Categories
Poetry

Longings

By Vikas Sehra

         Your fingers tinker
          untouched corners
            of my skin.

             Lingering
           sloppy kisses
          wayward embraces

          While I melt in
        the traces of cusps
           left on me.

           Come back
           not today
        but in forever,

       Rested in longing,
     holding the ephemeral
     of us in each other.

Vikas Sehra is a researcher and aspiring poet residing in Hyderabad, India. His work has been published in Economic and Political Weekly and EKL Review among others.

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Categories
Stories

Mister Wilkens

By Paul Mirabile

Courtesy: Creative Commons

 “Indeed, so fierce was this sense of resistance to change, and so universal were the powers ascribed to it, that in reading the Orientalists one understands that the apocalypse to be feared was not the destruction of Western civilisation but rather the destruction of the barriers that kept East and West from each other.

This unreferenced passage was found upon the mangled body of a certain Mister Wilkens after he had thrown himself from a speeding night express from Paris to Madrid. I, riding on that train, and possessing a peculiar nature for the bizarre, decided to investigate rhe reasons for such a gruesome suicide. Fortunately, upon arriving in Madrid, I ran into the Englishman who had shared the compartment in which Mister Wilkens had been travelling on that memorable night. I had seen him on the railway tracks whilst the train officials searched the surrounding embankments for the body of the poor man. Apparently, it had been Mister Wilkens’ travelling companion who had alerted the officials. He knew why Mister Wilkens had killed himself but seemed rather parsimonious with the details when questioned by the police or the press, feigning that he was about to fall asleep when the tragic event occurred, and was only awakened by a terrible laugh or scream. (Which we shall soon learn was a blatant lie!)

When I met him in Madrid by some extraordinary chance and bought him a drink at the famous beer saloon at the Plaza Santa Anna, made famous by its association with Ernest Hemingway who drank and got rowdy there, I offered the man money to divulge the reason for the suicide to me. He bluntly refused. I explained my idiosyncrasies towards the bizarre and he, smiling a wicked smile, promised to tell me only if I would not submit the story for publication or spread its contents orally to the press, friends or family until he authorised me to do so. As to my offer of payment, he suggested two hundred quid would do! I agreed all agog, albeit the amount of money seemed to be rather steep. In any case, I assured him that I had neither friends nor family, and that I had no great love for journalists. His story, thus, would be perfectly safe with me.

This was how I came to be the first to put into writing the nature of Mister Wilkens and the reasons for his suicide. Now if readers ask themselves how I’ve managed to publish the testimony without breaking my solemn oath, I would then have to elaborate on the unforeseeable and tragic end of my informer (whose name, by the way, I never learned). But that is yet another story. Permit me to recount this one first.

*

“We were the only two in the compartment.” My English informant began smugly in a slightly high nasal tone while the air smelt somewhat of that Cambridge midnight lamp oil. “I can genuinely recollect at the train station in Paris that his personality was of a sullen, meek sort, one of a man who had fallen hard, got up, but only to fall again. He wore a tragic, tormented face, and if I recall correctly, every two or three minutes suffered an unsightly twitch under his left eye that made the other eye seem exorbitant. Anyway, once we had left Paris far behind, he engaged in the most singular gambit as regards the way in which he sought to enlist my attention : ‘Have you ever travelled to the Orient ?’ The gambit put so bluntly shook me out of my dreamy thoughts. I noted that his left eye began to twitch as if it sought to put me out even before I ventured an answer.

“‘No I haven’t, although I’ve read many travel writers and adventurers’ tales of the Orient.’

“‘Oh really !’ he snorted in overt contempt. ‘For example ?’

“ ‘Well … there’s Marco Polo.’

“He guffawed : ‘He never left his dingy cell in Venice, the seedy bugger !’ I shrugged my shoulders.

“ ‘I have perused Sir Richard Burton[1].’

“He lifted an appraising eyebrow : ‘Yes, a remarkable polyglot and reader of the Oriental heart ; an ethnologist and anthropologist avant la lettre. He was, nevertheless, a man fraught with prejudices and terribly dogmatic. Alas, a man of his times. Yet, his writings do hold much insight, and so humorous at that. Did he not say that England was just a tiny island ? He secretly despised it for he breathed more spacious air in Asia, Africa and Continental Europe.’ He adjusted his badly knotted tie. ‘Go on …’

“ ‘I’ve read all of Alexandra David-Néel’s novels[2]?’ I pursued with an amused air of a child.

