Categories
Poetry

(Otherwise) Ridiculous

By Jason Ryberg

Courtesy: Creative Commons
The lone Bos primigenius on the hill at night,

do you suppose she ever wonders
in her laconic, bovine way
what the stars could possibly be?

Does the Tyto alba contemplate
the moon’s topography (from his
hayloft perch) or what mysteries might
lay on its darker side?

The Nephila clavata centred in his jewelled web,

does he receive strange frequencies
(or just old radio transmissions)
on its taut wires and filaments?

What about the sleepless philosopher/ poet
taking his thoughts out for a late-night
walk around the neighbourhood?

Does the universe leave cryptic,
fortune-cookie clues and candid
little Polaroids of the Bigger Picture
lying around for him to find
and piece together later?
Or is this semi-educated fool merely
adrift on a sea of his own imagining
in the leaky rowboat of his skull
and nothing but a kerosene lamp,
a stone jug of his uncle’s corn liquor
and an old typewriter on which
he may compose

such (otherwise) ridiculous
and impertinent questions?

Jason Ryberg is the author of eighteen books of poetry, six screenplays, a few short stories, a box full of folders, notebooks and scraps of paper that could one day be (loosely) construed as a novel, and, a couple of angry letters to various magazine and newspaper editors.He is currently an artist-in-residence at both The Prospero Institute of Disquieted P/o/e/t/i/c/s and the Osage Arts Community, and is an editor and designer at Spartan Books. His latest collection of poems is Kicking Up the Dust, Calling Down the Lightning (Grindstone Press, 2023). He lives part-time in Kansas City, MO with a rooster named Little Red and a Billy-goat named Giuseppe and part-time somewhere in the Ozarks, near the Gasconade River, where there are also many strange and wonderful woodland critters. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Essay

In Search of the Perfect Dosa

Ravi Shankar trots around the globe in quest of the perfect dosa

Dosa is a speciality of South Indian cuisine. Courtesy: Creative Commons

I was intrigued by the filling of the masala dosa. I had never come across a beetroot-based filling before. The dosas of my childhood used potatoes coloured yellow with large doses of turmeric as the filling. The dosa (a thin pancake made from a batter of fermented lentils and rice) was nice and the strong coffee enhanced the flavour. Indian Coffee House (ICH) is an institution in the Southern Indian state of Kerala though they have a few branches outside. The coffee workers’ cooperative operates over 400 outlets in India. The dosa is good and the chain serves decent food and has an old-fashioned vibe with turbaned servers and solid wooden furniture. There are several restaurants run by ICH in the town of Thrissur (Kerala’s cultural capital). There has been one operating for several years at the Government Medical College campus and two at the Swaraj Round in Thrissur.

Bharat is today a very popular hotel in Thrissur, Kerala, and is packed from morning till evening. People crowd all around you as you eat, waiting for you to finish and vacate your table so that they can enjoy their repast. I find this very disturbing and am unable to enjoy my food when someone is waiting in the wings. Bharat had introduced a triangular dosa in the nineties and they offered a good selection of chutneys and powders to accompany the dosa. The huge crowds mean that the server may not always be able to bring your dosa to the table at the optimum temperature.

Dosa should be served at the perfect temperature. Within a minute or two it should be on your plate from the griddle. Too long a wait and the dish become cold and soggy. Not all establishments are able to commit to this tight time frame. Serving a dosa at large gatherings may be challenging as people have to wait patiently for fresh dosas. Creating a perfect dosa requires expertise, commitment, patience, talented people, and maybe a little bit of magic.

In my opinion, there are two main varieties. The restaurant one is crisp, thinner, and larger while the home-made variety is thicker, smaller, and less crisp. There can be a variety of batters ranging from white rice, a combination of different varieties of rice and pulses and millets among others. Making dosas can be a tough task in hot climates. The kitchen is hot, the griddle is sizzling and the flame a glimpse of the fires of hell. Hot weather is needed for fermenting of the batter. Chefs in cold climes face challenges in this regard.

I have always preferred dosas right from childhood. My mother used to make one from a batter consisting of different types of rice and pulses and the thick dosa went well with spicy chutneys.

A dosa uses the nutritionally sound combination of cereals and pulses used by humans throughout the planet since ancient times. The oil required to roll out the dosa from the pan could be a worry for some. But with non-stick pans, the amount of oil required can be very much reduced.  

Our hostel mess at Thrissur used to make good dosas though we often had to rush into the kitchen to get it piping hot. We also visited a local tea stall where we had the more homely variety with onion chutney and coconut chutney. Pathans, an old restaurant and hotel in Thrissur serves great dosas as do several other hotels.  

Neer dosa with chicken curry. Courtesy: Creative Commons

During my residency in Chandigarh, I was introduced to more unconventional fillings. In sector 11 next to the Postgraduate Institute there was a restaurant that served a chicken dosa with a spicy filling. Punjabis love their chickens. For a brief period, the hospital canteen at Manipal, Pokhara, Nepal was run by a group from Mengaluru, India. I got to taste the neer[1]dosa that goes well with spicy chicken curry. Neer dosa uses water, true to its name. In Nepal, Marwaris carry on the Indian food tradition but their dosas usually are not up to my standards. I used to visit Coimbatore in Tamil Nadu, India as a FAIMER[2] fellow and faculty and this city has a rich tradition of dosa making. The PSG[3] Guest House has a famous dosa maker whose skills and reputation are legendary

The island nation of Aruba in the Caribbean may not be in your mind when you think of dosas. However, the Taj Mahal Indian restaurant in the capital, Oranjestad, would serve dosas every alternate Tuesday. The masala dosas were quite good and filling. I visited with my colleagues from the University. In Saint Lucia in the West Indies, the college canteen made good dosas and these were available in the mornings and afternoons.

Ragi dosas Courtesy: Creative Commons

I was introduced to the ragi dosa in the town of Kolar in Karnataka, India. Ragi and millet have gained a formidable reputation as miracle foods. The ragi dosa is darker in color than its rice cousin, thicker, and may be more filling. I really enjoy ragi dosas. These days I occasionally go to MTR[4] in downtown Kuala Lumpur to enjoy this treat. The MTR ragi dosa plate has two delectable pieces with a small dollop of clarified butter and two chutneys and sambar. Filling and nutritious!In KL, I usually ate dosas for breakfast at the Sai Canteen in the International Medical University. The dosas are crisp and go well with the freshly ground chutney. The Indian restaurants in Brickfields in downtown KL serve very good dosas. Saravana Bhavan, Adyar Ananda Bhavan, and Sangeeta are a few examples. There may be a shortage of servers and the dosas may not always reach you piping hot and ready to eat. Making and serving dosas is labour intensive.

In Mumbai, the Udupi restaurants usually serve good quality dosas and these restaurants have become synonymous with South Indian food. I recently had a Mysore dosa at the Ram Ashraya restaurant in Matunga Mumbai. The Mysore dosa has a spicy lining on the inside and is a delightful concept. The waiting lines were long, and the restaurant was old-fashioned. I felt distinctly uncomfortable. The dosa however was delicious.

Pesarattu is a dosa mainly from Andhra and Telugu-speaking areas of south India made of green gram, ginger, cumin, and chillies. I was first introduced to this delight during lunch at PSGFAIMER, Coimbatore. Each afternoon there were specialties from a particular South Indian state. In KL, I can taste pesarattu at the Green Chillies restaurant near my apartment.

The accompaniments play a huge role in enhancing the taste of the dosa. A perfect sambar with drumstick and other vegetables, different types of chutneys, chamandi (a thick condiment made from chillies, coconut, ginger and a variety of other ingredients) and idli powder (termed gun powder). Chutneys can be made from red chilies, green chillies, and mint. There is also a gunpowder dosa, where a paste of gunpowder is smeared on the inner side of the dosa like a Mysore dosa.  

