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Contents

Borderless, November 2025

Art by Sohana Manzoor

Editorial

Spring in Winter?… Click here to read.

Translations

Nazrul’s Musafir, Mochh re Aankhi Jol (O wayfarer, wipe your tears) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Five short poems by Munir Momin have been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Rohini K.Mukherjee have been translated from Odia by Snehprava Das. Click here to read.

S.Ramakrishnan’s story, Steps of Conscience, has been translated from Tamil by B.Chandramouli. Click here to read.

Tagore’s poem, Sheeth or Winter, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, Usha Kishore, Joseph C. Ogbonna, Debadrita Paul, John Valentine, Saranyan BV, Ron Pickett, Shivani Shrivastav, George Freek, Snehaprava Das, William Doreski, Mohit Saini, Rex Tan, John Grey, Raiyan Rashky, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Nomads of the Bone, Rhys Hughes shares an epic poem. Click here to read.

Musings/Slices from Life

When Nectar Turns Poisonous!

Farouk Gulsara looks at social norms around festive eating. Click here to read.

On a Dark Autumnal Evening

Ahmad Rayees muses on Kashmir and its inhabitants. Click here to read.

The Final Voyage

Meredith Stephens writes of her experience of a disaster while docking their boat along the Australian coastline. Click here to read.

Embracing the Earth and Sky…

Prithvijeet Sinha takes us to the tomb of Saadat Ali Khan in Lucknow. Click here to read.

Musings of a Copywriter

In A Fruit Seller in My Life, Devraj Singh Kalsi explores the marketing skills of his fruit seller a pinch of humour. Click here to read.

Notes from Japan

In Return to Naoshima, Suzanne Kamata takes us to an island museum. Click here to read.

Essays

The Trouble with Cioran

Satyarth Pandita introduces us to Emil Cioran, a twentieth century philosopher. Click here to read.

Once a Student — Once a Teacher

Odbayar Dorj writes of celebrating the start of the new school year in Mongolia and of their festivals around teaching and learning. Click here to read.

Bhaskar’s Corner

In ‘Language… is a mirror of our moral imagination’, Bhaskar Parichha pays a tribute to Prof. Sarbeswar Das. Click here to read.

Stories

Visions

Fabiana Elisa Martínez takes us to Argentina. Click here to read.

My Grandmother’s Guests

Priyanjana Pramanik shares a humorous sketch of a nonagenarian. Click here to read.

After the Gherkin

Deborah Blenkhorn relates a tongue-in-cheek story about a supposed crime. Click here to read.

Pause for the Soul

Sreenath Nagireddy writes of migrant displacement and adjustment. Click here to read.

The Real Enemy 

Naramsetti  Umamaheswararao gives a story set in a village in Andhra Pradesh. Click here to read.

Feature

A conversation with Amina Rahman, owner of Bookworm Bookshop, Dhaka, about her journey from the corporate world to the making of her bookstore with a focus on community building. Click here to read.

Book Excerpts

An excerpt from from Love and Crime in the Time of Plague: A Bombay Mystery by Anuradha Kumar. Click here to read.

An excerpt from Wayne F Burke’s Theodore Dreiser – The Giant. Click here to read.

Book Reviews

Somdatta Mandal reviews M.A.Aldrich’s Old Lhasa: A Biography. Click here to read.

Satya Narayan Misra reviews Amal Allana’s Ebrahim Alkazi: Holding Time Captive. Click here to read.

Anita Balakrishnan reviews Silver Years: Senior Contemporary Indian Women’s Poetry edited by Sanjukta Dasgupta, Malashri Lal and Anita Nahal. Click here to read.

Bhaskar Parichha reviews Diya Gupta’s India in the Second World War: An Emotional History. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Spring in Winter?

Painting by Claude Monet (1840-1926)
If Winter comes, can Spring be far behind?

