Tag: Cambridge

Out of Sri Lanka

Title: Out of Sri Lanka: Tamil, Sinhala and English Poetry from Sri Lanka and its Diasporas

Editors: Vidyan Ravinthiran, Seni Seneviratne and Shash Trevett.

Publisher: Penguin India (Vintage)

AAZHIYAAL
(b. 1968)

Aazhiyaal (the pen name of Mathubashini Ragupathy) was born in Trincomalee in Eastern Sri Lanka. She taught English at the Vavuniya Campus, Jaffna University, before moving to Australia in 1997 where she worked for two decades in the IT sector and commercial management in Canberra. Aazhiyaal has published four collections of poetry in Tamil: Uraththup Pesa (2000), Thuvitham (2006), Karunaavu (2013) and Nedumarangalaai Vazhthal (2020), the last honoured by Canada’s Tamil Literary Garden. Her poems have appeared in anthologies and have been translated into several languages. She in turn has translated Australian Aboriginal poetry into Tamil (Poovulagaik Kattralum Kettalum, 2017). Aazhiyaal writes about women’s place within patriarchy and uses her work to make sense of the war in Sri Lanka: ‘I believe that poetry is the antidote to the present rat-race. It is needed, it is necessary.’

Unheeded Sights

After the rains
the tiled roofs shone
sparklingly clean.
The sky was not yet minded
to become a deeper blue.
The tar roads reminded me
intermittently of rainbows.
From the entire surface of the earth
a ﬁne smoke arose
like the smoke of frankincense, or akil wood,
the earth’s scent stroking the nostrils,
fragrant as a melody.

As the army truck coming towards me
drives away,
a little girl transfers her candy-ﬂoss
from one hand to the other
raises her right hand up high
and waves her tiny ﬁngers.

And like the sweet surprise
of an answering air-letter
all the soldiers standing in the truck
wave their hands, exactly like her.

The blood that froze in my veins
for an instant, in amazement,
ﬂows again rapidly, asking aloud,
‘War? In this land?
Who told you?’

[tr. from Tamil by Lakshmi Holmström]

BASHANA ABEYWARDANE
(b. 1972)

Rohitha Bāshana Abeywardane was a member of the founding editorial board and later editor in chief of the Sinhala alternative weekly newspaper Hiru. In 2003, he was one of the activists who organised the Sinhala-Tamil Art Festival. His journalistic commitments brought on threats to his life, and he had to leave Sri Lanka. He continues to publish and coordinates Journalists for Democracy in Sri Lanka, an organisation founded by journalists in exile. Following a stay in the Heinrich Böll House, Langenbroich, Abeywardane took part in the PEN Writers in Exile Program from September 2007 to August 2010. Today, he lives in Germany with his wife.

The Window of the Present

Nightmares, long dead,
peer through the shattered panes
of the window of the present.

The dead of the south, killed on the streets,
with bullet-riddled skulls,
walk once again, through an endless night,

and those of the north drowned in deluges of ﬁre
when rains of steel drench their unforgiving earth,
gaze through the shards of glass empty eyed;

as slaughtering armies, prowl under starless skies,
upholding sovereignty
with blood-soaked hands.

PACKIYANATHAN AHILAN
(b. 1970)

Born in Jaffna in the north of Sri Lanka, Packiyanathan Ahilan has lived through the thirty-year civil war. An academic as well as a poet, he has published three collections of poetry and is Senior Lecturer in Art History at the University of Jaffna. As well as writing about the visual arts, poetry, theatre and heritage, he curates art exhibitions and is co-editor of Reading Sri Lankan Society and Culture (Volumes 1 & 2). Ahilan’s poetry is sparse and staccato, like a heartbeat: he is one of the most inﬂuential poets writing in Tamil in Sri Lanka today.

Days in the Bunker III

Good Friday.
The day they nailed you
to the cross.

A scorching wind
blew across the land and the sea.
One or two seagulls
sailed in an immaculate sky.
The wind
howling in the palm trees
spoke of unfathomable terror.
That was the last day of our village.

We ﬁshermen came ashore,
only the waves
returned to the sea.
When the sun fell into the ocean,
we too fell
on our knees
and wept.

And our lament
turned slowly into night.

In the distance
our village was burning
like a body being cremated.

Good Friday.
The day they nailed you
to the cross.

[tr. from Tamil by Sascha Ebeling]

A Poem about Your Village and My Village

1
I do not know.
I do not know if your village
is near the ocean with its wailing waves
or near a forest.
I do not know your roads
made from red earth and
lined with tall jute palms.
I do not know
the birds of your village
that come and sing in springtime.
I do not know
the tiny ﬂowers along the roadsides
that open their eyelids when the rains pour down.
I do not know the stories
you tell during long nights
to the sound of drumbeats
or the ponds in your village
where the moon goes to sleep.

2
Tonight,
when even the wind is full of grief,
you and I know one thing:
Our villages have become
small
or perhaps large
cemeteries.
The sea with its dancing waves
is covered with blood.
All forests with their
trees reaching up to the sky
are ﬁlled with scattered ﬂesh
and with the voices of lost souls.
During nights of war
dogs howl, left to themselves,
and all roads and the thousands
of footprints our ancestors left behind
are grown over with grass.
We know all this,
you and I.
We now know about
the ﬂowers that died,
the abandoned lines of poetry,
the moments no one wants to remember.

3
But
do you know
if the burnt grass
still has roots,
or if the abandoned poems
can still be rooted in words?
If, like them, you do not know
whether our ancient ﬂames
are still silently smouldering
deep down in that ocean
covered with blood,
know this today:
They say that
after he had lain in hiding
for a thousand years
one day
the sun rose again.

[tr. from Tamil by Sascha Ebeling]

ABOUT THE BOOK:

Out of Sri Lanka shines light upon a long-neglected national literature by bringing together, for the first time, Sri Lankan and diasporic poetry written in and after Independence. Featuring over a hundred poets writing in English, or translated from Tamil and Sinhala reshapes our understanding of migrational poetics and the poetics of atrocity. Poets long out of print appear beside exciting new talents; works written in the country converse with poetry from the UK, the US, Canada and Australia. Poems in traditional and in open forms, concrete poems, spoken word poems, and experimental post-lyric hybrids of poetry and prose, appear with an introduction explaining Sri Lanka’s history.

There are poems here about love, art, nature – and others exploring critical events: the Marxist JVP insurrections of the 1970s and 80s, the 2004 tsunami and its aftermath, recent bombings linked with the demonisation of Muslim communities. The civil war between the government and the separatist Tamil Tigers is a haunting and continual presence. A poetry of witness challenges those who would erase, rather than enquire into, the country’s troubled past. This anthology affirms the imperative to remember, whether this relates to folk practices suppressed by colonisers, or more recent events erased from the record by Sinhalese nationalists.

ABOUT THE EDITORS:

Vidyan Ravinthiran was born in Leeds, to Sri Lankan Tamils. His first book of poems, Grun-tu-molani (Bloodaxe, 2014), was shortlisted for the Forward Prize for Best First Collection, the Seamus Heaney Centre Poetry Prize and the Michael Murphy Memorial Prize. His second, The Million-petalled Flower of Being Here (Bloodaxe, 2019) was shortlisted for the Forward Prize for Best Collection, the T.S. Eliot Prize and Ledbury Munthe Poetry Prize for Second Collections. After posts at Cambridge, Durham and Birmingham, he now teaches at Harvard.

Seni Seneviratne, a writer of English and Sri Lankan heritage published by Peepal Tree Press, with books including Wild Cinnamon and Winter Skin (2007), The Heart of It (2012), and Unknown Soldier (2019), which was a Poetry Book Society Recommendation, a National Poetry Day Choice and highly commended in the Forward Poetry Prizes 2020.

She is currently working on an LGBTQ project with Sheffield Museums entitled Queering the Archive and her latest collection, The Go-Away Bird, was released in October 2023. She lives in Derbyshire.

Shash Trevett is a Tamil from Sri Lanka who came to the UK to escape the civil war. She is a poet and a translator of Tamil poetry into English. Her pamphlet From a Borrowed Land was published in 2021 by Smith|Doorstop.

Shash has been on judging panels for the PEN Translates awards and the London Book Fair, and was a Visible Communities Translator in Residence at the National Centre for Writing. Shash is a Ledbury Critic, reviewing for PN Review and the Poetry Book Society and is a Board Member of Modern Poetry in Translation. She lives in York.