“ ‘Ah ! Now there’s an outstanding, pugnacious explorer ! She outstrips them all — except Burton of course — in intrepidity, intelligence, will-power and writing style. Her sarcasm and irony suit my humour, whilst her practice and research into Buddhism bear the seriousness of any so called specialist or expert.’ He smiled a self-congratulatory smile as if he had brought up the name himself. I must admit that I too was pleased at his overt approval; indeed, to have outsmarted the Brits and the Tibetans through cunning and acumen in order to reach Lhasa on foot safe and sound was a fantastic feat.

“My travelling companion lifted his chin for me to continue my enumeration : ‘Pierre Loti[3] ?’

“He snorted : ‘Please be serious, sir.’ And he yawned.

“‘André Malraux[4],’ I jested.

“He threw up his hands : ‘His novels are wonderful, but his Orient is as imaginary as his imaginary museums.’

“‘Pearl Buck[5] ?’ I countered with excessive decorum as if all this were just a parlour game.

“ ‘Hum … yes, she is the only Westerner who really knew China, more so than the American journalists Louis Strong and Edgar Snow. Read her Nobel Prize speech, it’s an incredible lesson in Chinese literature. Yes, Pearl Buck had a genuine love for the East. Her books plunge us into the remotest depths of twentieth century rural China. The Mother is a sparkling piece of penmanship …’

“ ‘I shall not name all the modern travel-writers to the East whom I have read on my train rides, many of whose narratives are quite dull and stereotyped.’ I rejoined, hoping to put an end to this ridiculous ‘parlour game’.

“ ‘So right you are, sir,’ he beamed. He sat back in his seat fidgeting with the buttons on his vest, some of which were missing. ‘I noted, too ….’

“Our compartment door slid open violently. The conductor practically jumped in demanding our tickets. My heart almost jumped with his jump ! Anyway, we dutifully showed them to him. When he had jumped out, so to speak, Mister Wilkens, although unperturbed by all this jumping about, seemed, none the less, beset by something, his eyes staring blankly at the table aside the window where he had placed a shoulder-bag, perhaps because he had lost the thread of our conversation. He looked up and blurted out: ‘You know sir, I spent over forty years living in the East : Turkey, Syria, Armenia, India, China, Laos, Mongolia, not as a conquering dolt, a cosmopolitan snob or a professional prig, but as a pilgrim in quest of my humane origins.’

“My travelling companion was in a state of unusual excitement. ‘Humane origins ?’ I repeated with a soupçon of irony.

“ ‘Yes, humane origins. I see that you fail to grasp the essence of that formula. Humane is another word for Humanism, my dear fellow. Humane defines our human heritage, the fount of our soul and spirit.’

“Just at that moment several French customs officials slid our door open and asked for our passports. When they were examined and returned, a few minutes later the Spanish police entered and inspected them in the same taciturn manner. As soon as these formalities had been completed we leaned back in our seats.

“I sat politely, absorbed in Mister Wilkens’ rather dark comments, exposed with such bursts of emotion. I swallowed every word he said, albeit the digestion caused me great discomfort. Be that as it may, sceptical at first, I grew somewhat more interested as he rambled on, amused at the man’s gyrating gesticulations, wondering, however, if he had gleaned his monologue from a book or from his own experiences as he so pompously pretended. This being said, I did feel a certain fraternal respect for him, although I will confess that he annoyed me with that composed self-sufficient poise. A poise I had stupidly preened in my old university days at Cambridge; you know, the eloquence of words, however boastful and bombastic, hollowing out dismal logic and stale equations. But I was dead sure that if I hadn’t been to Cambridge, this man would have never even addressed a single word to me. He sniffed out his ‘own kind’ ! But of this ‘kind’ I was particularly sceptical and mistrustful, especially of pedants like him. A sentiment of distrust one encounters in people who throw themselves upon you, spilling out their watered down philosophies or immature phantasies during long hours in trains. To be fair though, I did not detect this incorrigible comportment in Mister Wilkens’ hurried, but measured spurts. His words were solid, linked together like the shiny mail-coats of those fine mediaeval smithies.

“ ‘Are you then not content with your many years spent amongst the populations of Asia ?’ It was a mundane question but… 

“ ‘Disorientation …’

“ ‘What ? Disorientation ?’

