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Contents

Borderless, December 2023

Art by Sohana Manzoor

Editorial

Celebrating the Child & Childhood… Click here to read.

Special Tributes

An excerpt from Rabindranath Tagore’sThe Child‘, a poem originally written in English by the poet. Click here to read.

Vignettes from an Extraordinary Life: A Historical Dramatisation by Aruna Chakravarti… Click here to read.

Conversations

A conversation with the author, Afsar Mohammed, and a brief introduction to his latest book, Remaking History: 1948 Police Action and the Muslims of Hyderabad. Click here to read.

A conversation with Meenakshi Malhotra over The Gendered Body: Negotiation, Resistance, Struggle, edited by Meenakshi Malhotra, Krishna Menon and Rachana Johri and a brief introduction to the book. Click here to read.

Translations

The Monk Who Played the Guitar, a story by S Ramakrishnan, has been translated from Tamil by T Santhanam. Click here to read.

The White-Coloured Book, a poem by Quazi Johirul Islam has translated from Bengali by Professor Fakrul Alam. Click here to read.

Indecisiveness has been written and translated from Korean by Ihlwha Choi. Click here to read.

Tagore’s 1400 Saal (The Year 1993) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Nazrul’s rejoinder to Tagore’s 1400 Saal has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Poetry

Click on the names to read the poems

Ron Pickett, Prithvijeet Sinha, George Freek, Sutputra Radheye, Caroline Am Bergris, Thoyyib Mohammad, Kumar Bhatt, Patricia Walsh, Hamza Azhar, John Grey, Papia Sengupta, Stuart McFarlane, Padmanabha Reddy, Ryan Quinn Flanagan, Jee Leong Koh, Rhys Hughes

Poets, Poetry & Rhys Hughes

In His Unstable Shape, Rhys Hughes explores the narratives around a favourite nursery rhyme character with a pinch of pedantic(?) humour. Click here to read.

Musings/ Slices from Life

Trojan Island

Nitya Amalean writes of why she chooses to be an immigrant living out of Sri Lanka. Click here to read.

Wayward Wayanad

Mohul Bhowmick travels to the tea gardens and hills of Wayanad. Click here to read.

Musings of a Copywriter

In Visiting Cards & Me…, Devraj Singh Kalsi ponders on his perspective on the need and the future for name cards. Click here to read.

Notes from Japan

In Kyoto: Where the Cuckoo Calls, Suzanne Kamata introduces us to Kyoto. Click here to read.

Essays

Peeking at Beijing: The Epicentre of China

Keith Lyons travels to the heart of Beijing with a sense of humour and a camera. Click here to read.

To Be or Not to Be or the Benefits of Borders

Wendy Jones Nakanishi argues in favour of walls with wit and facts. Click here to read.

Where Eagles Soar

Ravi Shankar gives a photographic treat and a narrative about Langkawi. Click here to read.

Stories

Heather Richards’ Remarkable Journey

Paul Mirabile journeys into a womb of mystery set in Thailand. Click here to read.

The Untold Story

Neeman Sobhan gives us the story of a refugee from the 1971 Bangladesh Liberation War. Click here to read.

Wrath of the Goddess?

Farouk Gulsara narrates a story set in 1960s Malaya. Click here to read.

No Man’s Land

Sohana Manzoor gives us surrealistic story reflecting on after-life. Click here to read.

Book Excerpts

An excerpt from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiography. Click here to read.

An excerpt from Manjima Misra’s The Ocean is Her Title. Click here to read.

Book Reviews

Somdatta Mandal reviews Indian Christmas: Essays, Memoirs, Hymns, an anthology edited by Jerry Pinto and Madhulika Liddle. Click here to read.

Christopher Marks reviews Veronica Eley’s The Blue Dragonfly: healing through poetry. Click here to read.

Basudhara Roy reviews Kuhu Joshi’s My Body Didn’t Come Before Me. Click here to read.

Bhaskar Parichha reviews Permacrisis: A Plan to Fix a Fractured World by Gordon Brown, Mohamed El-Erian, Michael Spence, Reid Lidow 

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Editorial

Celebrating the Child & Childhood…

‘Victory to Man, the newborn, the ever-living.’
They kneel down, the king and the beggar, the saint and
the sinner,
the wise and the fool, and cry:
‘Victory to Man, the newborn, the ever-living.’

