered in a coal mine in 1984 and most of its skeleton was the original bones rather than replicas. I gazed up at the enormous creature and tried to imagine it roaming the earth over a million years ago. Mind-boggling.

I admired the black-and-white portraits of Mongolian tribesmen, and then took photos of a big bronze statue of Genghis Khan astride his galloping mount. The founding leader of the Mongol Empire was the arch-nemesis of China, and parts of the Great Wall had been built with the express purpose of keeping out his marauding armies. Genghis Khan must have rolled in his grave when China seized control of a large swathe of his territory in 1947.

What was once Mongolia proper became a Chinese province known as ‘Inner Mongolia Autonomous Region’. This long-winded name is an example of Orwellian double-speak. So-called ‘Inner Mongolia’ is part of China, whereas the independent country to the north is by inference ‘Outer Mongolia’. Nor is the Chinese region autonomous. The Chinese state has forced Mongolians to assimilate. Their nomadic lifestyle and Buddhist beliefs had been pretty much eradicated, and although speaking Mongolian wasn’t outlawed, learning the state language of Mandarin was non-negotiable.

On top of this, the government provided tax breaks and other financial incentives to China’s majority ethnic group, the Han Chinese, if they relocated to Inner Mongolia. Mongolians now account for just one in five people among a total population of 24 million. The same policies of ethnic ‘dilution’ exist in China’s four other ‘autonomous regions’, which include Tibet and Xinjiang, the home of the Uyghurs.

Shortly before I left the museum, I came to a plaque that described the official version of history, which was at odds with everything I’d read in my Lonely Planet.

‘Since the founding of Inner Mongolia Autonomous Region fifty years ago, a great change has happened on the grasslands, which is both a great victory of the minority policy and the result of the splendid leadership of the Communist Party of China. The people of all nationalities on the grassland will never forget the kind-hearted concerns of the revolutionary leaders of both the old and new generations.’

I rolled my eyes, snapped a photo of the plaque for posterity, and continued walking.

* * *

I didn’t venture far from my hotel for dinner because I planned on having an early night. I chose a bustling restaurant with lots of families inside and was waiting for a waiter to come and start trying to guess my order when a group of men at the next table caught my eye. They seemed to be waving me over.

Me? I asked by pointing at myself.

Yes, they were nodding. Shi de.

I happily joined the group and introduced myself by saying that I was from ‘Aodàlìyǎ’. I think they were Han Chinese, as they didn’t look Mongolian. I whipped out my phrasebook and tried to say I had come from Beijing, but I was fairly certain they didn’t understand me.

Anyhow, no matter. Ten shot glasses were filled from a huge bottle of baijiu, and I was soon laughing as if I was with old friends. One of the slightly older guys used a set of tongs to place wafer-thin slices of fatty pork into the bubbling hotpot on the table, followed by shiitake mushrooms and leafy greens. As the impromptu guest of honour, my bowl was filled first once it was cooked – by which time I’d already had three shots.

The hotpot was fantastic, and I had to remind myself not to finish everything in my bowl. Bethan had told me that Chinese etiquette requires a small amount of food not to be eaten at each meal. This indicates that it was so satisfying that it wasn’t necessary to eat every last bite. As a kid, it was ingrained in me to finish everything on my plate. I loved food and was generally in the habit of licking my bowl clean, so I had to exercise a certain amount of restraint.

I had just rested my chopsticks across the top of my bowl to signal I was finished when I was invited to go sit on the wives’ table, which was across from the men’s. The women were very sweet and a couple of them seemed to be around my age. I once again tried to communicate using my phrasebook, but I was hopelessly drunk by then. I could hardly string a sentence together in English, let alone Mandarin. I was also beginning to feel queasy from the baijiu, so I gratefully accepted a cup of green tea from the porcelain teapot that came my way on the lazy Susan. After taking some photos together, I bid the two groups ‘zaijian’ (goodnight). I tried to contribute some yuan for the meal, but they wouldn’t hear of it. I curtsied as a stupid sort of thank-you, and then I was on my way.

* * *

More hard liquor awaited me the following day. A striking woman in a red brocade gown with long sleeves handed me a small glass of baijiu as I stepped off the minibus a bit before noon.

‘It’s a tradition,’ she said with a smile, while holding a tray full of shots.

I downed the baijiu with my backpack on and grinned as the backpacker behind me did the same. There were four foreign tourists on the tour, and about eight domestic ones. The liquor gave me an instant buzz, which I needed. I hadn’t slept well and woke up feeling lousy, so I’d kept to myself during the two-hour journey. Even though I should have been excited, I got grumpier and grumpier as the reality of being on a tour began to sink in. Plus, the landscape was not the verdant green steppes I’d been expecting. At this time of year, it was bone dry and dusty. It hadn’t occurred to me to check whether my visit coincided with the low season.