“ ‘Yes, disorientation, sir. Look at the word closely : ‘dis-‘ apart from and ‘orient’ … I am separated from the Orient … my Orient ; like dis-order, out of order, or dis-jointed, out of joint. Or how does disease appeal to you : out of or separated from ‘ease’, or disaster, out of the harmonious movements of the ‘astres‘ or stars ? The Eastern stars of course. Have I made myself understood ?’ He sneezed.

“I nodded without conviction. That pedantic tone, plus his semantic shenanigans unnerved me as well as that left eye of his which had been twitching with each jerky gesture of head and hands. He then began wringing those hands of his like some sort of maniac, gazing at the top berth above me, starry-eyed.

“ ‘Were you there on mission ?’ I ventured, hoping to regain his attention.

“ ‘Mission ? Yes, my mission ; not there, but here in Europe. I must relocate my orientation here in the West, if that is at all possible, given the fact that I am completely disorientated.’ He scratched that twitching eye peevishly. ‘So many languages and cultures studied and taught all gone up in smoke. A tragic fire has set aflame my life since returning to Europe; it has turned all my dreams to ashes. All my written and spoken words wrapped in the flame of a setting sun! And I can assure you sir, no phoenix will ever arise from them. Once disorientated, always disorientated as they say.’ He reached for his shoulder-bag, pulled out a soft-covered book, opening it at random with a look of disdain.

“I must admit that I found it painstaking to follow Mister Wilkens’ histrionic tirade with any seriousness. There he sat, lofty and smile-less, his head swaying listlessly from one side to the other like a puppet. His twitching eye had become intolerable to look at; I turned my head away and peered out of the window. Darkness had mantled the low-lying countryside in a softness that diverted my attention momentarily from those inflamed words. During this dream-like state, the darkness absorbing me within her lush, humid vortex, it seemed to me — though I am hardly a psychologist — that my travelling companion had experienced a traumatic relationship crisis with peoples of very alien values to his own European ones, a crisis that exhausted and put to trial his intellectual and emotional limits, exhausting him of any margin of repartee, driving him to self-accusation, even to self-maceration. His ‘Oriental’ experiences hardly broadened his vision of the world; on the contrary, they left him in an utter state of culpability. I felt that all his monologuing, if I may use that ugly word, was a confession pronounced before the hour of death. This may be an exaggeration, but I did sense that Mister Wilkens had been touched by some unknown madness, perhaps a loss of identification or an explosion of a multitude of identifications with which he could not cope … nor wished to cope! He made weird grimaces, sighed, fidgeted about in his seat, ignoring me completely until the train pulled into a station. Three minutes later we pulled out.  Mister Wilkens had not once raised his eyes from that book, which I am sure he was not reading at all.

“If I remember correctly it was a very cold night, the sky, a crisp, obsidian black, the stars, frozen, and the moon, full and bright. I dare say our compartment was so cold that we were forced to bundle up in our overcoats. Mister Wilkens looked up at me several times from his pretended book-reading, though he displayed no desire for conversation. I broke in on him once, rather bombastically, lauding the French railway system. He nodded apathetically, then plunged his pug nose back into those pages. A few moments later the conductor poked his head in to apologise about the heating that, he promised, should be coming on shortly. I sighed in relief for I was freezing.

“Mister Wilkens cast me a cursory glance: ‘Have you studied things seriously, sir ?  I mean the things in life, yourself, for example ?’

“I found the question impertinent, but answered, none the less: ‘Yes I have as a matter of fact … including myself,’ I retorted, holding my head haughtily high. ‘I too have travelled widely.’ He snorted. I remember at that point I had taken off my overcoat, for the heating was slowly coming back on. Mister Wilkens, however, kept his on in spite of the beads of sweat rising to the surface of his high, furrowed forehead. He offered no repartee, thumbing nervously through that book of his.

“I thought to retaliate, judging him an unmannerly upstart: ‘So you consider yourself an Orientalist ?’

“He looked up from his ‘perusing’ and stared at me as if I had insulted him with the grossest of four-lettered words. ‘That is an ugly word,’ he sneered. ‘All your years at Cambridge have taught you nothing.  Anyway, to answer your question: no, I am not an Orientalist. Alas, as I have just finished explaining, everything has gone up into smoke: to have learned all those languages for nothing… to have undertaken all those voyages for nothing; to have taught and written for nothing ! Do you understand, sir … For nothing …’

“ ‘But …’

“ ‘But what ? Please, don’t pretend to console or pamper me, I abhor puerile commiseration. For nothing, sir. Do you realise that besides this train from Paris to Madrid back and forth, back and forth …’  A woman threw open our compartment door to step in, but when she saw Mister Wilkens’ twisted face and his twitching eye, she gasped and slammed it shut. He scoffed, fell mute and turned to the window.  

