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Contents

Borderless June 2023

Art by Sohana Manzoor

Editorial

Where have All the People Gone? … Click here to read.

Translations

Hena, a short story by Nazrul, has been translated from Bengali by Sohana Manzoor. Click here to read.

Mohammad Ali’s Signature, a short story by S Ramakrishnan, has been translated from Tamil by Dr B Chandramouli. Click here to read.

Three poems by Masud Khan have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Shadows, a poem in Korean, has been translated by the poet himself, Ihlwha Choi. Click here to read.

Pran or Life by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Conversations

Shantanu Ray Chaudhuri converses with Vinta Nanda about the Shout, a documentary by Vinta Nanda that documents the position of women in Indian society against the backdrop of the #MeToo movement and centuries of oppression and injustice. Click here to read.

In Conversation with Advait Kottary about his debut historic fiction, Siddhartha: The Boy Who Became the Buddha. Click here to read.

Poetry

Click on the names to read the poems

Michael Burch, Ananya Sarkar, George Freek, Smitha Sehgal, Rachel Jayan, Michael Lee Johnson, Sayantan Sur, Ron Pickett, Saranyan BV, Jason Ryberg, Priya Narayanan, Ryan Quinn Flanagan, Evangeline Zarpas, Ramesh Karthik Nayak, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Ghee-Wizz, Rhys Hughes talks of the benefits of Indian sweets while wooing Yetis. Click here to read.

Musings/Slices from Life

Humbled by a Pig

Farouk Gulsara meets a wild pig while out one early morning and muses on the ‘meeting’. Click here to read.

Spring Surprise in the Sierra

Meredith Stephens takes us hiking in Sierra Nevada. Click here to read.

Lemon Pickle without Oil

Raka Banerjee indulges in nostalgia as she tries her hand at her grandmother’s recipe. Click here to read.

Apples & Apricots in Alchi

Shivani Shrivastav bikes down to Alchi Ladakh to find serenity and natural beauty. Click here to read.

Musings of a Copywriter

In Trees from my Childhood, Devraj Singh Kalsi muses on his symbiotic responses to trees that grew in their home. Click here to read.

Notes from Japan

In Superhero Sunday in Osaka, Suzanne Kamata writes of her experience at the Osaka Comic Convention with her daughter. Click here to read.

Stories

The Trial of Veg Biryani

Anagha Narasimha gives us a social satire. Click here to read.

Am I enough?

Sarpreet Kaur explores social issues in an unusual format. Click here to read.

Arthur’s Subterranean Adventure

Paul Mirabile journeys towards the centre of the Earth with his protagonist. Click here to read.

Essays

No Bucket Lists, No Regrets

Keith Lyons muses on choices we make while living. Click here to read.

In Search of the Perfect Dosa

Ravi Shankar trots around the world in quest of the perfect dosa — from South India to Aruba and West Indies. Click here to read.

“Bookshops don’t fail. Bookshops run by lazy booksellers fail.”

Shantanu Ray Chaudhuri takes us for a tour of the Kunzum bookstore in New Delhi. Click here to read.

Book Excerpts

An excerpt from Greening the Earth: A Global Anthology of Poetry, edited by K. Sachitanandan and Nishi Chawla. Click here to read.

An excerpt from Advait Kottary’s Siddhartha: The Boy Who Became the Buddha. Click here to read.

Book Reviews

Somdatta Mandal reviews Behind Latticed Marble: Inner Worlds of Women by Jyotirmoyee Devi Sen, translated from Bengali by Apala G. Egan. Click here to read.

Rakhi Dalal reviews Rhys Hughes’ The Wistful Wanderings of Perceval Pitthelm. Click here to read.

Basudhara Roy reviews Prerna Gill’s Meanwhile. Click here to read.

Bhaskar Parichha reviews Zac O’Yeah’s Digesting India: A Travel Writer’s Sub-Continental Adventures With The Tummy (A Memoir À La Carte). Click here to read.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Editorial

Where have All the People Gone?

Courtesy: Creative Commons

Can humankind ever stop warring and find peace?

