Categories
Musings of a Copywriter

Creative on Campus

By Devraj Singh Kalsi  

Picking up a second-hand classic from a College Street bookshop before entering the Coffee House made you feel like a literary icon in the making even if your secret mission was to clear the national or state level entrance test and join any college as a lecturer. Having a girlfriend who saw in you the potential to become the next big novelist or a poet par excellence with utmost sensitivity – just because you took unusually long to gently push back a curl of hair from her face – was fine to stay motivated but you knew full well that she was creating a romantic rebel for a torrid fling before marrying a businessman or a secure job holder. So when she insisted you should write and write and write, she was pushing you into a dark pit from where you would never emerge again to give her a chase and disrupt her marital harmony by sending across your self-published volumes of poetry in India or in obscure journals abroad to prove her right.

If you are a professor who wanted to be a writer or a poet, you have probably saved yourself from imagining the peak of literary success too early. If you have become a writer or poet because of a girlfriend who wanted to love a literary guy, you have done the worst by following her advice. You stand ruined because of love, love, and love alone – love that not only made you lose her but also your career. 

It is not a tough task to find tutors and trainers who were once upon a time literary dreamers. Once they lost the plot and the pressure of survival took a toll, they had to take up odd jobs. In their possession, you found a trove of poems written as an ode to the lost love, the burden of amateurish stories that are amusing to read today but were once considered classic material by a bevy of garrulous girls in the canteen. You read out those to her sitting in the park and she fiddled with her locks and admired your stuff with an orgasmic wow. You were inspired to write love poems and you wrote dozens and read them all to her. She was thrilled she was creating a poet for the world to applaud – a poet who made her the muse. If you were a campus poet or a lyrical bloke of such intensity for years, console yourself for the inevitable self-destruction you have brought home. If you have been able to salvage your life from the ruins she left you in, consider yourself a lucky fellow. Because most of such types seldom recover later: some go mad trying to prove the correctness of their muse and spend their life in an asylum, some end their lives by committing suicide and some die in abject poverty.  

Those young guys who became poets and writers in their college and university days to win the love of the girlfriend or to woo the most beautiful girl around and impress her were the ones who belonged to a sad club of jilted lovers. These guys eulogised their lovers to the skies and they were rewarded with hugs and kisses. They continued to prove an artist was throbbing, lurking, or blooming somewhere inside while the beauties mapped out their future well. One fine day they would come to inform about their marriage that was part-arranged part-love, to deliver a formal invitation to come and shower red roses and marigolds for their happy married life or play on the grand piano a mushy song topped with best wishes for the future.       

You did not realise she had no dream of struggling with an artist and dumped you at the earliest, expecting that this heartbreak would just be the right blow to make you write a masterpiece. Unable to bear the rejection you went to a bar, gulped down several pegs to drain out the last dregs of sorrow, and spent the dark, treacherous night comforted by a matronly courtesan who understood your heartbreak and shared her saga of betrayals in love that continued till the wee hours of the morning.

The vivid memories of lost love remained and you channelised the passion to write an ambitious novel that consumed three critical years and you spent another three to get it published. By this time you were well past the age to be eligible for competitive exams. If there is a survey done to gauge the extent of damage done to spurned lovers in the 70s, 80s, and 90s, you will find many middle-aged and senior citizens now regretting fulsome praise from lissome campus beauties who spotted talent where editors found nothing literary.   .

If you meet any such writer or poet who destroyed his life for the sake of unrequited love, please show him some sympathy. If there is any romantic fool in the family or the neighbourhood who still adores lost love and feels her true love will make things turnaround soon, there is nothing more illusory for the eternal optimist who refuses to see the reality around and still thinks she was right not to waste her life for him. Although this misfortune was a creation of his choice, it is sad he was made to overestimate himself, like an overvalued stock in the market that would crash anytime. Was it right for the guy to think he was a literary sensation just because a girl or her cabal of friends told him so? For a sound reality check, he should have approached the head of the department and got his creative writing skills assessed with objectivity or tried sending his output to magazines and newspapers – to experience rejection in love and rejection by editors simultaneously.  

And yes, had the girl wanted to choose him, she would have certainly taken him away from creativity or urged him to try these things later. How could she commit such a crime? It would have led to a sacrifice of another kind – separation from art for love’s sake.  

.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Contents

Borderless, May 2021

Editorial

And this too shall pass… Click here to read

Translations

Songs of Seasons: Translated by Fakrul Alam

Bangla Academy literary award winning translator, Dr Fakrul Alam, translates six seasonal songs of Tagore. Click here to read.

Temples and Mosques

Kazi Nazrul Islam’s fiery essay translated by Sohana Manzoor. Click here to read.

Purify My Life

Kazi Nazrul Islam’s poem, Purify my Life, translated by Shahriyer Hossain Shetu. Click here to read.

Waiting for Godot by Akbar Barakzai

Akbar Barakzai’s poem translated by Fazal Baloch. Click here to read.

Solus

Aditya Shankar translates a poem by Sujith Kumar. Click here to read.

The Last Boat

Tagore’s Diner Sheshe Ghoomer Deshe translated by Mitali Chakravarty with an interpretation in pastels by Sohana Manzoor. Click here to read.

Poetry

Anasuya Bhar, Scott Thomas Outlar, Saranyan BV, Matthew James Friday, Nitya Mariam John, RJ Kaimal, Jay Nicholls, Tasneem Hossain, Rhys Hughes, Vatsala Radhakeesoon, Ihlwha Choi, Himadri Lahiri, Sunil Sharma, Mike Smith, Jared Carter

Nature’s Musings

Photo-Poetry by Penny & Michael Wilkes. Click here to read.