“Large snowflakes fell. They formed little rims of melting sleet on the window. The wind whipped them about, giving an impression of so many odd geometric configurations. During that uneasy interlude I searched frantically for something to say. I couldn’t bear that slice of silence arching over us, that biting irony of contempt.

“Before I was able to say what I had finally conjured up to say, he burst brusquely into my crowded thoughts: ‘I must tell you a little story about Sandy, a mate of ours at Cambridge with whom we would go out on Saturday nights to “drink up the town” as the Americans say! There we were, a bit tipsy, carousing with the crowd, having a jolly good time, and Sandy, making a perfect bore of himself. So, to enliven the ambience I mustered everyone’s attention to inform them that I had stuck up for Sandy a week ago. Hearing his name suddenly mentioned, he raised his fat face out of the beer mug and looked blankly at me. I turned to Sandy and said : ”Sandy, how ungrateful you are, just think, I stuck up for you the other day, someone said that Sandy wasn’t fit to live with the pigs and I said that he certainly was !” All of us roared with laughter whilst poor Sandy buried his pasty face in the froth of his beer. In fact the whole pub was howling with laughter. It was truly a smashing night out.’

“Mister Wilkens was choking with laughter. He appeared so pathetic to me. He wore such a cretinous smirk on his twitching face. That revolting anecdote of his was cheap and full of childish contempt. Was he doing this purposely to disgust me, to urge me to get up and leave the compartment? He calmed down and eyed me with a sort of conspiratorial smile: ‘Have you ever thought of taking the Leap, sir ?’ He pushed his tortured face forward waiting for an answer. His hysterical tone had shaken me up a bit. I wished only now to be left alone. 

“ ‘The leap ?’ I asked, examining him rather warily. It was an odd word which he emphasised with an accompanying gesture of his hand raised high overhead. He noted the tint of circumspection in my voice. He sneered and threw open our compartment window. Stretching his hand out, he caught the flakes of snow that shone in the half-lit wintry night. I made no move. Cold air rushed into the warmth of the compartment. I nodded towards the window. He feigned to ignore me and his sneer erupted into a series of ugly snickers. I snuggled up in a corner and for an instant thought it best to leave him to his madness. It was becoming frightfully cold, and furthermore, his attitude frightened me, his gestures were nervous, erratic. His face, morose, spiteful. He kept tapping his feet and hands, playing nervously with the frayed ends of the cuffs of his shirt. Was it because of the cold or some inner anxiety? I sensed that he was displeased with the tone of my voice and most probably even disgusted with my company, and was undoubtedly endeavouring to communicate it to me. I sprang to my feet to take leave of him. He grasped my shoulder. His fingers were wiry, hard as steel.

“ ‘Yes, the leap, my good fellow. Leaps are like twilights and rainbows, terribly brief. Do you understand who all those peanuts in a jar are ? No, you have understood absolutely nothing of what I have been saying.’ I stood gaping at him, frozen in terror. He released his grip and in one violent movement pushed me aside against the compartment door. ‘You may plead in my favour that I’ve had my day in the sun; I shan’t disapprove of that banality. But tell me, sir, you, so well cultivated, was it all then just fairy dust ? A forty-year timeless fairy tale existence before … before the plunge into this nightmare, waking up into a dank, grim prison of biological and material utility ? Are we all forbidden to accomplish our dreams ? Must we live out our lives in a stifling cocoon of time- and energy-consuming survival of the fittest ? Well sir, yes, I’ve had my day in the bold, rising sun, but it has since sunk …’ Mister Wilkens threw back his head in the most theatrical fashion, grabbed his book, leapt up on to the table aside the window then rolled out of it without uttering the slightest sound. Confounded, I made no effort to stop him. At length, coming to myself, I ran for the conductor. The rest of the story you know.”

When he had finished his account and his fifth beer (which I had been paying for) I again promised him that I would neither write nor mention this unusual event to anyone. I enquired, however, about  the book he had been reading or pretended to be reading in the train. My informer said that he had tumbled out of the window with it cradled in his arms, but no one, apparently, made any effort to find it. I paid him, and without another word, he stood and left the beer-hall.