Spanish Masala movie poster

I remember watching the dosa-making skills of the actor, Dileep, in the Malayalam film Spanish Masala. Dileep was an illegal immigrant in Spain and invents a new filling for the dosa and names the dosa Spanish Masala. With a dosa batter, a hot griddle, cooking oil, clarified butter and passion you can create magic in the form of a rich, thin, crackling dosa. In many ways, the dosa is as adaptable as a pizza. Various fillings and batter can be used, and the dish can be adapted for various tastes. However, maintaining a dosa piping hot may be more challenging, which may account for its lesser popularity as a takeout item. I may have tasted perfection in a dosa only around twenty times in my life. Often, the dosa was not crisp enough, was not served at the optimum temperature, the accompaniments were not of good quality, or the place was too crowded. I often dream of the perfect dosa, thin, crisp, dark brown, and piping hot, just waiting to melt in the mouth!    

.

[1] Tulu word for water

[2] Foundation for Advancement of International Medical Education and Research

[3] PS Govindswamy

[4] Mavalli Tiffin Rooms, a restaurant chain started in 1942

Dr. P Ravi Shankar is a faculty member at the IMU Centre for Education (ICE), International Medical University, Kuala Lumpur, Malaysia. He enjoys traveling and is a creative writer and photographer.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Time in its Flight

Poetry by George Freek

Art by Slavador Dali (1904-1989). Courtesy: Creative Commons
TIME IN ITS FLIGHT 
(After Su Tung Po, Song Dynasty poet)

Torn from darkness,
the sun reveals a dismal day.
As if from a sermon, 
a bird turns away.
I drink my tea with care.
I lean back in my chair.
It emits a squeak
of compressed air.
I sometimes think 
life is unfair.
Dead leaves fall
everywhere, caught
in a fierce wind,
they careen wildly,
like epileptic drivers,
unaware they’re
no longer survivors.

George Freek’s poetry has recently appeared in The Ottawa Arts Review, Acumen, The Lake, The Whimsical Poet, Triggerfish and Torrid Literature.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Slices from Life

Apples & Apricots in Alchi

Narrative and photographs by Shivani Shrivastav


River Indus en route to Alchi, near Village Saspol.

I pulled my cap a little lower as I started for Alchi, after getting a full can of petrol from the Leh petrol pump. It was a very new thing for me — I marvelled at how a city could have just one petrol pump, and that too for miles around. Moreover, it served the neighbouring villages as well.

To reach Alchi, I had chosen the Delhi-Srinagar route. The distance would be approximately 66 kilometres from Leh, and would perhaps normally have taken two hours, but because of my propensity to stop and admire the rivers, trees and clouds, I knew it would be more than that.

The ageing two-wheeler I had rented was the last one available, but I was just grateful just to go, even though it was with prayers in my heart for a safe journey. The interesting part was, if I wanted to go straight, I had to aim the scooter a little to the right, which in itself was a scary thing, because if I lost myself in admiring the natural beauty too much, I could end up veering to one side, risking an unwanted encounter with the huge army trucks that passed through the remote roads from time to time.

As I started, I noticed the Himalayas in the distance, the white peaks were getting covered in the fresh falling snow, right before my eyes. It seemed propitious, and I started with a smile. Passing through the straight road, repeating the simple directions in my head — follow the road, reach the village Nimmoo, then just keep going on the same road — I felt at peace somehow. It was just me, the long, straight road, the puffy white clouds and the endlessly stretch of brown mountains. And of course, the blue sky that seemed to travel with me everywhere I went.

The journey to Nimmoo was smooth, with just the sound of the wind in my ears and no network on my cell phone. At Nimmoo, I stopped for a cup of tea and some biscuits. I saw the confluence of the Indus and Zanskar rivers on the way, near Nimmoo. I paused to take in the scene — the mixing of the greenish Indus and the bright teal-coloured Zanskar creating a mesmerising palette against the browns of the mountains. Some trees created a layer of green too – I think they are poplars and willows.

As I turned around to restart the drive, across the way, I saw a lady bent over by the side of the road. She was sweeping the road free of small stones that fell from the mountains onto the path. She stopped for a drink from a metal bottle from a backpack that she was carrying. I took the opportunity to talk to her about her motivation for this hard work. She said, “I am a government servant. It’s my job to clear the roads of small stones so that travelers can drive safely. For larger stones, I call other workers who work with shovels and machines.”

I asked, “No one is watching you here; why don’t you rest for a while?” She replied with an open smile, “But I know what I’m doing; I’m watching myself. I have already taken my lunch break. I will stop before it is dark and go back to my village.” Saying this, she pointed to a place not visible from where we stood. I’m reminded that I too, should reach Alchi before dark. Bidding her a respectful and heartfelt “Julley[1]”, I again started on my way.

I passed under mountains extending over the road. I was so hypnotised by the sights and the river and the song of the wind in my ears that I did not notice the huge army truck until it passed to my right. Another foot or so and I would have been history. A little shaken, I anchored myself more firmly to the task at hand and took the final left turn towards the village. I passed a beautiful small bridge made of metal, on both sides of which were poplars turning their leaves yellow and orange. A little further, I reached a huge prayer bell mounted by the side of a road, beyond which were mountains standing like sentinels, and yaks grazing the fields.

It was idyllic and pristine. After a quick drink of water and some photos, I was on to the last leg of the journey. Finally, just as evening was about to fall, I reached the village. Entering it, I could see hay bales, shingled houses and the boundaries of houses made of grey and brown stones stacked together, and rosy-cheeked children playing under trees. With a sigh of relief, I stopped my vehicle some distance from the monastery, taking it as close as I could get. The monastery was the main reason for my visit here. It was supposed to be one of the oldest in Ladakh; made around the year 1024 by hand. Somewhere in my mind, I was also worried about the fact that the seat of the vehicle would not lock, so I could not leave anything in it. By this time, I was famished that I decided to eat first and ask at the restaurant for a homestay nearby, trusting the goodness of the human heart and leaving some of my basic stuff inside the seat of the vehicle.

The restaurant was called ‘Alchi Kitchen’ and appeared to be the only one there. As I climbed the stairs with my backpack and my camera bag, I could see the mountains, the village stretched out below and the monastery. It was surprisingly comfortable, with low seating and gleaming brass and copper cookware in the open-plan kitchen inside. I ordered a plate of Manchurian and rice and watched them make it. The owner and her two young assistants were laughing and chatting as they cooked, their actions precise and practised.

Nearby was a group of youngsters, who appeared to be done with their meal. While waiting, I walked out to the balcony, in front of which was a mountain with the setting sun glinting off it, and prayer flags on its summit waving in the wind. After a few pictures, I just stood and gazed, absorbing the peace radiating from the mountains. Nature is always a balm for the soul. The mountain seemed like an old friend somehow, familiar, whom I was meeting after a long time.

Suddenly called back from my reverie by the owner’s call, I returned inside.  The meal was simple but had layers of flavours. I devoured it feeling grateful towards the people who prepared it. Once I had eaten, refusing the offer of dessert, for I truly was stuffed, I thanked the owner and her friendly assistants and asked about a homestay. They guided me to a house just to the left of the monastery complex, saying that I should tell them that Padma had sent me.

I went to the house as directed. It was a beautiful old wooden three-storied house, with a big courtyard and trees all around. All the evidence of the busy and full household could be seen in the yard – a child’s bicycle, many pairs of shoes, sandals and rubber slippers, flowers planted in pots, random jars and even cut-off plastic bottles, clothes drying on a clothesline and some puppies and chickens playing in the lawn. Such a scene of blissful domesticity!

I asked the homeowner who was just coming out of the house if it was indeed Tsering Dolma’s house. He confirmed and asked if I needed a room. I affirmed that but added a request to see the room before I finally decided. He led me inside, up two flights of stairs, and showed me to a room which had windows from top to bottom, along two walls. These opened out into the backyard, that had a view of the monastery, the river Indus flowing behind it and the mountains beyond it.

I immediately said “Yes!” In all my 30 years of age, I had never once travelled or stayed alone anywhere, let alone at such a remote location, where even the mobile reception was sketchy! However, there was something about this place that seemed so comforting and welcoming, with a feeling of déjà vu.

Smiling, the friendly Tsering asked if I would like some butter tea. Although it was slightly late to be having tea, I could not resist his sweet smile and graceful manner and agreed. He asked his grandson to request his mother for two cups of tea for us. Having kept my stuff in the room, I washed my hands and face and came out. Tsering was sitting in the upstairs sitting room, which had beautiful low seating in front of hand-carved windows. The windows looked out over their lawn studded with apple and apricot trees.