I began chatting to the other tourists. The guy who had the baijiu after me was Lars from Holland. There was also a couple from Germany. I could immediately tell they were pretty straitlaced. Their clothes looked very clean and functional, and the girl refused the baijiu.

The woman in red introduced herself as Li, our tour guide. Then she led us along a path lined with spinifex to a dozen gers. They faced each other in a circle, and off to the right was a much larger ger with the evil eye painted on its roof and Tibetan prayer flags fluttering in the fierce winds. There were no other buildings in sight and no trees.

Li told us to meet inside the big ger in fifteen minutes after we’d put our stuff in the smaller gers she proceeded to assign us. Lars and I would be spending the night in a ger with ‘82’ painted on its rusted red door. There certainly weren’t eighty gers, so the logic behind the numbering system wasn’t clear – but no matter. The German couple took the ger to the right of ours.

These were not portable tents for nomads. Each ger was mounted on a concrete base and I think the actual structure was made of concrete too, and merely wrapped in grey tarpaulins. The door was made of metal and at the top was a sort of chimney structure – perhaps for ventilation. Like igloos, the only opening was the door, and it was pitch-black inside. I located a dangling light switch as I entered.

‘Ah – I love it!’ I exclaimed.

It was a simple set-up, with single beds lining the perimeter and a low table in the middle of the room. Patterned sheets were draped from the concave ceiling. I chose the bed with a framed portrait of Genghis Khan above it. Lars put his backpack next to a bed on the other side. I was happy enough to share a ger with him. He gave off zero sleazy vibes.

‘I might just take a couple of those extra blankets,’ I said to Lars as I piled on a few extra floral quilts from another bed. The wind had an extra iciness to it out on the steppes and I shuddered to think what the temperature would drop to overnight. We zipped our jackets back up and headed out.

I wandered over to the toilet block, which was quite a distance from the gers. I made a mental note to drink as little as possible before getting into bed to avoid having to go in the night. Once I got closer to the toilets, I was glad they were so far away. The stench was unbelievable.

In the female section were two concrete stalls without doors. In the middle of the floor in each was a rectangular gap. I almost gagged. Just a few centimetres away from the concrete was an enormous pile of shit. I could make out bits of used toilet paper and sanitary pads and there were loads of flies buzzing around. Without running water or pipes, the excrement just sat there, day after day, building up. I would have turned and walked straight back out but I was busting for a wee. I held my breath so I wasn’t inhaling the smells. I wanted to close my eyes too, but I was terrified of falling in, so I had to look at what I was doing. I couldn’t get out of there fast enough.

‘Oh my god, Lars – the drop toilets are totally disgusting,’ I said after I met up with him in the big ger. ‘It’s just a pit of shit without running water.’

‘I know an American girl who fell into a drop toilet in China last year,’ he said.

‘No way,’ I said with a shudder.

‘Yeah. She said it was terrible. She was in a really poor village somewhere in central China and she went to the toilet at night. She couldn’t see that some of the wooden planks had gaps in them – and then one of them broke and she fell in. She was up to her neck in shit. She was screaming for people to come help her. Apparently, it took them half an hour to fish her out, and all the while she could feel creatures writhing around her body. She cut her trip short and had to get counselling when she got home.’

‘I bet she did,’ I said. ‘That’s the most disgusting thing I’ve ever heard in my life. The poor girl.’

Just then Li appeared and said we were heading outside to watch horse racing and traditional wrestling after some sweet biscuits and tea. We assembled around a fenced area where there were about thirty ponies tethered to poles. Some were lying down while still saddled.

‘Horses usually sleep while standing up, so these ponies must be knackered – pardon the pun,’ I joked to Lars.

Notwithstanding, they looked to be in reasonably good condition, with shiny coats and no protruding ribs. There were chestnuts, bays and dapple greys.

I heard the sound of hoofbeats and looked behind me. A group of men on horseback came thundering across the steppes. It was a magnificent sight, and any lingering resentment I had about being on a tour melted away.

One of the men rode ahead of the rest. He was wearing a cobalt-blue brocaded tunic and his wavy black hair came down past his ears. He was really good-looking. He approached Li with a smile, said something to her and dismounted with the ease of someone who had probably started riding horses before he learned to walk. Li and the man exchanged a few words – I definitely saw her blush – and then he got back on.

‘Gah!’ he yelled as he dug his heels into his horse’s sides.

