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Contents

Borderless, July 2024

Art by Sohana Manzoor

Editorial

Seasons out of TimeClick here to read.

Conversation

A brief introduction to Suzanne Kamata’s Cinnamon Beach and a conversation with the author about her latest novel. Click here to read.

Translations

Tagore’s Achhe Dukhu, Achhe Mrityu, (Sorrow Exists, Death Exists) has been translated from Bengali by Fakrul Alam. Click here to read.

Nazrul’s Ghumaite Dao Shranto Robi Re (Let Robi Sleep in Peace) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Amalkanti by Nirendranath Chakraborty has been translated from Bengali by Debali Mookerjea-Leonard. Click here to read.

Speech Matters, a story by Naramsetti Umamaheswararao, has been translated from Telugu by Johnny Takkedasila. Click here to read.

Every Day by Hafeez Rauf has been translated from Balochi by Fazal Baloch. Click here to read.

The Long Journey by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Mrityu or Death by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Michael Burch, Kirpal Singh, Rakhi Dalal, Stuart MacFarlane, Averi Saha, John Grey, Surbhi Sharma, David Francis, Pramod Rastogi, David Mellor, Saranyan BV, Jim Bellamy, Tasneem Hossain, Thompson Emate, George Freek, Mitra Samal, Lizzie Packer, Shamik Banerjee, Ryan Quinn Flanagan, Rhys Hughes

Musings/ Slices from Life

Stop, Look, Think!

Farouk Gulsara muses with a slice irony at a traffic junction. Click here to read.

Norman Rockwell: Out of the Closet

Wayne F. Burke gives a vignette of the life of the legendary illustrator. Click here to read.

Unveiling the Magic of Mystical Mangroves

Sai Abhinay Penna travels to the second largest mangrove forest in the world. Click here to read.

Glimpses of an Indian Summer

Madhuri Bhattacharya nostalgically captures the nuances of a hot summer. Click here to read.

The Pearl of the Indian Ocean

Ravi Shankar travels to Colombo. Click here to read.

Essays

The Myriad Hues of Tagore by Aruna Chakravarti

Aruna Chakravarti writes on times and the various facets of Tagore. Click here to read.

Picked Clean

Snigdha Agrawal writes of the impact from the loss of green cover in Bangalore. Click here to read.

Fast Food for a Month

Keith Lyons gives an in memoriam about the late documentarian, Morgan Spurlock. Click here to read.

Stories

In the Shadows…

Paul Mirabile gives us a story steeped in art and mental health. Click here to read.

The Last Hyderabadi

Mohul Bhowmick talks of the passage of an era. Click here to read.

Alvin and the Curious Case of Spoilt Milk

Anagha Narasimha gives a light hearted piece about the impact of demonetisation. Click here to read.

Book Excerpts

An excerpt from The Poisoner of Bengal/The Prince and the Poisoner by Dan Morrison. Click here to read.

An excerpt from The Sunset Suite by Rhys Hughes. Click here to read.

Book Reviews

Somdatta Mandal reviews Knife:  Meditations After an Attempted Murder by Salman Rushdie. Click here to read.

Basudhara Roy reviews Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Arundhathi Subramaniam. Click here to read.

Navleen Multani reviews Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. Click here to read.

Bhaskar Parichha reviews Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia. Click here to read.

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Categories
Editorial

Seasons Out of Time

...the horror of dark red sky – the gates of hell opened wide so they say that even atheists prayed to save the souls of the dead...

— Lizzie Packer, 'Hot Dry Summers'

The description in ‘Hot Dry Summers’ is not of hell but what is perceived as happening on certain parts of Earth due to global warming or climate change. Forest fires. Nearer the equator, the storms have become harsher with lightning strikes that seem to connect the Earth to the sky. Trees get uprooted as the soil is softened from excessive rain. Sometimes, they fall on passers-by killing or injuring them. There is no rain in some places, forest fires or flooding in others… The highest temperatures touched 55 degrees Celsius this year. Instead of worrying about losing our homes lodged on land masses to the oceans that continue to rise, becoming dark heat absorbers due to loss of white ice cover, we persistently fight wars, egged on by differences highlighting divisive constructs. It feels strange that we are witness to these changes which seem to be apocalyptic to doomsday sayers. Are they right? Our flora, fauna and food will also be impacted by global climate change. How will we survive these? Will we outlive these as a species?

Keeping the myriad nuances of living on this planet in mind, we have writings from more than a dozen countries showcased in this issue, with a few highlighting climate change and wars — especially in poetry. Michael Burch has given us poetry on weather. John Grey has celebrated nature. Other than Lizzie Packer, Mitra Samal has a subtle poem on climate change. Stuart McFarlane and David Mellor bring the disaster of war to our doorstep. Jared Carter, Kirpal Singh, Ryan Quinn Flanagan, Averi Saha, Shamik Banerjee, David Francis, George Freek, Rakhi Dalal and more have reflected on the varied nuances of life. Rhys Hughes has brought in humour and a comment on our perspectives, with his poem ‘Devil’s Bridge to Istanbul’… Can a shortcut be found across continents with the magic of a signboard?