Poets, Poetry & Rhys Hughes

Lear and Far

As a tribute to the 209th anniversary of Edward Lear, Rhys Hughes writes of his famous poem, ‘Owl and the Pussycat’, and writes a funny ending for it rooted in the modern day. Click here to read.

Stories

If at all

Shobha Nandavar, a physician in Bangalore, depicts the trauma of Covid 19 in India with compassion. Click here to read.

First Lady

Rituparna Khan gives us a brief vignette from the life of one of the first women doctors in India, Dr Kadambari Ganguly. Click here to read.

Mr Dutta’s Dream

Atreyo Chowdhury takes us into the world of unquenchable wanderlust. Click here to read.

Neemboo Ka Achaar or Maa’s Lemon Pickle

A compelling flash fiction by Suyasha Singh hovering around food and a mother’s love. Click here to read.

The Literary Fictionist

In A Lunch Hour Crisis, Sunil Sharma raises humanitarian concerns that though raised in a pandemic-free world, have become more relevant and concerning given our current predicament. Click here to read.

Musings/Slices from Life

Serve the People

Danielle Legault Kurihara, a Quebecker in Japan, writes of differences in rituals. Click here to read.

Why I write?
Basudhara Roy tells us how writing lingers longer than oral communications. Click here to read more.

The Quiet Governance of Instinct

Candice Louisa Daquin, a psychotherapist, talks of the importance of trusting our instincts. Click here to read more.

Musings of a Copywriter

In Nations without NobelDevraj Singh Kalsi takes a fresh look at national pride with a soupçon of sarcasm and humour. Click here to read.

Adventures of the Backpacking Granny

In Visit to Rural BaoyingSybil Pretious travels to spend a night with a local family in rural China in a ‘hundred-year-old home’.Click here to read.

Essays

Four Seasons and an Indian Summer

Keith Lyons talks of his experiences of seasons in different places, including Antarctica. Click here to read.

Rabindranath and the Etchings of His Mind

Anasuya Bhar explores the various lives given to a publication through the different edited versions, translations and films, using Tagore as a case study and the work done to provide these online. Click here to read.

My Experiments with Identity

Tejas Yadav explores identity from the context Heraclitus, Rumi down to his own. Click here to read.

Can Songs be the Musical Conscience of a Film?

Prithvijeet Sinha uses Gaman (Departure), a Hindi movie around the pain of migrant workers, as a case study to highlight his contention that lyrics and songs convey much in Indian films. Click here to read.

Bhaskar’s Corner

In Manoj Das – The Master Storyteller, Bhaskar Parichha pays a tribute to one of the greatest storytellers from the state of Odisha, India, Manoj Das( 1934-2021). Click here to read.

Book Excerpt

Excerpted from A Bengali Lady in England (1885): Annotated Translation with Critical Introduction to Krishnabhabini Das’ Englandey Bangamahila by Nabanita Sengupta. Click here to read.

Book Reviews

A review of Feisal Alkazi‘s memoir, Enter Stage Right: The Alkazi Padamsee Family Memoir by Rakhi Dalal. Click here to read.

A review of Shakti Ghosal‘s The Chronicler of the Hooghly and Other Stories by Gracy Samjetsabam. Click here to read.

Bhaskar Parichha reviews Raising a Humanist by Manisha Pathak-Shelat‘s and Kiran Vinod Bhatia. Click here to read.

Interviews

Communication scholars and authors, Manisha Pathak-Shelat and Kiran Vinod Bhatia, discuss how to bring up children in these troubled times, based on their book, Raising a Humanist, which has just been released. Click here to read.

Sonya J Nair of Samyukta Poetry talks about the Samyukta Research Foundation and its affiliates and its festival, Anantha. Click here to read.

Sara’s Selections, May 2021

A selection of young person’s writings from Bookosmia. Click here to read.

Categories
Musings of a Copywriter

Nations Without the Nobel

Devraj Singh Kalsi takes a fresh look at national pride with a soupçon of sarcasm and humour

Many nations have not produced a single Nobel Laureate. Many have not produced a Nobel Winner in all the categories. Many have a solitary winner in over a century. Many keep winning the prize year after year in some category or the other. Such countries appear blessed with prodigious people who are rare to find like platinum and gold.  

The sorrow of not winning a single medal goes deep for a country as it cannot do anything about it – only a citizen can make the nation proud with his powerhouse talent. A nation can only encourage talented citizens to keep their intellectual pursuits alive. Two categories – literature and peace – hold promise and raise big hopes as these are related to creativity and noble deeds to make the world a better place.  

Imagine what happens to a country or a community if there is no Nobel Winner in literature from its soil. The sentiments of a nation that won a Nobel once in a century deserve to be felt. Such nations and communities end up deifying the solitary winners. This poses a formidable challenge to other people who feel threatened under their aura and remain insecure about the potential to repeat such a feat.  

Where winning becomes a habit, the nations feel proud to have the best minds. The common people surge with collective pride in their genetic superiority and celebrate the presence of the Nobel winners as a divine gift. When great talent is ignored, there is a groundswell of suspicion that these global honours are discriminatory. It opens debates and people start scrutinising their work in great detail. Perhaps there is merit in the contention that the winner did not deserve it, but the choice is a reality to be accepted with a heavy heart. The intellectual fraternity finds the time to run a complete scan and critical write-ups appear in the newspapers for some days after the big announcement is made. 

Just one Nobel Laureate for Literature in more than a century is not an impressive score for a nation that boasts of a rich cultural heritage much before the Nobel came into existence. Once there is a winner, there should be a crop of successive winners to keep alive the tradition of winning. Otherwise, the collective respect for the single winner becomes so overwhelming that the community and the nation edify the achiever and criticism becomes unacceptable. If the stream of Nobel winners keeps flowing, with at least half a dozen winners in a century, there are more claimants for veneration. The respect accumulated for the winners gets divided and the process of deification of a solitary winner gets derailed. 