The other horsemen followed after him with whoops, leaving a trail of dust in their wake. These Mongolian ponies were only about twelve or thirteen hands, but they sure were fast and could turn on a dime. I loved watching them carve up the dry earth.

Next a group of men on motorcycles appeared along the track. There were quite a lot of them – at least twenty. We formed a big circle, and the traditional wrestling began. I wasn’t sure what the rules were, but it was fairly self-explanatory: one man got another in a headlock and thumped him to the ground. The next man came along and fought the winner, and so on and so forth. The spectators egged on the fighters with what I assumed were good natured cat calls. Everyone was grinning. By the time the wrestling matches were over, the fighters were absolutely covered in dust and the sun was beginning to set. I’m sure it was all staged for our benefit, but it was good fun.

With the seamless orchestration of a tour that has been done a thousand times before, we gravitated to the big ger. Dinner was bubbling away in a large clay pot and it smelled pretty good. There was also a big vat of noodles with black sauce and the ubiquitous Chinese vegetables of thinly sliced carrot, bok choy, baby corn and onion. There was a bottle of baijiu on each table.

We were serenaded with traditional music while we ate. One of the instruments reminded me of the didgeridoo and there was also a violin. I had read that strands of horse mane are used to make violin strings. The male singer had a deep voice that was almost a warble, and it was hauntingly beautiful.

Five men and women emerged from behind a red curtain and began to dance. They wore long-sleeved, billowing satin tunics that were cinched at the waist with embroidered belts. One of the women had a tall hat made of white beads that dangled down to her waist. It must have been heavy. It was a high-energy display of kicks and splits and parts of it were reminiscent of Irish dancing. They twirled their billowing skirts like sufis. The Chinese tourists started clapping in time with the music and then we all joined in. Sure, it was a bit cheesy, but I was really enjoying myself. At the end of the concert, we had photos with the performers as they were still trying to catch their breath.

We were given torches to light our way back to our gers. It was absolutely freezing, so I wore all my clothes to bed. I snuggled into my blankets and pulled them right up to my chin, feeling grateful for the warmth of Bethan’s jumper.

Mercifully, I slept right through until morning and avoided a late-night visit to the shit pit.

When I wandered out of the ger the next morning, breakfast was being prepared nearby. The carcass of a freshly slaughtered sheep was hanging from the back of a trailer. A man was skinning it while the blood drained out of its neck into a big metal bowl. Its head was in a second bowl, while squares of wool were laid out flat to dry on a tarp. A toddler in a puffy orange jacket was playing in the dust while his mother worked away at skinning parts of the wool. What distressed me more than butchery up close was the live sheep that was watching on from the back of the trailer. He presumably knew he was next.

After a breakfast of ‘sheep stomach stew with assorted tendons’ (as Li described it) we headed out for a ride on the steppes. I couldn’t wait to ride a horse again. I’d spent most of my childhood obsessed with horses, and I was lucky enough to have one for a few years, until I got older and became more interested in hockey and parties.

I rode a stocky bay with a trimmed mane that bobbed up and down as it trotted along the path. I looked over its perky little ears. The saddle had an uncomfortable pommel that kept jabbing me in the stomach, but I loved being under the wide open sky. It was a pale blue with just a few wispy clouds. Sheep grazed and crows rested on clumps of rocky outcrops.

I winced at the Chinese guy ahead of me, who was bouncing out of time to the rhythm of his horse’s gait and landing with a heavy bump in the saddle; his oversized suit flapping in the wind and his feet poking out straight in the stirrups. Much easier on the eye was the guide two horses ahead of him. He was every inch the Mongolian cowboy. Dressed from head to toe in black, he wore a leather jacket, cowboy hat and scuffed black cowboy boots. He never took off his wraparound sunglasses and he spoke little. He smouldered like the heartthrob actor, Patrick Swayze.

We’d travelled several kilometres when we came to a building block that was the same greyish brown as the earth. Inside it had a cottage feel. We sat around a table covered with a frilly tablecloth and drank yak milk. As we did, Lars told me about his day trip to North Korea. While in South Korea for a couple of weeks, he had visited the demilitarised zone (better known as the ‘DMZ’), where a ceasefire was negotiated between the two Koreas in 1953. In a military building is what is known as the ‘demarcation line’ – and Lars had one foot in North Korea and another in South Korea. I hung on his every word.

Our conversation got me thinking about how cool it would be to go to North Korea. I was actually quite close to the border. When I got back to the ger, I retrieved my Lonely Planet out of my bag and thumbed to the section titled ‘Getting there and away’, which had instructions for every country that borders China.