'Ode to the West Wind', Percy Bysshe Shelley (1792 -1822)

The idea of spring heralds hope even when it’s deep winter. The colours of spring bring variety along with an assurance of contentment and peace. While wars and climate disasters rage around the world, peace can be found in places like the cloistered walls of Sistine Chapel where conflicts exist only in art. Sometimes, we get a glimpse of peace within ourselves as we gaze at the snowy splendour of Himalayas and sometimes, in smaller things… like a vernal flower or the smile of a young child. Inner peace can at times lead to great art forms as can conflicts where people react with the power of words or visual art. But perhaps, what is most important is the moment of quietness that helps us get in touch with that inner voice giving out words that can change lives. Can written words inspire change?

Our featured bookstore’s owner from Bangladesh, Amina Rahman, thinks it can. Rahman of Bookworm, has a unique perspective for she claims, “A lot of people mistake success with earning huge profits… I get fulfilment out of other things –- community health and happiness and… just interaction.” She provides books from across the world and more while trying to create an oasis of quietude in the busy city of Dhaka. It was wonderful listening to her views — they sounded almost utopian… and perhaps, therefore, so much more in synch with the ideas we host in these pages.

Our content this month are like the colours of the rainbow — varied and from many countries. They ring out in different colours and tones, capturing the multiplicity of human existence. The translations start with Professor Fakrul Alam’s transcreation of Nazrul’s Bengali lyrics in quest of the intangible. Isa Kamari translates four of his own Malay poems on spiritual quest, while from Balochi, Fazal Baloch bring us Munir Momin’s esoteric verses in English. Snehprava Das’s translation of Rohini K.Mukherjee poetry from Odia and S.Ramakrishnan’s story translated from Tamil by B.Chandramouli also have the same transcendental notes. Tagore’s playful poem on winter (Sheeth) mingles a bit for spring, the season welcomed by all creatures great and small.

John Valentine brings us poetry that transcends to the realms of Buddha, while Ryan Quinn Flanagan, Ron Pickett and Saranyan BV use avians in varied ways… each associating the birds with their own lores. George Freek gives us poignant poetry using autumn while Luis Cuauhtémoc Berriozábal expresses different yearnings that beset him in the season. Snehaprava Das and Usha Kishore write to express a sense of identity, though the latter clearly identifies herself as a migrant. Young Debadrita Paul writes poignant lines embracing the darkness of human existence. Joseph C. Ogbonna and Raiyan Rashky write cheeky lines, they say, on love. Mohit Saini interestingly protests patriarchal expectations that rituals of life impose on men. We have more variety in poetry from William Doreski, Rex Tan, Shivani Shrivastav and John Grey. Rhys Hughes in his column shares with us what he calls “A Poem Of Unsuccessful Excess” which includes, Ogden Nash, okras, Atilla the Hun, Ulysees, turmeric and many more spices and names knitting them into a unique ‘Hughesque’ narrative.

Our fiction travels from Argentina with Fabiana Elisa Martínez to light pieces by Deborah Blenkhorn and Priyanjana Pramanik, who shares a fun sketch of a nonagenarian grandma. Sreenath Nagireddy addresses migrant lores while Naramsetti Umamaheswararao gives a story set in a village in Andhra Pradesh.

We have non-fiction from around the world. Farouk Gulsara brings us an unusual perspective on festive eating while Odbayar Dorj celebrates festivals of learning in Mongolia. Satyarth Pandita introduces us to Emil Cioran, a twentieth century philosopher and Bhaskar Parichha pays a tribute to Professor Sarbeswar Das.  Meredith Stephens talks of her first-hand experience of a boat wreck and Prithvijeet Sinha takes us to the tomb of Sadaat Ali Khan. Ahmad Rayees muses on the deaths and darkness in Kashmir that haunt him. Devraj Singh Kalsi brings in a sense of lightness with a soupçon of humour and dreams of being a fruit seller. Suzanne Kamata revisits a museum in Naoshima in Japan.