At this point the reader is undoubtedly eager to know why I have broken my vow and have divulged the tragic end of Mister Wilkens. Well, let me record without going into details that a similar tragedy befell my English informer some months ago on the December 9, 1976, on a night train between Paris and Madrid, so reported El Pais[6]. A large photo of him reminded me that I had never asked him his name, and it was only by the photo that I knew it was my informer. Perhaps he, like Mister Wilkens, had also made the leap, although I doubt whether he dabbled in the field of Orientalism. This being said, I hope these suicides are not contagious, and that because of poor Mister Wilken’s embryonic virus, I too have been contaminated by his travelling companion! To look at it from another point of view, however, I have often wondered about that book; that is, Mister Wilkens’ book which he had held in his arms when he leapt out of the speeding train. My guess is that it may be the key in understanding the reason for killing himself, that and the citation found on him, which I have put into quotation as an epigraph to my narrative, and unfortunately –I must confess– whose author I have never been able to discover. I’m sure the key to the mystery lies in that name of the book.

[1]    (1821-1890) British military officer, explorer, erudite, writer and polyglot.

[2]    (1868-1969) French explorer, intellectual and writer.

[3]    (1850-1923) French military officer, traveller and writer.

[4]    (1901-1976) French writer, traveller and Minister of Culture under President General De Gaulle.

[5]    (1892-1973) American writer, winner of the Nobe Prize for Literature in 1938, born in China.

[6]   The national newspaper of Spain (The Nation)

Paul Mirabile is a retired professor of philology now living in France. He has published mostly academic works centred on philology, history, pedagogy and religion. He has also published stories of his travels throughout Asia, where he spent thirty years.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Review

The Stolen Necklace: A Victim’s Saga

Book Review by KPP Nambiar

Title: The Stolen Necklace: A Small Crime in a Small Town

Authors: Shevlin Sebastian and VK Thajudheen

Publisher: HarperCollins India

With an enigmatic cover, reflecting the nature of the content, this is the true story of a small-town crime. A gripping narrative, it is the poignant saga of an innocent citizen, forced to suffer incarceration due to the mishandling of a theft case by the police.

Veteran journalist Shevlin Sebastian, and businessman, VK Thajudheen, are the authors. Thajudheen is the kingpin of this book, and also the victim. The incident took place a few years ago in the historic town of Thalassery in north Kerala.

Shevlin is based in Kochi, which is hundreds of kilometres away, in the south. Shevlin and Thajudheen came together following the media hype. With his impressive credentials, and long-standing in the journalistic field, Shevlin has proven his mettle by publishing more than 4500 feature articles in reputed periodicals. He has authored four children’s novels also.

Thajudheen, around whom the thriller revolves, has his home in Kadirur, a suburb of Thalassery. A middle-class businessman in Qatar, he had left his family of wife and three children at Kadirur. A God-fearing upright man, he is middle-aged and balding. His courage led him to an adventurous love marriage with his teenage sweetheart. Nasreena, being from a financially backward family, the alliance was considered of low status for his wealthy family.

Nevertheless, he had the temerity to ignore and disobey even his patriarchal father, in carrying on his long affair. However, before his secret wedding, his father passed away. Even then Nasreena had to wait for three years to be accepted in his home. That was after the birth of their second child – a son. The arrival of a boy child in his family after a long gap, mellowed his mother and two sisters who changed their hostile attitude against Nasreena.

All this happened years ago. Meanwhile, Thajudheen had a checkered  career spread over different locations, which ended up with a business in Doha. That was when he fulfilled his dream of marrying his daughter to an eligible young man, Shiraz Abdulla.

The tragic turns of events, entangling Thajudheen in the stolen necklace fiasco, commenced a couple of days after the celebration of Thazleena’s wedding. The family was returning from his sister’s home after a sumptuous dinner hosted for the newly-wedded couple.

It was a rainy night. Suddenly, they spotted two police jeeps with eight occupants waiting near their Kadirur home. Three of the men were in uniform. The rest were also from the same genus, it was revealed.  They were from a station outside Kadirur police control called Chakkarakkal. Stopping their car, their leader, approached the family with an expression of “You are all prey. I am a lion looking for a meal”.

Biju, having already earned a name as being reckless in controlling crime, was a known terror. He and his team had arrived armed with a phone evidence showing that Thajudheen was the culprit in a necklace-snatching crime. The incident was reported in his station a few days back. The CCTV camera that showed the purported thief cannot lie, they thought. It showed someone exactly resembling Thajudheen! But was it Thajudheen?