You become aware that with so many Nobel laureates, you have to respect them all, read them all, and assess them all. The judgment of the Nobel panel has placed them at par, but the judgment of readers is supreme. The people from the North join in to celebrate the winner from their region while the people from the South start worshipping the winner from their region. Since the winner hails from the same region, they feel closer to his identity than his work. There is a sense of appropriation as they want to have a winner from their community to be lauded more.  

With multiple winners, there are more claimants to excellence and devoted readers with their strong biases critique them or compare them the way they like. If there is a single winner, the status of the sole winner gets further uplifted. If there are no repeat winners with time, it makes the people of the country feel what they are currently producing is not worth any award. They revisit the past and try to emulate the winner. If a nature poet who won, they try to become clones and find success in the same category to prove they are not bad nature poets. 

Nations erupt in joy to feel elated. But the intellectual talent is global. Art created in a country is a global asset. Perhaps we are still immature as we are less enthusiastic about the work and more focused on the Nobel winner and his race, nationality, and identity.  

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Contents

Borderless, April, 2021

Greetings from Borderless Journal for all Asian New Years! Click here to read our message along with the video and a translation of a Tagore song written to greet the new year, with lyrics that not only inspire but ask the fledgling to heal mankind from deadly diseases.

Editorial

New Beginnings

A walk through our content and our plans for the future. Click here to read.

Interviews

In Conversation with Arundhathi Subramaniam: An online interview with this year’s Sahitya Akademi winner, Arundhathi Subramaniam. Click here to read.

Sumana Roy & Trees: An online interview with Sumana Roy, a writer and academic. Click here to read.

Poetry

(Click on the names to read)

Arundhathi Subramaniam, Jared Carter, Matthew James Friday, Michael R Burch, Aparna Ajith, Jenny Middleton, Rhys Hughes, Jay Nicholls, Achingliu Kamei, Vatsala Radhakeesoon, Ihlwha Choi, Smitha Vishwanath, Sekhar Banerjee, Sumana Roy

Photo-poetry by Penny Wilkes

Poets, Poetry & Rhys Hughes

With an introduction to Blood and Water by Rebecca Lowe, Rhys Hughes debuts with his column on poets and poetry. Click here to read.

Translations

The Word by Akbar Barakzai

Fazal Baloch translates the eminent Balochi poet, Akbar Barakzai. Click here to read.

Malayalam poetry in Translation

Aditya Shankar translates a poem by Shylan from Malayalam to English. Click here to read.

Tagore Songs in Translation

To commemorate Tagore’s birth anniversary, we translated five of his songs from Bengali to English. Click here to read, listen and savour.

Tagore Translations: One Small Ancient Tale

Rabindranath Tagore’s Ekti Khudro Puraton Golpo (One Small Ancient Tale) from his collection Golpo Guchcho ( literally, a bunch of stories) has been translated by Nishat Atiya. Click here to read.

Musings/Slice of Life

Pohela Boisakh: A Cultural Fiesta

Sohana Manzoor shares the Bengali New Year celebrations in Bangladesh with colourful photographs and interesting history and traditions that mingle beyond the borders. Click here to read.

Gliding along the Silk Route

Ratnottama Sengupta, a well-known senior journalist and film critic lives through her past to make an interesting discovery at the end of recapping about the silk route. Click here to read and find out more.

The Source

Mike Smith drifts into nostalgia about mid-twentieth century while exploring a box of old postcards. What are the stories they tell? Click here to read.

Lost in the Forest

John Drew, a retired professor, cogitates over a tapestry of the Ras lila. Click here to read.

Tied to Technology

Naomi Nair reflects on life infiltrated by technology, by Siri and Alexa with a tinge of humour. Click here to read.

Adventures of a Backpacking Granny

In Inspiriting SiberiaSybil Pretious takes us with her to Lake Baikal and further. Click here to read.

Musings of a Copywriter

In Tributes & AttributesDevraj Singh Kalsi pays tribute to his late mother. Click here to read.

Essays

Reflecting the Madness and Chaos Within

Over 150 Authors and Artists from five continents have written on mental illness in an anthology called Through the Looking Glass. Candice Louisa Daquin, a psychotherapist and writer and editor, tells us why this is important for healing. Click here to read.

At Home in the World: Tagore, Gandhi and the Quest for Alternative Masculinities

Meenakshi Malhotra explores the role of masculinity in Nationalism prescribed by Tagore, his niece Sarala Debi, Gandhi and Colonials. Click here to read.

A Tale of Devotion and Sacrifice as Opposed to Jealousy and Tyranny

Sohana Manzoor explores the social relevance of a dance drama by Tagore, Natir puja. We carry this to commemorate Tagore’s birth anniversary. Click here to read

Photo Essay: In the Midst of Colours

Nishi Pulugurtha explores the campus of a famed university with her camera and words and shares with us her experiences. Click here to read.

Bhaskar’s Corner

Oh, That lovely Title: Politics

A short piece by Bhaskar Parichha that makes for a witty comment on the forthcoming Indian elections. Click here to read.

Stories

Pothos

Rakhi Pande gives us a story about a woman and her inner journey embroiled in the vines of money plant. Click here to read.