Perhaps, most sceptics will say it is against human nature to stop fighting and fanning differences. The first recorded war was fought more than 13,000 years ago in what is now a desert but was green long ago. Nature changed its face. Continents altered over time. And now again, we are faced with strange shifts in climate that could redefine not just the dimensions of the surface area available to humankind but also our very physical existence. Can we absorb these changes as a species when we cannot change our nature to self-destruct for concepts that with a little redefining could move towards a world without wars leading to famines, starvation, destruction of beautiful edifices of nature and those built by humankind? That we could feed all of humans — a theory that won economist Abhijit Banerjee his Nobel Prize in 2019 so coveted by all humanity — almost seems to have taken a backseat. This confuses — as lemmings self-destruct…do humans too? I would have thought that all humanity would have moved towards resolving hunger and facing the climate crises post-2019 and post-pandemic, instead of killing each other for retaining constructs created by powerbrokers.

In the timeless lyrics of ‘Imagine’, John Lennon found peace by suggesting we do away with manmade constructs which breed war, anger and divisions and share the world as one. Wilfred Owen and many writers involved in the World Wars wrote to showcase the desolation and the heartfelt darkness that is brought on by such acts. Nazrul also created a story based on his experience in the First World War, ‘Hena’, translated for us by Sohana Manzoor. Showcasing the downside of another kind of conflict, a struggle to survive, is a story with a distinctive and yet light touch from S Ramakrishnan translated from Tamil by B Chandramouli. And yet in a conflict-ridden world, humans still yearn to survive, as is evident from Tagore’s poem Pran or ‘Life’. Reflecting it is the conditioning that we go through from our birth that makes us act as we do are translations by Professor Fakrul Alam of Masud Khan’s poetry and from Korean by Ihlwha Choi.

A figure who questioned his own conditioning and founded a new path towards survival; propounded living by need, and not greed; renounced violence and founded a creed that has survived more than 2500 years, is the man who rose to be the Buddha. Born as Prince Siddhartha, he redefined the norms with messages of love and peace. Reiterating the story of this legendary human is debutante author, Advait Kottary with his compelling Siddhartha: The Boy Who Became the Buddha, a book that has been featured in our excerpts too. In an interview, Kottary tells us more of what went into the making of the book which perhaps is the best survivor’s guide for humanity — not that we need to all become Buddhas but more that we need to relook at our own beliefs, choices and ways of life.

Another thinker-cum-film maker interviewed in this edition is Vinta Nanda for her film Shout, which highlights and seeks resolutions for another kind of crisis faced by one half of the world population today. She has been interviewed and her documentary reviewed by Shantanu Ray Chaudhuri. Chaudhuri has also given us an essay on a bookshop called Kunzum which continues to expand and go against the belief we have of shrinking hardcopy markets.

The bookshop has set out to redefine norms as have some of the books featured in our reviews this time, such as Rhys Hughes’ latest The Wistful Wanderings of Perceval Pitthelm. The reviewed by Rakhi Dalal contends that the subtitle is especially relevant as it explores what it says — “The Absurdity of Existence and The Futility of Human Desire” to arrive at what a person really needs. Prerna Gill’s Meanwhile reviewed by Basudhara Roy and poetry excerpted from Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan and Nishi Chawla, also make for relooking at the world through different lenses. Somdatta Mandal has written about Behind Latticed Marble: Inner Worlds of Women by Jyotirmoyee Devi Sen, translated by Apala G. Egan and Bhaskar Parichha has taken us on a gastronomic tour with Zac O’Yeah’s Digesting India: A Travel Writer’s Sub-Continental Adventures with the Tummy (A Memoir À La Carte).

Gastronomical adventures seem to be another concurrent theme in this edition. Rhys Hughes has written of the Indian sweets with gulab jamun as the ultimate life saver from Yetis while trekking in the Himalayas! A musing on lemon pickle by Raka Banerjee and Ravi Shankar’s quest for the ultimate dosa around the world — from India, to Malaysia, to Aruba, Nepal and more… tickle our palate and make us wonder at the role of food in our lives as does the story about biryani battles by Anagaha Narasimha.