Our book excerpts are from Anuradha Kumar’s sequel to The Kidnapping of Mark Twain, Love and Crime in the Time of Plague: A Bombay Mystery and Wayne F Burke’s Theodore Dreiser – The Giant, a literary non-fiction. Our reviews homes Somdatta Mandal discussion on M.A.Aldrich’s Old Lhasa: A Biography while Satya Narayan Misra writes an in-depth piece on Amal Allana’s Ebrahim Alkazi: Holding Time Captive. Anita Balakrishnan weaves poetry into this section with her analysis of Silver Years: Senior Contemporary Indian Women’s Poetry edited by Sanjukta Dasgupta, Malashri Lal and Anita Nahal. And Parichha reviews Diya Gupta’s India in the Second World War: An Emotional History, a book that looks at the history of the life of common people during a war where soldiers were all paid to satiate political needs of powerbrokers — as is the case in any war. People who create the need for a war rarely fight in them while common people like us always hope for peace.

We have good news to share — Borderless Journal has had the privilege of being listed on Duotrope – which means more readers and writers for us. We are hugely grateful to all our readers and contributors without who we would not have a journal. Thanks to our wonderful team, especially Sohana Manzoor for her fabulous artwork.

Hope you have a wonderful month as we move towards the end of this year.

Looking forward to a new year and spring!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE NOVMBER 2025 ISSUE.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

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Review

To Lhasa, with Love

Book Review by Somdatta Mandal

Title: Old Lhasa: A Biography

Author: M.A. Aldrich

Publisher: Speaking Tiger Book

“Contrary to common perceptions, Lhasa is not forbidden to outsiders” – M.A.Aldrich

Old Lhasa: A Biography, (a revised edition published in 2025 for the South Asian market of a book originally published in 2023), is a voluminous 615-page book that combines historical research, travel writing, religion, and culture to offer a comprehensive account of Lhasa, the capital city of Tibet. The author, M. A. Aldrich, is a lawyer who has lived and worked in Asia since the 1990s and had earlier published books on cities like Peking and Ulaanbaatar. Written on the basis of his multiple trips to Lhasa and its surroundings (the last one as late as September 2024), he is happy to discover that Old Lhasa has stood the test of time and still accurately captures the sight, sounds, and feelings of the city and foreigners can wander about freely without a minder so long as their papers are in order. As this book slowly emerged, it grew into both a portrait of the history and culture of that city as well as a serviceable guidebook for readers who are able to go to Tibet when political and regulatory circumstances permit.

Aldrich paints an intricate portrait of Lhasa, a storied city and its history, by giving us the evolution of how the Tibetan script came to be, with inspiration from ancient India and at the same time livens up the narrative with humorous anecdotes, interesting legends and charming fables that makes this book blend many genres into one. Divided into 49 chapters and enriched with several maps and black and white photographs, the chronological narration rightfully begins with the first chapter titled ‘Prelude to Lhasa’ where we are told that with Lhasa as the geographical focal point of their faith, Tibetans believe the dharma[1] has always been connected to their country. He begins the journey in the seventh century during the final moments of the life of Buddha, mentions specific Buddhist virtues such as compassion, wisdom, and benevolent power, among other essential qualities for the path to awakening. For Tibetan followers of the dharma, the history of Tibet is the history of the Bodhisattva of Compassion, which is simultaneously woven into the story of Lhasa.

In the 1920s, when Tibet enjoyed its greatest freedom from outside interference in the modern era, Lhasa had a population of only around twenty-five thousand. It was divided into two districts: one that is now the Old Town, with its seventh-century Jokhang Temple (or, more simply, the “Jokhang,” meaning the “House of the Lord”) at its centre; and the other being Shol Village, which is at the foot of Marpo Ri (Red Mountain). These administrative districts were divided by a north-south boundary that ran through the Turquoise Bridge, another structure dating to the seventh century. The Old Town was not much larger than two- or three-square kilometers, while Shol was even tinier. The residents of Lhasa at that time took immense pride in the religious heritage of their city. Nearly every luminary in Tibetan history had come to Lhasa because of the importance of the Jokhang as the focal point from which Tibetan civilization evolved and expanded. No other city could rival it.