Review

Fixing a Fractured World

Book Review by Bhaskar Parichha

Title: Permacrisis: A Plan to Fix a Fractured World

Authors: Gordon Brown, Mohamed El-Erian, Michael Spence, Reid Lidow

Publisher: Simon & Schuster UK

A nation or region’s success depends on three things: growth, economic management, and governance. The three dimensions are interconnected and affect each other. Growing an economy is a fundamental part of economic development. Factors like productivity, technological innovation, and sector expansion are all part of it. Infrastructure, education, and research and development are key to sustainable growth. Strong growth can create jobs, raise incomes, and improve living standards.

Governments and institutions take policies and decisions to maintain the economy’s stability and effectiveness. Setting fiscal policies, regulating financial markets, and overseeing trade and investment are tasks involved. The goal of effective economic management is to promote stability, increase competitiveness, and grow the economy. For macroeconomic stability and progress, it takes inflation, budget deficits, and exchange rates into account.

Countries and regions are governed by rules and structures. It includes political institutions, legal systems, and decision-making processes. By promoting transparency, accountability, and participation, sound governance ensures power is exercised fairly and justly. Decisions are made keeping in view society’s most beneficial interests, and citizens’ rights are protected. Maintaining stability, attracting investment, and promoting economic development requires strong governance.

Growth, economic management, and governance reinforce each other. Sustainable economic growth requires effective economic management, ensuring resources are allocated efficiently and policies support it. Effective governance promotes stability and attracts foreign investment through efficient economic management. A well-functioning governance system ensures that economic growth benefits are distributed equitably. After the recent pandemic, economists are worried about a prolonged crisis. Could we be experiencing a permacrisis? It is likely that the current state of the world will lead to anxiety, and that is what this book tells us in splendid detail.

Permacrisis: A Plan to Fix a Fractured World by Gordon Brown, Reid Low, Mohamed A. El-Erian and Michael Spence looks at the economic downturn the world is struggling through right now.

After holding the office of Chancellor of the Exchequer for over a decade, Gordon Brown became Prime Minister. During the 2009 London G20 summit, he mobilised global leaders to walk the world back from the brink of a second Great Depression. He is currently serving as the UN Special Envoy for Global Education, spearheading efforts to ensure quality, inclusive education for all children. He is also a Global Health Finance Ambassador for the World Health Organization. Brown holds a PhD in history from Edinburgh University.

Mohamed A. El-Erian is President of Queens’ College Cambridge. As Chief Economic Advisor at Allianz, he formerly served as Co-Chief Investment Officer and Chief Executive of PIMCO. Besides columnising for Bloomberg Opinion, he’s also a Financial Times contributor. He is a Senior Global Fellow at the Lauder Institute and Rene M. Kern Practice Professor at Wharton School. Before joining Harvard Management Company, he was a managing director at Solomon Smith Barney/Citigroup. His books When Markets Collide and The Only Game in Town were New York Times bestsellers.

Michael Spence is Emeritus Professor of Management at Stanford University. He is a Senior Fellow at Stanford’s Hoover Institution, and a Council on Foreign Relations Distinguished Visiting Fellow. He is an adjunct professor at Bocconi University and an honorary fellow at Magdalen College. He authored The Future of Economic Growth in a Multispeed World. He was Dean of the Stanford Business School from 1990 to 1999, and Dean of the Harvard Faculty of Arts and Sciences from 1984 to 1990. His awards include the John Kenneth Galbraith Prize for teaching excellence and the John Bates Clark Medal. He won the Nobel Prize in Economic Sciences for his work in information economics in 2001.

Reid Lidow served as Los Angeles Mayor’s Executive Officer. Reid worked on Gordon Brown’s campaigns before. During his undergraduate studies at USC, Reid double majored in International Relations and Political Science. He received a Gates Cambridge Scholarship and an MPhil in Development Studies from Queens’ College, Cambridge.

As some of the most highly respected and experienced thinkers of our time, these friends found that their pandemic zooms increasingly focused on a cascade of crises: sputtering growth, surging inflation, poor policy responses, an escalating climate emergency, increasing inequality, a rise in nationalism, and a decline in international cooperation. They shared their fears and frustrations with each other. The more they talked, the more they realised that, despite past mistakes that set the world on this bumpy path, there is a better path to a brighter future. Their varied perspectives contributed to their pursuit of a common goal: attainable solutions to the world’s fractures. Those thoughts are reflected in this book.

According to the authors, our current permacrisis is a result of broken approaches to growth, economic management, and governance. Even though these approaches are flawed, they can be repaired. A provocative, inspiring plan to change the world is the need of the hour. The book illustrates how we can prevent crises and improve the future for the benefit of the many and the few. According to the book, problems that remain unresolved for a prolonged period of time will only worsen; this is what happens in a permacrisis, which is why we must act quickly.

This instructive book provides a sensible plan of reform that can be used to create a world that is fairer and more equitable.

Bhaskar Parichha is a journalist and author of Unbiased, No Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Conversation

Better Roses for a Warming World and Other Garden Adventures

Post author By borderlesssg1
Post date September 14, 2023
No Comments on Better Roses for a Warming World and Other Garden Adventures

Shantanu Ray Chaudhuri in conversation with M.S. Viraraghavan and Girija Viraraghavan

In their new book Roses in the Fire of Spring: Better Roses for a Warming World and Other Garden Adventures (Running Head, 2023), world-renowned rose hybridisers, M.S. Viraraghavan and Girija Viraraghavan, record their journey of over fifty years, creating more than a hundred new rose varieties, in a range of colours, shapes and types. The authors spoke to Shantanu Ray Chaudhuri on their lifelong passion for the rose.

The passion for roses goes back a long way – can you recall the first moments when you realised that this was a ‘calling’ you had to follow? Any epiphanic moment that leaps to the mind?

From quite a young age, Viraraghavan was fascinated with roses, but the epiphanic moment was really when his family spent summer vacations in Coonoor, staying at the government guesthouse within Sim’s Park, which overlooked a rose garden. Every morning, he would wander about this garden which was a blaze of colour of the new roses created from the golden rose of Persia, R. foetida by Pernet Ducher, a great French rose breeder. The brilliant, never-before-seen colours of these roses amazed him – from bright gold and apricot to dazzling oranges and reds. In particular, one of the golden roses took his breath away – ‘Julien Potin’, aptly named for a jeweller – its vivid colour was quite overwhelming for the boy of thirteen, already thrilled with roses. From this came the intoxicating thought: ‘If Pernet Ducher could do it, why not I?’

There’s a delightful little bit about Viraraghavan sir’s viva-voce for the IAS and how his knowledge of roses played an important part in him getting through that. Would you like to share that with our readers?

A difficult part of the IAS examination is the viva-voce, where a panel of senior administrators question the aspirant about various aspects of his or her life and ambitions. Viraraghavan was in the middle of this interview when the Chairman, by chance a learned rose grower, asked him what his hobbies were. ‘Growing roses,’ was the response. The next question was meant to be a googly to confuse a nervous candidate. ‘What roses can you grow in Madras City?’ But Viraraghavan had read the Complete Gardening in India by K.S. Gopalaswamiengar, well-known horticulturist of Bangalore, many times, so my answer was nearly verbatim from the chapter on various kinds of roses which do well in low-to-medium elevations, i.e., warm climates, so he reeled off the different rose classifications: Teas, Noisettes, Bourbons, Chinas, Hybrid Teas, Hybrid Perpetuals. The interview committee then decided it was prudent to go on to other questions rather than get a lecture from a young and seemingly unflurried candidate! But his capacity to master detailed information on various subjects had been noted, and he came through with flying colours (pun intended).

You mention making your presence on the world stage as late as 2000. Please give us a brief account of your work on roses before and after – a potted highlights package, if one can call it.

From the start, our rose breeding focused on creating better roses for warm climates based on the dictum of India’s pioneer rose breeder, B.S. Bhatcharji of Bengal and Bihar, who had stressed the need for a separate breeding line for warm climates as distinct from the Western focus on creating cold-hardy roses suitable for them. Thus, in the early years, our work was with those roses which, though Western, performed well in hot climates, and we had bred many which did well in Hyderabad where we lived. Then, after perusal of many books on roses, we realised the potential in two Indian rose species Rosa gigantea (from northeast India) and Rosa clinophylla (perhaps the world’s only tropical rose species). After getting them with great effort, we began to work with them. At every annual national rose convention in India we would present updates of our work. In 1999, at what happened to be a World Regional Rose Convention, in Jaipur, Viraraghavan’s talk, as always, focused on the breeding with the two rose species mentioned. After the talk, the World Federation of Rose Societies President, Helga Brichet, and Vice-President (South America), Mercedes Villar, came up to him and said they had never before heard of this kind of rose work or of these rose species and invited him to be a speaker at the next World Rose Convention to be held in May 2000 in Houston, Texas.