‘Visas are difficult to arrange to North Korea and at the time of writing, it was virtually impossible for US and South Korean citizens. Those interested in travelling to North Korea from Beijing should get in touch with Koryo Tours, who can get you there (and back).’

I was pretty sure the cost would be prohibitive for my budget and decided to stick with my existing plan of cutting south-west towards Tibet. Maybe one day I’d get the chance to visit North Korea, but it wouldn’t be on this trip.

Once back in Hohhot, I boarded a train bound for Pingyao. As I watched the apartment blocks pass by in a blur, I thought with satisfaction about the past twenty-four hours. Any visit to Inner Mongolia is problematic, but I couldn’t fault the Chinese tour company. They had made every effort to keep us entertained. Mongolian culture was so new to me that I couldn’t even tell whether something was authentic or staged, but I had seen and done all the things I hoped to during my visit. And, sure, my time there was really brief. But I’d be forever grateful to have seen a part of the world I thought I’d only ever get to see in a documentary.

Photo Courtesy: Jessica Muddit

About the Book: While nursing a broken heart at the age of 25, Jessica Mudditt sets off from Melbourne for a year of solo backpacking through Asia. Her willingness to try almost anything quickly lands her in a scrape in Cambodia. With the nation’s tragic history continuing to play out in the form of widespread poverty, Jessica looks for ways to make a positive impact. She crosses overland into a remote part of Laos, where friendships form fast and jungle adventures await.

Vietnam is an intoxicating sensory overload, and the hedonism of the backpacking scene reaches new heights. Jessica is awed by the scale and beauty of China, but she has underestimated the language barrier and begins her time there feeling lost and lonely. In circumstances that take her by surprise, Jessica finds herself hiking to Mount Everest base camp in Tibet.

From a monks’ dormitory in Laos to the steppes of Inner Mongolia, join Jessica as she travels thousands of kilometres across some of the most beautiful and fascinating parts of the planet.

About the Author: Jessica Mudditt was born in Melbourne, Australia, and currently lives in Sydney. She spent ten years working as a journalist in London, Bangladesh and Myanmar, before returning home in 2016. Her articles have been published by Forbes, BBC, GQ and Marie Claire, among others. Once Around the Sun: From Cambodia to Tibet is a prequel to her earlier book, Our Home in Myanmar.

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Categories
Poetry

And it was Spring in the Dream…

By Nusrat Jahan Esa

A LETTER TO YOU, TO ME 

And it was Spring in the dream...
As the petals started to shed their horns,
I saw a blue flower blooming at night, and it was you!
I wandered around you, but you are a fleeting sight.
I wanted to know about you, my love.
What did you want to become?
Whom did you seek?

I could see that the hues of the wings of butterflies,
Held a strong resemblance to my happiness.
So I wished it extracted your blue.

Suddenly, one day,
I sought you out, but there's no you.
I wondered.
You were but the fragments of my own mind,
I tried to glue all the puzzles together.
Now I know it was all my delusion.
Because I tried hard to depart from the shadows.
But now again, where am I?
And where are you?

You were actually me, and my shades of blue.
So,
For none but my love,
A letter, to you, to me
where you will find the key to happiness.

The dream is over.
Summer's now heating the ground up,
Let me pluck the flower and put it in my hair.

Nusrat Jahan Esa is a BA English Literature student at the University of Liberal Arts Bangladesh (ULAB). Writing Poetry is her way of expressing herself and embracing her inner child.

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Categories
Nazrul Translations

Do Love My Songs

Nazrul’s lyrics translated by Professor Fakrul Alam

Painting by Jamini Ray (1887-1972)

DO LOVE MY SONGS


Dearest, even if you won’t love me,
Do love my songs.
Who remembers forest birds
When they cease singing and fly out of sight?
Whoever wants the moon by itself?
Everyone enthuses only about moonlight!
No one ever notices how wicks get burnt
When lamps emit their light!
Cut stems drip tear drops
But in time blossom as flowers.
But when plucking flowers and taking them away,
Do you ever think of helping the plant in any way?
All quench their thirsts with river water
But the act parches the riverbed so!
Seek, seek the river’s water in an ocean of sorrow…
But dearest, even if you won’t love me
Do love my songs!
A rendition of the original song in Bengali by the legendary singer, Feroza Begum(1930-2014)

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012). 

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Categories
Editorial

Finding Godot?

Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
....
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks ...