Poetry in our translations’ section travels to Balochistan, from where a Hafeez Rauf translated from Balochi by Fazal Baloch, talks of burning tyres, again conflicts. It takes on a deeper hue as Ihlwha Choi translates his poignant poem from Korean, reflecting on the death of his mother. We have a translation of Tagore’s less popular poem, Mrityu[1], reflecting on the same theme. His reflections on his wife’s death too have been translated by Professor Fakrul Alam who has also shared a song of Nazrul, written and composed on the death of Tagore. Another lesser-known poet but brilliant nonetheless, Nirendranath Chakraborty, has been translated for us by Debali Mookerjea-Leonard. And what a tremendous poem it is when the person called Amalkanti wanted to be sunshine! We have a story too — ‘Speech Matters’ by Naramsetti Umamaheswararao translated by Johny Takkedasila.

Our stories as usual travel around the world — from Holland (by Paul Mirabile) to Hyderabad (by Mohul Bhowmick) and with a quick pause at Bangalore (by Anagha Narasimha). Travels in the real world are part of our non-fiction. Sai Abhinay Penna takes to a the second largest mangrove forest in the world and Ravi Shankar to Colombo. Madhuri Bhattachrya gives us a glimpse of an Indian summer and Snigdha Aggrawal explores the impact of climate change in her part of the world. Farouk Gulsara actually writes his reflections at a traffic junction. And it reads droll…

We have an in memoriam by Keith Lyons on Morgan Spurlock, the documentary maker who ate McDonald fare for a month and then made a film on it. We have two tributes to two legends across time. Wayne F Burke has given a brief piece on the iconic illustrator, Norman Rockwell. And Aruna Chakravarti, the queen of historic fiction who brought the Tagore family alive for us in her two very well researched novels, Jorasanko and Daughters of Jorasanko, has given us a fabulous tribute to Tagore on the not-so common aspects of him.

We have excerpts from another historical novel set in Bengal of Tagore’s time, Dan Morrison’s The Prince and the Poisoner: The Murder that Rocked the British Raj and Hughes’ The Sunset Suite, a set of absurd tall tales that make you smile, squirm or wonder…  Reviews of Salman Rushdie’s Knife: Meditations After an Attempted Murder by Somdatta Mandal and of Arundhathi Subramaniam’s Wild Women: Seekers, Protagonists and Goddesses in Sacred Indian Poetry by Basudhara Roy bring two latest books to our readers. Navleen Multani reflects on Mapping the Mind, Minding the Map, edited by Basudhara Roy and Jaydeep Sarangi. And Bhaskar Parichha tells us about a group of men called Pundits during British Raj, “In the closed files of the government of British India, however, they were given their true designation as spies…” in his review of Derek Waller’s The Pundits: British Exploration of Tibet and Central Asia.

Suzanne Kamata, the novelist who does a column from Japan for us normally, has spoken to us about her new novel, Cinnamon Beach, which overrides multiple manmade constructs. It’s an interesting read from someone who lives her life across multiple cultures and transcends many boundaries.

This is a bumper issue, and it is difficult to convey the vibrant hues of words that colour this edition. Please do pause by our contents page for a more comprehensive look.

This issue would not have been possible without all our fabulous contributors and a wonderful, dedicated team. We are delighted that Rakhi Dalal — who has done many reviews and shares her poetry with us in this issue — has agreed to be a writer-in-residence with us. A huge thanks to all of you, and especially Sohana Manzoor for her artwork. I am truly grateful to our readers for popularising our efforts to put together an online space with free and vibrant reads.

I would like to end with a few lines that gives me hope despite climate change, wars and doomsday predictions.

There’s more to life,
he says to me,
than what you choose to see.

— George Freek, 'The Imponderables'

Enjoy the reads.

Mitali Chakravarty

borderlessjournal.com

[1] Death

Click here to access the content’s page for the July 2024 Issue.

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Categories
Poetry

A Beach Novel with a Difference…

In Conversation with Suzanne Kamata about Cinnamon Beach, published by Wyatt Mackenzie Publishing, and a brief introduction to her new novel.

Cinnamon beach by Suzanne Kamata seems to be ostensibly a normal romantic novel but there is an aspect that makes it unique. It glues all colours of humanity together. Almost all the families in her narrative are of mixed heritage or multiracial. She has stepped beyond the veneer of race and nationality to highlight that all humanity has the same needs— for love, acceptance and kindness, irrespective of colour and creed, a gentle reminder in a world that is moving towards polarisation in terms of constructs made by human laws.