Somehow, it was very easy to talk to Tsering, regardless of his age – he was a grandfather, and we were from such different backgrounds and our life experiences were diverse, yet there was a common thread of humanity and communion that linked us. I had found that people in Ladakh were open-hearted, warm and welcoming if we were friendly. I had never been very outgoing myself, but faced with such spontaneous acceptance, it was hard not to be receptive and equally responsive. Tsering told me about his family and his children’s studies, and we were discussing Ladakhi culture and life at Alchi when his daughter-in-law brought our tea. Smiling shyly, she placed the teacups on the hand-carved table. Tsering asked her to join us, but she said that since dinner was almost ready, she had better take care of that. She did stay, however, to tell me proudly about the children, aged five and two. The older boy I had already met; the younger — a daughter — was playing with her grandmother. After chatting with them both, I asked them if I it was safe to stroll outside for a while. He said that it was perfectly safe and that I could walk around, but to be sure to take a flashlight, or my mobile, as there were no streetlights there.

I took my phone and went outside. The street had small houses on both sides. In one, some women were lighting a clay lamp in a small alcove in front of their house, while chanting something which seems extremely melodious. The scene seemed out of this world, so removed from my usual life. I slipped into this new reality, which seemed far more real than from what I had left behind.

I looked around. The sky was full of stars. The chill breeze was interrupted with the scent of food being cooked in kitchens all around. I took a deep breath and rooted myself deeper into the present moment.

From somewhere came the smell of incense. I walked slowly through the short lane, looking up at the endless sky from time to time. After a slow walk around the monastery walls, I was back at the homestay. Skipping dinner in favour of a light soup served in their kitchen, I chatted a little with the family and then slept early, for I planned to catch the morning light for my photographs.

In the morning, I am woken up by birds outside my window. There were only three sounds I heard – the birdsong, the sound of chanting, and the sound of bells from the monastery. I got up and after freshening up, went out to find Tsering waiting outside in the hall. He said that breakfast could be ready soon and that if I went to the monastery early, I might catch the morning prayers there.

After a sumptuous breakfast of homemade khambir [2] and homemade apricot jam (made by Tsering’s family and even supplied to many shops and emporiums at Leh), along with piping hot butter tea, I went down to the lawn. I found Tsering’s grandchildren playing there with their friends. Enchanted by their animated play, I sat there for a while, clicking them after taking Tsering’s permission. Then I went to the monastery.

The street en route was being readied for the day’s market — people were setting up tables and taking out handmade wares — jewelry, masks, bronze statues, shells and more. As I entered the grounds of the monastery, a deep silence seemed to calm my being. Walking straight down to the main temple, I could feel the history of the place, soaked in the meditation and prayers of so many people.

I went inside, where there was a tall painting of the Buddha, decorated with gold leaves. I looked up at the wooden rafters. I thought how long ago, the common people would have crafted this by hand. I went around with my hand on the prayer wheels placed along one wall of one of the smaller buildings there.

Afterwards, as I stood there looking at a small boy praying with his mother, I tried to feel the stillness inside me. It was something new; a total contrast to the constant activity that was my norm. After sitting there to my heart’s content, I started to circumambulate. A local woman’s two-year-old was doing the same. The child was imitating her mother, who I noticed was not forcing the child to do anything.  Little Amo, for that was her name, smiled at me shyly from behind her mother’s legs. I photographer too. When I said that I admired that she was not pushing her child to do anything, she replied that she was proud of her culture and religion and would just like to present them to her daughter and let her make her own choices. It was okay if she chose a different life, but at least she would do so knowing the alternative.

Amazed and humbled by the generosity of spirit of a young mother in such a remote place, I followed her as she finished her circumambulations. On my third round around one of the corners of the monastery complex, I felt this sudden urge to go down to the river Indus flowing behind the building. After I was done at the monastery, saying bye to Amo and her mother, I asked for directions and people guided me to a tiny lane going down the hill, behind some houses, right down to the riverbed.

I was thankful I was wearing my sports shoes and not the pair of sandals I had also brought. Walking down was a little harder than I had thought, and I was slightly out of breath by the time I reached the grey, stony bed of the mighty Indus. Taking off my shoes, I descended to the edge of the river. It turned out to be a wise choice, for the stones were a little slippery, being rounded and shaped over centuries by the river. I scooped up some handfuls of the river water and drank, excited about being in aa place I had only imagined in my wildest dreams. The water, as I brought up my hand to my mouth, sparkled, giving off rays of reflected light from the morning sun. It cooled my hand. I took a few pictures. Then keeping aside my camera, felt like sitting and meditating beside the slowly flowing river.

The flow rushed and slowed down in certain spots as the river wound around big grey rocks on its path. I sat to listen to the gentle gurgle and sounds of the ebbs and flow and lost track of time. After some time, I sensed another presence and opened my eyes. I saw a stranger a little distance away, setting up his tripod and making slow changes by trying to balance it on the rocks. He was wearing an orange sweater with a loose black jacket over it, jeans and a pair of those sandals that serious trekkers wear. He had extremely curly black hair and appeared to be lost in what he was doing. However, as if he sensed my gaze, he turned my way and smiled. As I rose, I could sense my heart decide that I would trust this person; I felt as if we had already met, or rather known each other for ages. Something in his eyes spoke to my soul in a way that was both soothing and familiar. I knew I could trust this person; he was no stranger — my soul recognised him.

He simply said, “Nice to meet you. I am Kabir.”

“I am Shivani. Same here.”

“Sorry to disturb your meditation.”

“No, you did not disturb me; I just felt your presence.” I responded.

He smiled and asked if I could help him position the tripod and focus his camera for a few pictures and videos. I agreed to help, and sitting as he directed, let him set the focusing timer on this camera, so he could take my place and shoot himself sitting in meditation along the riverbank.

He asked me to arrange some flat stones that are symbolic of a prayer to the elements. I was a little hesitant but when he said that the video would only show the stones and my hands, not my face, I relaxed and let him take his shots. After he finished, we sat there for a long while, sometimes speaking, most often just sharing the silence.

I did not want the meeting to end somehow. I sensed that he was feeling the same; he asked me where I was staying. I told him; he said that he had just put his stuff there too, that very morning, and came directly to the riverside. He must have arrived after I had already left for the monastery.

This meeting had a sense of déjà vu, a synchronicity to it. As we got up to go back to the homestay for lunch, our eyes met. For some seconds, the sound of the rushing river, the insistent wind and the distant bird calls all faded away and it seemed as if I was in a vacuum stretching across time, with just the two of us. I knew that this was a new beginning of an old connection. He felt something too, and we started walking in companionable silence, comforted by the shared upswing of so many emotions. The sense of having done this before created a bridge between our souls, across time and beyond. I felt I was finally home.

[1] Greeting in Ladakhi (Hello/Thank you/Goodbye)

[2] Khambir – Ladakhi bread, ref. Khambir and Butter Tea | Butter Tea | Ladakh Cuisine | About Ladakh (ladakhdekho.com)

Shivani Shrivastav is a a UK CGI Chartered Secretary and a Governance Professional/CS. She loves meditation, photography, writing, French and creating.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Stories

Arthur’s Subterranean Adventure

By Paul Mirabile

Courtesy: Creative Commons

Arthur was a secretive lad, a strapping boy of alcoves and copses, of coombs and chasms … of shadows. He had no friends nor at school, neither in the neighbourhood. His extraordinary imagination provided him all that he required to communicate with the marvels of the world.

It was early spring, and unseasonably warm. After school, Arthur would rush up to his room to examine, over and over again, maps of the world and his large globe, which he turned ever so slowly, scrutinizing all latitudes and longitudes. The sixteen-year-old boy had been brewing a remarkable idea for months, and now would be the time for that idea to take a definite form: Dig a tunnel from his village that would lead him diagonally to Australia! The idea had struck him like a lightning bolt. It seemed perfectly feasible as he spun that globe round and round. He would have to tunnel southwards to the asthenosphere[1], then veer eastwards. It would take a year… No! Perhaps years. But it could be done…

For now, however, certain preliminaries had to be dispensed with: locating the exact place to start digging without being seen, concealing the tools, the ladder, the dug up dirt. Yes, it was quite a lofty programme that required organisation and determination.