That was the start of a further phase of rose breeding with the realisation that other than India, several warm parts of the world were also looking for roses that would do well there. These two rose species had been personally collected by us from their native habitat. At Houston, and in other places, people were fascinated by this aspect, which no earlier breeder had undertaken, that is, personally collecting rose species in the wild, at great risk, growing them and using them in creating new roses; starting from scratch as it were. It made sense to them when Viraraghavan explained the dictum of that great German breeder Wilhelm Kordes I who said –‘The soup ladle will only bring out what is already in the tureen’, meaning that fresh genetic input was required if new and different roses are to be created. The enthusiastic response to his ideas strengthened his determination to go ahead with this new rose breeding line. There is nothing as intoxicating as the realisation that the rose world is watching our work with great interest.

One of the most fascinating sections of the book is the one titled ‘The Ones Who Came Before’. Please provide readers with a short account of these legendary influences.

Karrie’s Rose. Photo courtesy: M.S. Viraraghavan and Girija Viraraghavan

We had noticed that invariably roses were named for famous people with often no connection to the world of roses. This made us think: why not name our roses for the intrepid plant-hunters who had discovered roses in the wild, on mountains and in forests, and botanists who had contributed to the knowledge on plants.

One wild Indian rose is R. gigantea, from our north-east, and Myanmar. Three great plant hunters were responsible for collecting this species in the wild – Sir George Watt, General Sir Henry Collett and Frank Kingdon Ward. We decided to name our rose hybrids for all three. Sir George was a medical doctor with an interest in botany, and worked as a surveyor with the British India government. During the course of his work, in the 1880s, he found Rosa gigantea growing on the slopes of Mt Sirohi, now in Manipur, and collected specimens. Almost simultaneously, so did Sir Henry Collett, except in the Shan Hills in what is now Myanmar. Both specimens were identified as being the same and named by the great Belgian taxonomist of the time, François Crepin. Climbing Mt Sirohi in 1990, we came across and collected plants from perhaps the precise location that Sir George had found Rosa gigantea. We named our first hybrid, a creamy yellow climbing rose, for him. We then felt it should be planted near his ancestral home in Scotland. With the help of the Royal Botanic Garden, Edinburgh, we managed to get this new rose planted in the Logan Botanic Garden, very near Sir George’s birthplace. Some years later we embarked on a sentimental journey, along with his descendants and his associates’ descendants, visiting his grave and the hospital he had worked in after retiring from India, to see the rose blooming in Logan.

We named a second seedling we had bred from R. gigantea for General Sir Henry Collett, a rose with big creamy white blooms that has been planted in suitable areas in Britain as well, and, gratifyingly, being grown by some of his descendants. A third rose, a climber with blooms of yellow-suffused pink, was named for Frank Kingdon Ward, the legendary and intrepid plant hunter who collected innumerable new and wild Himalayan plants despite his surprising acrophobia! We then came across a piece by the then BBC 4 gardening anchor, Matthew Biggs, who had visited Kingdon Ward’s grave in Grantchester near Cambridge. He wrote about the neglected condition of the grave of one of the world’s greatest plant explorers. So we decided to make amends by planting ‘Frank Kingdon Ward’ by the wall nearest his grave in the churchyard in a moving ceremony organised by Matthew Biggs, and attended by a number of well-known British horticulturists, as also the family. An urn with the ashes of Sheila Macklin, Kingdon Ward’s wife, for whom he had named a Himalayan lily, and who had died just the previous year, was interred near his grave, and close to where the rose was planted.

We have also named a rose for Leschenault de la Tour, the great French plant explorer who found a beautiful new rose species, called Rosa leschenaultiana after him, in the Western Ghats in the early 1800s; our rose named for him is a climber with pure white blooms.

And of course we have a rose to celebrate the remarkable life and career of the great Indian botanist and cytogeneticist, E.K. Janaki Ammal, who co-wrote the Chromosome Atlas of All Cultivated Plants in 1945. She studied botany at Michigan State University in the 1920s on a full scholarship, later receiving a PhD and DSc honoris causa. Back in India, she played a vital role in creating the ‘Noble’ strain of sugarcane – an extraordinary hybrid of sugarcane and bamboo leading to varieties thick as a man’s arm in contrast to the pencil-thin traditional varieties. But credit was stolen by seniors at the research station, and so she went off to Britain. There she worked at famous institutes, including John Innes, Kew and the Royal Horticultural Society. Later, she met the then Prime Minister Jawaharlal Nehru on a plane, and he put her in charge of reforming the Botanical Survey of India in Calcutta. But sadly she was a forgotten figure by the time of her death in 1984. Our rose named for her has the same colour hues as the saris she wore – orange yellow and saffron. A plant of this rose was planted in 2020 at the World Regional Rose Conference Kolkata, at the Botanical Survey of India garden. The rose has also been planted in the John Innes Institute, in Kew and the Royal Horticultural Society’s garden in Wisley in the UK.

If one were to ask you of one moment each – one particular achievement in the journey and one abiding regret – what would these be and why?

There can be no doubt that the moment which was special in our rose breeding career was the moment described above, when Helga Brichet and Mercedes Villar came up to us in Jaipur in 1999, and said they had never heard such a new approach to breeding roses, pioneered by us, of using two Indian rose species to create a new line of warm-climate roses. It was their invitation to speak in Texas launched us on to the world stage of roses.

As for an abiding regret, that’s all too easy to answer. It’s the systematic neglect of Indian-bred roses by the rose-growing public of India, who remain fascinated by roses raised in Europe and the U.S. though they are utterly unsuited for Indian climates. This unreasonable preference for foreign rose varieties is part of the general craze for all things foreign. Fortunately, more recently, there has been a change, and young rose breeders and growers are realising that Indian bred roses do better in the heat and are slowly beginning to grow these.

Give us an insight into the challenges and pitfalls of growing and creating roses in India, as informed by your journey. Interesting story that highlighted these.

The main challenge was getting Indian roses accepted by the Indian rose growing public, as highlighted above. Indeed, now our roses are being grown in India, perhaps because they are being grown around the world! Another thing is one must learn patience. It takes us about eight to nine years to name and release a new rose. It is a long process, of the actual crossing of two roses, waiting for the fruit to ripen, then harvesting the fruit (rose hips), collecting the seeds, stratifying them in the refrigerator (if one lives on the hot plains), sowing the seed, waiting for the seedlings to sprout, growing the plant for a number of years to test its potential, and suitability, and only then finding a name and releasing it, by sending to a rose nursery to make more plants.

Our long career in rose breeding and our connected travels around the world has provided us with many interesting, even hilarious experiences. We were in Japan, at the Sakura Rose Garden. With us was a group of people including our friend, the well-known Japanese plant scientist, Dr Yuki Mikanagi. We were looking at a rose plant, with dark pinkish-red blooms with white on the reverse, bred by us and as yet unnamed. Yuki said she liked this rose very much. We immediately told her that we would name it for her. She said: ‘But this rose is red and white, whereas my name means “snow” in Japanese. Viru’s instant response was, ‘Then we will it name it Blushing Yuki,’ much to the delight of Yuki and everyone.

In his government service days, when we lived in Hyderabad, Viru would tend to his roses, watering and spraying them with fertilizers before leaving for office. There would be a number of telephone calls for him about some official matter. Girija would answer the phone (landline in those days), and when she told the callers he was busy spraying, they would hear it as ‘praying’ and immediately apologise: ‘Please do not disturb him when he is at his prayers’.

Both of us were hands-on gardeners, doing most of the work ourselves and you cannot garden without muddy hands and clothes. Very often visitors would mistake us for the garden help and request us to take them to the master or the mistress of the house. The looks on their faces when they realised who we were would make us laugh.

On one occasion, we were in California to receive the ‘Great Rosarians of the World’ Award. At the ceremony, we both first gave a talk on ‘Roses in India, Past Present and Future’. At the end of the ceremony, an earnest old lady came up to us and asked, in all seriousness, ‘Do roses grow in India?’

For most of us, roses are red and a Valentine’s Day Gift. Appendix 1 of your roses runs to 50 pages! Tell us briefly of some of the interesting ones, in particular the very evocative names you have, for example, Kindly Light, Meghamala/Wine-dark Sea, Twilight Secret. What goes into giving a name to a rose?

Apart from the roses we have named for friends, for other roses we like to give evocative names.