Set against the backdrop of the Cinnamon Beach, the narrative shuttles through two countries that she has called home — Japan and USA. There are autobiographical elements woven into the narrative but perhaps, they halt in becoming lived experiences. The protagonist, upcoming writer, Olivia Hamada, an American married to a Japanese, has lost both her job and finds her marriage in doldrums when she visits her sister-in-law, Parisa. Parisa is a renowned fashion designer, daughter of an immigrant Indian and has lost her husband, Ted, Olivia’s elder brother. It is a poignant story with Olivia and her deaf daughter, Sophie, falling in love with a star, Devon, and his son, Dante respectively — both persons of colour. Devon’s ancestors were brought in from Africa. So how mixed are the races – Sophie is half Japanese-half American and Dante is part African-part American!

The narrative start simply and gains nuances as it progresses. There are comments and conversations that introduce twists and turns to explore attitudes and prejudices.

At a point Kamata tells us: “She’d heard, several years ago, of a revolt at a liberal college cafeteria in protest of its serving sushi. And there was that dust-up over a reality TV star using the name ‘kimono’ for her new line of shapewear. Perhaps she had been wrong to ever go to Japan in the first place. But she had done it and she had gone and written a collection of short stories heavily inspired by events in her real life, and now, here she was.” The bias against Japan that led to the destruction of Hiroshima and Nagasaki are hinted at conversationally – world events that conspired more than eighty years ago. Why do such biases still exist today when we have moved forward so much technologically?

When Olivia asks Devon why he never liked to talk race or indulge in activism, he tells her, “It’s just that I would rather build bridges than burn them.”

And he explains further, “Sometimes taking a stand on issues creates more division.”

Religious observances seem to be unboxed too with Buddhist, Hindu and Christian customs intermingled. All festivals become a celebration of love and acceptance. Her world is idyllic when it comes to interactions between the lead characters. Living in a city like Singapore, that does not seem an impossibility as many are of mixed origins. 

One would hope that the whole world will eventually learn that all these differences are only the colours of the rainbow, as shown in Kamata’s novel. The novel ends on a note of hope — hope for a new beginning and for love and for a multiracial relationship.  

Kamata’s style is fluid. The situations and events are so much a part of the lived reality that you can almost feel and see the characters come to life. Anyone can enjoy the novel, whether as a light read or to find the nuances that explore the need for the redefinition of societal norms. With her smooth and untroubled storytelling, Kamata leaves it to the reader to decide what they want to find in her storytelling. Nothing is coerced or made incomprehensible.

With a number of novels, short stories and poetry collections under her belt, as an award-winning storyteller, Kamata guides us through her world skilfully leaving us with a feeling of having made new friends and gained deeper insight into myriad colours of humanity. In this interview, she talks about her writing, her novel and beyond.

Tell us when you started writing? And how?

I have been writing since I was a child. I loved reading, so perhaps it was natural that I would start to make up my own stories. I got a lot of encouragement from my teachers and parents, which inspired me to continue.

How many novels have you written in all? And which has been your favourite?

I have written seven, including young adult novels and one for middle grade readers. At the moment, Cinnamon Beach is my favourite, maybe because it’s shiny and new.

You do stories for children too and poetry. Tell us a bit about those.

I subscribed to a magazine called Ladybug for my children when they were young. I decided to try writing a story and submitting it to the magazine, and it was accepted. Other stories, inspired by my children, followed. For example, my son requested a baseball story. My middle grade novel, Pop Flies, Robo-pets and Other Disasters is the result of that.

What is your favourite genre to read and to write?

I prefer to read and write realistic fiction. The age level doesn’t really matter. I personally read everything from picture books to middle grade novels to adult novels.

How did Cinnamon Beach come about? How long did it take you to write the novel?

This was my pandemic book. I wrote most of it within a year, which is unusual for me. It usually takes me about four years to finish something. But I had a lot of free time during the pandemic, when I was alone in my office, and I wrote. I was kind of obsessed with what was happening in the United States, where things were much, much worse than where I live in Japan. I actually made a visit to the US at the height of COVID-19 because my father broke his hip. So, my thoughts were turned toward South Carolina, where my parents and sister-in-law live. Also, I had been thinking about writing a multicultural beach novel for some time. I enjoy reading novels set at the beach, but they usually feature only white people. My family is very diverse, so when we go to the beach together there is a very interesting mix of cultures. I wanted the book to reflect that.

 What kind of research went into it?

As I mention above, I did visit South Carolina during the pandemic. I also talked about it with my sister-in-law, who is Indian American. She gave me some ideas and commented on the final draft. Other than that, I went for a lot of walks on a nearby beach here in Japan.

In Cinnamon Beach, you have woven in autobiographical elements. Tell us how much of it is from your lived experiences.

A lot of it starts with something true and then leaps into “what if”? I did lose my brother, but not during the pandemic. He died in 2019, and I attended his funeral, but what if he had died a year later, when travel restrictions were in place? Also, I did have a work experience similar to Olivia’s. I brought my story to a newspaper, but I found a new job before the story was published, and I asked that it not appear in print after all. But what if I had allowed it to be published? My daughter is deaf and she uses an app to communicate with non-Japanese users. As far as I know, she doesn’t have a secret boyfriend, but what if she did?

