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Contents

Borderless, August 2025

Art by Sohana Manzoor

Editorial

Storms that Rage… Click here to read.

Translations

Nazrul’s Jonomo, Jonomo Gelo (Generations passed) has been translated from Bengali by Professor Fakrul Alam. Click here to read and listen to a rendition by the famed Feroza Begum.

Ajit Cour‘s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

The Scarecrow by Anwar Sahib Khan has been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Aparna Mohanty have been translated from Odia by Snehprava Das. Click here to read.

Angshuman Kar has translated some of his own Bengali poems to English. Click here to read.

Sunflower, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Shaishabshanda (Childhood’s Dusk) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Fakrul Alam, William Miller, Meetu Mishra, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, George Freek, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, Rajorshi Patranabis, Ryan Quinn Flanagan

Poets, Poetry & Rhys Hughes

From the Vale of Glamorgan are two poems on the place where Rhys Hughes grew up. Click here to read.

Musings/Slices from Life

Menaced by a Marine Heatwave

Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

The Man from Pulwama

Gowher Bhat introduces us to a common man who is just kind. Click here to read.

More than Words

Jun A. Alindogan writes on his penchant for hardcopy mail. Click here to read.

To Bid or Not to Bid… the Final Goodbye?

Ratnottama Sengupta ponders on Assisted Dying. Click here to read.

Musings of a Copywriter

In Syrupy Woes, Devraj Singh Kalsi looks at syrupy health antidotes with a pinch of humour. Click here to read.

Essays

‘Verify You Are Human’

Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Does the First Woman-authored Novel in Bengali Seek Reforms?

Meenakshi Malhotra explores Somdatta Mandal’s translation of Manottama, the first woman-authored Bengali novel published in 1868. Click here to read.

Bhaskar’s Corner

In Bidyut Prabha Devi – The First Feminist Odia Poet, Bhaskar Parichha pays a tribute to the poet. Click here to read.

Stories

The Sixth Man

C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White terror. Click here to read.

I Am Not My Mother

Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

The Archiver of Shadows

Hema R explores shadows in her story set in Chennai. Click here to read.

Ali the Dervish

Paul Mirabile weaves the strange adventures of a man who called himself Ali. Click here to read.

The Gift

Naramsetti Umamaheswararao moulds children’s perspectives. Click here to read.

Notes from Japan

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Conversation

Neeman Sobhan, author of Abiding City: Ruminations from Rome, discusses shuttling between multiple cultures and finding her identity in words. Click here to road.

Book Excerpts

An excerpt from M.A.Aldrich’s From Rasa to Lhasa: The Sacred Center of the Mandala. Click here to read.

An excerpt from Neeman Sobhan’s An Abiding City: Ruminations from Rome. Click here to read.

Book Reviews

Somdatta Mandal reviews Chhimi Tenduf-La’s A Hiding to Nothing. Click here to read it.

Madhuri Kankipati reviews O Jungio’s The Kite of Farewells: Stories from Nagaland. Click here to read.

Bhaskar Parichha reviews Snehaprava Das’s Keep it Secret: Stories. Click here to read.

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Categories
Editorial

Storms that Rage

Storm in purple by Arina Tcherem. From Public Domain

If we take a look at our civilisation, there are multiple kinds of storms that threaten to annihilate our way of life and our own existence as we know it. The Earth and the human world face twin threats presented by climate change and wars. While on screen, we watch Gaza and Ukraine being sharded out of life by human-made conflicts over constructs made by our own ‘civilisations’, we also see many of the cities and humankind ravaged by floods, fires, rising sea levels and global warming. Along with that come divides created by economics and technology. Many of these themes reverberate in this month’s issue.

From South Australia, Meredith Stephens writes of marine life dying due to algal growth caused by rising water temperatures in the oceans — impact of global warming. She has even seen a dead dolphin and a variety of fishes swept up on the beach, victims of the toxins that make the ocean unfriendly for current marine life. One wonders how much we will be impacted by such changes! And then there is technology and the chatbot taking over normal human interactions as described by Farouk Gulsara. Is that good for us? If we perhaps stop letting technology take over lives as Gulsara and Jun A. Alindogan have contended, it might help us interact to find indigenous solutions, which could impact the larger framework of our planet. Alindogan has also pointed out the technological divide in Philippines, where some areas get intermittent or no electricity. And that is a truth worldwide — lack of basic resources and this technological divide.

On the affluent side of such divides are moving to a new planet, discussions on immortality — Amortals[1] by Harari’s definition, life and death by euthanasia. Ratnottama Sengupta brings to us a discussion on death by choice — a privilege of the wealthy who pay to die painlessly. The discussion on whether people can afford to live or die by choice lies on the side of the divide where basic needs are not an issue, where homes have not been destroyed by bombs and where starvation is a myth, where climate change is not wrecking villages with cloudbursts.  In Kashmir, we can find a world where many issues exist and violences are a way of life. In the midst of such darkness, a bit of kindness and more human interactions as described by Gower Bhat in ‘The Man from Pulwama’ goes some way in alleviating suffering. Perhaps, we can take a page of the life of such a man. In the middle of all the raging storms, Devraj Singh Kalsi brings in a bit of humour or rather irony with his strange piece on his penchant for syrups, a little island removed from conflicts which seem to rage through this edition though it does raise concerns that affect our well-being.