Lhasa grew organically outward in concentric circles. Around 1160, a monk built the Nangkhor, a pilgrim’s circuit (korlam) directly adjacent to the inner sanctum of the Jokhang, so that devotees could practice the religious ritual of circumambulation. It is from this kernel that the boundaries of Old Lhasa came into existence. By the 14th century, Lhasa was enclosed within the Barkhor, a kilometre-long korlam circling the temple and a monastery among other buildings. By the 1650s, Lhasa’s outer limits had been expanded to the Lingkhor, a ten-kilometre pilgrimage route. And so, the boundaries of the city remained until recently.

Lhasa’s significance also drew heavily upon the nearby presence of government buildings and monastic sects of learning. The Potala Palace, with its superb representation of Tibetan architecture, is a massive and dazzlingly beautiful fortress-like monastery that had been the residence of the Dalai Lama and the seat of the Tibetan government since 1648. Three monasteries outside the city were centres of the so-called Yellow Hat or Gelukpa School of Tibetan Buddhism, preserving a venerable tradition of scholasticism and monastic training that had been imported to Tibet from the universities at Nalanda, Odantapuri and Vikramshila in Northern India. Daily life in early 20th century Lhasa was mostly grounded in religion for both the laity as well as the clergy. The Lhasa calendar year revolved around a sequence of religious festivals that tracked the flow of one month into another in a never-ending cycle of faith and devotion. Though religion permeated society, Lhasa was not an “other-worldly” place. In 1951, when the People’s Liberation Army marched into Lhasa behind portraits of Chairman Mao Zedong, Zhou Enlai, and Liu Shaoqi, the days of the city with its self-administered culture were numbered. During the 1959 Tibetan Uprising, the Chinese Communist Party reacted to the civil unrest as if Tibet should be taught a lesson. The Party continues to do so despite brief intermittent periods of slightly relaxed policies. Though Chinese modernity has been imported wholesale into Lhasa, the author opines that Old Lhasa is still there in its people who maintain their centuries-old faith and customs. One just needs to know where and how to look.

In the Prologue, Aldrich had confessed that this is not a “serious book” about Lhasa as the term is understood within the narrow confines of modern academia, since its objective is only to share what he had learned about Lhasa with simpaticos. His audience is the general reader or armchair traveller with a basic understanding of the tenets of Buddhism and the broad outlines of Asian history. He does not go into great depth on religious theory, and he hopes his views might also be of interest to Tibetans who have come of age in the diaspora and are curious about what a non-Tibetan thinks of this fabled city. He attempts to avoid the excessive solemnity and despair that attends much writing about Tibet. It is not that he is ignorant of ongoing atrocities and the appallingly cruel policies of the Party, but he has no doubt Tibet will have a renaissance. He opines Tibetans will overcome the current dark cycle just as they have overcome other bleak phases in their history.

In conclusion, it can be said that even after reading it thoroughly and enjoying it, this book as the author rightly states, “will nudge readers to learn more about Tibet and Tibetan culture.” Also, as Dr. Lobsong Sangay, former head of the Tibetan Government in Exile, rightfully mentions in the ‘Foreword’

, “Though the story of Tibet is an ongoing tale of tragedy, it also is a tale of the human spirit and the resilience of the Tibetan people. …this book is a window for seeking genuine access that will help you make meaningful discoveries of your own, whether you are physically travelling through the streets of Lhasa or traveling through the pages of this book far away from Lhasa.”

[1] faith

Somdatta Mandal, critic and translator, is a former Professor of English at Visva-Bharati, Santiniketan, India.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International