KINDLY LIGHT: we named this lovely white shading to soft pink rose after the hymn ‘Lead, Kindly Light’, a favourite of Mahatma Gandhi’s. We have the practice of giving two names to some of our roses, one better understood in India, if it is a Sanskrit word, and one for the West. This rose is named ‘Swami Vinayananda’ in India, for a monk of the Ramakrishna Mission order. He was great plantsman, his book on dahlias is a definitive work on all aspects of dahlia growing and he was very good rose grower.

MEGHAMALA/WINE-DARK SEA: One more example of two names for a rose. Meghamala translates as ‘garland of clouds’. The name for our rose was inspired by the purple garland-like pattern, reminiscent of clouds, on the petals of this rose, which otherwise are dark orange-red in colour. ‘Meghamala’ is from a line by Devulapalli Krishna Sastri, beloved modern poet of the Telugu language, to whom the rose is a tribute. ‘Wine-Dark Sea’ derives from Homer’s epithet, in both the Iliad and Odyssey, of the purple shadows of approaching night on the orange-red waters reflecting the rays of a setting sun on the Aegean Sea.

ALLEGORY OF SPRING: We named a very special light-pink rose with intriguing pointed petals after the famous Botticelli painting La Primavera, also called ‘Allegory of Spring’.

INCENSE INDIGO: An indigo purple rose with an enticing fragrance was the inspiration for this name.

TWILIGHT SECRET and TWILIGHT TRYST: Two purple-hued roses that remind one of the late evening, shadowy light, romantic secrets and trysts.

AHIMSA: We gave this name to a golden yellow rose borne on a plant without any thorns (prickles), thinking of the Mahatma’s philosophy of non-violence.

KUSABUE’S GUARDIAN ANGELS: Kusabue is the name of a rose garden in Sakura City, Japan, entirely looked after by volunteers, all very senior citizens. This is our tribute to them.

Click here to read the excerpt

Shantanu Ray Chaudhuri is a film buff, editor, publisher, film critic and writer. Books commissioned and edited by him have won the National Award for Best Book on Cinema twice and the inaugural MAMI (Mumbai Academy of Moving Images) Award for Best Writing on Cinema. In 2017, he was named Editor of the Year by the apex publishing body, Publishing Next. He has contributed to a number of magazines and websites like The Daily Eye, Cinemaazi, Film Companion, The Wire, Outlook, The Taj, and others. He is the author of two books: Whims – A Book of Poems(published by Writers Workshop) and Icons from Bollywood (published by Penguin/Puffin).

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Musings

Migrating to Myself from Kolkata to Singapore

Post author By borderlesssg1
Post date August 14, 2023
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By Asad Latif

Sir Stamford Raffles (1781-1826). Courtesy: Creative Commons

May I be so bold as to claim that I travelled in the footsteps of Sir Stamford Raffles? That agent of the East Indian Company’s visit to Calcutta (as it was known then, and for much later, till it resumed the phonetic spelling of its original name), led him to set up Singapore as an English trading settlement in 1819. “Footsteps” would be the wrong metaphor, of course. “Seasteps” would have been accurate, since Raffles travelled to Calcutta by sea and arrived water-borne to Singapura (as it was known then). In my case, however, I arrived in Singapore sky-borne, in an aircraft that conveyed me from what was then home to what would become home. Footsteps, seasteps or airsteps, I arrived in Singapore. The year was 1984. I was 27.

Today, at 65, I remember my passage from back home to this home as if it occurred yesterday. I had worked in Hong Kong briefly in 1984 and had been exposed to life in a successful British colony that was in the throes of its return to Chinese rule. Singapore was different. It had merged with the Malaysian Federation in 1963, had separated from it in 1965, and had gone on to carve out an extremely successful space for itself in the international sphere.

Prime Minister Lee Kuan Yew was a household word in Singapore. Not everyone loved him, but no one could deny his singular agency in having created a magnificent city-state that could sustain its independence in spite of its lack of natural resources. To arrive in Singapore was to embrace the possibilities of time.

Calcutta, too, was a historical city par excellence, but its rundown buildings and potholed streets, to say nothing of its potbellied children living on homeless streets, belied the promise of the future. To arrive in Singapore, it appeared, was to have exchanged failure for success.

That was an illusion, of course. All expatriates suffer from a global disease: They latch on to what they love in their countries of arrival by trying to erase what had loved them in their countries of departure. Take the potholed streets of Calcutta, for example. They had conveyed me to College Street on that glad day in 1974 when I joined the English Department of Presidency College. Without that first footfall in the corridors of the greats, I might never have come to Singapore, never got my Chevening Scholarship to Cambridge, my father’s university, and never won the Fulbright to Harvard. The potholes of Calcutta are not as numerous as the culturally blind allege them to be. Nevertheless, they led me on the way to be myself, wherever on earth I would ultimately be.

The way I see it, no matter how far or close wanderings might lead, one migrates ultimately to oneself. Hence, when I left my Calcutta for what would become my Singapore, I did no more than search for a version of my selfhood that would extend my material and imaginative boundaries. In the course of my journey, I discovered that the only borders lie within, borders between being and becoming. In the process of becoming by winnowing the unwanted aspects of being, one returns to a renewed if only autumnal sense of being. Time passes. One passes with it, letting go of the distant past as much as one does the receding immediate past. To live is to gather the passage of time within oneself, hoping that all borders will merge into a lasting apprehension of oneself in the expanding fullness of a single world.

Calcutta and Singapore are two sides of me. These two great imperial cities have outlived their provenance. Calcutta was once the capital city of colonial India: Today it remains the nation’s cultural capital but political power resides in Delhi (naturally) and there are at least two economic capitals, Mumbai and Chennai. This is why I, along with many of my hapless fellow-Bengalis, suffer from an incurable cultural fetish for the past. That was when the Almighty spoke Bengali – He appears to be switching increasingly to Hindi – and was busy creating top-class poets and formidable social reformers in Bengal. The divine supply of poets and composers has not ebbed but the demand-side having moved to Mumbai, many of the best composers have shifted there and to make a name for themselves. Never mind. Their names remain Bengali, and their fame spreads the vintage mystique of Calcutta like a lingering perfume in India and beyond. I feel happy for the Calcutta part of me.

Singapore, a great trading post, is a now a city-state. Statehood has allowed the nascent nationalism of the colonial era to flourish and grow into a genuine sense of political self. Sovereign Singapore was not expected to survive, but it has done so with a definitiveness that makes the prognoses of the 1960s laughable today. The national self-confidence of Singapore gives me confidence in my decision to take up Singapore citizenship in 1999. It had not been an easy decision, but I took it when I realised that I would be giving up my Indian citizenship but not my Indian-ness. My Singapore Identity Card records my race as Indian. I could keep the Calcutta part of me intact while adding to it a new Singaporean me.

So, yes, I am grateful that Raffles travelled to Calcutta to set up Singapore. Obviously, he did not do so with my fortunes in mind, but the umbilical connection that he created between the two great port cities has made it easier for me to migrate from India to Singapore. Ultimately, I have done nothing more than migrate to me.

Asad Latif is a Singapore-based journalist. He can be contacted at badiarghat@borderlesssg1

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Tags Asaad Latif, Bengali, Calcutta, Cambridge, Chinese, East India Company, Fulbright, Harvard, Hindi, Indian, Lee Kuan Yew, Malaysian Federation, Mumbai Chennai, Presidency College, Singapore, Singapura, Sir Stamford Raffles

Interview

In Conversation with Afsar Mohammad

Post author By borderlesssg1
Post date July 14, 2023
No Comments on In Conversation with Afsar Mohammad

In your final rest
on a rope-cot,
 
were you still dreaming
of a piece of bread?
 
Beloved one,
we the people
of this country,
 
of that country,
can make anything
 
but a piece of bread
for you. 

--Evening with a Sufi: Selected Poems by Afsar Mohammad, translated from the Telugu by Afsar Mohammad & Shamala Gallagher, Red River Books, 2022.

These lines send shivers down the spine and recreate an empathetic longing for immigrant souls in search of succour. They also swiftly draw an image laced with poignancy — a loss, a regret, the economics that deny innovative young men their keep and force immigration in search of sustenance. Would the poet have been one of them?

Travelling from a small village in the South Indian state of Telangana, Afsar Mohammad has journeyed across continents and now teaches South Asian Studies at the University of Pennsylvania. Known as a trendsetting poet and literary critic for post-1980s Telugu literature, Afsar has brought out five volumes of poetry, one collection of short stories and two volumes of literary theory essays. He is also a distinguished scholar of Indian studies and has published extensively with various international presses, including Oxford and Cambridge. He is currently working on a translation of Sufi poetry from Telugu to English. In this interview, we trace his growth as a writer and editor of the webzine, Saranga, which now seems to be transcending linguistic barriers to give voice to multiple cultures…

Tell us about your journey as a writer. When and how did it start?