The Child’ by Rabindranath Tagore1, written in English in 1930

This is the month— the last of a conflict-ridden year— when we celebrate the birth of a messiah who spoke of divine love, kindness, forgiveness and values that make for a better world. The child, Jesus, has even been celebrated by Tagore in one of his rarer poems in English. While we all gather amidst our loved ones to celebrate the joy generated by the divine birth, perhaps, we will pause to shed a tear over the children who lost their lives in wars this year. Reportedly, it’s a larger number than ever before. And the wars don’t end. Nor the killing. Children who survive in war-torn zones lose their homes or families or both. For all the countries at war, refugees escape to look for refuge in lands that are often hostile to foreigners. And yet, this is the season of loving and giving, of helping one’s neighbours, of sharing goodwill, love and peace. On Christmas this year, will the wars cease? Will there be a respite from bombardments and annihilation?

We dedicate this bumper year-end issue to children around the world. We start with special tributes to love and peace with an excerpt from Tagore’s long poem, ‘The Child‘, written originally in English in 1930 and a rendition of the life of the philosopher and change-maker, Vivekananda, by none other than well-known historical fiction writer, Aruna Chakravarti. The poem has been excerpted from Indian Christmas: Essays, MemoirsHymns, an anthology edited by Jerry Pinto and Madhulika Liddle, a book that has been reviewed by Somdatta Mandal and praised for its portrayal of the myriad colours and flavours of Christmas in India. Christ suffered for the sins of humankind and then was resurrected, goes the legend. Healing is a part of our humanness. Suffering and healing from trauma has been brought to the fore by Christopher Marks’ perspective on Veronica Eley’s The Blue Dragonfly: healing through poetry. Basudhara Roy has also written about healing in her take of Kuhu Joshi’s My Body Didn’t Come Before Me. Bhaskar Parichha has reviewed a book that talks of healing a larger issue — the crises that humanity is facing now, Permacrisis: A Plan to Fix a Fractured World, by ex-British Prime Minister Gordon Brown, Nobel Laureate Michael Spence, Mohamed El-Erian and Reid Lidow. Parichha tells us that it suggests solutions to resolve the chaos the world is facing — perhaps a book that the world leadership would do well to read. After all, the authors are of their ilk! Our book excerpts from Dr Ratna Magotra’s Whispers of the Heart – Not Just A Surgeon: An Autobiography and Manjima Misra’s The Ocean is Her Title are tinged with healing and growth too, though in a different sense.

The theme of the need for acceptance, love and synchronicity flows into our conversations with Afsar Mohammad, who has recently authored Remaking History: 1948 Police Action and the Muslims of Hyderabad. He shows us that Hyderabadi tehzeeb or culture ascends the narrow bounds set by caged concepts of faith and nationalism, reaffirming his premise with voices of common people through extensive interviews. In search of a better world, Meenakshi Malhotra talks to us about how feminism in its recent manifestation includes masculinities and gender studies while discussing The Gendered Body: Negotiation, Resistance, Struggle, edited by her, Krishna Menon and Rachana Johri. Here too, one sees a trend to blend academia with non-academic writers to bring focus on the commonalities of suffering and healing while transcending national boundaries to cover more of South Asia.

That like Hyderabadi tehzeeb, Bengali culture in the times of Tagore and Nazrul dwelled in commonality of lore is brought to the fore when in response to the Nobel laureate’s futuristic ‘1400 Saal’ (‘The year 1993’), his younger friend responds with a poem that bears not only the same title but acknowledges the older man as an “emperor” among versifiers. Professor Fakrul Alam has not only translated Nazrul’s response, named ‘1400 Saal’ aswell, but also brought to us the voice of another modern poet, Quazi Johirul Islam. We have a self-translation of a poem by Ihlwha Choi from Korean and a short story by S Ramakrishnan in Tamil translated by T Santhanam.