Elusive

A sensitive short story by Sohana Manzoor that makes one wonder if neglect and lack of love can be termed as an abuse? Click here to read

Ghumi Stories: Grandfather & the Rickshaw

Nabanita Sengupta takes us on an adventure on the rickshaw with Raya’s grandfather. Click here to read

Flash Fiction: The Husband on the Roof

Carl Scharwath gives us a story with a strange twist. Click here to read

Flash Fiction: Flight of the Falcon

Livneet Shergill gives us a story in empathy with man and nature. Click here to read

The Literary Fictionist

A playlet by Sunil Sharma set in Badaun, The Dryad and I: A Confession and a Forecast, is a short fiction about trees and humans. Click here to read.

Book reviews

Bhaskar Parichha reviews Reconciling Differences by Rudolf C Heredia, a book that explores hate and violence. Click here to read.

Nivedita Sen reviews Nomad’s Land by Paro Anand, a fiction set among migrant children of a culture borne of displaced Rohingyas, Syrian refugees, Tibetans and more. Click here to read

Candice Louisa Daquin reviews The First Cell and the Human Costs of Pursuing Cancer to the last by Azra Raza. Click here to read.

Book Excerpt

Excerpted from Raising a Humanist: Conscious Parenting in an Increasingly Fragmented World by Manisha Pathak-Shelat and Kiran Vinod Bhatia, the focus is on media and its impact. Click here to read.

Sara’s Selection, April 2021

A selection of young person’s writings from Bookosmia. Click here to read.

Categories
Musings of a Copywriter

Tribute and attributes

Devraj Singh Kalsi pays a poignant tribute to his late mother

There was no glint of pride, but a sparkle of joy lit up her eyes whenever she uttered the sentence: ‘My son stays with me’. Although many of her friends poked her to know why an overgrown kid was still living with his widowed mother instead of venturing out in the big, bad world in search of a lucrative future like their ambitious sons did, it gives me deep satisfaction that in the last thirty years we stayed away from each other for not more than thirty days. She surely deserved this privilege for nurturing a son with creative tendencies – even if the scale of his personal achievements was small.

Some of her friends wondered why I chose to remain a frog in the well. Some of her friends concluded it was my lack of potential to make it big in life. They expressed concern that the hopeless son should wake up and join the mainstream. Some of her close friends tried to find out whether the son was earning his bread and butter or not. The job profile as a copywriter working from home was something they could not understand a decade ago. Sometimes my mother mentioned advertising and writing but their clever minds read this as a mother’s cover-up attempt in defence of her incompetent son as all loving mothers try their best to hide the flaws of their children.

The pursuit of creative work to earn livelihood secured my mother’s approval and appreciation. She was glad I did not have to enter into compromises or indulge in unethical practices for career development. She was happy I did not need to degenerate into an opportunist or flatter people to realise my goals. She believed every single sentence or idea was a divine blessing meant to take care of the material needs. She loved the purity of this earning and always encouraged me to write with purity – never lower the quality of the output to earn more. My homage to her would remain insincere if the charming world of advertising blinds me with greed and I deviate from the path I have followed as long as she was alive. Was it my choice or her blessing? Something within makes me feel nervous.

Writing does not require relocation to a distant city. The dream of a writer is realised inside a room located anywhere – even if the writing space is found in a jungle. Driven by this conviction, I began to write and deliver good work so that there is no dearth of clients. Yes, the writing job made it possible to spend more time with mother. Besides, I did not have to undergo the hassles of commuting to work every day.

My mother was happy with this working model and quite surprised to find it real. She called it a royal business. Yes, with royalty indeed! However, when my first attempt at full-fledged creative writing did not fetch commercial success, my mother was disappointed. Perhaps she felt I was less qualified to aim so big. In hindsight, I wish I had written something better. This failure haunts me after her death. That she left this world with the feeling of failure. No success is going to reverse this reality. Even if I manage to write better now, my mother is not going to see it. When you realise the most important person in your life is not around, your urge to prove your worth dies young. But it does not mean I should quit creative writing. Whatever I write now will be a tribute to her – so keep writing with honesty and purity.

Her separation led to another separation. My mother wanted me to strengthen my attachment with God and religion and she often reminded me of the shortcoming. Since she was a very pious lady, I thought her prayers would take care of me for life. Moreover, since God had taken away one parent in my childhood, I always thought God was not going to deprive me of her presence. I always felt there was time for learning the Gurmukhi script from her. I regret not finding time to learn reading the Punjabi language. The Holy Granth Sahib had to be donated to the Gurudwara (Sikh temple) as I could not read the Gurmukhi script and daily readings are a must. The holy book could have remained at home had I been fluent. I hope to be fluent someday, and get it back home and conduct daily readings. My tribute to her includes this exercise in self-improvement.   

Her humorous streak is something I have loved — her ability to laugh breathes into my work. I wish to acquire the strength to laugh during tough times, during health challenges. Few years ago, when a senior doctor referred her to a specific medical college, she made him break into a hearty laugh with her straight-faced query: ‘But why do you want college students to operate me? They will do experiments.’  

Just before the pandemic began last year, she consulted an ophthalmologist who suggested cataract surgery would yield negligible improvement in her low vision (high myopia all her life). When he asked her to read the board, she said she could not read it. Then the doctor made some signs and she read those correctly. The doctor was confused and she could not suppress her laughter. The doctor admired her joviality despite her low vision.

After returning home, I asked her if she could read something on the board. She said she could read with some strain. Since her mood was bad after the doctor said the surgery would not lead to proper restoration of her vision, she was not interested in getting herself examined again. So, she preferred to end the exercise by saying she could not read at all.    

A couple of years ago, she had hearing problems. When I took her to the ENT, she was asked to undergo audiometry tests. The result suggested she should get a hearing aid.  When I told her to get one for the right ear, she said she does not need the device.  It would obstruct the beauty of her earrings. She was always unwilling to wear the signs of old age. She disliked using a walking stick. She asked me to talk softly and she would hear distinctly. She lowered the volume of the TV and repeated the dialogues in the serial — to suggest her hearing was fairly good. One day she claimed to have overheard the gossip of the housemaids in the kitchen — she gave hints of revision in wages. A week later, they demanded a raise. She was surely hearing things right.    