It’s a long story, but to cut it short — the beginnings were somewhat puzzling… Inspired by Shakespearean sonnets, I first wrote some sonnets in English, and then switched to free verse. Since most of my friends in my high school started pushing me to write something in Telugu, I had to migrate to Telugu. Quite surprisingly, I was first published in English, and then it took me a while to get something published in Telugu. I had hard time getting published in Telugu due to its newness in expressions and most editors felt that there was nothing “Telugu” in that kind of writing. So, my early writings quite naturally found their home in some English journals!

Your poetry rings with the pain of distance, the pain and struggle from others’ suffering transcending your own self. What is the source of your inspiration — is it your past or your present? What affects you more — your being an immigrant or a Sufi?

We’re distanced by many things — not just physically! We live in many shattered and scattered worlds, and sometimes we fail to reflect on those worlds. I feel like I’m a constant immigrant — despite my formal citizenship and legal boundaries. Sufism is merely a segment of this expansive realm. Both past and present define our destiny, right?! Of course, I try to live in the present rather than in the past, but never deny the baggage of the past.

Why do you subscribe to the Sufi school of poetry? What is Sufism all about?

I come from an extremely local rural setting where such Sufi mystical practices openly defined my everyday life. It’s not about the technicalities and theories or institutionalised Sufi schools of their philosophies, this is more about what I learned from my childhood, and its physical surroundings dotted by several hybrid shrines. I’ve described this cultural setting in my 2013 Oxford University Press publication, The Festival of Pirs: Popular Islam and Shared Devotion in South India. This version of Sufism has more to do with everyday life rather than a spiritual domain.

You have lived away from your country for long, and yet the past seems to still haunt you. What is the identity you seek as a poet? Is it necessary to have a unique identity or can one be like a drop that flows and moulds as per the needs of the vessel?

In a way — physically– I’m away from my birth place, but in many ways, I’m also closer to my homeland than in my past. When I moved away from the actual picture, I see many dimensions from a new lens. Each dimension contributed to my rethinking and reconsidering the idea of India. As I wander around and meet totally different places and people, I learn more about my birthplace and moved a little closer to it. I totally understand this as a process to reconcile with the past and connect it to a new present intensified by many factors, not just personal. We’re living in a virtual world, which also looks like “real” in its sounds, colours and words. Every moment it makes me realise that I’m actually not that far. On the other hand, I also see the people in my homeland who are far more removed by their immediate reality and everyday experiences. We need to read this conditionality more in terms of perspective rather than physical distance.

You are fluent in Telugu, Urdu and English. You started writing in English and then moved to Telugu. And all your poetry collections have been in Telugu. Why? Would the outreach of English not have been wider? What made you pick Telugu over English?

Great question! My literary graph is neither linear nor simplistic. When I look back and reflect on it, it’s a quite messy roadmap — actually, there’s nothing like a map to get its contours. Yes, I started writing in English and then suddenly stopped sending out the poems to magazines. In fact, I write more in my personal journals rather than in print journals. Theoretically, I saw poetry as a personal diary for my experiences for many years. Due to financial concerns within my family, I had to start working very early on and left most of my journals at home. Then, my friends found them by chance and put them together that became my first collection of poems in Telugu. The collection was an instant success for its innovative style and then that opened up my career in Telugu rather than English which was my first language of literary expression.

You are now bringing out a bi-lingual online magazine, Saranga? What made you think of a magazine in two languages?

Before entering into teaching career, I worked as an editor of the literary supplement and Sunday magazine for a largest circulated Telugu newspaper. When we moved to the USA, I thought it would be better to have some outlet to engage with my home language and literature. In the early phase, Saranga was primarily a Telugu webmagazine. When I started teaching South Asian literature, then I realised the importance of making Indian literary texts available to contemporary generation in the USA. That was just one reason, but there’re were many factors as our team saw a rise in the Indian diaspora writings in the new millennium. Luckily, we got wonderful support from writers and poets in various Indian languages. The humble beginnings have actually ended up as a rewarding experience.

What is it you look for in contributors from two languages? Is it the same guidelines or different?

We’re still learning how this works! As it appears now, these two sections require two different approaches and guidelines. Since the English section has been now attracting writers from various languages, it’s moving more towards a multi-lingual base. We’re trying to accommodate more translations into English from different Indian languages. We still need to do lots of work there.

Is the journal only aimed at South Asian diaspora or would you be extending your services to all cultures and all geographies?

Saranga, as we see it right now, is more about South Asia and its diaspora. As you know, we need more such spaces for South Asia and its diaspora. Not sure about its future directions at this point, however, if the situation demands, we will extend its services further.

You have number of essays and academic books in English. But all your creative writing is in Telugu. Why? Would you be thinking of writing in English too because proficiency in the language is obviously not an issue?

Most of my academic writing came out of my teaching experience. As I started teaching new courses, I then realised that we need more material from South Asia. I started focusing on producing such materials primarily for my courses and then gradually, they became useful for many academicians elsewhere too. I still believe creating writing as a more personal space — that enables me to articulate more about myself. However, the publication of Evening with a Sufi, brought a new change — as I’ve been getting more requests for more writing in English for the last two years. As you know pretty well, I’m an extremely slow writer.

How do you perceive language as a tool for a poet?

I see language working many ways since I dwell in multiple languages. I started my elementary education in Urdu, and my middle school was in Telugu, and the subsequent studies were in English. Through the last day of her life, my mother was extremely particular about me learning Arabic and Farsi. So, I believe that helped me so much to understand how language works in a poem. When I published my first poem in Telugu, the immediate critique was it was a not a “Telugu” poem. Telugu literary critics labelled me as a poet who thinks either in Urdu or English, then writes in Telugu. Of course, most of them were also fascinated by the new syntax of my Telugu poems and the new images and metaphors—that totally deviate from a normative or mainstream Telugu poem of those days. The uses of language in a poem varies for each poet. If you’re reading, writing and thinking in just “one” language, that might be a safe condition. A contemporary or modern poet, however, belongs to many languages and cultures. We also migrate from one language to another in our everyday life.

Do borders of nationalism, mother tongue and geographies divide or connect in your opinion? Do these impact your writing?

The response to this question might be an extension to the above conditionality of a person. Anyway, I’m not a big fan of those ideas of nationalism, mother tongue and singular geographies. They don’t exist in my world. Most of my writings both creative and academic contest such boundaries and borders. To describe this in a single term- borderless. In fact, I believe we’re all borderless, but unfortunately, many boundaries and borders are now being imposed on our personalities.

(The online interview has been conducted by emails by Mitali Chakravarty)

Click here to access Afsar Mohammad’s poetry

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Stories

Mister Wilkens

By Paul Mirabile

“Indeed, so fierce was this sense of resistance to change, and so universal were the powers ascribed to it, that in reading the Orientalists one understands that the apocalypse to be feared was not the destruction of Western civilisation but rather the destruction of the barriers that kept East and West from each other.”

This unreferenced passage was found upon the mangled body of a certain Mister Wilkens after he had thrown himself from a speeding night express from Paris to Madrid. I, riding on that train, and possessing a peculiar nature for the bizarre, decided to investigate rhe reasons for such a gruesome suicide. Fortunately, upon arriving in Madrid, I ran into the Englishman who had shared the compartment in which Mister Wilkens had been travelling on that memorable night. I had seen him on the railway tracks whilst the train officials searched the surrounding embankments for the body of the poor man. Apparently, it had been Mister Wilkens’ travelling companion who had alerted the officials. He knew why Mister Wilkens had killed himself but seemed rather parsimonious with the details when questioned by the police or the press, feigning that he was about to fall asleep when the tragic event occurred, and was only awakened by a terrible laugh or scream. (Which we shall soon learn was a blatant lie!)

When I met him in Madrid by some extraordinary chance and bought him a drink at the famous beer saloon at the Plaza Santa Anna, made famous by its association with Ernest Hemingway who drank and got rowdy there, I offered the man money to divulge the reason for the suicide to me. He bluntly refused. I explained my idiosyncrasies towards the bizarre and he, smiling a wicked smile, promised to tell me only if I would not submit the story for publication or spread its contents orally to the press, friends or family until he authorised me to do so. As to my offer of payment, he suggested two hundred quid would do! I agreed all agog, albeit the amount of money seemed to be rather steep. In any case, I assured him that I had neither friends nor family, and that I had no great love for journalists. His story, thus, would be perfectly safe with me.