He looked beyond the meadow from his upstairs room window, over the rye fields and into the thick woods where hidden in the thickets lay a seventeenth century cemetery into which no one ever ventured. That would be the perfect location to start his tunnel. His father had all that he needed; that is, a pickaxe, a shovel and a bucket. As to the dirt, he would just scatter that about the woods or fill in the plots that had long since sunken deep with their fallen, crumbling tombstones. Arthur wasn’t afraid of the dead, nor of their ghosts.

To put his journey into action he needed time, and above all, the utmost secrecy. No one must guess his intentions, especially not his parents. On Monday after school, Arthur went out on reconnaissance. He changed his clothes and trotted into the woods beyond the meadow. In the abandoned cemetery, he began searching for a place to dig. He strolled in and out of the tombstones amusing himself by reading the epitaphs on the cracked tombs, most of them having been written in Latin. Huge, yawning holes filled with weeds and yellow grass could be possible candidates for the digging, but … Arthur stopped dead in his tracks.

Behind a copse of sycamores and weeping willows, he spied out a low stone structure that appeared to be an old, village well. And indeed it was! He had never seen it before. A well rigged out with a rusting hand crank and bucket to boot. When he bent over the coping, he noted that iron rungs ran down the mossy side of it which, undoubtedly, served as a ladder. The coping had been broken on two sides, but there seemed no danger of it further crumbling. He peeked down, the bottom appeared dry. Arthur drew back in great excitement, for if the well were deep enough, how much time and energy he could save ! This was surely a good omen. Still, he would need to climb down with a torch to inspect the bottom. Arthur cringed at the thought of rats or other rodents of the subterranean world. He would just have to muster all the courage he possessed. He felt like dancing. And indeed he did, in and out of the sinking tombstones. What a wonderful beginning to his adventure, to his voyage to the centre of the Earth … and beyond to the lands of kangaroos and koala bears. 

The adventurer wasted not a moment. The next day, and the many more that followed, after school he would change, pack a clean shirt and trousers, gloves and sneakers in a backpack so that after his digging he could change his boots and work clothes before returning home. He hid the pickaxe and small shovel in the woods near the well, knowing perfectly well that his father, a rather absent-minded man, would never miss them. In fact, his father never had any need for them since he used the tools at the construction site.

As Arthur thought, the iron rungs proved to be sturdy. Equipped with his helmet, onto which he had strapped a torch, he descended into the well, mindful not to touch the moss or slime. At first, the horrible stench of rats or of their urine caused him to retch, but he got used to that.

The bottom, clayey, showed no signs of water, so he inspected the fractured stones of the sides following the needle of his compass, which slowly swung to a south-easterly direction, and there broke through the stone easy enough, picking and shovelling away the earth. Every half-hour or so he would fill the well-bucket, climb the rungs and pull it up with the hand crank. It was laboriously boring and tiresome work but better than carrying that bucket up and down those rungs.

Day after day, month after month, alone in his underground solitude, Arthur banged away at the brittle earth, carving out a tunnel into which he could easily crawl until seven o’clock in the evening. To tell the truth, the going was easier than expected. He would leave the tools in the tunnel (who would ever find them?), climb up, change into his ‘dinner clothes’ and return home, where his parents would be preparing their meal. He would run upstairs, jump into the shower (his fingernails were black with soil) and saunter down to join them at the table. The usual conversation ensued: How was school ? Where had he been the whole afternoon ? Had he any homework … and so on and so forth.

Everyday Arthur trained his mind and body to adopt to this new adventure, however arduous and lonely. His body grew leaner and muscular, his face taunt. His parents admired their son, who seemed to be in brighter spirits the past few months, more pleasant at the dining table, more affectionate, too, in the evening while chatting. His gradual metamorphosis truly surprised them, although his father couldn’t quite understand why the bright summer sunshine hadn’t tanned his son’s manly face ! But being a discreet father he never enquired about this unusual pallor.

After seven months of tunnelling, Arthur observed that the underworld temperature had risen considerably. His breathing grew erratic, oftentimes accompanied by bouts of coughing, even retching. Was he still in the Earth’s lithosphere, some forty-five miles thick ? The increase in the pressure and density of the air worked its way into and through his aching muscles and bones. His mind drifted to the upper world: the singing birds, the blue skies when it wasn’t raining, the fresh, cool breezes … Here, in the underworld all he heard were the screeching of rats and at times a deep, rumbling sound, hollow, unidentifiable.

One day as he toiled with much difficulty, hammering through a layer of granite, he discovered a coin. It was a two pence with the effigy of a queen, and on the reverse side a plume of ostrich feathers with a coronet. He smiled. It was his first underworld gratification. He would investigate the origins of his find more closely when back in his room. Which he did with much zeal. Arthur learned from a numismatic entry in his encyclopaedia that this coin dated from the 1970s, composed of bronze, copper and zinc.  The head was that of Queen Elizabeth the Second. He placed his prize delicately in a box, hiding it in a secret place lest his parents, by chance, should discover it.

As the Autumn months slid by, the whirling leaves had no effect on Arthur as he tunnelled and tunnelled, deeper and deeper, always in an easterly direction. And as he did, he discovered coins of the most extraordinary mint : A very rare 1937 Edward the Seventh brass three pence, three hammered coins from the seventeenth or fifteenth century called ‘Limas‘, during the reign of George the Second, two ‘Groats‘ from the fifteenth century from which Henry the Seventh gleamed perfectly visible. His box grew heavier and heavier with these extracted treasures whose wealth must have been estimable. Arthur’s excitement reached an apex when he scraped out of the extracted earth two imported coins of Frankish mint, a denier[2] and a sou[3]. Three days later, he added to his precious hoard a ‘Gold Slater’ whose effigy of Julius Caesar left him breathless.

Dreams of reaching the centre of the Earth visited his restless sleep every night now. He dreamed of encountering dwarves mining for gold, clinging to the walls of gigantic shafts tapping and hammering away. He dreamed of boring into enormous chambers glittering with sunny gems or sprouting with enormous mushrooms. One night he found himself on a deserted strand gasping at a vast ocean, out of whose fuming, stilled waters huge reptiles swam, whilst others lay bathing on the sunless sands. He would awake in a cold sweat. He had been reading too much of Jules Verne’s Journey to the Centre of the Earth and Tolkien’s Lord of the Rings.

Winter. Arthur crunched over a frosty bed of snow ‘back to work’. The weather had become terribly cold in the ‘upperworld’, whereas in the ‘lowerworld’, Arthur’s world, temperatures had become almost unbearable. How deep had he dug ? The outer crust of the Earth measured some 3,400 miles. His digging, shovelling, climbing up and down the rungs had become so laborious. At times he lay down flat on his belly in the damp tunnel and sobbed. Arthur reckoned that it would take years and years of unending toil to reach the centre of the Earth like his Jules Verne hero, much less the lands of kangaroos and koala bears. His spirits brightened, though, when he dug up three ‘Henistbury Head’ coins dating from 150 B.C., no doubt imported from Roman Gaul. They had been in circulation in England since the times of the Keltic tribes living in Dorset and Somerset, so he learned from a numismatic magazine he had recently purchased. In spite of this cheery event, the days went by rather drearily.

Then the miracle occurred! Banging away listlessly into the bleak and black airless universe in which he was engulfed, his shovel broke through a thin layer of sand sediment which tumbled into a pocket of emptiness. Arthur carved out a hole large enough to crawl through and lo and behold he found himself in a tunnel; a vast tunnel high enough to stand in, wide enough for two, even three men to walk abreast ! It must be a miner’s tunnel– he thought, and with a burst of fatigued emotion, leapt for joy. A miracle! A miracle!

How many miles would he gain? How many extracted buckets saved? How much energy economized? He could now walk, even trot if he felt so inclined. And the tunnel led downwards, deeper and deeper into the Earth. He checked his compass, not only deeper to the South, but also veering to the East. The work had been done for him.