Our short stories travel with migrant lore by Farouk Gulsara to Malaysia, from UK to Thailand with Paul Mirabile while chasing an errant son into the mysterious reaches of wilderness, with Neeman Sobhan to Rome, UK and Bangladesh, reflecting on the Birangonas (rape victims) of the 1971 Bangladesh Liberation war, an issue that has been taken up in Malhotra’s book too. Sobhan’s story is set against the backdrop of a war which was fought against linguistic hegemony and from which we see victims heal. Sohana Manzoor this time has not only given us fabulous artwork but also a fantasy hovering between light and dark, life and death — an imaginative fiction that makes a compelling read and questions the concept of paradise, a construct that perhaps needs to be found on Earth, rather than after death.

The unusual paradigms of life and choices made by all of us is brought into play in an interesting non-fiction by Nitya Amlean, a young Sri Lankan who lives in UK. We travel to Kyoto with Suzanne Kamata, to Beijing with Keith Lyons, to Wayanad with Mohul Bhowmick and to Langkawi with Ravi Shankar. Wendy Jones Nakanishi argues in favour of borders with benevolent leadership. Tongue-in-cheek humour is exuded by Devraj Singh Kalsi as he writes of his attempts at using visiting cards as it is by Rhys Hughes in his exploration of the truth about the origins of the creature called Humpty Dumpty of nursery rhyme fame.

Poetry again has humour from Hughes. A migrant himself, Jee Leong Koh, brings in migrant stories from Singaporeans in US. We have poems of myriad colours from Ryan Quinn Flanagan, Patricia Walsh, John Grey, Kumar Bhatt, Ron Pickett, Prithvijeet Sinha, Sutputra Radheye, George Freek and many more. Papia Sengupta ends her poem with lines that look for laughter among children and a ‘life without borders’ drawn by human constructs in contrast to Jones Nakanishi’s need for walls with sound leadership. The conversation and dialogues continue as we look for a way forward, perhaps with Gordon Brown’s visionary book or with Tagore’s world view of lighting the inner flame in each human. We can hope that a way will be found. Is it that tough to influence the world using words? We can wish — may there be no need for any more Greta Thunbergs to rise in protest for a world fragmented and destroyed by greed and lack of vision. We hope for peace and love that will create a better world for our children.

As usual, we have more content than mentioned here. All our pieces can be accessed on the contents’ page. Do pause by and take a look. This bumper issue would not have been possible without the contribution of all the writers and our fabulous team from Borderless. Huge thanks to them all and to our wonderful readers who continue to encourage us with their comments and input.

Here’s wishing you all wonderful new adventures in the New Year that will be born as this month ends!

Mitali Chakravarty

borderlessjournal.com

  1. Indian Christmas: Essays, MemoirsHymns edited by Jerry Pinto & Madhulika Liddle ↩︎

Click here to access the content’s page for the December 2023 issue

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Musings

Trojan Island

By Nitya Amalean

It was the year 2020. When most of the world was lacking connection and normalcy, I had the privilege of being in Sri Lanka, an island that I had referred to as ‘home’ but hadn’t truly been my home since I left at the age of eighteen. Being here gave me connection with a sugary coat of ‘normalcy’. I had my affectionate family, who made lockdowns entertaining with the purchase of a ping pong table, the nightly binge of true crime documentaries and the occasional games night, including a terrible decision to play ‘Cards Against Humanity’. I had a relationship with my boyfriend in all the physical sense of the word after two years of long-distance phone calls. I had my friends who were all a 15-minute drive away. I had a flexible job where I could interact with smart and passionate coworkers, something I ignorantly thought I wouldn’t find in Sri Lanka. Add to that, countless long weekends and public holidays, mostly spent in the beach towns down south, a region brimming with excellent food options, tasty cocktail bars and magnificent sea swims – truly this was an island that brought comfort, safety and security.

But I wanted more.

This romanticised version of the pandemic years spent in Sri Lanka, while all true, evoked such strong feelings of being lost, purposeless, and devoid of self-worth. This most comfortable of comfort zones made me feel completely out of sorts and yearning for something different. Long, sleepless nights of overthinking, questioning and wondering, “What on earth am I doing here?” Did I spend four years in an exceedingly difficult academic environment and four years working in the most ambitious, individualistic, enlightening city to land up here? Did my parents really spend thousands of dollars on American college tuition for me to end up back home feeling like a failure?