The focus of our essays pause on women writers too. Meenakshi Malhotra ponders on Manottama (1868), the first woman-authored novel in Bengali translated by Somdatta Mandal whereas Bhaskar Parichha writes on the first feminist Odia poet, Bidyut Prabha Devi.

Parichha has also reviewed a book by another contemporary Odia woman author, Snehaprava Das. The collection of short stories is called Keep it Secret. Madhuri Kankipati has discussed O Jungio’s The Kite of Farewells: Stories from Nagaland and Somdatta Mandal has written about Chhimi Tenduf-La’s A Hiding to Nothing, a novel by a global Tibetan living in Sri Lanka with the narrative between various countries. We have an interview with a global nomad too, Neeman Sobhan, who finds words help her override borders. In her musing on Ostia Antica, a historic seaside outside Rome, Sobhan mentions how the town was abandoned because of the onset of anopheles mosquitos. Will our cities also get impacted in similar ways because of the onset of global ravages induced by climate change? This musing can be found as a book excerpt from Abiding City: Ruminations from Rome, her book on her life as a global nomad. The other book excerpt is by a well-known writer who has also lived far from where he was born, MA Aldrich. His book, From Rasa to Lhasa: The Sacred Center of the Mandala is said to be “A sweeping, magnificent biography—which combines historical research, travel-writing and discussion of religion and everyday culture—Old Lhasa is the most comprehensive account of the fabled city ever written in English.”

With that, we come to our fiction section. This time we truly have stories from around the globe with Suzanne Kamata sending a story set in the Bon festival that’s being celebrated in Japan this week for her column. From there, we move to Taiwan with C. J. Anderson-Wu’s narrative reflecting disappearances during the White Terror (1947-1987), a frightening period for people stretched across almost four decades.  Gigi Gosnell writes of the horrific abuse faced by a young Filipino girl as the mother works as a domestic helper in Dubai. Paul Mirabile gives us a cross-cultural narrative about a British who opts to become a dervish. While Hema R touches on women’s issues from within India, Sahitya Akademi Award Winner, Naramsetti Umamaheshwararao, writes a story about children.

We have a powerful Punjabi story by Ajit Cour translated by C.Christine Fair. Our translations host two contemporary poets who have rendered their own poems to English: Angshuman Kar, from Bengali and Ihlwha Choi, from Korean. Snehaprava Das has brought to us poetry from Odia by Aparna Mohanty. Fazal Baloch has translated ‘The Scarecrow’, a powerful Balochi poem by Anwar Sahib Khan. While Tagore’s Shaishabshandha (Childhood’s Dusk) has been rendered to English, Nazrul’s song questing for hope across ages has been brought to us by Professor Fakrul Alam.

Professor Alam has surprised us with his own poem too this time. In August’s poetry selection, Ron Pickett again addresses issues around climate change as does Meetu Mishra about rising temperatures. We have variety and colour brought in by George Freek, Heath Brougher, Laila Brahmbhatt, Luis Cuauhtémoc Berriozábal, Snigdha Agrawal, William Miller, Ashok Suri, Scott Thomas Outlar, Dustin P Brown, and Ryan Quinn Flanagan. Rajorshi Patranabis weaves Wiccan lore of light and dark, death and life into his delicately poised poetry. Rhys Hughes has also dwelt on life and death in this issue. He has shared poems on Wales, where he grew up— beautiful gentle lines.

 In spring warm rain will crack
the seeds of life: tangled
roots will grow free again.

('Tinkinswood Burial Chamber' by Rhys Hughes)

With such hope growing out of a neolithic burial chamber, maybe there is hope for life to survive despite all the bleakness we see around us. Maybe, with a touch of magic and a sprinkle of realism – our sense of hope, faith and our ability to adapt to changes, we will survive for yet another millennia.

We wind up our content for the August issue with the eternal bait for our species — hope. Huge thanks to the fantastic team at Borderless and to all our wonderful writers. Truly grateful to Sohana Manzoor for her artwork and many thanks to all our wonderful readers for their time…

We wish you all a wonderful reading experience!

Gratefully,

Mitali Chakravarty.

borderlessjournal.com

[1] Homo Deus: A Brief History of Tomorrow (2015) by Yuval Noah Harari

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Click  here to access the contents for the August 2025 Issue

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Categories
Slices from Life

The Man from Pulwama

Gowher Bhat

By Gowher Bhat

There’s a kind of man who doesn’t need to announce his presence. You don’t see him on podiums, and his name rarely appears in headlines. He won’t interrupt a conversation, let alone command a crowd. And yet, if you were to trace the quiet veins of compassion that pulse through a place, you’d likely find him at their heart.

In Pulwama, that man is Gamgeen Majeed.