— Tagore, Dhoola Mandir or Temple of Dust (1910)

Love is a many splendoured thing and takes many forms — that stretches beyond bodily chemistry to a need to love all humankind. There is the love for one’s parents, family, practices one believes in and most of all nurtured among those who write, a love for words. For some, like Tagore, words became akin to breathing. He wrote from a young age. Eventually, an urge to bridge social gaps led him to write poetry that bleeds from the heart for the wellbeing of all humanity.  Tagore told a group of writers, musicians, and artists, who were visiting Sriniketan in 1936: “The picture of the helpless village which I saw each day as I sailed past on the river has remained with me and so I have come to make the great initiation here. It is not the work for one, it must involve all. I have invited you today not to discuss my literature nor listen to my poetry. I want you to see for yourself where our society’s real work lies. That is the reason why I am pointing to it over and over again. My reward will be if you can feel for yourself the value of this work.”

And it was perhaps to express this great love of humanity that he had written earlier in his life a poem called Dhoola Mandir that urges us to rise beyond our differences of faith and find love in serving humankind. In this month, which celebrates love with Valentine’s Day, we have a translation of this poem that is born of his love for all people, Dhoola Mandir.  Another poet who writes of his love for humanity and questions religion is Nazrul, two of whose poems have been translated by Niaz Zaman. Exploring love between a parent and children is poetry by Masood Khan translated from Bengali by Fakrul Alam. From the distant frontiers of Balochistan, we have a poem by Atta Shad, translated from Balochi by Fazal Baloch, for a fair lady — this time it is admiration. Ihlwha Choi translates poetry from Korean to express his love for a borderless world through the flight of sparrows.

Love has been taken up in poetry by Michael Burch. Borne of love is a concern for the world around us. We have powerful poetry by Maithreyi Karnoor that expresses her concern for humanity with a dash of irony or is it sarcasm? Luis Cuauhtémoc Berriozábal expresses his admiration for the poetry of Italian Poet Antonia Pozzi (1912-1938) in poetry. We have poems by Stuart McFarlane, Pramod Rastogi, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan and many more. Rhys Hughes brings humour into poetry and voices out in his column taking on the persona of two cities he had lived in recently. There is truth and poignancy in the voices of the cities.

Suzanne Kamata writes a light-hearted yet meaningful column on the recent Taylor Swift concert in Tokyo.  Aditi Yadav takes up the Japanese book on which was based a movie that won the 2024 Golden Globe Best Animated Feature Film Award. Sohana Manzoor journeys to London as Devraj Singh Kalsi with tongue in cheek humour comments on extracurriculars that have so become a necessity for youngsters to get to the right schools. Snigdha Agrawal gives us a slice of nostalgia while recounting the story of a Santhali lady and Keith Lyons expresses his love for peace as he writes in memory of a man who cycled for peace.

Ratnottama Sengupta also travels down the memory lane to recall her encounters with film maker Mrinal Sen as he interacted with her father, Nabendu Ghosh. She has translated an excerpt from his autobiography to highlight his interactions with Ghosh. The other excerpt is from Upamanyu Chatterjee’s latest novel, Lorenzo Searches for the Meaning of Life.

In reviews, Somdatta Mandal has explored Tahira Naqvi’s The History Teacher of Lahore: A Novel. Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty, has been discussed by Basudhara Roy and Bhaskar Parichha has reviewed Toby Walsh’s Faking It: Artificial Intelligence in a Human World. News and Documentary Emmy Award winner (1996) Ruchira Gupta’s daring novel born of her work among human traffickers, I Kick and I Fly, has been brought to our notice by Sengupta and she converses about the book and beyond with this socially conscious activist, filmmaker and writer. Another humanist, a doctor who served by bridging gaps between patients from underprivileged backgrounds, Dr Ratna Magotra, also conversed about her autobiography, Whispers of the HeartNot Just a Surgeon: An Autobiography , where she charts her journey which led her to find solutions to take cardiac care to those who did not have the money to afford it,

We have fiction this time from Neeman Sobhan reflecting on how far people will go for the love of their mother tongue to highlight the movement that started on 21st February in 1952 and created Bangladesh in 1971. Our stories are from around the world — Paul Mirabile from France, Ravi Shankar from Malaysia, Sobhan from Bangladesh and Ravi Prakash and Apurba Biswas from India — weaving local flavours and immigrant narratives. Most poignant of all the stories is a real-life narrative under the ‘Songs of Freedom’ series by a young girl, Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These stories are brought to us in coordination with pandies’ and Shaktishalini, a women’s organisation to enable the abused. Sanjay Kumar, the founder of pandies’ and the author of a most poignant book about healing suffering of children through theatre, Performing, Teaching and Writing Theatre: Exploring Play, writes, “‘Songs of Freedom’ bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini.”