Thus started the ordeal of an innocent family man in the presence of his loving wife, and children. After a heart-breaking scene, near his home, Thajudheen was offered a compromise — pay the price of the stolen necklace and avoid litigation.

The offer was with a friendly ‘advice’: “I heard your daughter has just got married. The reputation of your family is at stake. We will inform the media that you are the thief.”

Anyone with a chicken heart would have yielded, but not Thajudheen, who always admired his late father for standing up to injustice. That was how Thajudheen had to languish in Thalassery sub jail till the story led to the final proverbial ‘happy ending’, nearly seven weeks later.

As a remand prisoner Thajudheen had the most undesirable company of robbers, underworld gang members, sex offenders, political workers, and so forth. At the same time, outside, his shattered family and Abdulla, the father of Shiraz, Thajudheen’s son-in-law, did not leaving any stone unturned to unravel the mysterious crime. They were making all-out efforts to obtain bail as well.

But Sub Inspector Biju was not to give up the big catch that easily. The police were even trying to trap Thajudheen in some other unsolved cases as a possible culprit.

This included even a murder case where the perpetrator was missing.  

Ultimately, when the higher court decided to let him free, the readers, along with Thajudheen himself, are left to wonder about the dispensation of justice by the police in a democracy. It is true that the politicians, the legislature, and even the Chief Minister had to interfere in ensuring proper investigation in this case. But still the question remains: what can one do to enforce timely change in the method of handling of criminal cases by the police?

Imprisonment of innocents and their vindication in the end is nothing new in the annals of ‘crime and punishment’. Fiction being a reflection of fact, such cases are not uncommon in world literature. Inspector Javert of Victor Hugo’s ‘Les Miserables’ (1862) can very well match up with the modern-day Biju, the sub inspector.

Likewise, in Leo Tolstoy’s short story, ‘God Sees the Truth but Waits’ (1872), a young merchant named Ivan Dmitrich Aksionov was accused of a crime he did not commit. One can see the forerunner of Thajudheen! After all, human nature is basically the same whether in France, Tsar’s Russia or India.

Undoubtedly, Shevlin and Thajudheen have succeeded in bringing out the darker side of the police force. However, though the narrative is touching, one wonders at the intent of the book.  Have the authors succeeded in openly projecting the atrocities of the police force to draw the attention of the establishment to prevent such incidents in future? Apart from presenting the insensitive and sadistic attitude of Sub Inspector Biju, little effort seems to be expended to indict the system to which he is linked. The fact that Biju is ‘punished’ for his ‘crime’ by just a transfer and withholding a few increments is an eloquent testimony to the laissez-faire attitude of our society at large.

Dr. KPP Nambiar, formerly a Consultant/Technocrat at the UN Food and Agriculture Organisation, is the author of many scientific papers and books, including a 1500-page Japanese-Malayalam dictionary.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Essay

‘Wormholes to other Worlds’

Ravi Shankar writes about museums in Kuala Lumpur

Perdana Botanical Gardens. Courtesy: Creative Commons

I had a feeling of quiet satisfaction. I was finally able to locate the passage. I had spent a few weeks trying to do so without success. At ten in the morning, the iron gates of the passage/tunnel under the busy road were open as mentioned in the video on YouTube.  I could see the lakes of the Perdana Gardens ahead. The Perdana Botanical Gardens is one of the major attractions of Kuala Lumpur.

There are also several attractions located around the garden. Among these are the KL Bird Park, the Butterfly Park, the National Planetarium, the Islamic art museum, the Royal Police Museum, and the Tun Razak Memorial. I visited these museums over several weekends. Walking to and from and within these museums keeps me active. Many are located around the Perdana Botanical Garden. Two are around the Dataran Merdeka, the Merdeka Square. The Royal Museum is separate but not very far from these two locations. KL has several other museums that we will examine in a later article.

The pandemic had created a sense of fear within me. In late 2000, COVID was still under control in Malaysia and the national museum was open with pandemic protocols. I was apprehensive but my entry to the museum was smooth. The National Museum of Malaysia (Muzium Negara in Malay) is an impressive structure inaugurated in 1963. The museum was designed in the style of a Malay palace and UNESCO had provided consultants from different countries. The museum is impressive and modern.

