Categories
Editorial

Is Sky the Limit?

Sometimes, we have an idea, a thought and then it takes form and becomes a reality. That is how the Borderless Journal came to be six years ago while the pandemic raged. The pandemic got over and takeovers and wars started. We continued to exist because all of you continue to pitch in, ignoring the differences created by certain human constructs. We meet with the commonality of felt emotions and aesthetics to create a space for all those who believe in looking beyond margins. We try to erase margins or borders that lead to hatred, anger, violence and war. Learning from the natural world, we believe we can be like the colours of the rainbow that seem to grow out of each other or the grass that is allowed to grow freely beyond manmade borders. If nature gives us lessons through its processes, is it not to our advantage to conserve what nurtures us, and in the process, we save our home planet, the Earth? We could all be together in peace, enjoying nature and nurture, living in harmony in the Universe if only we could overlook differences and revel in similarities.

A young poet Nma Dhahir says it all in her poem that is a part of our journal this month —

This is how we stay human together:
by refusing the easy damage, by carrying each other
without calling it sacrifice,
by believing that what we protect in one another
eventually protects the world.

--'How We Stay’ by Nma Dhahir

In our poetry section, we have Ron Pickett suggesting peace and love with his poem on three doves on a roof and Snigdha Agrawal hinting at a future Earth. We have heartfelt poetry weaving in the colours of life with Jared Carter, Tim Tomlinson, Mohul Bhowmick, Laila Brahmbhatt, George Freek, Lana Hechtman Ayers, Pramod Rastogi, John Grey, Edward Reilly, Luis Cuauhtémoc Berriozábal, Snehaprava Das, SR Inciardi and Ryan Quinn Flanagan while Rhys Hughes weaves in humour.

Translations has more poetry with Professor Fakrul Alam bringing us Nazrul’s Bengali lyrics in English and Fazal Baloch familiarising us with beautiful Balochi poetry of the late Majeed Ajez, a young poet who left us too soon. Isa Kamari translates his own poems from Malay, capturing the colours of the community in Singapore to blend it with a larger whole. And of course, we have a Tagore poem rendered into English from Bengali. This time it’s a poem called ‘Jatra (Journey)’ which reflects not only on social gaps but also on politics through aeons.

Christine C Fair has translated a story from Punjabi by Lakhvinder Virk, a story that reflects resilience in women who face the dark end of social trends, a theme that reverberates in Flanagan’s poetry and Meenakshi Malhotra’s essay, which while reflecting on the need of different perspectives in histories – like water and nomads — peeks into the need to recall women’s history aswell. This is important not just because March hosts the International Women’s Day (IWD) but because one wonders if women in Afghanistan are better off now than the suffragettes who initiated the idea of such a day more than a century ago?

This time our non-fiction froths over with scrumptious writings from across continents. Tamara-Lee Brereton-Karabetsos muses on looking at numbers and beyond to enjoy the essence of nature. Farouk Gulsara ideates about living on in posterity through deeds and ideas. Gower Bhat shares how he learns story writing skills from watching movies. Meredith Stephens talks of her experience of a fire in the Australian summer. Bhaskar Parichha writes with passion about his region, Odisha. We have a heartfelt tribute to Mark Tully, who transcended borders, from Bhowmick. And an essay on Arundhati Roy’s memoir, Mother Mary Comes to Me, from Somdatta Mandal, which explores not just the book but also the covers which change with continents. Prithvijeet Sinha travels beyond Lucknow and Suzanne Kamata brings to us stories about her trip to Phnom Penh.

Keith Lyons draws from the current crises and writes about changing times, suggesting: “Changes aren’t endings, but thresholds.” Perhaps, if we see them as ‘thresholds of change’, the current events are emphasising the need to accept that human constructs can be redefined. I am sure a Neolithic or an Australopithecus would have been equally scared of evolving out of their system to one we would deem ‘superior’. Life in certain ways can only evolve towards the future, even if currently certain changes seem to be retrogressive. We can never correctly predict the future… but can only imagine it. And Devraj Singh Kalsi imagines it with a dollop of humour where tails become a trend among humans again!

Humour and absurdity are woven into a series of short fables by Hughes while Naramsetti Umamaheswarao weaves a fable around acceptance of differences. In fiction, we have stories of resilience from Jonathon B Ferrini and Terry Sanville. Bhat gives us a story set in Kashmir and Sohana Manzoor gives us one set in Dhaka, a narrative that reminds one of Jane Austen… and perhaps even an abbreviated version of the 2001 film, Monsoon Wedding.