You have written of nepotism in a Japanese University. Is that based on your experiences, facts or is it fiction?

Olivia’s experiences at a Japanese university are based on mine. People often get jobs through connections in Japan.

Having been married to a Japanese for a number of decades, what are the cultural differences? How do you bridge them? Is that woven into your narrative?

There are so many! There are a lot of little ones, such as my husband’s expectation for homemade soup with every meal (which I find troublesome to prepare), and my expectation for some sort of celebration on my birthday (which is rarely met). And there are many greater differences. For example, I feel that people don’t take gender harassment as seriously in Japan as they do in my native country, or that they are unaware of what it means. Also, Americans are very forthcoming about mental health issues, whereas it seems more secret and shameful to talk about them in Japan. I don’t know that my husband and I have necessarily bridged our cultural differences, but I have accepted that we think differently about many things. Olivia is divorced, so she and her Japanese husband did not bridge them very well.

Are mixed marriages more common in Japan or America? Please elaborate.

Mixed marriages are much more common in the United States than in Japan. Marriages between Japanese men and Western women are quite rare. According to Diane Nagatomo’s Identity, Gender, and Teaching English in Japan, in 2013, less than 2 percent of the 21,488 marriages registered in Japan between a Japanese and foreign national were between Japanese men and American women. I doubt that those numbers have changed much.

Do such families — with Western, Japanese, Indian and black, exist outside your fiction? Please elaborate.

Certainly. The ethnic mix of the family in Cinnamon Beach is based on that of my own family. As another example, Nikki Haley, the former governor of South Carolina, is an Indian American married to a white man. Their daughter married a black man. Many children of my Western friends who are married to Japanese have partners who are of other cultures (neither Japanese, nor Western). I think Third Culture Kids tend to be very open to people from other cultures.

 What books, stories, music impact your writing and how?

In the case of Cinnamon Beach, having read beach novels by authors such as Elin Hilderbrand, Dorothea Benton Frank, Mary Alice Monroe, Patti Callahan Henry, Kristy Woodson Harvey and Sunny Hostin made me want to write my own beach novel. I don’t know that music influences my writing, because I write in silence, but it was fun to come up with a playlist of songs that related to the book.

Having said that, I love music and I have known people in bands. The music world is fascinating to me, and I have created musician or music-adjacent characters in other books as well. The character Devon was inspired by the Black American  Country and Western singer Darius Rucker. I knew him a bit in college, because he and his then-band sometimes practiced in the house next to mine. 

What are your future plans? What other books can we look forward to from you soon?

Next up in a short story collection, River of Dolls and Other Stories, which will be published in November by Penguin Random House SEA. And I also have an essay collection (mostly travel narratives) in the works. Will keep you posted!

Thank you for giving us a lovely novel and your time.

(The online interview has been conducted through emails and the review written by Mitali Chakravarty.)

Click here to read an excerpt from Cinnamon Beach

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

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Categories
Editorial

Fly High… Like Birds in the Sky…

He sees a barrier where soldiers stand
with rifles drawn, encroachers kept at bay.
A migrant child who holds his mother's hand


— LaVern Spencer McCarthy, Are We There Yet?

There was a time when humans walked the Earth crossing unnamed landmasses to find homes in newer terrains. They migrated without restrictions.  Over a period of time, kingdoms evolved, and travellers like Marco Polo talked of needing permissions to cross borders in certain parts of the world. The need for a permit to travel was first mentioned in the Bible, around 450BCE. A safe conduct permit appeared in England in 1414CE. Around the twentieth century, passports and visas came into full force. And yet, humanity had existed hundreds of thousand years ago… Some put the date at 300,000!

While climate contingencies, wars and violence are geared to add to migrants called ‘refugees’, there is always that bit of humanity which regards them as a burden. They forget that at some point, their ancestors too would have migrated from where they evolved. In South Africa, close to Johannesburg is Maropeng with its ‘Cradle of Humanity’, an intense network of caves where our ancestors paved the way to our evolution. The guide welcomes visitors by saying — “Welcome home!” It fills one’s heart to see the acceptance that drips through the whole experience.  Does this mean our ancestors all stepped out of Africa many eons ago and that we all belonged originally to the same land?

And yet there are many restrictions that have come upon us creating boxes which do not allow intermingling easily, even if we travel. Overriding these barriers is a discussion with Jessica Mudditt about Once Around the Sun: From Cambodia to Tibet, her book about her backpacking through Asia. Documenting a migration more than a hundred years ago from Jullundur to Malaya, when borders were different and more mobile, we have a conversation with eminent scholar and writer from Singapore, Kirpal Singh. Telling the story of another eminent migrant, a Persian who became a queen in the Mughal Court is a lyric by Nazrul, Nur Jahan, translated by Professor Fakrul Alam from Bangla. Ihlwha Choi has self-translated his own poem from Korean, a poem bridging divides with love. Fazal Baloch has brought to us some exquisite Balochi poems by Munir Momin. Tagore’s poem, Okale or Out of Sync, has been translated from Bengali to reflect the strange uniqueness of each human action which despite departing from the norm, continue to be part of the flow.