The ground floor details the history of Malaysia from ancient times to the Sultanate of Melaka. Kedah in the north was a major historical centre. Excavations have revealed old civilisations. Melaka was a major trading post. Various European colonial powers had fought over the state.  The second-floor deals with the colonial and modern history of the country. I was fascinated by images of the Japanese occupation and the civil war. There are various exhibits located outside on the museum grounds. As the pandemic has slowly declined, the museum has come to life again attracting crowds, especially on weekends. There are local crafts and food items on display and sale.

There is a museum café on the premises that serves good Malay food. I often have lunched there while visiting the botanical garden and surrounding attractions. The textile museum or Muzium Tekstil is in a beautiful old heritage building near Merdeka Square, the country’s historical heart. The building started as the headquarter of the Federated Malay states railways and served later as the main office for different government entities.

The textile museum was opened in 2010. There are four galleries over two floors. The Pohon Budi Gallery deals with the tools, materials, and techniques of textile making over the ages. The Pelangi Gallery deals with batik. I visited the museum with a friend who hailed from Gujarat, and he was fascinated by how batik had been adopted here . The Teluk Berantai gallery concentrates on the teluk berantai (interlocking bays), a harmonious motif made up of individual flower designs stitched together into geometric patterns. The Ratna Sari gallery is also located upstairs. The British had brought in artists and artisans mainly from India to construct several colonial-era buildings in the Mughal style. The museum is within walking distance from the Masjid Jamek station on the Sri Petaling line.

The KL City Gallery tells the story of the city from its founding as a tin mining town to eventually becoming the capital of British Malaya and modern Malaysia. Kuala Lumpur comes from two Malay words meaning the muddy confluence of two rivers. The town at the confluence of the Gombak and the Klang rivers grew rapidly into a modern metropolis. The gallery is operated by ARCH, a Malaysian brand making hand-assembled collectibles and gifts. The story of the city is told through old prints, miniatures, and photos. The centrepiece is the hand-assembled KL City model with over 5000 miniature buildings. The gallery has a café, and the city’s love of food is well showcased. At the entrance there is an I love KL sign popular with tourists and locals as a backdrop for photos.

The National art gallery (Balai Seni Negara) is within walking distance from the KL Hospital station on the newly opened Putrajaya line. The gallery is designed as spaces flanking the circular ramp to serve as exhibition areas for more intimate and contemplative viewing. The spiral ramp in the middle provides a dynamic visual experience to visitors showcasing the building from different angles at every level.  There are galleries located on three levels. There is a mixture of different media like paintings, a few miniature paintings, sculptures, installations, and projected images among others. I love the space and feel of the building. There is a good collection of paintings and other works by Malaysian artists. British colonial artists and their impressions of life in colonial Malaysia are also featured. The gallery makes for an interesting and contemplative outing. 

 

Minnature Gallery advertises itself not as a museum as the pieces on display were all created specifically and are not of historical value. There are thousands of miniature pieces, and the buildings were 3D printed. The location is within the Sungai Wang Plaza, near the Merdeka Square. The recreation of the Dataran Merdeka or the Independence Square and the light show at this historic location (in miniature) is impressive. are miniature models of several locations in the country. While the pandemic protocols lasted, these served as a good introduction for me to the attractions of other states in the country. They have a small store selling merchandise. Most museums in Malaysia have a gift shop and a dining area. The models of different foods from Malaysia in the Minnature gallery are impressive though I am not sure if there is a restaurant on the premises. The amount of detail is huge and the proportions of the structure correspond to the real world.

An artifact from the Islamic Museum. Photo Courtesy: Ravi Shankar

The Islamic Arts Museum (Muzium Kesenian Islam Malaysia) is located around the perimeter of the Perdana Garden. The museum claims to be the largest one on Islamic art in Southeast Asia. The Nusantara region including Malaysia and Indonesia claims to have the largest Muslim population in the world. There are more than 7000 artefacts. The building is spacious with large glass frames letting in plenty of light. The museum is spread over two levels. Level one contains galleries devoted to architecture, the Quran, and other manuscripts, and a gallery each for the art of India, China, and the Malay Peninsula. The second level is dedicated to Arms and Armours, Textiles, Jewelry, and Coins, and three galleries consisting of artworks categorised by their materials – Metal, Wood, and Ceramics. The craftsmanship of some of the pieces is sublime. The dedication of the craftsmen and the time they devoted to their tasks has to be admired. The highlight of the gallery to me was the delightful and elaborate roofs. Each is a masterpiece of design! There is also a fine dining restaurant on the premises.