In reviews we have, Mohammad Asim Siddiqui discussing Anisur Rahman’s The Essential Ghalib. Rituparna Khan has written on Malashri Lal’s poetry collection reflecting on women, Signing in the Air. And Bhaskar Parichha has reviewed Deepta Roy Chakraverti’s Daktarin Jamini Sen: The Life of British India’s First Woman Doctor, a book that reflects on the resilience that makes great women. Thus, weaving in flavours of the IWD, which applauds women who are resilient while urging humans for equal rights for one half of the world population.

Book excerpts host Kailash Satyarthi’s Karuna: The Power of Compassion and Aruna Chakravarti’s Creeping Shadows: 13 Ghost Stories. We are also running a feature on the latter collection with Chakravarti telling us why she switched from historical fiction to ghost stories. The interesting thing is many of her ghouls are embedded in histories where they suffered violences, which leads us to the bigger question, can human suffering dehumanise us? Should it?

While we ponder on larger realities, Borderless Journal looks forward to a future with more writings centred around humanity, climate change, our planet and all creatures great and small. This year has not only seen a rise in readership and contributors — and the numbers rose further after our unsolicited Duotrope listing in October 2025 — but has also attracted writers from more challenged parts of the world, like Ukraine, Iran, Tunisia and Kurdistan. We are delighted to home writing from all those who attempt to transcend borders and be a part of the larger race of humanity. I would like to quote Margaret Atwood to explain what I mean. “I hope that people will finally come to realize that there is only one ‘race’—the human race—and that we are all members of it.” And I would like to extend her view to find solidarity with all living beings. I hope that there will be a point in time when we will realise there’s not much difference between, a lizard, a fly, a human or a tree… All these lifeforms are necessary for our existence.

I would want to hugely thank all our team for stretching out and making this a special issue for our sixth anniversary and Manzoor for her fabulous artwork. Huge thanks to all our contributors and readers for being with us through our journey. Let’s change the world with peace, love and friendship!

Looking forward to the future.

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE MARCH 2026 ISSUE.

.

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Essay

March Musings: Rethinking Histories…

By Meenakshi Malhotra

Whose story are we recounting when we attempt to narrate history? An unexamined acceptance of anthropocentric biases have placed man at the centre of historical narratives and historical accounts. The time has come when this assumption of man’s centrality is being challenged and overturned. Both posthumanism, a concept that directly challenges man’s centrality and planetarism[1], which sees the interconnectedness of the natural, animal and human, have displaced the human entity from its position of unquestioned and unquestionable centrality.

Amitav Ghosh’s latest novel, Ghost Eye(2025), made one go back to the earlier novels in the series with a similar cast of characters, Gun Island (2029) and The Hungry Tide (2004). Like many of his other novels, these works also encapsulate the themes that Ghosh communicates with increasing urgency in successive novels-climate change and man’s hubris which has catapulted mankind into an increasing tailspin hurtling towards ecological disaster.

In Gun Island, Ghosh asks a whole series of questions which make us look at history differently. What if history is understood through the lens of migrations and mass movement or natural disasters, through unexpected bird migrations, beaching of dolphins and the shifting movement of oceanic boundaries?  Is there a pattern to extraordinary events, coincidences or are they a matter of pure chance? Is time always linear? What if temporality works in loops? What happens when we are faced by recurrences and presentiments?

What if we review and revisualise history not as bounded by national boundaries but a more fluid and flowing substance — water, sea and water bodies? Some contemporary books like Oceanic Histories (2017)offers the first comprehensive account of world history focused not on the land but viewed through the seventy per cent of the Earth’s surface covered by water. Tracing the histories and the historiographies of the various oceanic regions, the book highlights  the links between human and non-human history and the connections and comparisons between parts of the World Ocean. If history is a set of geo-political narratives centred around land and its acquisition, why can’t we have histories of waterways? As a life-giving but also potentially destructive substance, water occupies a prominent place in the imagination. At the same time, water issues are among the most troubling ecological and social concerns of our time.



Water is often studied only as a “resource,” a quantifiable and instrumentalised substance. Thinking with Water instead invites readers to consider how water — with its potent symbolic power, its familiarity, and its unique physical and chemical properties — is a lively collaborator in our ways of knowing and acting. What emerges is both a rich opportunity to encourage more thoughtful environmental engagement and a challenge to common oppositions between nature and culture.

Thinking about history brings me to women’s history and the issue of international women’s day, which falls on March 8th. While the question of  women’s day maybe a matter of individual opinion, the question maybe rephrased as “do we need a woman’s day” or “why do we need a woman’s day”at all?