Talk of war, perhaps, conjures up gastronomic dreams as often scarcity of food and resources, even potable water and electricity is a reality of war or conflict. Michael Burch brings to us poignant poetry about war as Ramesh Karthik Nayak has a poem on a weapon used in wars. Ryan Quinn Flanagan has brought another kind of ongoing conflict to our focus with his poetry centring on the National Day (May 5th) in Canada for Vigils for Missing and Murdered Indigenous Women by hanging red clothes from trees, an issue that perhaps has echoes of Vinta Nanda’s Shout and Suzanne Kamata’s poetry for her friend who went missing decades ago as opposed to Rachel Jayen’s defiant poetry where she asserts her womanhood. Ron Pickett, George Freek and Sayantan Sur have given us introspective perspectives in verse. We have more poetry asking for a relook at societal norms with tongue-in -cheek humour by Jason Ryberg and of course, Rhys Hughes with his heartfelt poem on raiders in deserts.

The piece that really brought a smile to the lips this time was Farouk Gulsara’s ‘Humbled by a Pig’, a humorous recount of man’s struggles with nature after he has disrupted it. Keith Lyons has taken a look at the concept of bucket lists, another strange construct, in a light vein. Devraj Singh Kalsi has given a poignant and empathetic piece about trees with a self-reflective and ironic twist. We have narratives from around the world with Suzanne Kamata taking us to Osaka Comic Convention, Meredith Stephens to Sierra Nevada and Shivani Shrivastav to Ladakh. Paul Mirabile has travelled to the subterranean world with his fiction, in the footsteps perhaps of Jules Verne but not quite.

We are grateful to all our wonderful contributors some of whom have not been mentioned here but their works were selected because they truly enriched our June edition. Do visit our contents page to meet and greet all our wonderful authors. I would like to thank the team at Borderless without whose efforts and encouragement our journal would not exist and Sohana Manzoor especially for her fantastic artwork as well. Thank you all.

Wish you another lovely month of interesting reads!

Mitali Chakravarty

borderlessjournal.com

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Slices from Life

Lemon Pickle without Oil

By Raka Banerjee

Not being a fan of spices and sourness, the only pickle I liked while growing up was my maternal grandmother’s oil-free lemon pickle. It used to be a staple at her house. I took special pleasure in fishing out entire globes of fleshy, marinated lemons out of the glass jar. Others would use the steel spoon to cut out smaller pieces, while I struggled to bite into the whole lemons, fearing such an attempt would ruin the appeal of the perfectly pickled, fading yellow lemon globules. One could have it with any meal. It would liven up the simplest dal-bhaat  [1]as easily as it would ensure the swift return of lost appetite. The jar would sit on my grandparents’ dining table by the window, from which the afternoon sun would regularly macerate the tangy mix. It was probably the most faithful witness to all our conversations. Looking back, I feel the pickle jar was never not full. Did didun[2] stash away secret batches to quickly replace the empty jars?

It was not until I was in university, having gone back to my grandparents’ house in my hometown to do fieldwork for my master’s dissertation, that I fully acknowledged the existence of the pickle that I so loved and had come to associate with my grandmother, as something that required making! This visit was my only solo stay with my grandparents and I felt the need to ask my grandmother for the pickle recipe. I had little experience with cooking back then, but even so the recipe sounded fairly easy.

She asked me to pick out blemish-free lemons, preferably thin-skinned ones, and make an x incision from the crown to the bottom, but not all the way. A bit of skin and flesh would hold the sliced-open lemon together. The gashes needed to be stuffed with salt. Then, the lemons had to be crammed into a dry glass jar – however many together as tightly as possible. Then one needed to sprinkle more salt on top and generously shower the lemons with lemon juice till they would be fully immersed in the solution. Then the jar needed to be placed in a sunny spot for a week or so, by which time the lemon rind should have taken on a paler, translucent complexion. The salt would have dissolved entirely, leaving a sticky, viscous marinade in its place. You could keep this for years, my grandmother told me. And that made sense; no wonder she always had some at home. I promised myself that I would make it as soon as I got back home.