Among our untranslated poetry is housed LaVern Spencer McCarthy’s voice on the plight of migrants of the current times. Michael Burch gives us poems for Dylan Thomas. We have a plethora of issues covered in poetry ranging from love to women’s issues, even an affectionate description of his father by Shamik Banerjee. Ryan Quinn Flanagan, Kumar Sawan, Prithvijeet Sinha, Gregg Norman, Anushka Chaudhary, Wayne Russell, Ahmad Rayees, Ivan Ling, Ayesha Binte Islam and many more add verve with their varied themes. Rhys Hughes has shared a poem on a funny sign he photographed himself.

We have a tongue in cheek piece from Devraj Singh Kalsi on traveling in a train with a politician. Uday Deshwal writes with a soupçon of humour as he talks of applying for jobs. Snigdha Agrawal brings to us flavours of Bengal from her past while Ratnottama Sengupta muses on the ongoing wars and violence as acts of terror in the same region and looks back at such an incident in the past which resulted in a powerful Bengali poem by Tarik Sujat. Kiriti Sengupta has written of a well-known artist, Jatin Das, a strange encounter where the artist asks them to empty fully even a glass of water! Ravi Shankar weaves in his love for books into our non-fiction section. Recounting her mother’s migration story which leads us to perceive the whole world as home is a narrative by Renee Melchert Thorpe. Urmi Chakravorty takes us to the last Indian village on the borders of Tibet. Taking us to a Dinosaur Museum in Japan is our migrant columnist, Suzanne Kamata. Her latest multicultural novel, Cinnamon Beach, has found its way to our book excerpts as has Flanagan’s poetry collection, These Many Cold Winters of the Heart.

In reviews, Somdatta Mandal has written about an anthology, Maya Nagari: Bombay-Mumbai A City in Stories edited by Shanta Gokhale and Jerry Pinto. Rakhi Dalal has discussed a translation from Konkani by Jerry Pinto of award-winning writer Damodar Mauzo’s Boy, Unloved. Basudhara Roy has reviewed Trailokyanath Mukhopadhyay’s Tales of Early Magic Realism in Bengali, translated by Sucheta Dasgupta. Bhaskar Parichha has introduced us to The Dilemma of an Indian Liberal by Gurcharan Das, a book that is truly relevant in the current times in context of the whole world for what he states is a truth:In the current polarised climate, the liberal perspective is often marginalised or dismissed as being indecisive or weak.” And it is the truth for the whole world now.

Our short stories reflect the colours of the world. A fantasy set in America but crossing borders of time and place by Ronald V. Micci, a story critiquing social norms that hurt by Swatee Miittal and Paul Mirabile’s ghost story shuttling from the Irish potato famine (1845-52) to the present day – all address different themes across borders, reflecting the vibrancy of thoughts and cultures. That we all exist in the same place and have the commonality of ideas and felt emotions is reflected in each of these narratives.

We have more which adds to the lustre of the content. So, do pause by our content’s page and enjoy the reads!

I would like to thank all our team without who this journal would be incomplete, especially, Sohana Manzoor, for her fabulous artwork. Huge thanks to all our contributors who bring vibrancy to our pages and our wonderful readers, without who the journal would remain just part of an electronic cloud… We welcome you all to enjoy our June issue.

Wish you happiness and good weather!

Thank you all.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the June 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Excerpt

Cinnamon Beach

Title: Cinnamon Beach

Author: Suzanne Kamata

Publisher: Wyatt-Mackenzie Publishing

Olivia

Olivia had cruised along I-26 from the capital to the coast of South Carolina more times than she could count, but this time was different. Back in the day, she had ridden shotgun in a girlfriend’s convertible, with a passel of other co-eds in the back, on their way to spring break and beer and boys at the beach. Or, another time, it had been in her yellow VW Beetle, on the way to see the do-gooder surfer guy she thought she couldn’t live without, the one who spent the summer at Myrtle Beach and took her to that place where they tossed their clam shells onto a sawdust-covered floor. Then there was that excursion to Hilton Head Island with Masahiro, before they got married, the one where he freaked out when he saw an alligator sunbathing on the golf course green.

Later, she’d driven to Charleston for an academic conference where she’d presented her paper on Aiken-born writer Gamel Woolsey. And then there had been that trip to promote her own short story collection – her first ever book tour! When their kids were small, they’d met up at the Isle of Palms with her brother Ted and his wife Parisa and their daughter and two sets of grandparents — the good old days. Olivia felt an arrow pierce her heart. This time, it was just Olivia and her two teenagers in a rental car. A minivan. She wasn’t used to driving such a big car. In Japan, she drove what they called a toaster-shaped Kei car, which was small enough to navigate the narrow roads in their neighborhood.