Do we need it as a kind of affirmative action? Given the  historic lack of a level playing field, it is perhaps a reparative action? Or is it a needed  inclusive action, that reflects changes in social policy? Much as we would like to think along positive lines about women’s development and empowerment, the picture across the world is a grim one.

For those who feel that everyday is women’s day, we could perhaps recall the broader historical context. The IWD originated from early 20th-century labour and suffrage movements in North America and Europe, demanding better pay, shorter working hours and better working conditions.

Ideally ,  women and girls should have equal rights under the law, rendering them  safe from violence, with rights to access education, livelihoods, resources, and justice on equal terms. When these rights are realised, the impact extends far beyond individual women and girls to their families, communities, and society as a whole. Research shows that gender equality delivers better outcomes across economies, health systems, peace processes, and democratic resilience. In this context, 8th March provides an occasion to recall how far we have come. It  is also a necessary reminder of how  far we still have to travel in order to ensure that women and other oppressed minorities get their fair share on earth, rather than direct their eyes to heaven.

It may seem a form of tokenism to earmark one day out of 365 days in the calendar as women’s day, but at least it’s a beginning where we could begin to reassess how much we take women’s roles as caregivers and nurturers for granted. Many descriptions of women are couched in a familiar vocabulary which views women as daughters ,wives and  mothers, who are    the backbone of the family, pillars of society, the glue that binds communities to each other and models of resilience and endurance. Yet this idioms of approbation do not protect women from harassment , abuse and gendered violence of many kinds; in Catherine McKinnon’s words , they are rendered less than human. When we begin to recognise women as human beings with agency, legitimate claimants of human rights and deserving gender parity and justice,  we will probably not need International Women’s Day.

[1] A new subject that deals with the health of the planet

Meenakshi Malhotra is Professor of English Literature at Hansraj College, University of Delhi, and has been involved in teaching and curriculum development in several universities. She has edited two books on Women and Lifewriting, Representing the Self and Claiming the I, in addition  to numerous published articles on gender, literature and feminist theory.  Her most recent publication is The Gendered Body: Negotiation, Resistance, Struggle.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Celebrating Borderless… Five Years and Counting…

Emerging by Sybil Pretious

Drops of water gather to make a wave. The waves make oceans that reshape land masses over time…

Five years ago, on March 14th, in the middle of the pandemic, five or six of us got together to start an online forum called Borderless Journal. The idea was to have a space that revelled with the commonality of felt emotions. Borderless was an attempt to override divisive human constructs and bring together writers and ideators from all over the Earth to have a forum open to all people — a forum which would be inclusive, tolerant, would see every individual as a part of the fauna of this beautiful planet. We would be up in the clouds — afloat in an unbordered stratosphere— to meet and greet with thoughts that are common to all humans, to dream of a world we can have if we choose to explore our home planet with imagination, kindness and love. It has grown to encompass contributors from more than forty countries, and readers from all over the world — people who have the same need to reach out to others with felt emotions and common concerns.

Borderless not only celebrates the human spirit but also hopes to create over time a vibrant section with writings on the environment and climate change. We launch the new section today on our fifth anniversary.

Adding to the wealth of our newly minted climate and environment section are poems by Luis Cuauhtémoc Berriozábal on the LA fires, Green by Mark Wyatt and Ecopoetry by Adriana Rocha in our March issue. We also have poetry on life in multiple hues from Kiriti Sengupta, Ryan Quinn Flanagan, Snehaprava Das, Stuart McFarlane, Arshi Mortuza, George Freek, Ahmad Al-Khatat, Jyotish Chalil Gopinathan, Michael Burch, Bibhuti Narayan Biswal, Owais Farooq and Rakhi Dalal. Tongue-in-cheek humour in poetry is Rhys Hughes forte and he brings us just that in his sign poem.

 Devraj Singh Kalsi with a soupçon of ironic amusement muses on humans’ attitude to the fauna around him and Farouk Gulsara lays on a coating of sarcasm while addressing societal norms. Meredith Stephens brings us concerns for a green Earth when she beachcombs in a remote Australian island. Prithvijeet Sinha continues to familiarise us with his city, Lucknow. Suzanne Kamata, on the other hand travels to Rwanda to teach youngsters how to write a haiku!