While looking forward in hope of finding a world coloured with love and kindness under the blue dome, I would like to thank our fabulous team who always support Borderless Journal with their wonderful work. A huge thanks to all of you from the bottom of my heart. I thank all the writers who make our issues come alive with their creations and readers who savour it to make it worth our while to bring out more issues. I would urge our readers to visit our contents’ page as we have more than mentioned here.

Enjoy our February fare.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the February 2024 Issue.

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Categories
Excerpt

New Novel by Upamanyu Chatterjee

Title: Lorenzo Searches for the Meaning of Life

Author: Upamanyu Chatterjee

Publisher: Speaking Tiger Books

It is the 20th of December 1980, a Saturday, and at dinner, Lorenzo Senesi, who will turn twenty-two in a little over a month, tells his mother, ‘Mamma, I think I just might go down to Padua with Roberto and Francesca for Christmas and the New Year. Should be back by the 3rd or 4th of January.’

Elda glances at her son but says nothing. Amedeo the father grunts once to acknowledge that the information has reached his ears. Paola, Lorenzo’s sister, older by fourteen months, asks in a tone that suggests that it wouldn’t matter if he doesn’t respond, ‘With those two? But I thought you were bored to death of them.’

The next morning, Lorenzo packs some essential things, including his copy of Carlo Carretto’s The Desert in the City, in an overnight bag, places the bag on the rear seat of his Renault 5, goes to the kennel in the corner of the garden to hug and nuzzle Vega the dog (a handsome golden-brown beast, half German Shepherd, a quarter Retriever, and in her reflective moments, there is something about her eyes that recalls the young Sylvester Stallone) and is off. Francesca and Roberto are nowhere to be seen. From Aquilinia, the dot on the outskirts of Trieste where they stay (a workers’ village, really, an adjunct to the Aquila oil refinery is how it was conceived and inaugurated in 1938, with habitual pomp, by Mussolini), he takes La Strada Costiera, the scenic coast road, down to the plains.

It is late in the morning, and bright and sunny. On his right lie the hummocks, ridges and undulations of karst, their eroded limestone continually sneaking a peek between the trees of lime and pine at the brilliant blue, on his left, of the bay of Trieste. The landscape tumbles down in leaps and bounds to the radiant sea that stretches like blue polythene till the haze of the horizon. On some curves, he can spot the white sails of boats, as still as life, on the aquamarine lapping at the feet of Miramare Castle.

The Renault, three years old, is an acquisition that dates from his road accident and the insurance money that he reaped as one of its consequences. It moves well; he makes good time to Sistiana and thence to Monfalcone where, having left the Adriatic and reached the bland plains, he takes the A 4 west-south-west towards Milan. He is undecided—but only for a moment—between the radio and the cassette player. Radio Punto Zero on FM wins; with his arms fully stretched to grip the steering wheel, he leans back in the seat to enjoy Adriano Celentano crooning ‘Il Tempo Se Ne Va.

A hundred and fifty kilometres, more or less, to Padua, an uncluttered highway through the ploughed cornfields and plantations of poplar of the region of Gorizia; Celentano on the radio is succeeded by Franco Battiato, Giuni Russo, Antonello Venditti and Claudio Baglioni. Friuli-Venezia-Giulia gives way to the Veneto a while before Lorenzo switches off the radio to enjoy, in peace, the noon silence. At Padua, though, it not being his final destination, he still has a further fifteen kilometres to go to reach Praglia at the foot of the Euganean Hills.

He parks the Renault as far as he can from a bus disgorging a contingent of British tourists alongside the church wall of the Chiesa Abbaziale di Santa Maria Assunta and carrying his overnight bag, walks across to the arched recess in which is inset an iron door. It is the principal entrance to Praglia Abbey of which the church forms an integral part. He rings the bell and waits.

He glances back at his car. Behind the wall, the church rises solid and grey, monolithic like a fortress, almost forbidding. Hearing the clang and whine of the iron door being opened, he turns back.

The monk whom he sees, Father Anselmo, sombre in his black robe, is tiny. He smiles and nods at Lorenzo and ushers him in. ‘Oh, have you come by car? Then I’ll open the main gates for you so that you can park inside.’ Without ceasing to nod and smile, he ushers him out.

Father Anselmo, being the porter of the abbey, is a statutory requirement of the institution. Let there be stationed at the monastery gate, says Chapter 66 of the Rule of Saint Benedict, a wise and elderly monk who knows how to receive an answer and to give one and whose ripeness of years does not suffer him to wander about. This porter ought to have his cell close to the gate so that those who come may always find someone there from whom they can get an answer. So when the Father does not reply, it may be presumed that the question was not worth a response. For they do not speak much, the Benedictines.