         “Why don’t you drive faster?” Yuto asked from the back seat. He’d been more or less silent for the first hour of the trip, busy filming roadside novelties with his smartphone, which he’d later post on Instagram or Snapchat or TikTok or whatever – she couldn’t keep up.

         “Why?” Oliva asked, irritated. She looked into her rearview mirror, and saw his head, topped by a baseball cap, hovering over his phone. He’d bought a SIM card before leaving Tokushima. For all she knew, he was chatting with his friends back home.

         “Because everybody’s passing you,” he said.

         As if to prove his point, a massive semi whooshed past them, followed by three more cars, all made in Japan. She glanced at the speedometer and confirmed that she was, indeed, driving the speed limit.

Olivia had read somewhere that early in the pandemic, the highways were so tantalizingly devoid of traffic that many drivers could not resist pressing down on the gas pedal. The highway patrol had raked in the bucks from the speeding tickets they’d issued, back when just about every other business was gasping for breath. But Olivia was used to driving slowly. Also, to be honest, she wasn’t in a hurry to get where they were going. To be completely honest, she was struggling with the desire to turn the car around and go back to Columbia.

         She looked in the rearview mirror again to check on Sophie. As expected, she was engrossed in her manga, oblivious to the scraps of blown-out tires and English-language billboards on the side of the road urging her to repent. Her hearing aids were in her lap.

“Anyone need to stop?” she asked. “Looks like there’s a service station up ahead.”

She thought she heard a murmur of agreement, and she wanted to use the restroom anyway, and take a moment before hurtling on into this dreaded not-a-vacation, so she eased onto the next exit ramp.

Once the car was parked, she leaned over the back seat and tapped Sophie’s knee. She signed “bathroom?” – one hand making a “W. C’ like an OK sign with an open O. Olivia was sure that it was an obscene gesture in some European country – Italy, maybe – just as the Japanese sign for “older brother” meant “fuck you” in America.

Sophie nodded and pushed the thick manga off of her lap. They went in together, Olivia waiting outside the bathroom while her daughter went in first. When she came out, Olivia handed her a couple of crumpled dollar bills. “Buy a snack or a drink,” she signed.

Inside the bathroom, she stood in front of the mirror, far enough back to take in at least half of herself. Her shalwar kameez with the Parisa! label stitched in back was not as wrinkled as she’d expected. This one, in a Palmetto print with a nod to the South Carolina state tree, had a touch of polyester. She was wearing it as kind of conciliatory gesture toward her sister-in-law, the eponymous Parisa!

A few years back, Parisa had come up with the idea of marketing the traditional tunic and pants combo of Southeast Asian women to ladies who lunch in the South. Instead of stitching them up into the usual jewel-toned silks and cottons of her parents’ India, she chose Liberty of London florals, playful prints, and alternative materials, such as paper. The “pajama pant suits” had taken off locally, and then nationally, after a few significant influencers had posted photos of themselves dressed in Parisa! on their social media. The outfits were classic, flattering to just about every body type, and they were super comfortable. Now, Parisa’s fan base included female politicians, writers, and talk show hosts. Parisa! had become a household name.

Olivia smoothed down the front of her tunic with the palms of her hands, then swiped at the smudges of mascara under her eyes with a pinky. There was a dent between her eyebrows. If only she had been injected with Botox! If only she were ten years younger! She sighed, turned away from the mirror, finished her business and went back to the car.

Yuto and Sophie were already in the back seat, buckled up and ready to go. Sophie had popped open a can of Diet Coke.

“What’d you get?” Olivia asked.

Yuto held up a bag of fried pork rinds. “Want some?”

“Uh, no thanks.” Sure, Olivia had lived in the South, but she’d never become quite that Southern.

Parisa

Parisa had just finished making the last bed when she heard the crunch of tires on gravel. She spent a few extra seconds smoothing the coverlet, stalling, before moving to look out the window.

         Normally, when the family gathered at the beach house, they would go to the linen closet themselves, get the sheets, and make their own beds. They had their favorites. The kids liked the ones with faded cartoon characters, which reminded them of being innocent and carefree, of those days before the anxiety of zits and dating and final exams. Olivia went for the sheets with the highest thread count, which were probably nicer than the ones on her bed in Japan. Parisa didn’t think they could afford such sheets, even if her husband was a professional golfer. It had been a while since he had won any tournaments, and she seemed to remember that he’d lost one of his endorsements. And in Japan, didn’t they sleep on mats or something? Parisa had seen Olivia petting the bed after she’d finished making it, as if she enjoyed the silky smoothness. But this time, Parisa made the beds for them. It wasn’t a normal time. Parisa wondered if life would ever feel normal again.