This was how I came to be the first to put into writing the nature of Mister Wilkens and the reasons for his suicide. Now if readers ask themselves how I’ve managed to publish the testimony without breaking my solemn oath, I would then have to elaborate on the unforeseeable and tragic end of my informer (whose name, by the way, I never learned). But that is yet another story. Permit me to recount this one first.

“We were the only two in the compartment.” My English informant began smugly in a slightly high nasal tone while the air smelt somewhat of that Cambridge midnight lamp oil. “I can genuinely recollect at the train station in Paris that his personality was of a sullen, meek sort, one of a man who had fallen hard, got up, but only to fall again. He wore a tragic, tormented face, and if I recall correctly, every two or three minutes suffered an unsightly twitch under his left eye that made the other eye seem exorbitant. Anyway, once we had left Paris far behind, he engaged in the most singular gambit as regards the way in which he sought to enlist my attention : ‘Have you ever travelled to the Orient ?’ The gambit put so bluntly shook me out of my dreamy thoughts. I noted that his left eye began to twitch as if it sought to put me out even before I ventured an answer.

“‘No I haven’t, although I’ve read many travel writers and adventurers’ tales of the Orient.’

“‘Oh really !’ he snorted in overt contempt. ‘For example ?’

“ ‘Well … there’s Marco Polo.’

“He guffawed : ‘He never left his dingy cell in Venice, the seedy bugger !’ I shrugged my shoulders.

“ ‘I have perused Sir Richard Burton[1].’

“He lifted an appraising eyebrow : ‘Yes, a remarkable polyglot and reader of the Oriental heart ; an ethnologist and anthropologist avant la lettre. He was, nevertheless, a man fraught with prejudices and terribly dogmatic. Alas, a man of his times. Yet, his writings do hold much insight, and so humorous at that. Did he not say that England was just a tiny island ? He secretly despised it for he breathed more spacious air in Asia, Africa and Continental Europe.’ He adjusted his badly knotted tie. ‘Go on …’

“ ‘I’ve read all of Alexandra David-Néel’s novels[2]?’ I pursued with an amused air of a child.

“ ‘Ah ! Now there’s an outstanding, pugnacious explorer ! She outstrips them all — except Burton of course — in intrepidity, intelligence, will-power and writing style. Her sarcasm and irony suit my humour, whilst her practice and research into Buddhism bear the seriousness of any so called specialist or expert.’ He smiled a self-congratulatory smile as if he had brought up the name himself. I must admit that I too was pleased at his overt approval; indeed, to have outsmarted the Brits and the Tibetans through cunning and acumen in order to reach Lhasa on foot safe and sound was a fantastic feat.

“My travelling companion lifted his chin for me to continue my enumeration : ‘Pierre Loti[3] ?’

“He snorted : ‘Please be serious, sir.’ And he yawned.

“‘André Malraux[4],’ I jested.

“He threw up his hands : ‘His novels are wonderful, but his Orient is as imaginary as his imaginary museums.’

“‘Pearl Buck[5] ?’ I countered with excessive decorum as if all this were just a parlour game.

“ ‘Hum … yes, she is the only Westerner who really knew China, more so than the American journalists Louis Strong and Edgar Snow. Read her Nobel Prize speech, it’s an incredible lesson in Chinese literature. Yes, Pearl Buck had a genuine love for the East. Her books plunge us into the remotest depths of twentieth century rural China. The Mother is a sparkling piece of penmanship …’

“ ‘I shall not name all the modern travel-writers to the East whom I have read on my train rides, many of whose narratives are quite dull and stereotyped.’ I rejoined, hoping to put an end to this ridiculous ‘parlour game’.

“ ‘So right you are, sir,’ he beamed. He sat back in his seat fidgeting with the buttons on his vest, some of which were missing. ‘I noted, too ….’

“Our compartment door slid open violently. The conductor practically jumped in demanding our tickets. My heart almost jumped with his jump ! Anyway, we dutifully showed them to him. When he had jumped out, so to speak, Mister Wilkens, although unperturbed by all this jumping about, seemed, none the less, beset by something, his eyes staring blankly at the table aside the window where he had placed a shoulder-bag, perhaps because he had lost the thread of our conversation. He looked up and blurted out: ‘You know sir, I spent over forty years living in the East : Turkey, Syria, Armenia, India, China, Laos, Mongolia, not as a conquering dolt, a cosmopolitan snob or a professional prig, but as a pilgrim in quest of my humane origins.’

“My travelling companion was in a state of unusual excitement. ‘Humane origins ?’ I repeated with a soupçon of irony.

“ ‘Yes, humane origins. I see that you fail to grasp the essence of that formula. Humane is another word for Humanism, my dear fellow. Humane defines our human heritage, the fount of our soul and spirit.’

“Just at that moment several French customs officials slid our door open and asked for our passports. When they were examined and returned, a few minutes later the Spanish police entered and inspected them in the same taciturn manner. As soon as these formalities had been completed we leaned back in our seats.

“I sat politely, absorbed in Mister Wilkens’ rather dark comments, exposed with such bursts of emotion. I swallowed every word he said, albeit the digestion caused me great discomfort. Be that as it may, sceptical at first, I grew somewhat more interested as he rambled on, amused at the man’s gyrating gesticulations, wondering, however, if he had gleaned his monologue from a book or from his own experiences as he so pompously pretended. This being said, I did feel a certain fraternal respect for him, although I will confess that he annoyed me with that composed self-sufficient poise. A poise I had stupidly preened in my old university days at Cambridge; you know, the eloquence of words, however boastful and bombastic, hollowing out dismal logic and stale equations. But I was dead sure that if I hadn’t been to Cambridge, this man would have never even addressed a single word to me. He sniffed out his ‘own kind’ ! But of this ‘kind’ I was particularly sceptical and mistrustful, especially of pedants like him. A sentiment of distrust one encounters in people who throw themselves upon you, spilling out their watered down philosophies or immature phantasies during long hours in trains. To be fair though, I did not detect this incorrigible comportment in Mister Wilkens’ hurried, but measured spurts. His words were solid, linked together like the shiny mail-coats of those fine mediaeval smithies.

“ ‘Are you then not content with your many years spent amongst the populations of Asia ?’ It was a mundane question but…

“ ‘Disorientation …’

“ ‘What ? Disorientation ?’

“ ‘Yes, disorientation, sir. Look at the word closely : ‘dis-‘ apart from and ‘orient’ … I am separated from the Orient … my Orient ; like dis-order, out of order, or dis-jointed, out of joint. Or how does disease appeal to you : out of or separated from ‘ease’, or disaster, out of the harmonious movements of the ‘astres‘ or stars ? The Eastern stars of course. Have I made myself understood ?’ He sneezed.

“I nodded without conviction. That pedantic tone, plus his semantic shenanigans unnerved me as well as that left eye of his which had been twitching with each jerky gesture of head and hands. He then began wringing those hands of his like some sort of maniac, gazing at the top berth above me, starry-eyed.

“ ‘Were you there on mission ?’ I ventured, hoping to regain his attention.

“ ‘Mission ? Yes, my mission ; not there, but here in Europe. I must relocate my orientation here in the West, if that is at all possible, given the fact that I am completely disorientated.’ He scratched that twitching eye peevishly. ‘So many languages and cultures studied and taught all gone up in smoke. A tragic fire has set aflame my life since returning to Europe; it has turned all my dreams to ashes. All my written and spoken words wrapped in the flame of a setting sun! And I can assure you sir, no phoenix will ever arise from them. Once disorientated, always disorientated as they say.’ He reached for his shoulder-bag, pulled out a soft-covered book, opening it at random with a look of disdain.

“I must admit that I found it painstaking to follow Mister Wilkens’ histrionic tirade with any seriousness. There he sat, lofty and smile-less, his head swaying listlessly from one side to the other like a puppet. His twitching eye had become intolerable to look at; I turned my head away and peered out of the window. Darkness had mantled the low-lying countryside in a softness that diverted my attention momentarily from those inflamed words. During this dream-like state, the darkness absorbing me within her lush, humid vortex, it seemed to me — though I am hardly a psychologist — that my travelling companion had experienced a traumatic relationship crisis with peoples of very alien values to his own European ones, a crisis that exhausted and put to trial his intellectual and emotional limits, exhausting him of any margin of repartee, driving him to self-accusation, even to self-maceration. His ‘Oriental’ experiences hardly broadened his vision of the world; on the contrary, they left him in an utter state of culpability. I felt that all his monologuing, if I may use that ugly word, was a confession pronounced before the hour of death. This may be an exaggeration, but I did sense that Mister Wilkens had been touched by some unknown madness, perhaps a loss of identification or an explosion of a multitude of identifications with which he could not cope … nor wished to cope! He made weird grimaces, sighed, fidgeted about in his seat, ignoring me completely until the train pulled into a station. Three minutes later we pulled out. Mister Wilkens had not once raised his eyes from that book, which I am sure he was not reading at all.