Over the years, gulab jamun was her favourite sweet but her diabetic status prevented her from having it. Everytime her sugar level was normal in a medical test report, she celebrated it by having one gulab jamun. It was her inimitable style.

When she fell down and hurt her head, she refused to call it a fall. Relatives called up to find out her condition. She called it a jump and broke into a laugh, making the other person feel lighter and less worried. This choice of words indicated her spirits were always high. When I am sick and dying, I hope I am able to keep my suffering to myself, to remain cheerful and positive and say that I am going to be fine with the change of seasons even if there is no spring in my life.  

My mother always said Nanak Dukhiya Subh Sansar — other people should not be made sad — do not offload your grief on others. She urged me to bear it all alone. She had tremendous strength to bear her sorrows all her life. I am not sure whether I was also a source of adding sadness to her life. Maybe, I was also a big contributor because I chose a difficult life and deprived her of what her friends and relatives got so easily in life. People say she deserved a better life, a better home to live, a better son, a better future, a better old age. My tribute includes this regret and confession that she truly deserved a successful son.   

.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings of a Copywriter

Creativity and Madness

By Devraj Singh Kalsi

So many times this question has been lobbed at me: Have you gone mad? I have not been able to confidently say — yes. I have not been able to vehemently deny it either. But I have taken serious note of it, asking myself this question again and again. At times I feel I do have it in me and sometimes I feel I am exaggerating my qualities to put myself in the league of big achievers who had a streak of madness igniting their flashes of brilliance. I express gratitude to the people who doubt my sanity. They are truly visionaries and genuine well-wishers, who managed to spot my innate potential before anybody else in the family did.

When a middle-aged man falls in love with a girl half his age, he has to answer the same question: Have you gone mad? When an old fogey leaves everything behind and packs his travel bags to go on a road trip, he is labelled mad. When a rich man relinquishes all his wealth, he is dubbed mad. When a professional quits a cushy job to pursue his passion, he is written off as a nutty nerd. Similarly, when an urbanite decides to relocate to a village and lead a farmer’s life, he is categorised mad.  

Attempt anything unusual or unconventional and you stand accused of being mad. A person with the potential to shock the world is said to be in dire need of shock treatment. Thankfully, there are hundreds of people who cross the borders of sanity every day to come home saner. The act of flirting with madness is a rewarding experience to feel sane within – even if the world refuses to acknowledge the benefits of this exercise. 

Higher than any recognition in the world is the honour of being called mad if you are engaged in the business of creativity. It is a source of ultimate bliss to be bestowed with this prestigious title. There are many creative people who have won covetous prizes and metal pieces but the world does not call them mad. Madness remains a streak of genius that remains elusive to most. It is like having all the riches of the world and still remaining unhappy. It is painful and melancholic for a creative soul who fails to get recognised and remembered as mad. There is no lobby, no committee to understand madness and celebrate its diversity and goodness. There is no national or global award or citation that recognises or honours the scale and magnitude of madness.

You must be really mad to spend seven years of life locked in a room, busy writing a big, fat novel and doing nothing else. You are chasing something when you do not have any estimate of success in it. Madness fuels the passion to keep going and without madness there cannot be anything magical. Not just once, you spend an entire lifetime doing crazy stuff without any assurance of success in the venture. With nothing going in your favour, with nothing glorifying your mission, you are on your own journey despite all hardships. Madness alone makes it possible to undergo the impossible. The act of creating involves madness at various levels – in choice, in pursuit, in suffering, in determination, in persistence, in creation.

There are phenomenal people in every field who are never content with the shower of praises simply because they do not have the crown of madness to wear. The search for the mad title remains an unfulfilled dream. We are not advanced enough to think of eccentricity as an achievement worth celebrating in life. Whenever this question about being mad has been hurled at me, I have felt happy from within. I have wondered how close I am to winning this label in my lifetime. Sometimes I feel, it is within reach and sometimes it seems beyond reach during the entire lifetime. Before a pervasive sense of dissatisfaction creeps in to create a void, I urge you to seek the company of friends and colleagues who, when persuaded, will flatter and provide temporary relief by calling you mad. Absorb the repetition to get a high.  

Zero in on the glory of madness as it reveals a clear focus on the work and the possessed state that makes you refine the craft. It is not easy to say to what extent you are driven by the mad urge but the richness of the work shows you are deeply under its influence. Sometimes one piece of work brings you credit and sometimes the whole body of work makes people consider you raving mad. Keep the target high and celebrate your creative madness as a source of elixir that keeps you alive and fully charged to produce more specimens that demonstrate to a higher degree your long walk into the dark recesses of the mind, to make it suffer over a period of time and produce something timeless and unique.

You find creative people in the film or literary world who have not paid attention to anything apart from their work. They have not won any awards, big or small, not even made it to any shortlist, but their works live forever in the heart. Their readiness to immerse their lives in the work is a key indicator of creative madness. When lives do not matter, when commercial gains do not matter, when nothing else matters except the work and that is what their wide world is limited to. A plunge into such depths of madness is what makes them scale the heights of creative success.  

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings of a Copywriter

Lessons from Partition

Devraj Singh Kalsi explores how Partition impacts not only countries but families in the modern day India

Division seems to have gained a legitimacy and emerged as a solution to all the deep-rooted problems within families after the horrific Partition in 1947. It created a new reality where peace would prevail and relationships turn cordial through the process of separations, ignoring the fact that peace found on the ruins of severance could only be short-lived. Brothers and cousins living together for years suddenly turned aggressive for their share of land, with scuffles and war of words worsening the situation and indicating that permanent peace is not achievable through unity anymore.   