         As if sensing her mood, Chester padded into the room and nudged her with his snout. The golden retriever shed something awful in the warmer months, and he left a patch of fur on her maroon USC T-shirt. She plucked at the dog hair, her fingers grazing the Gamecocks emblem. She’d worn the shirt on purpose to remind her of how they had all met, she and Ted and Olivia.

         They’d all been students at the University of South Carolina in Columbia. She and Olivia had been in the same class, but they had not met until Ted introduced them. Ted had been a year ahead. They had worked together at a swanky restaurant, one where the staff had been trained in table settings and wine pairings. In between bussing tables, Ted had told Parisa about the bistro that he planned to open himself someday, and she’d told him about her dream of becoming a fashion designer. Once they’d started to get serious, she’d brought him home to meet her parents, who had immigrated from New Delhi back in the 1960s – and her older brothers, who’d been born in Greer, South Carolina, just as she had, but who had been raised to be good Indian boys.

         She remembered how her parents had met them at the door, and how, after stepping inside, Ted had gotten down on his hands and knees and touched their feet in greeting. Apparently, he had seen someone do this in a movie or something. Parisa had been both embarrassed for him, and deeply moved by his effort. She had remained standing, twisting her hands together. Her mother, who had dressed in a peacock-blue sari for the occasion, had taken it all in stride, as her due. Her father had chuckled and ordered him to his feet.

         They’d led him into the living room where her brothers, Arun and Anil, sat waiting in armchairs. The Indian-style swing, which hung from the ceiling, and which Arun usually preferred, was empty. When they got up to shake his hand, Parisa was momentarily worried that Ted would try out a “namaste” on them, but he didn’t. He shook their hands, as he would those of any American, and when invited, sat down on the sofa. And then they’d all grilled him mercilessly. Where was he born? What did his parents do? What was he studying? What did he aspire to do in the future? Where did he want to live after graduation? And so on.

         The Hispanic housekeeper had brought out a silver tray of chai and Indian sweets – laddoos and barfi – which Ted had dutifully consumed. He had raved about them, not realizing that Parisa’s mother had bought them at the Asian market. She spent as little time in the kitchen as possible.

         Once they were back in the car, about to drive back to campus, Ted took a deep breath and slowly exhaled. “Wow,” he said. “That was grueling.”

         She’d worried that it had all been too much for him, but a week or so later, he’d taken her to meet his parents, who’d moved down to South Carolina from Michigan. They had been kind and welcoming, a bit more subdued than her own parents. Ted’s mother had served meatloaf with mashed potatoes, and peach pie for dessert. Although they had asked one or two questions about her parents’ backgrounds and jobs, they hadn’t pried.

It had taken a bit longer for Ted to introduce her to his sister.

      “She’s kind of…different,” he’d said, more than once. “I worry about her sometimes.” A cloud seemed to form over him every time her name came up. He’d frown and lower his voice as he itemized his concerns: She didn’t have any sort of career plan for after graduation. She liked to write poetry, and she sometimes consulted tarot cards. Also, her taste in men left a lot to be desired. She tended to go out with guys who had earrings and wore eyeliner. Often, they played in bands. One had been arrested for drug possession. Luckily, these romances never lasted long.

         “When am I going to meet your her?” Parisa had asked more than once, even as she harbored her own reservations. What if Olivia didn’t like her? What if she didn’t like Olivia? What would that mean for their future together?

         “Yeah, soon,” Ted always said, but the occasion never seemed to arrive.

         One Friday evening, when they were both off of work, he invited her over to his apartment for dinner for the first time. He was planning a feast, he told her. She wondered if this was it, if he would propose.

         Parisa dressed up in a black linen sundress. Her shapely legs were a toasty brown, so she didn’t bother with hose. She showed up on Ted’s doorstep with a bottle of wine. He was wearing an apron over his blue button-down Oxford shirt and khakis, which was cute. He leaned in and kissed her, and she caught a whiff of Polo. With one hand, he took the wine, murmuring appreciatively, and with the other at her back, ushered her into the living room/dining area.

         The apartment, which he shared with two other guys, was neat and tidy, so unlike a typical college guy’s domain. Healthy green plants flourished in the corners of the room, and an aquarium gurgled pleasantly. The guppies and black mollies always swam in clear water, so it was obvious that someone – Ted – regularly changed it. There were no stray socks or empty beer cans or empty pizza boxes anywhere in sight. No old newspapers, no cockroaches scuttling about. The air was redolent with sizzling steaks and butter-fried garlic. A colorful salad in a teak bowl already sat at the center of the table, which was covered in damask. Candles stood sentinel on either side of the bowl, ready to be lit. Cloth napkins tucked into pewter rings were settled beside each earthenware plate.

         “Are you hungry?” he asked, a hopeful lilt in his voice.