The initial move back home in May 2020 was going to be temporary. I was placed on furlough from my job in London and I believed it was best to wait it out back home. I thought that once the pandemic was all well and done, which would obviously be in a few months, I’d return to London, like nothing had changed.

As I fell in deeper with the aesthetically pleasing confines of beautiful beaches in Trincomalee, the delicious home-cooked meals, the hugs from my parents, the kisses from my boyfriend, the cuddles with my little nieces and nephews, and the long weekend trips with friends, it would be an outright lie to say I wasn’t relieved when the furlough continued and ultimately, ended with the expiration of my work visa. That seemed to seal the decision. I had no way back to the United Kingdom. Sri Lanka was to be my home now.

Looking back at that time, it was like being given this Trojan horse of a cozy, tender, warm embrace, disguising claws that pierced slowly, leaking poison and disillusionment. The surrounding Indian Ocean was as confining as it was endless, as isolating as it was welcoming, as suffocating as it was refreshing.

*

Scrolling through social media, I compared myself to others. And no, it wasn’t the mindless glazing-of-the-eyes watching Tik Tok or Reels but the reading-every-post-with-anxiety on LinkedIn. I compared myself to my friends in New York City, progressively moving up the ladder with impressive promotions and new six figure salaries. I compared myself to my best friends, living their lives independently, powering through their work passionately. I compared myself to peers in my graduating class who seemed to be smashing it in whatever life path they were on. And I felt thoroughly sorry for myself.

While pleased to be working with smart individuals at my WFH startup job in Sri Lanka, the lack of growth and opportunity for professional development made me itch. There were too many moments in the middle of workdays, where I laid sprawled across my bed, staring up at the fan and berating myself down a black hole. I switched between two toxic mindsets, one telling myself that I was no longer worthy of doing exciting, cutting-edge, fulfilling work and the other questioning why I couldn’t be content with all the positives that I had around me? Why did I always want more? Why did I always have this “grass will be greener” frame of mind? Why couldn’t I just ‘be’? This second mindset would set in when I heard my mum’s call to come for her home-cooked lunch of rice and curry. Wasn’t I begging for all these luxuries when I was living abroad?

While work was a huge factor contributing to my discontent, lifestyle was a secondary, significant reason. Disclaimer, disclaimer, disclaimer that everyone has different priorities and are in different stages of life and I spent a lot of time (over)thinking about my priorities. I wanted new experiences. I wanted to be pushed outside my comfort zone to do things that terrified my introverted self. I wanted to work remotely from a Greek island. I wanted to pick up Spanish again and stay in Barcelona for the summer. I wanted to take a creative writing course in Paris. I wanted to hop on a flight and visit my best friend in Munich, where she was living on a farm. I wanted the luxury of having a multiple-year multiple-entry Schengen visa which would be stamped every few months. I wanted a different passport. I wanted to go for an innumerable amount of plays, whether they were in small, 30-seater spaces with no set design or in beautiful, historic theatres where the lead actor is naked almost the entire run time (for artistic purposes apparently). I wanted to watch Jodie Comer in Prima Facie. I wanted to laugh hysterically at a live interview with the legendary Phoebe Waller-Bridge. I wanted to listen to the beautiful minds of Konkona Sen Sharma, Nandita Das and Aparna Sen discussing the perils of censorship in their films in India; watch a match at Wimbledon; find a way to go to the Berlinnale Film Festival. Enjoy the Edinburgh Fringe Festival.

I wanted to do so many things.

Could I find these things while living in Sri Lanka? I convinced myself that I couldn’t.

*

Recently, at my one-year work anniversary in my current job, my manager thoughtfully said, “Thank you for always striving for excellence.” While very kind words, they made me understand something I perhaps always knew about myself, without ever being explicitly told. Always striving for excellence even as a type-A young person, pushing for excellent grades, in order to go to an excellent college in the United States, and ultimately, secure an excellent job. (I’m exhausted just typing out this sentence.) And after being extremely fortunate to work with intelligent and supportive people and have challenging, exciting projects, my own benchmark for excellence kept rising.