He doesn’t wear a badge. He doesn’t quote speeches. And yet, when someone needs a ride to the hospital, when a blood bank sends out a late-night request, or when a neighbour needs someone to listen as he’s already on his way. He doesn’t do it because he must. He does it because, for him, there is no other way.

In a time when kindness is often curated and shared online, Gamgeen’s way of living feels rare. It’s a quiet, unadvertised generosity. A way of being that seeks no witness. It is the opposite of performance as it is presence.

Gamgeen Majeed is from Pingalgam, a modest village in South Kashmir. If you ever pass through, you might notice the walnut trees, or the scent of burning wood curling up from small homes. You might see the narrow road that winds quietly through the landscape, lined with aging willows and old stories.

It’s not the kind of place you read about in books. But it’s the kind of place where lives like his are made humble, rooted, unwavering.

Gamgeen has spent decades doing what many people only dream of: living in service to others. He’s never been part of an NGO. He has no titles. There are no newspaper features with his name in bold. And yet, people remember him. Not for what he owns or says, but for the space he holds in the lives of others.

He has mopped hospital floors after storms, held hands in silence when words would only fail, and stood vigil in hospital corridors while doctors worked inside. His acts are not scripted. They are not fuelled by ambition. They arise, quietly and surely, like spring after a hard winter.

Perhaps the only visible trail of his quiet mission lies in the numbers: 207 pints of blood donated over the course of his lifetime. That number is staggering but not just for what it means physiologically, but for what it says about the man behind it.

But even numbers fail to tell the full story. Gamgeen didn’t walk into hospitals only when it was convenient. He answered calls in the middle of the night. He trekked in snow to reach clinics. He gave blood before breakfast. He often waited in hospital lobbies without being asked — just in case someone might need him.

He once said, softly and without ceremony:

 “My blood is the least I can give. If it keeps someone breathing, that’s enough reward for me.”

There’s no fundraising banner that can capture that kind of thinking. No award can quite do it justice. Because his belief isn’t in acts of charity. It’s in human continuity — in being part of the thread that keeps another person alive, even if just barely.

From LD Hospital in Srinagar to the dust-covered wards of small rural clinics, Gamgeen’s blood has likely flowed through hundreds of lives. Children. Elders. Strangers. People he never met and never will. That’s the thing about quiet heroes: they don’t trace their impact. They simply live it.

It would be easy to call Gamgeen a saint or a hero. But doing so might miss the point. What makes his story remarkable is not grand achievement but his belief in small, repeatable, often unseen acts of goodness.

He visits patients he doesn’t know. He buys fruit for old men sitting alone in hospital lawns. He once stood for hours outside a labour ward because a nurse had mentioned they might need help if a donor didn’t show up. No one called him. He just showed up anyway.

There’s a term in philosophy — “ethics of care.” It speaks to a form of moral life cantered not on rules, but on relationships. It’s about showing up. Again, and again. Even when no one’s watching. Even when no one says thank you.

You might wonder where this kind of spirit comes from. Some say it’s upbringing. Others say it’s temperament. Maybe it’s both. But perhaps it’s also born from quiet observation from watching elders serve without speech, or mothers feed neighbours before eating themselves.

In the old ways of village life, compassion wasn’t taught. It was modelled. It was lived. You saw it when your uncle lent a hand to fix someone’s roof. You saw it when your grandmother lit an extra oil lamp — not for herself, but for the family next door.

It’s tempting to imagine that service comes only in certain shapes: doctors, social workers, teachers. But Gamgeen reminds us that you don’t need a role to make a difference. You don’t need an organization to help someone. You only need willingness and the courage to act.

Over the years, he’s become a sort of myth in the region — not because of anything he’s done to earn it, but precisely because he hasn’t tried to. His story spreads in whispers. A nurse tells a new recruit. A mother tells her son. A shopkeeper shakes his head in admiration when recounting how Gamgeen showed up one snowy evening, carrying warm tea and blankets for a patient’s family stuck outside.

He doesn’t knock. He doesn’t wait for praise. He just walks in, offers help, and leaves. Sometimes without even saying goodbye.

In a world where we’re often overwhelmed by scale — global problems such as climate change, mental health issues, deforestation —   a man like Gamgeen is a kind of anchor. He reminds us that you don’t have to change the world to matter. You only have to show up for the person in front of you.

He reminds us that kindness doesn’t need to be viral. It needs to be real.

He reminds us that integrity doesn’t require recognition. It only requires consistency.

And perhaps, most of all, he reminds us that the greatest legacies are not built through declarations but through deeds.

We spend so much of our lives chasing light — chasing visibility, acknowledgment, a moment in the sun. But maybe the real task is not to find the light, but to let it fall where it belongs.

Because in every village, in every small place tucked away from the maps, there lives someone like him — someone who teaches, simply by living, showing that kindness doesn’t need permission.

It only needs practice.

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Gowher Bhat is an author, columnist, freelance journalist, book reviewer, and educator from Kashmir. His work explores the human condition with depth and sincerity. He believes in the quiet power of words to inspire change and compassion.

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