The gradual disintegration of our family, both on the paternal and maternal side from time to time, was performed by the hyped and glorified idea of undergoing the pangs of separation. Partition was carried forward as a legacy of collective strength to survive the worst and shape the best. What the country, particularly in Punjab and Bengal, went through in 1947 has been repeated in so many families over the decades since then. The idea of batwara (separation) was seen as the ideal way to end conflict and restore normalcy. The preparedness to lose a lot to achieve that was palpable.

Brothers lived together in a plot of land but loved the idea of raising a wall between them as a sign of demarcation even though the property remained undivided legally. They lived together but maintained separate kitchens. The flavours of what was cooking in one brother’s home permeated through the walls. If there are special delicacies cooked on certain occasions, the rival brother planned a similar treat for his family. If one brother brought home a bike, the other one drove ahead with a car.

Such rivalries in joint families are common and seen as the way forward to a solution in the long-term. The entire community gets to know the brothers are undergoing strained ties and their justification of who is right and who is wrong becomes contentious. One brother garners local support and emerges stronger with numbers while the other one turns either quiet or vindictive to launch a vilification drive.

Insecurities reach the bone marrow of relationships. When the brothers realise that they cannot continue living separated by walls only endlessly, they decide to seek the interference of the elderly in the family or approach the courts. When mediation for the split begins, it takes the shape of a fight for justice. This conflict finally deprives them of their land holding as the outright sale is seen the panacea to all grievances and problems. They part ways amicably with their share and move out in search of a new beginning, waging the same old battles once again in some other place. 

When brothers live with a wall of partition separating them or with two different entry gates on opposite sides, their wives and children grow up in a disturbed environment and perceive those on the other side as their biggest enemies. They are like quarrelsome neighbours next door, and they frequently fight over petty issues like blocked drainage and kitchen smoke. The unpredictability of such tiffs creates an atmosphere of constant fear and tension.

The married-off sisters face a bigger problem when they visit their father’s home. They cannot decide where to live. If the elder brother is preferred, the younger one feels ignored and hurt. Sisters have to decide to have lunch in one house and dinner in the other just to strike a balance. Such bitterness affects sisters who gradually reduce their trips as they cannot stomach the outcome of their educated brothers’ quarrel. Other relatives also think twice about visiting a family with such rifts and infighting. 

During occasions like weddings within the family, they have to break the narrow domestic walls and put up a façade of unity. Peace gets restored for some weeks. They eat together, drink together, and dance together, click photographs for a buffer stock of pleasant memories, sit beside each other, converse together, laugh together, and embrace each other like long lost brothers. All their relatives relish such rare glimpses of brotherhood and bless their relationship more than blessing the newlywed couple. Tears of joy overflow, with prayers for permanence of bonhomie on their lips.  

Unfortunately, such fraternity peters out within a month and the old normal of rivalry is restored. The families interacting for some days resume their separation and silence. When relatives call up to seek updates, they find the same old tensions. If one brother has a telephone landline connection, he is hesitant to call the other one and gives lame excuses. This coldness makes it clear that the brothers are not going to unite. Their mutual bitterness indicates that separation alone has the power to establish long-lasting peace.    

Bickering brothers rejoice when the courts give the verdict and the shameful episode of separation is celebrated on both sides, with thanksgiving prayers to the Lord for this blessing that is actually the precursor of their downfall. 

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Essay

Type, Stereo, Stereotype

Devraj Singh Kalsi gives a unique perspective on the Farmer’s Protest in India

Farmers’ protest in India, December 2020. Photo courtesy: Wiki

The nation knows them as truck-drivers, transporters, dhaba-owners (eatery-owners), soldiers, and farmers who made the nation green with revolution (and envy) half a century ago. They perform these jobs so well that nobody in India wants them to do anything else. It would be a waste of time and resources if they show interest in other pursuits. Alerts and friendly suggestions include forget creative gigs and focus on down-to-earth digs. Get back to the fields and grow some figs instead of falling in love with trance – to transplant figments of imagination. Talk about reap, forget repeal. Focus on harvest, forget unrest. Don’t care two hoots? Return to the roots.

If you know a Sardarji in the bulb with malice towards one and all, consider it an exception instead of the changing trend in their professional choices. The Sardarji in the bulb failed to inspire and light up the brains of his community that is perfectly okay with intellectual poverty so long as material prosperity comes their way. Sardar (Sikh) and Kirdaar (character) make an uncharacteristic pair. Pen in his grip looks weak while the sword is mightier even today.  

Crack silly, vulgar Sardar jokes and stereotype them the way you like, but the fact remains that Bhangra, banter and bass show their swag. You enjoy full freedom of expression to hurt the sentiments of the Sikh community and get away with it. With a big heart they always love to give and forgive. Even if you find no art in their dance form, you raise the legs to lift the spirits and feel energised.  

Instead of banking on education to seek greener pastures abroad, they are ready to grab the steering wheel, to steer their future in the direction of prosperity. If diligence is the seed of success, they are ready to toil in the farms as sons of the soil under extreme weather conditions – whether it is about growing sarson (mustard) here or strawberries there. The enthusiasm to feed humanity takes them to the fields, to grow food for all, or set up eateries along the highways to serve truckers and travellers with good food.

The farm protests, spearheaded by the Sikhs, made the entire nation suspect whether they have the brains to understand the farm laws or the misled battalion simply marched ahead with tractors and trolleys under the influence of opposition leaders and alcohol. This narrative was fairly convincing on TV screens as Sikhs have yet to showcase their logical quotient. With no Nobel Laureate to amplify their pedigree, pegging the idea of a Sardarji winning it for science, economics, literature or peace turns out to be a hilarious joke.  