         “Famished.” Seeing how much effort he had put into the evening, she’d already decided that she would praise the food no matter what. She would eat every morsel. But she could already tell that it would be delicious.

         He uncorked and poured the wine. She sat down at the table and spread her napkin over her lap. He brought out the perfectly seared steaks, the stuffed mushrooms, and steamed broccoli. Once everything was just so, he took his place across from her. They toasted and clinked their wine glasses together, took sips.

         “Yum!” she said, lifting her fork. She had just taken her first bite when the phone rang.

         A flicker of annoyance passed over Ted’s face. He ignored the call at first, but then the answering machine beeped, and they heard a tremulous voice. “Ted? Are you there? I need your help.”

         He sighed gustily, and pushed back from the table. “Sorry, it’s my sister. Better see what she wants.”

         Parisa continued eating, chewing quietly so that she could listen to Ted’s half of the conversation.

         “What? How did that happen? No, never mind, don’t tell me. Where are you? Okay, sit tight. Stay in the store, where there are people around. I’ll be there soon.”

         He hung up the phone, squared his shoulders, and turned back to the table. “I’m so sorry. My sister ran out of gas in a bad part of town. I have to go help her.”

         Parisa surveyed the table. She knew that Ted had spent a lot of money and time on this dinner, and if they left the table now, it would be wasted. That’s when she understood how much Ted truly cared about his sister, what a good, kind brother he was. What a good, kind, caring man.

         “Do you mind if I go with you?” She could finally meet the mysterious Olivia.

         He hesitated for a moment, then shrugged. “Not at all.”

         Ted grabbed a jerry can which he just happened to have on hand. She remembered that he had been a boy scout, and that their mantra was “be prepared.” They drove out to the edge of town, where Parisa had once gone with a sorority sister to deliver Meals-on-Wheels. Parisa wondered briefly if Olivia had gone out there to buy drugs, then quickly quashed the thought. There were many reasons why she might have ventured into the area. Maybe she had gotten lost.

         Ted’s jaw was tensed on the mostly silent ride. Finally, they pulled into a convenience store parking lot. The windows were covered with grills. Almost as soon as Ted had killed the engine, the door opened and a waifish young woman with black hair, done in a bob, pale skin, and fire engine red lips came rushing out. In the harsh light, Parisa could see that her eyes were surrounded in kohl. She looked like a goth Snow White. She was wearing a black leather jacket over a tight leopard print dress, and her legs were covered in fishnet hose. With her black Doc Martens, she seemed as different from Parisa’s sorority sisters, with their curling-ironed blonde hair and Lily Pulitzer pants, as a girl could get.

         The rear car door opened, and Olivia slid in, dragging the back of her hand under her nose. Parisa then saw that it was not kohl surrounding her eyes, but smeared mascara. Clearly, she had been crying.

         “Are you okay?” Ted asked. “Did someone hurt you?”

         “Only my heart,” she said with a sniffle.

         Ted looked over at Parisa and rolled his eyes. “Boyfriend,” he mouthed.

         “Hi,” Parisa said, leaning over the seat. “I’m Parisa.”

         “Ted’s girlfriend,” Olivia said. “Yeah, I’ve heard a lot about you. Good things. Nice to finally meet you.” She smiled, and Parisa smiled back. She knew right away that they would be friends.

About the Book:

Cinnamon Beach is a multicultural tragicomedy, told from three female perspectives, in which an American writer living in Japan returns to South Carolina to scatter the ashes of her brother while trying to maintain the “perfect-family” facade she created from afar and support her Indian American sister-in-law who wants a future which might upset everyone. Sparks fly at an impromptu book-signing when the author reconnects with her college friend, now a famous African American country music star, and her daughter who is deaf finds ways to communicate with a secret first-love. The book will be published worldwide by Wyatt-Mackenzie Publishing on August 6, 2024. It is now available for preorder.

About the Author:

Suzanne Kamata was born and raised in Grand Haven, Michigan, and later moved to South Carolina where she graduated from the University of South Carolina. She is the author of the award-winning short story collection, The Beautiful One Has Come and four previous novels – Losing Kei (Leapfrog Press, 2008), which has been translated into Russian; Gadget Girl: The Art of Being Invisible (GemmaMedia, 2013) winner of multiple awards including the APALA Honor Award and the Paris Book Festival Grand Prize; Screaming Divas(Simon & Schuster, 2014) which was named to the ALA Rainbow List; and The Baseball Widow (Wyatt-MacKenzie,2021), IPPY Gold Winner and 2022 NYC Big Book Award Winner. She has also received awards from the Sustainable Arts Foundation, the Independent Publisher’s Association, SCBWI, and Half the World Global Literati Awards. Additionally, she has edited three well-received anthologies, and her essays have appeared in Real Simple, Brain, Child, literarymama.com and many others. She has an MFA from the University of British Columbia, and teaches English at Naruto University of Education in Japan. She lives in Tokushima Prefecture with her husband and cats.