Professor Fakrul Alam takes us to libraries in Dhaka with the hope that more will start writing about the waning of such paradises for book lovers. Other than being the month that hosts World Environment Day, March also homes, International Women’s Day. Commemorating the occasion, we have essays from Meenakshi Malhotra on the past poetry of women and from Ratnottama Sengupta on women in Bengali Cinema. Sengupta has also interviewed Poulami Bose Chatterjee, the daughter of the iconic actor Soumitra Chatterjee to share with us less-known vignettes from the actor’s life. Keith Lyons has interviewed Malaysian writer-editor Daphne Lee to bring to us writerly advice and local lores on ghosts and hauntings. 

Our fiction truly take us around the world with Paul Mirabile giving us a story set Scotland and Naramsetti Umamaheswararao giving us a fable set in a Southern Indian forest. Swati Basu Das takes us on an adventure with Peruvian food while sitting by the Arabian Sea. Munaj Gul gives a heart-rending flash fiction from Balochistan. And Zoé Mahfouz shares a humorous vignette of Parisian life, reflecting the commonality of felt emotions.

Celebrating the wonders of the nature, is a book excerpt from Frank S Smyth’s The Great Himalayan Ascents. While the other excerpt is from Hughes’ latest novel, The Devil’s Halo, described as: ‘A light comedy, a picaresque journey – like a warped subterranean Pilgrim’s Progress.’ We have reviews that celebrate the vibrancy of humanity. Bhaskar Parichha writes of Sandeep Khanna’s Tempest on River Silent: A Story of Last 50 Years of India, a novel that spans the diversity that was India. Malashri Lal reviews Rachna Singh’s Raghu Rai: Waiting for the Divine, a non-fiction on the life and works of the famous photographer. Somdatta Mandal discusses two book by Tsering Namgyal Khortsa reflecting the plight of Tibetan refugees, a non-fiction, Little Lhasa: Reflections in Exiled Tibet and a fiction, Tibetan Suitcase.

One of features that we love in Borderless is that language draws no barriers — that is why we have translations by Professor Alam of Jibananada’s short poems on the impact of war on the common masses. We have a small vignette of Korea from Ihlwha Choi’s self-translated poem. And we have a translation of Tagore’s verses invoking the healing power of spring… something that we much need.

We also have a translation by Lourdes M Supriya from Hindustani of a student’s heartrending cry to heal from grief for a teacher who faced an untimely end — a small dirge from Tanvir, a youngster with his roots in Nithari violence who transcended his trauma to teach like his idol and tutor, the late Sanjay Kumar. With this, we hope to continue with the pandies corner, with support from Lourdes and Anuradha Marwah, Kumar’s partner.

Borderless has grown in readership by leaps and bounds. There have been requests for books with writings from our site. On our fifth anniversary, we plan to start bringing out the creative writing housed in Borderless Journal in different volumes. We had brought out an anthology in 2022. It was well received with many reviews. But we have many gems, and each writer is valued here. Therefore, Rhys Hughes, one of our editorial board members, has kindly consented to create a new imprint to bring out books from the Borderless Journal. We are very grateful to him.

We are grateful to the whole team, our contributors and readers for being with us through our journey. We would not have made it this far without each one of you. Special thanks to Sohana Manzoor for her artwork too, something that has almost become synonymous with the cover page of our journal.  Thank you all from the bottom of my heart.

Wish you all happy reading! Do pause by our content’s page and take a look at all the wonderful writers.

Best wishes,

Mitali Chakravarty

borderlessjournal.com

Click here to access the contents page for the March 2025 issue

Happy Birthday Borderless… Click here to read.

Vignettes from a Borderless World… Click here to read a special fifth anniversary issue.
Categories
Essay

What Is Your Name?

By Fakrul Alam

From Public Domain

The very last words my mother had said to me constituted the question, “What is your name?” We were in the VIP lounge of Dhaka airport and she had just been wheeled in from an aircraft with one of my sisters. Another sister and I had gathered there to receive her, perhaps knowing as well as her, that she was close to dying. And yet she had managed a smile as she said to me, “What is your name?”

The words, indeed, amounted to a kind of game she would play with me whenever I would meet her at my sister’s house in Dhaka. It was what we call a rhetorical question since she most certainly did not have to be told what my name was. It was her way of reminding me that while I might be professor of English at the University of Dhaka, I — Dr. Alam, as she would also sometimes teasingly call me — should never forget that I had learned English from her, sometimes literally at her feet as she did housework, and on other occasions, when she had done the day’s work, at the table where all of us siblings would gather to study once we were old enough to do so.

On International Women’s Day, I would like to pay a tribute to my mother, her fierce belief in the importance of education, especially women’s education, and the rights of women to study and work and have parity in every sphere with men.