Arthur checked his watch ; he still had an hour or two, although with Winter, night fell early. None the less, he had to explore this miracle a bit more before crawling back to the well. Which he did, jogging along, leaping now and then, inspecting the wooden framework of the tunnel, rotting here, split there, but still solid. He stopped in his tracks : At his feet lay a yellowing, rat pellet-filled newspaper : “The Dundee Evening Telegraph?”  he queried aloud. Odd, there was no echo here. He shouted. Nothing. Shrugging his shoulders, he picked up the paper and put it in his backpack to be examined once in his room. He spun on his heels and hurried back to the well: running, crawling and climbing.

As expected, his older sister came home for the Christmas holidays from university. Arthur was jolly glad to see her but said nothing of his subterranean adventure. That must never be revealed to anyone, even to his sister whom he loved very much, and in whom he had always confided his most intimate secrets. He chose to take a rest for that week; he had earned a bit of a holiday, and after all, the miners’ tunnel would save him days, even months of labour. That night when alone, he checked the newspaper found in the tunnel: 1934. Incredible. A miner must have packed his lunch in it.

When the festivities had ended and his sister had departed Arthur returned to his timeless underworld. The mine was longer than he imagined. He walked on and on and on, descending ever deeper, the heat oppressing him, compressing him. He laughed nervously: Would he stumble upon Smeagol or Gollum frantically searching for his ‘precious’ (ring), or Bilbo Baggins the Hobbit, he, frantically searching for a way out of his underworld impasse? Or a dragon’s lair, where the hoary creature lay upon its hoard of gold? At times he swore he heard the gnomic chanting of bearded dwarves, their rhyming tunes. He laughed and laughed at these imagined airs. Was he to become a dwarf, too … Or a Hobbit, lost in the dark, inventing riddles?

The air became thinner and thinner, his head lighter and lighter. He laughed and laughed. His dreamy thoughts wandered to his parents, completely unaware of his underworld activities, to his teachers, who marvelled at his good scores in history, geography and natural science. He laughed and laughed. How many hours at night had he pored over the history of his treasured coins, their minting and circulation? How many hours had he studied the layers of the Earth, its rock formations? He had scored the highest marks in his class! His parents were so proud of him, a bit sceptical at first, but none the less, proud. They had always favoured his sister, indeed highly intelligent, more intelligent than him. Perhaps they would now consider him ‘university material’ like his sister. Perhaps. But who really cared! And he laughed and laughed as he walked and trotted.

He must have reached the asthenosphere at this time because seams of sand sediment, roan red, broke through the rotting frame beams as he trained his torchlight on them. Yet, according to his research this meant that the temperatures would be ranging at 900 degrees ! Impossible. It was the last layer, some 250 miles wide and 1, 700 miles from the Earth’s crust. Could he have come that far into Mother Earth ? He shuddered at the thought and broke out into peals of hysterical laughter. So much laughter that he began to cry. Hot tears rolled abundantly down his dirty, hairless cheeks. He heard the plump-bellied rats screech around him and covered his ears.

Arthur walked on and on in sluggish footfalls imagining himself in Australia without having had to fly or sail. His head spun, and as it did frightful images of underworld creatures passed before his puffy, red eyes. Breathing had become a toilsome effort, whilst his heart beat at rapid paces. Suddenly Arthur’s torchlight fell upon a mass of rock. The tunnel had come to an abrupt end!

He stood face to face with seams of sediment stone, dull green. He listlessly took out his compass: The digger would have to renew his digging, slightly to the right. This very plain and painful fact soured his spirits. But at least he would not have to fill bucket after bucket with extracted earth ; he had only to shovel it out and throw it into the miners’ tunnel. That, at least, was somewhat of a compensation. He checked his watch, three more hours. So he set immediately to work, albeit with unenthusiastic, torpid strokes of his pickaxe, so heavy his limbs had grown, so hot the temperature had risen, so thin the air had become.

As he picked away in a slow-motion dream state, he saw himself near the liquid core of the Earth. What would he find: A vast ocean or sea? But that was 1, 700 miles deep under the crust of the Earth. Nonsense. He had lost all track of measured miles, of time … of reality. The digging, however, was easy enough, the earth dripping with humidity and somewhat sandy. “It must be the lower mantle of the asthenosphere,” he whispered as if not to disturb the spirits of the underworld. One last stroke before retiring for the day.

Besides, he had an examination in mathematics in the morning and had to go over his notes. He raised his pickaxe but there it remained in mid-air. Some weird noise caught his attention. He pressed his ear to the hot rocky earth; a distant swishing like a flush of bats unsettled him. He crawled back a bit then struck a blow to the rocky noise. Arthur gasped as a blast of hot air flushed his face rowan red. He screamed in pain, crawling backwards, rubbing his face with a gloved hand. The tunnel filled with steaming air, followed shortly by blasts of scolding water which sent the boy tumbling over and over. He rolled and floundered about in the tremendous rush of hot, scalding water. They were driving him towards the miners’ tunnel at incredible speed. He could hardly keep his head above the flow; a flow that scorched his chin and cheekbones.

His backpack was borne along with the rush as were hundreds and hundreds of rats or other creatures of the underworld, for he heard their high, pathetic screeches above the precipitating din. Keeping his head above the rolling flood he was propelled into the miners’ tunnel where he managed to get to his feet.

Arthur grabbed his backpack and dragged his water-logged boots as quickly as he could towards the first tunnel, the rushing flow somewhat slackened by the steep upward inclination of the miners’ tunnel. A myriad of rats were scurrying on all sides of him, as if they were keeping pace with their underworld companion. Arthur, no longer frightened of them, but thinking only of his own salvation, pushed on upwards, the waters now swirling about his feet. They were gaining momentum. The boy fell several times, crying aloud, praying that he would get out alive. Then a terrible thought seized him: He was responsible for this disaster. For indeed it was a disaster! A terrible one indeed that no one was to know … No one ! But what would happen when the flow reached the well ? Arthur trembled at the very thought of it.

The boy slushed on and on as the now cooling waters rose to his ankles … to his calves. When he spotted the first tunnel, diving into it, he was literally crawling through torrents of a lukewarm current, whose incredible swiftness swung him from one side of the wall to another. Parts of the tunnel were now caving in. Screams rose in his throat, choking him, making him cry: Would he be buried alive through his own monstrous making? Why had he not consulted a speleologist before undertaking such a dangerous journey ? No ! All this had to remain his secret … for ever…

And poor Arthur bounced along with that current, gasping for breath, dog-paddling alongside rats, mice and moles. Hours and hours seemed to pass. His limbs weakend. His head bobbed above the flow like a cork. But there, just ahead, the salutary shaft of light of the well. Out he was flung like the cork of a champagne bottle into the miry clay of the pit. He scrambled for the trusty rungs, climbed frantically towards the palely lit sanctuary of the upperworld, taking a look now and then at the ever-rising waters bearing all the beasts of the underworld …

Arthur threw himself over the coping, took a last peek down at the slow but steady rise of the unleashed watery fury, then dashed into the cemetery to change his clothes. Indeed, his parents must not know anything about this mishap. He stood shivering in the failing light of evening. The greyish sky was so low. He felt drops on his feverish face. It was sleet or snow. “The pickaxe and shovel ?” he cried out in a tearful voice. “ Ah, who would ever find them ?” In the dim whitish glow he thought he espied tribes of rats streaming out over the coping, scurrying for safety into the woods. They too sought sanctuary in the light of the upper world, deprived now of the secure darkness of theirs … and his ? It was all so paradoxical.

Without further ado, Arthur made a bee-line for home. No light shone at any window. His parents must have been out. So much the better. He charged up to his room, into the shower to scrape the dirt and filth out of his fingernails and hair, put cream on his rowan-red face, then fell on his bed, exhausted, crying like a baby.

When his parents came home and noticed all the lights off in the sitting room, they mounted the stairway and knocked at Arthur’s door somewhat perplexed at the sullen atmosphere of the house. But there he was, their loving son, studiously going over his notes for the next morning’s mathematics examination. He smiled at them and they smiled back. How happy they were that Arthur took his schooling so seriously, his father, however, somewhat wary about the his son’s sunburnt face ! In early Spring ? Anyway, they were sure that he would be excellent ‘university material’ like his older sister. They closed the door quietly.