I didn’t make the pickle for years. Didun passed away only three months later. Life took over and I forgot about the pickle. When I visited my grandfather after didun‘s passing, he still had the pickle jar sitting on the dining table. It was oddly shocking to see this. I felt like I had transgressed into an unspoken private understanding that my grandfather shared with his late wife. In retaining a jar of pickles prepared by her, he had in a small way kept a part of her with him. She would have had sterilised this very jar with scalding water, wiped it with a dry cloth and kept it in the sun to dry it completely. She must have picked out the lemons that would make for the perfect pickle – thin-skinned or else it could become bitter. Before stuffing them into the jar, she would have pushed back her gold bangles further into her arms, and held her breathe to keep any moisture from getting into the ingredients. Once done with the stuffing and juicing, she would have wiped the outside of the jar and placed it on the choicest spot meant to get the most sun. That afternoon when dadubhai and I sat for lunch, he gestured me to take out some pickle for him. It felt wrong to ingest something that had been prepared by someone who didn’t exist anymore. And so, I came to associate the pickle with loss, not of my grandmother but loss in general – of childhood mates, cousins I couldn’t speak to anymore, relatives that had passed on, and worst of all, the knowledge of impending, eventual, inevitable loss.

The years went on and I didn’t find myself wanting to taste the pickle. The jar, too, had disappeared from its usual place of prominence on the dining table. It was replaced by my ailing grandfather’s many medical supplements. Then he too passed on and the difficult task of sifting through his belongings fell on my mother and me. As we tackled one room after another, we found many curious items: books from her childhood which had clearly been the cause of fights between her and her elder sister; an old camera with which I had clicked photos of my new-born brother; animal hide from a time when it wasn’t illegal to possess one. Then came the most sparsely stocked room of all, the puja room, which had come to be used as a small larder of sorts, apart from its designated purpose of worship. I found sitting on a shelf here, a pickle jar, still containing some bit of the pickle prepared by didun. The mixture had turned a dark brown colour and was probably inedible. At least ten years had passed since it had been made. Maa pointed out that it was indeed the same jar, I nodded in acknowledgement. I didn’t know what to make of any of it. As if it wasn’t difficult enough to rifle through the mundane intimacy that is a couple’s possessions – shongshar[3], a universe unto itself – and deciding on what to retain for sentimental value, what to give away, and what to deem apt for the municipal garbage bin. Now this! I knew what I had to do with a jar of spoilt pickle. There was no point in pondering when we had each taken a designated number of days off from our jobs to be here to declutter the house.

For the rest of the stay our emotions plateaued and peaked, but we went ahead with what had to be done. Dadubhai had been gone for one year at this point and I could feel the final severing of my ties with what felt like the first act of my life.

I returned back to Delhi. The rhythm of my routine took over for good. A month later, while completely immersed in writing up chapters for my research project, I found myself on a hunt for the perfect glass jar to make pickles in. Unlike what I had imagined, it was no great coming to when I decided to make my grandmother’s famous lemon pickle at what it now my temporary home away from every person that feels like home. I couldn’t manage to find a jar I liked. The lemons I had ordered online had already been delivered and was sitting in my refrigerator. Sensing I was going to pass on the plan yet again, I started going through my cupboard in search of a suitable substitute. I had a small glass jar with a red plastic lid, which had been the receptacle of some delicious chutney from my husband’s colleague at work. I decided that would have to do. The lemons that were delivered to me were neither thin-skinned, nor uniformly sized, and worst of all they weren’t even chosen by me! But they would have to do. I processed the lemons, filled the gashes with salt, stuffed them into the small container, and filled it to the brim with salt and lemon juice.

It’s been a week since I made the mix and I tasted it with a bit of simple khichdi [4]and aloo bhaja[5]. The rinds were a bit bitter and not quite translucent yet, but this would have to do. Next month, when I meet my mother in my hometown for the housewarming of our new home, I want her to taste it. Does it make her remember things she could have sworn she had forgotten?

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[1] Lentils and rice

[2] An affectionate name for her maternal grandmother

[3] Household

[4] A porridge of lentils and rice

[5] Potato fritters

Raka Banerjee is an academic by training. She enjoys gardening, long walks and a good cup of Darjeeling tea.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International