“If I remember correctly it was a very cold night, the sky, a crisp, obsidian black, the stars, frozen, and the moon, full and bright. I dare say our compartment was so cold that we were forced to bundle up in our overcoats. Mister Wilkens looked up at me several times from his pretended book-reading, though he displayed no desire for conversation. I broke in on him once, rather bombastically, lauding the French railway system. He nodded apathetically, then plunged his pug nose back into those pages. A few moments later the conductor poked his head in to apologise about the heating that, he promised, should be coming on shortly. I sighed in relief for I was freezing.

“Mister Wilkens cast me a cursory glance: ‘Have you studied things seriously, sir ? I mean the things in life, yourself, for example ?’

“I found the question impertinent, but answered, none the less: ‘Yes I have as a matter of fact … including myself,’ I retorted, holding my head haughtily high. ‘I too have travelled widely.’ He snorted. I remember at that point I had taken off my overcoat, for the heating was slowly coming back on. Mister Wilkens, however, kept his on in spite of the beads of sweat rising to the surface of his high, furrowed forehead. He offered no repartee, thumbing nervously through that book of his.

“I thought to retaliate, judging him an unmannerly upstart: ‘So you consider yourself an Orientalist ?’

“He looked up from his ‘perusing’ and stared at me as if I had insulted him with the grossest of four-lettered words. ‘That is an ugly word,’ he sneered. ‘All your years at Cambridge have taught you nothing. Anyway, to answer your question: no, I am not an Orientalist. Alas, as I have just finished explaining, everything has gone up into smoke: to have learned all those languages for nothing… to have undertaken all those voyages for nothing; to have taught and written for nothing ! Do you understand, sir … For nothing …’

“ ‘But …’

“ ‘But what ? Please, don’t pretend to console or pamper me, I abhor puerile commiseration. For nothing, sir. Do you realise that besides this train from Paris to Madrid back and forth, back and forth …’ A woman threw open our compartment door to step in, but when she saw Mister Wilkens’ twisted face and his twitching eye, she gasped and slammed it shut. He scoffed, fell mute and turned to the window.

“Large snowflakes fell. They formed little rims of melting sleet on the window. The wind whipped them about, giving an impression of so many odd geometric configurations. During that uneasy interlude I searched frantically for something to say. I couldn’t bear that slice of silence arching over us, that biting irony of contempt.

“Before I was able to say what I had finally conjured up to say, he burst brusquely into my crowded thoughts: ‘I must tell you a little story about Sandy, a mate of ours at Cambridge with whom we would go out on Saturday nights to “drink up the town” as the Americans say! There we were, a bit tipsy, carousing with the crowd, having a jolly good time, and Sandy, making a perfect bore of himself. So, to enliven the ambience I mustered everyone’s attention to inform them that I had stuck up for Sandy a week ago. Hearing his name suddenly mentioned, he raised his fat face out of the beer mug and looked blankly at me. I turned to Sandy and said : ”Sandy, how ungrateful you are, just think, I stuck up for you the other day, someone said that Sandy wasn’t fit to live with the pigs and I said that he certainly was !” All of us roared with laughter whilst poor Sandy buried his pasty face in the froth of his beer. In fact the whole pub was howling with laughter. It was truly a smashing night out.’

“Mister Wilkens was choking with laughter. He appeared so pathetic to me. He wore such a cretinous smirk on his twitching face. That revolting anecdote of his was cheap and full of childish contempt. Was he doing this purposely to disgust me, to urge me to get up and leave the compartment? He calmed down and eyed me with a sort of conspiratorial smile: ‘Have you ever thought of taking the Leap, sir ?’ He pushed his tortured face forward waiting for an answer. His hysterical tone had shaken me up a bit. I wished only now to be left alone.

“ ‘The leap ?’ I asked, examining him rather warily. It was an odd word which he emphasised with an accompanying gesture of his hand raised high overhead. He noted the tint of circumspection in my voice. He sneered and threw open our compartment window. Stretching his hand out, he caught the flakes of snow that shone in the half-lit wintry night. I made no move. Cold air rushed into the warmth of the compartment. I nodded towards the window. He feigned to ignore me and his sneer erupted into a series of ugly snickers. I snuggled up in a corner and for an instant thought it best to leave him to his madness. It was becoming frightfully cold, and furthermore, his attitude frightened me, his gestures were nervous, erratic. His face, morose, spiteful. He kept tapping his feet and hands, playing nervously with the frayed ends of the cuffs of his shirt. Was it because of the cold or some inner anxiety? I sensed that he was displeased with the tone of my voice and most probably even disgusted with my company, and was undoubtedly endeavouring to communicate it to me. I sprang to my feet to take leave of him. He grasped my shoulder. His fingers were wiry, hard as steel.

“ ‘Yes, the leap, my good fellow. Leaps are like twilights and rainbows, terribly brief. Do you understand who all those peanuts in a jar are ? No, you have understood absolutely nothing of what I have been saying.’ I stood gaping at him, frozen in terror. He released his grip and in one violent movement pushed me aside against the compartment door. ‘You may plead in my favour that I’ve had my day in the sun; I shan’t disapprove of that banality. But tell me, sir, you, so well cultivated, was it all then just fairy dust ? A forty-year timeless fairy tale existence before … before the plunge into this nightmare, waking up into a dank, grim prison of biological and material utility ? Are we all forbidden to accomplish our dreams ? Must we live out our lives in a stifling cocoon of time- and energy-consuming survival of the fittest ? Well sir, yes, I’ve had my day in the bold, rising sun, but it has since sunk …’ Mister Wilkens threw back his head in the most theatrical fashion, grabbed his book, leapt up on to the table aside the window then rolled out of it without uttering the slightest sound. Confounded, I made no effort to stop him. At length, coming to myself, I ran for the conductor. The rest of the story you know.”

When he had finished his account and his fifth beer (which I had been paying for) I again promised him that I would neither write nor mention this unusual event to anyone. I enquired, however, about the book he had been reading or pretended to be reading in the train. My informer said that he had tumbled out of the window with it cradled in his arms, but no one, apparently, made any effort to find it. I paid him, and without another word, he stood and left the beer-hall.

At this point the reader is undoubtedly eager to know why I have broken my vow and have divulged the tragic end of Mister Wilkens. Well, let me record without going into details that a similar tragedy befell my English informer some months ago on the December 9, 1976, on a night train between Paris and Madrid, so reported El Pais[6]. A large photo of him reminded me that I had never asked him his name, and it was only by the photo that I knew it was my informer. Perhaps he, like Mister Wilkens, had also made the leap, although I doubt whether he dabbled in the field of Orientalism. This being said, I hope these suicides are not contagious, and that because of poor Mister Wilken’s embryonic virus, I too have been contaminated by his travelling companion! To look at it from another point of view, however, I have often wondered about that book; that is, Mister Wilkens’ book which he had held in his arms when he leapt out of the speeding train. My guess is that it may be the key in understanding the reason for killing himself, that and the citation found on him, which I have put into quotation as an epigraph to my narrative, and unfortunately –I must confess– whose author I have never been able to discover. I’m sure the key to the mystery lies in that name of the book.

[1] (1821-1890) British military officer, explorer, erudite, writer and polyglot.

[2] (1868-1969) French explorer, intellectual and writer.

[3] (1850-1923) French military officer, traveller and writer.

[4] (1901-1976) French writer, traveller and Minister of Culture under President General De Gaulle.

[5] (1892-1973) American writer, winner of the Nobe Prize for Literature in 1938, born in China.

[6] The national newspaper of Spain (The Nation)

Paul Mirabile is a retired professor of philology now living in France. He has published mostly academic works centred on philology, history, pedagogy and religion. He has also published stories of his travels throughout Asia, where he spent thirty years.

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Tags Armenia, Cambridge, China, French, general De Gaulle, India, Laos, Marco Polo, Mongolia, Paul Mirabile, Pearl Buck, Sir Richard Burton, Spain, Syria, Turkey

Excerpt

Evening with a Sufi: Selected Poems

Post author By borderlesssg1
Post date November 14, 2022
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Title: Evening with a Sufi: Selected Poems

Author: Afsar Mohammad

Translator: Afsar Mohammad & Shamala Gallagher

Publisher: Red River

Across from the Char Minar

You see how one butterfly
left us a trace of its colour,
before killing itself
on this busy street.

Here one thousand people,
one then the other
crossed and walked on
without even looking. 