The next morning Arthur awoke to the disturbing sounds of fire engines and police sirens. Through his window he looked out over the meadow, the rye fields and into the thick woods where firemen, police and neighbours had gathered to witness and stave off the dark waters spiralling up from the abandoned village well… from some dark subterranean past into the greyish wee morning hours of the present.

[1] The layer of semi-molten rocks under the lithosphere

[2] A penny.

[3] A shilling.

Paul Mirabile is a retired professor of philology now living in France. He has published mostly academic works centred on philology, history, pedagogy and religion. He has also published stories of his travels throughout Asia, where he spent thirty years.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Masud Khan in Translation by Fakrul Alam

Homa-birds are mythical birds of Iranian origin
HOMA-BIRD 
 
Once I fall, how much must I drop down before I can rise up again? 
 
As this thought crosses my mind, I am reminded of the Homa-bird found high in the sky. It even lays its eggs there. The eggs then fall down. But because the bird lives so high in the sky its eggs take ages to fall. Its chicks hatch even as the eggs descend. And then it’s time for the chicks to fall. As they begin to fall the chicks sprout eyes and feathers and wings. And one day they discover that they are falling down and down. It is then that they begin to fly to their mothers high up in the sky. They fly so high now that they emerge as specks scattered all along the spread-out body of the sky
 
We are of the breed of these birds. We procreate, raise children; we drop down and rise up again!
 
[Homapakhi; Translated by Fakrul Alam]          

GONE WHO KNOWS WHERE 

An unending queue of children flowed forward
Going who knows where?
 
With great difficulty, I spotted my own child there.
But when I tried kissing him 
I ended up kissing someone else’s child!
 
And then I lost him— lost him forever! 
Dazed, distressed— I seem doomed to a lifetime of waiting.
 
[Aggato Uddesh; Translated by Fakrul Alam]


REJECTION
 
Abruptly today a baby is expelled from its mother’s breasts.
Though it keeps gravitating towards her— hopefully— 
It continues to be rejected. Startled, it still keeps trying.... 
   
How can the innocent baby make sense of such evictions? 
It can comprehend nothing— neither the implications 
Nor the reasons behind its mother’s bizarre actions. 
All it can do is wonder— is mother playing with it? 
Or is she just being cruel, suddenly unmotherly, 
Distracted by the sudden heat wave of the season? 
  
The baby broods, all alone, helpless. And then once again 
It turns towards its mother, only for another round of rejection... 
  
Now inconsolable, it breaks out into tears, feeling hurt     
And rejected, sobbing endlessly till sleep silences it... 
  
Only its craving for love keeps striking one’s ears 
Its magnitude scattering here, there, everywhere! 
      
[Protyakhyan; Translated by Fakrul Alam]          

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Two Minds

Poetry by Sayantan Sur

Never have I surfed the waves
But I know the feel
The sky endless blue and bright
Cold Sun and Warm Sea
Strength of a Manta Ray, open wings
Riding a Tsunami about to fall
My senses in desperation for a thrill
Salt in my eyes, on my lips
Even now I can hear the roar
Washing over the brain corals

Never I have been to space
Yet, I see the Earth
All beings in a ball of blue
My limbs floating in a void
The dark seeping in
I, spinning away farther
No sound, null
No matter how much I bawl
The smell of seared flesh
Aether is where I belong

Dr. Sayantan Sur is a postdoctoral researcher at the University of Glasgow. He received the prestigious AWSAR award from the Government of India for his scientific essay. His literary works have been published in the Borderless and Aphelion.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Musings of a Copywriter

Trees from My Childhood

By Devraj Singh Kalsi

Returning from school, dumping my school bag on the sofa, and rushing out to climb the litchi tree in the garden without changing out of my school uniform, was an everyday affair during the summer. The scenes flash in a carousel of slides before my eyes whenever I purchase a bunch of litchis from local fruit vendors. I cannot resist regaling them with lively tales of my adventures and expeditions during those fruit-bearing seasons that remain refreshing and fresh even after decades. 

While holding and admiring the colour and texture of litchis, I am prone to draw comparisons, celebrating the genetic superiority of the litchi tree from my past. Succulent nostalgia is inevitable as the litchis in my patch were rich in pulp, bereft of white worms creeping out during the peel-off process. 

Paying for the leaves and the litchis makes me lose my cool. The fruit vendors contend they do not sell litchis without leaves as their profit margin goes south. The delicate fruit has a low shelf life, which makes it worse for them. Keeping quiet, I pull off one litchi from the dangling bunch and peel it off in a single roll to show my expertise.  

I remember the long bamboo stick I used to twist the neck of a thick bunch to pull it in my direction, and the litchis fell on the white plastic sheet spread wide on the ground. I collected them all in a plastic tumbler and took them inside, inviting my parents to join me in the litchi feast. We sat on the red cemented floor and started peeling in silence. Although I never counted how many kilos I consumed, I am sure I gobbled up almost half the quantity within an hour. My parents never stopped me from having as much as I liked. Litchi was the first fruit that established my true love for fruits. I boasted in front of friends regarding my litchi consumption capacity. Some of them believed it, and some said it was untrue. Those who came over were surprised I was enjoying the bounty while they could only imagine such a royal privilege. 

People slot litchi based on region. For me, the litchi of my ancestral house in Bengal was the best variant though I never tried to find its origin or roots so long as it stood there. All that mattered was the bountiful harvest every year, and we distributed it in the neighbourhood. The leaves often crossed borders, and the branches spread out in several directions. The neighbours were kind enough to tolerate the intrusion and the extra chore of cleaning the fallen leaves as they loved getting bagfuls of litchis from us every season. They never complained, and we never objected if they plucked litchis from the branches spread out in their area across the boundary wall. The fruit cemented friendly ties as visitors and guests were gifted baskets full of litchis. We never sold the litchi fruit but distributed it as tokens of friendship. 

Making sacrifices for education is quite common. In my case, the litchi tree made the ultimate sacrifice. Axed to construct a study room for me. Today, when I have to buy litchis, I feel the curse of the litchi tree has befallen me. A study room built on the grave of a litchi tree is how it plays out in my mind. The episode haunts me. The insensitive axe that killed it now frightens me like the rising prices of the litchi fruit, reminding me of the best things I enjoyed for free. 

Another tree that played a stellar role in my early years was the mango tree planted on the day I was born. My father was in the process of planting the sapling when the news of my arrival reached him. It was nurtured well, like me, as if we were twins. He ensured the tree grew up well in the environment and the roots went deep, just as he wanted the cultural roots and the roots of decent upbringing to grow deeper in me. 

While mine was a doubtful case, the tree seemed happy in its place and grew up strong and tall very fast. During my childhood years, I sat beneath the cool shade and enjoyed the breeze. It started bearing fruit early, and my parents praised its qualities more than mine. Before the fruit-bearing season, I drew water from the hand pump and watered it. But I was told I should water it throughout the year. A good deed should not be limited to a selfish motive. To enjoy good fruit, I must nurture it around the year. Yes, the lesson was profound. The mango tree enabled me to catch it early in life. Whatever you do, work to achieve the goal with consistent efforts. 

The pressure to be result-driven was on me. It also generated a streak of jealousy. I did want to taste the home-grown mangoes and preferred the ones from the bazaar. When asked why I avoided the mango tree, I could not explain anything. But I began to accept its fruit with expressions that still did not indicate full approval. My critical views on the taste factor were forthcoming now and then. The mango tree perhaps heard the complaints and decided to improve its quality. With each passing year, the output became richer and tastier. I had nothing to complain about but render compliments. Soon bitterness made exit and I started plucking mangoes, storing them in boxes covered with hay to ensure quick ripening. 

The process of sharing it with neighbours gathered speed, just like in the case of the litchi tree. People began to compliment the taste. It was a matter of pride for my father who planted it. When asked, he did not specify the low-profile name of the variant. It was not the usual type available in the market like Himsagar or Langda, but it came with a rich taste and juicy pulp from some deeper pockets of a remote northern India town. 