The Renault having found its parking berth in a spacious, paved, open corridor that runs right around a large, rectangular garden, Lorenzo returns to the reception room where Father Anselmo, at his place behind a plain, unadorned desk, waits for him.

‘Good afternoon,’ he starts again formally. ‘I would like to meet the maestro dei novizi. I have an appointment. My name is Lorenzo Bonifacio.’

A cue, as it were, for Father Anselmo to nod and smile again, and without getting up, lean sideways in his chair and press, six times in a measured, definite code, a red plastic button affixed to the wall. One push of the bell, a long pause, two pushes, a short pause, two more pushes, a long pause, one last push. Immediately, from the great bell tower of the church, clearly audible in each nook and cranny of the abbey, begins to ring, in the same code and with the same pauses, one of the lesser bells. Father Anselmo then gestures to Lorenzo to sit down in one of the chairs ranged along the wall. No conversation ensues.

(Extracted from Lorenzo Searches for the Meaning of Life by Upamanyu Chatterjee. Published by Speaking Tiger Books, 2024)

About the Book

One summer morning in 1977, nineteen-year-old Lorenzo Senesi of Aquilina, Italy, drives his Vespa motor-scooter into a speeding Fiat and breaks his forearm. It keeps him in bed for a month, and his boggled mind thinks of unfamiliar things: Where has he come from? Where is he going? And how to find out more about where he ought to go?
When he recovers, he enrols for a course in physiotherapy. He also joins a prayer group, and visits Praglia Abbey, a Benedictine monastery in the foothills outside Padua.

The monastery will become his home for ten years, its isolation and discipline the anchors of his life, and then send him to a Benedictine ashram in faraway Bangladesh—a village in Khulna district, where monsoon clouds as black as night descend right down to river and earth. He will spend many years here. He will pray seven times a day, learn to speak Bengali and wash his clothes in the river, paint a small chapel, start a physiotherapy clinic to ease bodies out of pain, and fall, unexpectedly, in love. And he will find that a life of service to God is enough, but that it is also not enough.

A study of the extraordinary experiences of an ordinary man, a study of both the majesty and the banality of the spiritual path, Upamanyu Chatterjee’s new novel is a quiet triumph. It marks a new phase in the literary journey of one of India’s finest and most consistently original writers.

About the Author

Upamanyu Chatterjee is the author of English August: An Indian Story (1988), The Last Burden (1993), The Mammaries of the Welfare State (2000), Weight Loss (2006), Way to Go (2011), Fairy Tales at Fifty (2014), and Villainy (2022)—all novels; The Revenge of the Non-vegetarian (2018), a novella; and The Assassination of Indira Gandhi (2019), a collection of long stories. 

In 2000, he won the Sahitya Akademi Award, and in 2008, he was awarded the Order of Officier des Arts et des Lettres by the French Government for his contribution to literature.

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Categories
Poetry

Dear Deaf Cockatoo

By Afrida Lubaba Khan

Dear Deaf Cockatoo,


I mostly stare at the empty ceiling;
watching the imaginary pink bees,
I sometimes try to match up with people, chaos in my wake, no one sees.
You will never know how your absence strikes my heart,
until you are in my place.
Every time I watch “The Notebook”,
I see your non-existing face in front of me --
Enjoying, laughing, seeing the miserable shredded parts of me.
My heart always ached to hear the echoes of your soul;
But you were never ready to hear.
Because you did not feel me as I felt our deja vu.
I screamed and screamed, loudly and madly just to be with you.
But you turned yourself off like a Deaf Cockatoo.

Afrida Lubaba Khan is an aspiring poet, writer, and translator from Dhaka, Bangladesh. She is one of the Sub-Editors of ULAB-MUSE Magazine, and she is currently pursuing a Bachelor of Arts in English Humanities at University of Liberal Arts Bangladesh.

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Categories
Poetry

Dusk Descends on the World

Poetry by Masud Khan, translation from Bengali by Professor Fakrul Alam

MOTHER


In the dust smeared evening
Far away, almost at the margins of the horizon,
The one who is resting all by herself

In a bed laid out under the open sky
Is my mother.
Her bed smells of grass and the antiseptic Dettol.
A tube in her nose supplies her with oxygen,
A saline bottle is attached to her arm,
And she is tied to a catheter too—
It is as if she is getting entangled inextricably
In a jungle of plastic and polythene reeds.

A smoky surreal unreal canopy encircles her bed.