My mother was an outstanding student. Recorded as well as oral family narratives enable me to reconstruct her brilliant performance as a student as well as her aborted student life and its consequences. From one of my aunts’ contributions to the 100th anniversary commemorative volume of Feni Government Girls School, I am reminded that both in Class Four and Six she had made it to the All Bengal Merit List and had been awarded scholarships for her achievement.

From an uncle’s autobiographical narrative, I have an explanation of why she had to stop studying when she was in Class Eight. The only Muslim girl studying in a very conservative town, she had become an obvious target of their religious concern. “Why must a Muslim girl study after a point?” they would say. My mother would go to school properly veiled, but these men reminded my grandfather, who had once been a progressive Swadeshi[1]but was then embracing a very conservative Islamic position, that there were Hindu male teachers teaching in the school. And, they noted, educated women tended to be immoral. For good measure they added, “Is your daughter going to become a judge/barrister after studying?” What was the point of female education, after all?

Persuaded, my grandfather withdrew my mother from school. The clinching point for him, I learnt from my uncle’s narrative, was his own father telling him with finality, “Your daughter has to stop studying. It’s enough that she can write letters and read them!” My grandfather tried to placate her by saying that she could sit for the matriculation examination as a “private” student.

Both my aunt’s account and my uncle’s narrative l record my mother’s intense grief afterwards. For a while, she tried to concentrate on studying for “private” matriculation. But then the First World War broke out; everything was disrupted in Feni, and she was married off after a couple of years. Not only was she grief-stricken at that time, as my aunt notes in her piece, but she would carry her grief at being cheated out of an education almost to her grave.

However, my mother was nothing if not a fighter. My uncles would tease her and call her a “communist”, and if the word had been fashionable in the late ’50s and ’60s when they would always be visiting us in our Dhaka house, surely they would have also called her a “feminist”, although I am sure she would have detested the sanctimonious and self-serving ways in which the word is at times bandied.

What my mother missed in formal schooling, she made up by reading voraciously, whenever she could spare the time. A lasting memory I have of my mother, both after lunch and dinner, and after all the housework was done and our studies supervised, was of her going to bed, day after day and night after night, with the Bangla newspaper, the current issue of the weekly Begum, and some Bangla novel, usually by Sarat Chandra or some other best-selling Bengali author.

Always feisty, and despite being immensely religious and completely devoted to God and the Prophet, she would never miss the opportunity to berate ‘holier than thou’ Muslim priests and men for the way they treated women. Because she knew the religion well, she would always cite examples of how the place of women was not what it was made to be by patriarchal Muslim men of her generation and how veiling beyond a point was totally unnecessary and the ghomta and orna [2]were good enough, if one knew what was prescribed in the holiest of books.

But the most eloquent way that my mother protested against the deprivation she and her generation of Muslim women suffered because of their fathers and their friends and mullahs at large, was in her single-minded dedication to the cause of women’s education. Not only did she teach us and my four sisters the English and Bangla alphabet, but she also ensured that her four daughters as well as her one son had equal access to education. She insisted that her daughters earned the highest degree possible in the field of their choice and was proud when they became working women. She was saddened when a couple of them did not go beyond an MA degree and when one of them gave up her job. And she did everything for them as long as she could to ensure that they could combine not only higher studies but career goals that would help them realise their dreams. When I told my wife I would be writing a tribute to my mother for International Women’s Day, she reminded me that my mother had told her when we were leaving for Canada, where I would be doing higher studies, that she should not come back without earning a higher degree in some field or the other.

Moreover, my mother’s preoccupation with women’s education went beyond her family. She would help any woman wanting to advance herself, through education and through jobs. Whether it was her sisters or her relatives, or even their friends, she offered our house as a home to them and would become their “local guardian” or counsellor, if not a surrogate mother. She also went way out of her way to help any woman she felt was remotely in distress, or lonely, or deprived in any way, with whatever little she could do to help or comfort them. And she would teach anyone, male or female, she could get hold of, believing that education was above all!

There is a lot more that I could say about my mother but I must end here by saying that I took this occasion not really to give you the feeling that my mother largely made me what I am, but mostly to convey to you how she had pledged herself to parity and worked for the emancipation of women in her own way all her life. In that respect, and in so many ways, she was an exemplary woman and truly ahead of her time and thus worth remembering on this day.

[1] Freedom fighter – active in the struggle for independence of the subcontinent from British rule

[2] Covering the head with the loose end of a saree or an orna (shawl or large scarf)

(First published in Daily Star, Bangladesh, on March 9, 2016)

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibanananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International