Any afternoon, when the sun
smiles like a white flower
on the head of the Char Minar,
just walk straight into his look.

It’s not so hard
to pour one look into
an ever-burning oven,
a house of molten sights.

Here where the butterfly forgot
its colour and flew off into the dark,
stay and stare straight into life.     
Tell me how it looks.

The thousand people who walked,
limped, and ran by this road
told me at least a thousand lies
but in innocent tongues. 

Another Word

At the end of crying out, 
my word is a dwarf. 

How long can I live on a dwarf? 

The tear that sang before my beginning
never leaves me a gasp of shore. 

I can’t become your sea or sky. 

I am just a tearlet
beneath your eye. 

The drop 
that can swallow a desert.  


In the Middle of the Poem

The line gasps, interrupted. 
Quick gulp of silence. 
Someone pants at the rear. 

The road flies back. 
A scene flits past,
along with the footsteps. 
Silence has so many faces. 

Someone walks on either side,
hazy, indistinct. 
Someone sighs behind the shoulder. 
The poem stops. 

A Rain Lost in Hyderabad
1

Since there is nothing like evening here,
I just dream an evening
in every bit of my sleep.

When the trees erase their shades,
when the sky dries out its final sunshine,
a cold wave scoops me.

I rush to my nest and hide in its wings
before the dark night takes me.

2

Never know if this was raining since morning
or just began this noon.
The lives that unfurl in the noons
don’t know morning breezes.

Getting up past noon,
I realise the alarm was tired
of alarming me and sighed itself off.

I am best at reading time
in reverse.

3

I am the crooked one

who is born when all the rains and winters
lose their hope of moving.

4

Hyderabad is my altered self —

a dreamless sleep,
a sleepless dream,

awaking slipped under a nap.

(Excerpted from Evening with a Sufi: Selected Poems by Afsar Mohammad, translated from the Telugu by Afsar Mohammad & Shamala Gallagher. Published by Red River, 2022)

About the book

Evening with a Sufi: Selected Poems volume brings together, for the first time in English translation (translated by the poet in collaboration with Shamala Gallagher) the selected, and often groundbreaking poetry of the celebrated Telugu poet Afsar Mohammad, known for his trendsetting poetry and literary criticism in the post-1980s Telugu literary culture. Beside an erudite translator’s note from Gallagher, Evening with a Sufi also contains two in-depth essays on Afsar Mohammad’s poetry by David Shulman and Cheran Rudhramoorthy, plus an interview with the poet by poet and translator Rohith.

About the Author

Born in a small village in the South Indian state of Telangana, Afsar Mohammad now teaches South Asian Studies at the University of Pennsylvania. Known as a trendsetting poet and literary critic in the post-1980s Telugu literary culture, Afsar has published five volumes of poetry, one collection of short stories and two volumes of literary theory essays. Afsar is also a distinguished scholar of Indian studies and has published extensively with various international presses, including Oxford and Cambridge. He is now working on a translation of Sufi poetry from Telugu to English. He can be reached at afsartelugu@gmail.com

About the translator

Shamala Gallagher is a mixed-race Indian American writer, community college teacher, and mother to a preschooler. She is the author of a poetry collection, Late Morning When the World Burns (The Cultural Society, 2019), and her writing has been published in several literary journals, including Poetry, Gulf Coast, Black Warrior Review, and the Missouri Review. She lives in a hundred-year-old house in Athens, Georgia, USA with her family and cats.

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Tags Afsar Mohammad, Athens, Cambridge, Cheran Rudhramoorthy, David Shulman, Evening with a Sufi: Selected Poems, Georgia, Oxford, Red River, Shamala Gallagher, Telengana, University of Pennsylvania

Review

John Lang: Wanderer of Hindoostan

Post author By borderlesssg1
Post date January 14, 2022
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Book Review by Bhaskar Parichha

Title: John Lang; Wanderer of Hindoostan; Slanderer in Hindoostanee; Lawyer for the Ranee

Author: Amit Ranjan

Publisher: Niyogi Books

Retracing colonial history is always fascinating. And, if the characters are out of the ordinary, that re-examination is even more interesting. This book revisits the life of John Lang, an Australian writer-lawyer settled in India in the 19th century.

John Lang: Wanderer of Hindoostan, Slanderer of Hindoostanee, Lawyer for the Ranee by Amit Ranjan is about Lang’s life, his accomplishments and his literary works. Lang (1816-1864) was a fiery journalist and novelist who constantly annoyed the establishment of the East India Company with his vituperative and pathogenic humor. He had lived in India since the age of 26.

A visiting fellow at University of South Wales, Sydney, a Fulbright Scholar-in-Residence at Miami and who teaches English at NCERT , New Delhi Ranjan’s earlier books include poetry collections Find Me Leonard Cohen, I’m Almost Thirty.

A lawyer, John Lang picked up Persian and Urdu quickly to argue cases in lower courts. He mostly fought against the British and won a few well-known cases in the company’s own court. Also, Lang represented Rani Laxmibai in her legal battle against the annexation of her kingdom of Jhansi by the East India Company.

In about five hundred pages, Ranjan looks at the personality of Lang rather vividly. Also Australia’s first native-born novelist, John Lang had a remarkable life. Coming from a family of ten children (including half- and step-siblings), he went to Cambridge to qualify as a barrister. When he represented the Rani of Jhansi against the East India Company, he documented his impression of the queen.

Amusingly, this became the basis of some scenes in an Indian television serial depicting a fictitious intimate relationship between them. Lang flamboyantly fought yet another case of Lala Jotee Persaud for his due as a provisioner in the British army. Persaud won 2 lakh rupees, which was, in 1851, a princely amount.

It is not because Lang was the first Australian writer or was among the first writers of English prose on India, or because of the historical place where Lang lived in the politically volatile 19th century that propelled Ranjan to write the book. The motive behind the book is clear: Lang was a fine writer.

In his short life of 48 years, Lang produced 23 novels, one travelogue, some plays and five volumes of poetry. His novels were mostly in the romance genre and were set in India. His themes were typically bold and very much so somewhat rebellious. After his death in 1864, he remained a well-known writer and his books continued to sell for another 40 years. Lang’s novels were found to be too feminist for Victorian comfort, and his white male protagonists were often described by the narrator as ‘India he loved, England he despised’.

Lang also pursued a career as a journalist, producing The Mofussilite from Meerut — editions of which came out from Ambala, Calcutta. Apparently, as it carried anti-government reports, its file copies were destroyed.

“Lang can indeed be viewed as the father of Indian tabloid journalism. The tabloid, of course, had its equivalent of what is now known as ‘Page 3’, but it was very different–in that it was very literary, with an overdose of Lang’s Latin, Boccaccios and Byrons,” Ranjan writes in the book.

As if all this wasn’t enough, the Indophile spoke at least five languages and produced works as a translator. There were numerous fictional works presumed to have been written or co-authored or significantly inspired by Lang.

Lang’s versatile talents and established scholarship were surpassed by the colourful life that he led. His escapades and misadventures — landed him in a Calcutta jail for libel and in Vienna on suspicions of being a spy. He won the bets. His divorce and love affair even led to an illegitimate child.

Lang had a rationalist’s curiosity about phrenology — a pseudoscience that correlated measurements of different parts of the skull with race and mental ability that was fashionable among Europeans in his times. All these are explored and commented upon.

The book also captures some interesting episodes in Lang’s life like this one: There was a party in progress at John Lang’s house in Mussoorie as he died. Lang had frowned upon the idea of truncating it merely on account of his illness. Bronchitis was the immediate cause of this unforgettable personality’s demise.

Writes Prof. Saugata Bhaduri in the foreword: “Far from being just another piece of sound academic literary-historical work and a well-researched biography of a lesser-known author who needs to be repatriated to the canon, this book is an exuberant exercise in passion – a passion that set one off on a late-night foray into the unknown just to look up some obscure tomb, or to pick up some obscure discursive thread. Amit’s is an exercise that demonstrates how variegated, yet connected, our little histories are.”

Part history and part literary pleasure, this book is captivating. It will be a delight for history and language buffs as also aficionados of wordplay. Ranjan’s book is well researched, with plenty of reference and end-notes. Witty and interweaving, the narrative makes for an interesting read.

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Tags Amit Ranjan, Bhaskar Parichha, Boccaccio, Byron, Calcutta, Cambridge, East India Company, John Lang; Wanderer of Hindoostan; Slanderer in Hindoostanee; Lawyer for the Ranee, Mussoorie, NCERT, Niyogi Books, Persian, Rani of Jhansi, Slanderer in Hindoostanee, Urdu, Vienna