Seemingly after ages, dusk descends on the world,
A few birds and insects form a chorus,
Wailing throatily obscure and dissonant tunes
In amateurish over-excited zeal,
Seeking refuge timorously in that plastic hedge,
At the margin of the horizon,
In the shadow of primeval motherhood.


A FRAGRANT TALE

The world is full of misleading, minus signs and foul smells.

At times, the world feels as heavy and unbearable
As the weight of a son’s dead body on his dad’s shoulder,
Or as stressful as playing the role of a dead soldier,
Or as formidable as a physically challenged person’s ascent up a mountain
Or as painful as caring for a precocious, traumatised child...

Nevertheless, occasionally such stress-laden memories will blur,
And suddenly, wafting on the wind’s sudden mood swing,
A fragrant moment comes one’s way!

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan (English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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Categories
Nazrul Translations

Equality by Kazi Nazrul Islam

Samya (Equality) by Nazrul, translated from Bengali by Niaz Zaman

I sing the song of equality – 

Of a country where fresh joy blossoms in every heart
And new life springs in every face.
Friend, there is no king or subject here,
No differences of rich and poor.
Some do not feast on milk and cream here,
While others grovel for leftovers and broken grains.
No one bows before the feet of horses here,
Or before the wheels of motor cars.
Disgust does not arise in white men’s minds here
At the sight of black bodies.
Here, in this land of equality,
Black and white are not buried in separate graveyards;
Nor do black and white pray in separate rooms and churches.
In this land there are no footmen or guards,
No policemen to evoke fear.
There are no conflicting religions here,
No cacophony of conflicting scriptures.
The priest and the padre, the mullah and the monk
Drink water from the same glass here.
The Creator’s house of prayer
Is contained in the human body and mind here;
Here His throne of sorrow
Is formed by human suffering.
He responds readily here
To whatever name He might be called,
Just as a mother responds readily
To whatever name her child might call.
No one comes to blows here
Over the different apparel one wears –
Payjama, trousers or dhoti.
Clad though in soiled or dusty garb,
All are happy here.

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

Niaz Zaman is an academic, writer and translator from Bangladesh. She has published a selection of Kazi Nazrul Islam’s work in the two-volume Kazi Nazrul Islam: Selections. In 2016, she received the Bangla Academy Award for Translation. This translation was first published in Kazi Nazrul Islam Selections 1, edited by the translator and published by writers.ink in 2020.

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Categories
Poetry

The L-o-s-t Bengal Project 

By Isha Sharma

The year is 1905

The tunes of Tagore’s Amar Sonar Bangla* flower in the streets of Bengal

Curzon calls the Partition to create a divide

However, ‘culture’ thrives

As Muslims and Hindus, unite



The year is 1947

Bloodshed and madness pick up as

Radcliffe creates new lines

People leave ‘homes’

To find new ones

Violence slices humanity

How could Bengal survive?



The year is 1965

Bengal has two sons, one -- West Bengal

The second, ‘East Pakistan’

As conflicts flare again, the memory of the lost home revives

Women adorning sarees sing the lyrics of that Rabindra Sangeet



The year is 1971

Liberation calls are made

As women get raped

A new nation is born but the legacy of the past still prospers



A woman in Bangladesh teaches her daughter tunes of Tagore’s song written in 1905 --

Amar Sonar Bangla may have been lost but is it fully forgotten?

It still hums ...somewhere



* The national anthem adopted by Bangladesh in 1971. It was written by Tagore to unite Bengalis together to oppose the 1905 Partition.

Isha Sharma is passionate about the process of translating emotions into verses. Her works, including articles and poems, have been published in Borderless Journal, Kitaab International, The Indian Literary Review, The Indian Periodical, The Indian Express, Indus Women Writing Newsletter, The Feminist Times, and The Tribune (Student Edition).

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Categories
Poetry

Fire Engine

Masud Khan’s poem, Dhamkal (Fire Engine), translated from Bengali by Fakrul Alam

Having fled the madhouse, the lunatic darted up the tree.
Nothing would make him come down, he said,
Except for the pleas of that midget-sized nurse!

The nurse came running, quick as a fire engine,
Waving wildly at him. Her gestures were coded messages,
Inducing the lunatic to climb down from the tree top
Just as a koi fish descends on the dining plate.
Entranced by the smell of steaming curry,
He descended easily and freely
As consecutive numbers do when one counts down.

The lunatic’s thoughts flickered across the nurse’s consciousness.

This day that mad man will return once more to his asylum.
Placing his head on the confessional,
He will soundlessly suffer thirteen electric shocks
Designed to induce thirteen confessions from him
At the directive of the calm and composed health priest!

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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