From fibre to fibre optics, they have made significant contribution but the world looks reluctant to recognise their talent in diverse fields. These warriors who break barriers are the carriers of chutzpah and they deliver the impossible. While the national average income struggles to reach a decent level, they have taken agriculture to a new level. So much so that they earn enough to buy jeans on account of hard work in their genes.   

Starving farmers wearing torn clothes and banging empty utensils is the stereotyped image of protesters in India. This is perhaps the first time that the entire nation witnessed stereos playing full blast at the protest site, with a feast of delicacies served to all, with book launches and motivational songs to keep the spirits high. From pizza to pinni (sweet), from badam (almond) sherbet to gajar ka halwa (carrot halwa), from foot massagers to geysers, the visuals emerging from Delhi borders have awakened the collective imagination and consciousness of the people in their heated drawing rooms. The hordes of protesters including elderly citizens, women, and children looking cool, calm and resilient even in biting cold conditions reminds people of Chhardi Di Kala – the expression to convey their buoyant attitude and will power.

When farmers look healthy and well-fed, they weaken their bargaining position as the authorities tend to think they are already prosperous and the new farm laws are sure to double their income. No sympathy or empathy comes their way. Seek repealing of laws and they keep appealing to soften the stand. The deaths and suicides of fellow farmers in this chilling cold do not generate the fear of death. Call it determination, tenacity, or moronic display of obdurate behaviour, they stand united to treat with love and care but never ready to retreat.

Farmers eating stuffed parathas, paneer (cottage cheese), kheer (sweetened and thickened milk), fruits, dry fruits, and jalebis(sweet) make prime time news. The image of struggling, bare-bodied farmers ploughing the fields, surviving on porridge, mashed potato, and boiled rice disappears from the screens. With simmering anger inside and langar (community kitchen) outside, they sit and wage a crowded struggle for their rights, sleeping under tractors and trolleys, waiting for the withdrawal of draconian and now drag-on-ian farm laws.

A diet meal plan sanctioned for healthy living is likely to win more sympathy from the masses and the authorities. Do not jeopardize the mission to bring the farmers of the nation at par with the Punjabi brethren. This scheme is for them, to double their income, to reduce income equality between marginal farmers and march-in-al farmers first. Do not behave like a big brother and a bigger fool. Your doubling of income has to wait till the farmers of India achieve your level first. In the meanwhile, continue serving mankind and feel a surge of collective pride, serve the poor and those in distress, reduce the level of stress, go back, and buy new dress for the next music video. The festivals are all lined up, get ready for Baisakhi (Punjabi new year) and balle-balle, and say cheers to the good life.

.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings of a Copywriter

Private Lessons

Devraj Singh Kalsi takes us through a hilarious episode of elopement with a surprising conclusion

It took me quite a long time to conclude whether it was a noble act or a mischief. Those historical legends who rode away on horseback with brides and wives of their choice did not inspire me as much as my tutor with his daring act of elopement. Trains and motorbikes replaced horses and my English tutor, an aspiring novelist with a magnum opus in progress, managed to gallop ahead with élan in the hostile terrain.

He returned and churned a gripping tale – a real tour de farce – of his nocturnal conquest featuring burly cops who swooped down heavily at his door and the nail-biting chase that followed. The rush of adrenalin ejaculated a tall promise to repeat his heroic feat and make him feel proud of me as a worthy disciple who followed in his footsteps. With such an ambitious dream I entered the age of reckless youth, but ended up wrecked after a spate of rejections, with no girl ready to partner me and pillion ride on this challenging expedition.      

The English tutor suddenly disappeared when I was supposed to appear for my board exams. I was not aware he was going on a mission or else I would have rallied behind him with full moral support and offered prayers for his victory. While I was deprived of last-minute suggestions and struggled to revise my lessons, my English tutor was chalking out his strategy for the operation. He was a brave young man with dollops of chutzpah to elope in those days, invite the wrath of his family and community for displaying sapiosexual tendencies. He resurfaced with an invite almost a fortnight later, back with a taut narrative of how he and his childhood lover bribed a young priest to formalise their marital bond in a small temple after dusk and boarded the midnight train for the chills and thrills of a honeymoon in the hills.

After successful consummation, the excited couple took the earliest train to return home and seek the blessings of those who had opposed something sacred like marriage. A reception was organised at a marriage hall. I was his only student who was invited to attend the function where vegetarian food and liquor were served.

He introduced me to his erudite wife who looked pretty tired of meeting strangers with a faux smile. She was teaching English in a private school while he was looking after his family business to disguise his joblessness. The courage to marry without a job made him a role model in my eyes. His audacity to run away from the city with the daughter of a retired cop was a dramatic coup of sorts that would kindle interest for its potential as a frothy Bollywood caper. Visualise night sky and temple, gunshots in the air, and the married couple in sherwani and lehenga racing ahead on a wobbly motorbike and a police van chasing them on a highway. Get the drift. 

My English tutor revealed that he was working on a literary novel — slightly autobiographical as it was inspired by the childhood events. He could wait for another couple of years to get suitably employed and within this period he had to climax his literary worth as his wife had married him because of his literary prowess. A child arrived the next year, and his literary dream was aborted. He began teaching part-time, perhaps feeling insecure of his ability to produce something magical in words, feeling a surge of chauvinistic umbrage as his spouse worked hard to run the home like a householder while he sat brooding at his teakwood desk, looking at the window and the world outside, waiting for inspiration to strike.  