I wanted to really enjoy my work but also be challenged by it. I wanted to learn from diverse, brilliant colleagues. I wanted to learn new technical skills. I wanted to have workshops with Product teams on developing new AI functionalities and how best to position them in the marketplace. I wanted to brainstorm with the Content team on how to best partner with a certain Tamil British-Indian actress and not feel like the token voice of diversity. I wanted the promotion and the salary bump and the senior title and the recognition and the reputation. And if not now, then it was in the five-year plan. I can say that this is what New York City does to you, but that would be a lie. It’s me. Hi. I’m the problem, it’s me.

All this ambition drove me straight into a brick wall, dissolving my confidence in my own capabilities. I blamed Sri Lanka. I blamed a whole country for making me feel like this.

Soon, the island was facing its worst economic crisis since independence and to watch the destruction of possibility, willpower and any minute form of political stability in real time was heartbreaking. I won’t even attempt to put into words the plight of Sri Lankans who lost almost everything, unable to access the most basic essentials of fuel, electricity, cooking oil, milk powder and medicines. By early 2022, ‘home’, an island that had nurtured me, that gave me the most special roots, that offered me safety and security, was broken. In my siloed social bubble of international school kids, foreign-educated graduates and Colombo’s upper-middle class families, I desperately wanted to get out. And so did thousands of others who did not want to waste their potential in a nation that was falling apart at the seams.

After years of only regarding Sri Lanka with fondness, I found that bitterness, resentment, and animosity towards my island nation magnified to a point where I couldn’t even hold a conversation with friends who could leave but were choosing to stay. Give me a work permit, give me a Western passport, give me a student visa, give me anything that will allow me to leave this place.

A family meeting was called when my black mood permeated through the home, along with wine, cheese, and a whiteboard to discuss my future plans — the pleasures of coming from a business family — efficient but with alcohol. My family, the ever-loving, supportive, encouraging guiding lights in my life, told me point-black, “You need to leave.” In an atypical South Asian, fashion, they said, “Do what makes you happy. Get a job or do your Masters. Travel everywhere.” My sweet parents, knowing that they would once again be empty nesters with my brother and me elsewhere, knowing that they fully enjoyed having the house full again, also recognised that their kids would be their happiest selves outside of Sri Lanka. 

To have diametrically opposing emotions about the right path forward is confusing to say the very least. If I chose to remain in Sri Lanka, it would have been because three people lived there. My parents were not getting any younger and more substantially, we treasured each other. My partner and I were finally living in the same city after years of distance and savouring every moment of togetherness. And to have all three people only having words of encouragement further deepened the guilt.

But I wanted to be selfish. I didn’t want to stay because I’m a patriotic citizen contributing to the brain drain. I didn’t want to stay because I’m a good daughter or girlfriend. I wanted to leverage my resources, my experiences and most importantly, my LinkedIn, to do the impossible. A broken island meant I had to put together the pieces. For myself.   

To leave or not to leave? And to which part of the world? To return back to the country where I have the privilege of residency but do I want to live in the land of mass shootings and a work-till-you-die mentality? Or to pursue an entry into the U.K. through a student visa by doing an unwanted MBA? Or to strive for the most idealistic, unrealistic scenario — a job in London?

But in that snug, tightly wrapped, a-little-too-hot Anokhi[1] blanket of a comfort zone, the decision was always clear. Maybe one day, I’ll make my peace with my ‘home’. Maybe one day, my blood won’t boil with frustration when I’m on Sri Lankan soil for more than a fortnight. Maybe one day, I will feel the affection again. Maybe one day.

Fast forward two years to the present day, sitting in my cozy flat in London, having just spent a few electrifying weeks in Greece, riding on a high from a successful partnership with a certain tech juggernaut, and preparing for next week’s launch of a new AI product, I appreciate my new ‘home’. It might not be the island I once thought I would spend the rest of my life in, and it’s a little colder and gloomier than the tropics. But the possibilities are endless once again, my dreams are daring once again, and life is feeling full once again

[1] Anokhi Quilt

Nitya Amalean is an emerging writer and storyteller. She was born and nurtured in Sri Lanka, college-educated in the United States and currently, lives in London where she works for an audio media company.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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