While my grades left the scope for complaints and improvement in Science and Maths, the mango tree was the clear winner. I promised to beat the mango tree in performance without knowing the area of competition. Repeated failures came my way. I was disillusioned. But one truth stood out. My love of fruits was strong, and the mango tree drew me closer to nature.  

I started spending more time sitting and wondering about its journey into the future. The mango tree gave me the fruit I enjoyed aside from being the architect of my creative world. It gave me the idea of seed and its importance in writing. The seed of imagination grew. I began to learn valuable lessons outside the classroom. I began to search for the seed, to nurture it and develop it into a proper shape. My love for my writing got its first seed from the mango tree. I wrote my maiden short piece, a creative essay fashioned along those lines. I was inspired to add pulp and flesh out the idea well. The skin of the city as a character portrayed. Besides, adding a layer was also borrowed from the mango tree. The fruit imparted pleasure to the taste buds. I wanted to create something to deliver immense joy to those reading my creations and renditions.   

The mango tree and I found some common ground to compete. We were creating something beautiful for the taste buds and hoping consumers would relish the product — both the fruit of imagination and the mango fruit. Doing well in their ways. My writings drew praise from teachers and friends. The circle began to widen. I hoped my writing would become tasty like the mango relished by so many people worldwide.

While it was ambitious to find a large following of readers, I had found a purpose and direction to follow. I wanted my words to taste good as the mangoes in my garden. While the mango tree found early success, it has been a long, lonely struggle to find acceptance for my words – with natural sweetness added to the creative output. The lesson from the mango tree is to be rich like its fruit and have the same qualities in the writing output. Hopefully, one day my words will come closer to the sweet, rich, juicy taste of the mangoes that grew in my backyard.  

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Notes from Japan

Superhero Sunday in Osaka

By Suzanne Kamata

Osaka Comic Convention. Courtesy: Suzanne Kamata

When my twenty-three-year-old daughter Lilia, who is deaf, sent me a text saying that she wanted to attend the Osaka Comic Convention, I messaged back “Go ahead!” I figured she would want to go with her friends, fellow manga and anime and Marvel movie enthusiasts. I am more of a literary-novel-type person, unfamiliar with the DC universe. My idea of a good time is reading a book of poetry with a cat on my lap. However, a week or so later, she repeated her desire, along with a GIF of a crying cat, fountains of tears gushing from its eyes. This was followed by three attempted video phone calls while I was at work.

“Do you want me to go with you?” I texted.

“Yes,” she replied.

Well, I could do this for her. On our mother-daughter trip to Paris several years back, she had put up with my dragging her (okay, pushing; she is a wheelchair user) to the Orsay Museum, even though she would have rather gone to the Concierge to look at a lock of Marie Antoinette’s hair. She had made concessions for me, so I could make some for her. Besides, I had never been to a comic convention before. It might be fun. At the very least, I could write about it.

I put her in charge of buying the tickets from the Japanese website. She sent me a screen shot: 25,000 per ticket. What? “That’s really expensive,” I texted her. “I’ll pay for it,” she texted back.

I later found out that admission was only 3,610 yen. The extravagant fees were for a photo opportunity with one of the celebrities who would be headlining the event. One of them played the role of Lilia’s favourite character in her favourite TV series. She had watched all ten episodes of all thirteen seasons, and regularly posted related fan art on her Instagram feed. She had purchased the chance to be in close proximity to the actor.

Sure, it was expensive, but research has shown that experiences are often ultimately more satisfying than things. I know that to be true myself. In Paris, we had a never-to-be-forgotten dinner at the top of the Eiffel Tower. When we went to Hawaii, on our last trip together pre-pandemic, we had gone on an open-door helicopter ride. For Lilia, having her photo taken with the celebrity would probably be just as thrilling. She had also bought a ticket for me.

I didn’t know much about the celebrity. In fact, I knew nothing. I had glimpsed him onscreen, occasionally, when Lilia was bingeing episodes of the show on our widescreen TV. I looked him up on Wikipedia. He had an impressive background. He’d started out in politics, had probably met President Obama, and then transitioned into entertainment. He had kids, whom he was concerned about feeding well. His wife was a university professor, like me, and he’d published a book of poetry, which I immediately ordered.

I started thinking about how I could make the most of this opportunity. As the author of several novels published by small presses, I was always looking for ways to promote my books. I knew that a celebrity endorsement – or even having a famous person be photographed while holding one’s novel – could bring attention to a book. Maybe I could get the celebrity to hold my book during the photo-op, and then I could post it on Instagram.

But then I went to the website for the Comic Con. I came across a notice that one of the celebrities who had been scheduled to appear in Tokyo in 2022, would not be coming after all. The message read, “Due to a last-minute personal issue,” the celebrity “is unable to travel and had to postpone his appearance at this year’s Tokyo Comic Con. He was looking forward to coming back to Japan and seeing everyone. He is deeply sorry and looks forward to coming back to Japan next year.” But the actor was not attending this year either. He had been run over by a snow plow a few months before and was still in recovery. (This was not mentioned on the website.)

Elsewhere on the website, I came across a list of exhibitors, food vendors, celebrity guests (seven men, one woman), and rules regarding the autograph and photo sessions. So many rules! We would not be allowed to hug the celebrities or touch them at all. We would not be allowed to take selfies or other photos with our own smartphones, or bring props (like a book?), or wear masks, or give gifts to the celebrities. Okay, so maybe I wouldn’t be able to ask the TV star to hold my book.

Since the Comic Convention started relatively early, Lilia and I stayed overnight at a nice hotel in Osaka. The next morning, I put on make-up and a pretty dress. I helped Lilia with her hair. We went down to the dining room for a gorgeous buffet breakfast – made-to-order omelettes, tiny French pastries, a big bowl of fresh lychee fruits, and other delights. Although I had splurged on accommodations, I thought that we would take public transportation to the convention site to save money. But that morning, on the third day of the event, the day of our scheduled photo op, rain poured down. We had forgotten to bring waterproof ponchos and umbrellas. I decided we’d go by taxi.

We hopped into a cab at the hotel. The driver was surprised when I mentioned the destination. “We’ll have to go by highway,” he said. That would mean toll fees. But at least we would get there on time, and we would be relatively dry.

The venue, Intex Osaka, was over a bridge on a small island with lots of boxy warehouses. At first, I was amazed by the lack of cars. And people. Were we even in the right place? I didn’t have enough cash on me for a taxi ride back to Osaka Station, and this driver didn’t appear to take credit cards. At last, we reached the huge convention center.

“This is it!” the driver said. Still, no people. He continued to drive around the building, rain spattering his windshield, until, to my relief, we came across some men in uniform waving orange batons, and then to the front, where a long stream of young people holding umbrellas flowed toward the entrance.

Once inside, Lilia flashed our tickets. After a cursory bag check, red paper Comic Con bracelets were fastened to our wrists. I grabbed a map, and tried to get my bearings, but Lilia whipped out her tablet, wrote something on it in Japanese, and showed it to one of the many attendants, a young man wearing a white surgical mask. She’d asked, “Where do we go for the celebrity photos?”

“I’ll show you,” the attendant said. “Follow me.” We scurried past cosplayers dressed up like Spiderman and the Joker and one woman dressed in green carrying a huge candy cane. Some people, not in costume were slurping noodles at a table near a food booth.

Cosplayers. Courtesy: Suzanne Kamata

The attendant indicated an area at the back of the building. We still had a couple of hours before our photo session. “So, we just come here at one fifteen?” I asked. We had an appointment, after all.

“You should get here early,” he said. “At least an hour before.”

I nodded. “Now, where is the Celebrity Stage?”

According to the program, another actor, famous to this crowd, at least, for his role in a movie based on an American comic book, would be participating in a Q and A session onstage in another twenty minutes. I figured we had plenty of time to find a good spot, but when we entered the enormous hall, I saw that all of the seats were filled. We were late.

“This way,” another attendant said, lifting the chain to the wheelchair-accessible area, just to the left of the stage.