Even though our meetings became scarce after my school days, he remained my first idol. He was an exemplary teacher who taught practical lessons and encouraged me to outperform him — though outperform had several connotations and I was not quite sure of the context and what he implied.   

He legitimised running away to marry and became a hero of sorts even though there were other members in the family who married outside the community. Here was my teacher inspiring me with his love story, to elope if required and achieve success in the mission. I had grave doubts about my ability to convince a girl to do the same but he became a love guru I consulted later in my career. His wife discouraged his interactions with the former students and so we grew apart. His novel did not appear in print — not even as a self-published masterpiece. It is more than twenty years now. His social media profile updates mention Headmaster of a primary school.

When I sent him my writing samples online, he wished me good luck in my writing journey. The despatched links have not been seen even after three months — perhaps he has lost interest in reading and writing. The closed chapter of life he does not wish to revisit. I resisted the urge to ask him about the fate of his literary novel — and let it remain unclear, inconclusive and open-ended like his favourite Night Train At Deoli.    

*sherwani: A long formal coat worn often by grooms in India

*lehenga: A long skirt worn often at weddings by the bride in India

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings of a Copywriter

Pray to Win

Devraj Singh Kalsi gives an entertaining account of ‘Tumpji pujas’ across India during the US elections

The strength he mustered to defy the writing on the Mexican wall and challenge the mandate had come from a country he had called dirty just a few days ago. We do not mind his saying so because our own writers and filmmakers have sold this image to the West for several decades.  

Faith can move mountains. Orisons can deliver miracles even in Arizona and the man in office – By Georgia! – knew something incredibly magical was on his way from the East. Kudos to the cabal of jingoist well-wishers who were engaged in performing yajnas* and havans* with pure desi* ghee to propitiate the powers of heaven to spread dollops of glee on his face, to ensure another term for him in Safed Ghar* and keep the world supposedly safe though I ran away from this false belief amid fears of a lurking strike in his second innings. Every nuke and corner of the world under his glaring watch would upset and reset the ticking clock of global peace. 

The feisty flames inflamed the mercurial man who was determined to trump his foes with his planetary virility. He spewed balls of fire to hang on and refused to cow down, setting a new precedent as a president in the history of the nation. Only if the organisers could spell his name correctly instead of Tump, the omnipotent gods would have transferred the votes he required to win, by influencing the counting officials to detect more inaccuracies with the postal votes that went against him.     

The inner voice guided and goaded him to prove winners never quit and quitters never win. He felt re-elected in his mind despite the mismanaged pandemic and wished to make a bonfire of all anti-incumbency votes in the havankund* – only if he could get those picked out by an invisible force in the closely contested polls conducted in the few crucial states that slowed down his juggernaut. Most of the leaders who swept to power around the time he had won were given another term and they would now feel lonely without his bombastic company and pack of white lies. 

Praying to win is a common – and effective – practice among contestants the world over. Cadres of all parties do so for their beloved leaders during election time. Sometimes the native people pour unadulterated love for global leaders perceived as friendly and helpful for the home country – those who can be a pillar of support against hostile neighbours. Tump Ji is one such beneficiary of generous and spontaneous love showered by legions of admirers here. 

Havankund and yajnas are also performed for friendly countries and their leaders. We want these friends to occupy the office for a long period. Though we cannot elect or re-elect them through the voting process, we can surely seek divine deliverance for them. Even if we have few friends around the world, a powerful ally is what we need to keep our neighbours under control. If Tump Ji remains in favour, we do not fear our neighbours. With Tump Ji as the ring master, the Chinese cannot drag on further with their LAC plans. He has been a pillar of support for us in the past few years – the one guy we can ring up any time to share our woes and he jumps to our defence by scolding our mischievous neighbours with veiled threats and dire warnings. 

When the news finally reached Tump Ji that the land of seers has the divine power to flip electoral outcomes and influence voters without any fraud, he was elated and wondered why his Indian buddies did not part with the secret mantras of success earlier. He suspected a conspiracy of sorts hatched in the native village of a democrat. He was now told there were many pundits with manic and talismanic powers who could swing the verdict right in his favour before the voting was over, but it was a tough call to reverse what was already cast. He was told of the potency of keeping red hibiscus and marigold underneath his pillow for nine consecutive nights to avoid getting pilloried. He was advised to chant Jo(e) Boley So Nahin Hovey555 times every daySuch tweets and messages were sent to him and he read and followed them all. 

Tump Ji was also advised to avoid kissing during this critical phase as it would suck out the chances of victory and spell the proverbial kiss of death for him. He was told to eat a vegetarian diet as this sacrifice would prove rewarding. Simple lifestyle modifications: Drink tall glasses of buttermilk instead of wine to show power without intoxication. He was assured of a divine shower of blessings if he stayed away from sausages and beef. As the election results began to pour in and his drubbing became imminent, he overheard his better half talking of a possible split though he could not be very sure whether she talked of a split in votes or their marriage.  

Coming to the aspect of divine intervention, the chanting of mantras gifted him with nerves of steel. He pinned high hopes on the judiciary to act as his saviour – the supreme power would reside in the unanimous verdict of judges. This would allow him the opportunity to ride back to power and occupy the same house instead of indulging in frivolous thinking of constructing another one on the opposite side because he still believed he was wanted by half of his countrymen. It was impossible to accept defeat with grace as he felt he was still very much in the presidential race. 

*yavanas, havan: prayers around the fire

*Desi ghee: Ghee made from cow’s milk

*Safed Ghar: White House

*Havankund: The container in which a fire is built for prayers

*Joe boley so nahin hovey: A take off that means whatever Joe utters shall not be fulfilled. The take off is from the shout of victory and exaltation among Sikhs, Bole so nihal.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.