We had a good view, but I couldn’t help thinking that at such an event in my native country, the United States, there would probably be a sign language interpreter. In Japan, there was almost never one, unless it was requested in advance. I did my best to interpret for my daughter.

In the program, the celebrity was pictured as bald and sleek. With his dark glasses, he appeared to be the epitome of cool. The man who ambled onto the stage, however, looked a bit scruffy, as off-duty actors often do. He had a beard, glasses, and a leather newsboy cap over his frizzy grey hair. One of his teeth was missing. He greeted the crowd in Japanese and was met with applause.

The emcee tried to engage him in conversation, but he was hard to pin down. He wandered around the stage, joking around. When asked a fan’s earnest question, “What special thing did you have to do to prepare for your role in the film?” he replied, “Nothing.” Later, he was asked if he would appear in another superhero movie. He rubbed his fingers together to indicate it would depend on how much money he was offered, and then, to demonstrate how little most actors actually earn, he took out a one-thousand-yen bill and ripped a tiny corner off. I imagined the horror of all of the frugal, hard-working people in the audience who would never do such a thing. The emcee gently admonished him for tearing money.

Finally, in true Japanese fashion, the emcee asked him to deliver a “special message” to his fans. The celebrity avoided responding to the request, at first, hopping off the stage, and peering into the camera, pretending to check his teeth. Again, “A message for your fans, please?” He got back onstage and adjusted the interpreter’s mic, before, at last, delivering his “message,” one Japanese word: “Hai.”

In this country where everyone was always so orderly and polite, I couldn’t help but be a bit embarrassed by his behaviour. I mean, I wouldn’t have shown up to a writer’s festival or an academic conference without thinking about what I would say. Then again, maybe his performance – and he was performing – was better than him sitting calmly in the chair, giving straight answers. Maybe the unpredictability of this mad genius was entertaining. Maybe just seeing this man who had brought beloved characters to life onscreen, live and in-person, and to be able to pay homage to him, was enough for his fans.

At about 12:10, after we had checked out the exhibitors’ tables and a display of manga posters, I suggested that we get in line for the photo session. Lilia eagerly rolled herself back to the spot we’d been shown to upon arrival. This time, we were early. Not only that, we were first in line. As we waited, Lilia composed a message to the celebrity on her smartphone. I figured that since she was deaf, the convention organisers would allow her to use her phone as a communication device.

A young woman in an orange kimono filed in behind us. More and more people followed. There were other cordoned-off rows for the other celebrities who would be signing autographs and posing for photos, including a Norwegian actor who was known for his role as a cannibal.

When we got closer to the appointment time, an attendant led us to another room, cordoned off like the immigration area of an international airport. Because my daughter uses a wheelchair, we got to take a shortcut. We were still at the head of the line. We were told to put all of our possessions into baskets – again, like the security line at the airport.

“My daughter is deaf,” I explained. “Is it okay if she hangs on to her phone? She just wants to show a few words to the celebrity.”

The attendant shook his head. “Talking to the celebrity is NG.” No good. Prohibited.

Regretfully, I explained what he’d said to my daughter. Lilia, who had also read all the rules on the website, was nonplussed. She put her phone away without complaint.

We stood there, waiting. Although I had the addict’s urge to check my email and scroll through social media, I left my phone in my bag. But I did reach for a notebook and pen.

“What are you doing?” my daughter asked.

“I’m just going to make a few notes,” I told her. “I might write an essay about this.”

“No, you can’t write an essay.” She made an “X” with her arms. No selfies, no touching the celebrity, no talking to the celebrity, and probably no writing about the celebrity.

“I think it’s okay to write an essay,” I said. I scribbled a few words then put the notebook and pen back into my bag.

I asked the attendant where the nearest subway or train station was, already thinking about how we would get home. My daughter asked me what we were talking about and then became irritated. I understood that she wanted me to focus on the celebrity, to think only about him, and what would happen when he arrived. I tried.

More and more people, mostly Japanese women, lined up behind us. I began to realise why the organisers didn’t allow conversation. If the celebrity had to engage in small talk with a hundred or more people, he would become exhausted. As it was, he’d have to smile non-stop for an hour or so. His cheeks would ache. But he would probably make a lot of money from doing this. I wondered how much of a cut he would actually get from the photo-op fees. I thought about all the times I had sat at a table in a bookstore or at a book festival, hoping to sell my novels, and no one had come. Yes, I envied the celebrity.

We waited and waited. The celebrity was late to the photo op. He was probably still signing autographs. Finally, we were led, just a few of us, including the young woman in the orange kimono, into a tented area with a backdrop. A photographer and team stood at the ready. My daughter began to tremble. She indicated that her heart was pounding: doki doki. I thought she was going to hyperventilate. We waited some more.

I wondered if this guy would be scruffy and irreverent like the actor onstage. I hoped not, for my daughter’s sake. We had been planning to have our photo taken together, the three of us, but at the last minute, Lilia changed her mind. She wanted to be in the photo alone with the celebrity. Fine with me.

“He’s coming soon,” someone said. “Please be patient.”

And then…at last…he entered the tent. He was dressed nicely in a blue collared shirt and black pants, a bit of stubble peppering his handsome, now familiar face, his hair neatly groomed.

Lilia’s hands flew to her flaming cheeks. She let out a squeal. The celebrity, and everyone else, were amused by her extreme excitement. He smiled at her as she pulled up next to him in her wheelchair. A piece of tape served as a divider: fan on one side, celebrity on the other. He stood there towering over her, with his aura of fame.

And then, Lilia’s favourite actor, the man who brought her most beloved fictional character to life, crouched down so that their heads were at the same level. He put his arm firmly around her shoulders. The woman behind me, no doubt as aware of the “no touching” rule as I was, gasped. The photographer clicked the shutter, and just like that, it was over. Lilia wheeled out of the way.

Next was my turn. I stepped up to the screen. The celebrity put his arm around me, and I smiled for the camera. “Thank you,” I said in a low voice and exited the tent.

By the time we gathered our belongings, the photos were already printed and ready to be picked up. In the first one, Lilia and the celebrity grinned widely. She held both thumbs up. His body leaned toward hers. They both looked cute. In the second photo, my hands hung down, my posture was stiff, the celebrity’s smile was a tad dimmer, and…my eyes were closed.

But it was okay. The celebrity would probably never see this unflattering, awkward version of me, or the hundreds of other photos taken at this and other Comic Cons. And at least I got an essay out of it. For my daughter, though, this has been the thrill of a lifetime — expensive, yes, but more precious than gold!

A cosplayer holding Suzanne Kamata’s The Baseball Widow. Courtesy: Suzanne Kamata

Suzanne Kamata was born and raised in Grand Haven, Michigan. She now lives in Japan with her husband and two children. Her short stories, essays, articles and book reviews have appeared in over 100 publications. Her work has been nominated for the Pushcart Prize five times, and received a Special Mention in 2006. She is also a two-time winner of the All Nippon Airways/Wingspan Fiction Contest, winner of the Paris Book Festival, and winner of a SCBWI Magazine Merit Award.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

The Raiders

By Rhys Hughes

Courtesy: Creative Commons
The raiders reach the crest of the dune
and rest their horses for a quarter hour
while they scowl down upon the town,
the clustered huts and a wooden tower,
dimly illumined by the crescent moon.

Their hooves will clatter like a shower
of barbarous arrows onto the tin crown
of the toy king, each rider keen to prune
with a cruel hook every troubled frown,
a demonstration of their ruthless power.

In both wine or music a man may drown,
the war god clearly demands some tune
to shake out the nectar from the flower,
and for all the petals that will be strewn
his laughter is that of the maddest clown.

Do not despair, give no thought to fears,
the isolated peaks must eternally gleam,
and when all the thunder is a faded hush
nothing shall appear as it now may seem,
and the whittling worlds require no years.

The stream of themes that flood my dream
wash clean the screams in a headlong rush
and I watch for eyes when the mist clears
that blink eyelids weighty enough to crush
every ironic invader with his iron scheme.

And now stony heads dent beds of plush,
tears dilute rum to the strength of beers,
half-defeated and lost they remain a team
and that is true despite those burning ears
that blush as cheeks in youth’s first flush.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

.

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International