The original Royal Malaysia police museum (Muzium Polis di Raja Malaysia) was built in 1958. The new building located on the outskirts of Perdana Garden was inaugurated in 1998. There are three galleries: one deals with policing during the early days of the Malay sultanate, the other, with the Colonial Era and the last with the period called Emergency, the Anti–British National Liberation War (1948-1980) which involved guerrilla warfare. There are a variety of materials used by the police force over the ages in the collection. There is a good collection of motorcycles and other vehicles. The police persons on duty at the museum are very friendly. There is a large collection of armoured vehicles and cars and a plane model on the grounds of the museum.

The Royal Museum (Muzium di Raja) was inaugurated in 2013 and was the residence of the King of Malaysia till the royal family moved to a new residence. The huge two-story property was built in 1928 by a Chinese mining tycoon for his huge family and was one of the biggest residences in Kuala Lumpur (KL). The museum provides a glimpse into the life of the royal family though most rooms can only be seen from the walkway. There is a good view of the KL skyline, including the iconic Petronas Tower.

All these museums are visitor friendly and provide a unique glimpse into the history of the city, the state of Selangor, and Malaysia. Tourists might need around three or four days to do justice to the richness on offer. Museums take you to other worlds and times. The American art critic, Jerry Saltz says, “Don’t go to a museum with a destination. Museums are wormholes to other worlds. They are ecstasy machines. Follow your eyes to wherever they lead you…and the world should begin to change for you.”  

A restored museum room in the Islamic Arts Museum. Photo Courtesy: Ravi Shankar

Dr. P Ravi Shankar is a faculty member at the IMU Centre for Education (ICE), International Medical University, Kuala Lumpur, Malaysia. He enjoys traveling and is a creative writer and photographer.

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Categories
Poetry

The Precious Cargo

By Dr Kanwalpreet

THE PRECIOUS CARGO

As the mean machine rises,
Its blades whirring,
Its wings cutting,
Through the air,
A silent prayer
Escapes the lips,
From many who
Stand and stare.

Parched lips,
Beating hearts,
Controlled tears,
From eyes
That avoid looking
Into the other.
Forced smiles,
Shaky hands,
Does the mean machine know,
That it carries precious cargo?

Men and women in uniform.
The story repeats,
Across countries,
And continents,
Uniforms that define soldiers --
Olive, green, blue, black,
Soldiers who move on orders,
Leaving behind parents,
Spouses, siblings, children.
Men and women who are soldiers
Lug their heavy hearts,
Putting up a façade of bravery,
Stoic and composed.
Men and women who as human beings,
Are allowed to carry only memories,
Precious as treasures from the deep.
Men and women who cannot tarry,
As they have sworn their loyalty,
To their respective countries.
Men and women who as soldiers,
Move as one.
Men and women who shudder,
For any loss here or there,
As each relationship
Is very dear.

As the plane lifts,
Human hearts beat
In the heart of the machine.
Does the mean machine know
It carries precious cargo?
A  father’s companion,
For his twilight years,
A mother’s heart,
The loving mentor,
Of their children,
The prankster sibling,
The loving husband,
Whose hugs would be missed,
Does the mean machine know
It carries human hearts?

The question looms --
Why these wars?

Dr. Kanwalpreet teaches Political Science to undergraduate students in a college affiliated to Panjab University, Chandigarh, India. She has written 12 books that include books for children as well as biographies. Writing is a passion and she delves into it frequently. Living in a male dominated society Kanwalpreet, usually, writes about the pain that women go through. Her book, Rings of Life a collection of 13 short stories tries to show the struggles of women.

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Categories
Editorial

Where have All the People Gone?

Courtesy: Creative Commons

Can humankind ever stop warring and find peace?

Perhaps, most sceptics will say it is against human nature to stop fighting and fanning differences. The first recorded war was fought more than 13,000 years ago in what is now a desert but was green long ago. Nature changed its face. Continents altered over time. And now again, we are faced with strange shifts in climate that could redefine not just the dimensions of the surface area available to humankind but also our very physical existence. Can we absorb these changes as a species when we cannot change our nature to self-destruct for concepts that with a little redefining could move towards a world without wars leading to famines, starvation, destruction of beautiful edifices of nature and those built by humankind? That we could feed all of humans — a theory that won economist Abhijit Banerjee his Nobel Prize in 2019 so coveted by all humanity — almost seems to have taken a backseat. This confuses — as lemmings self-destruct…do humans too? I would have thought that all humanity would have moved towards resolving hunger and facing the climate crises post-2019 and post-pandemic, instead of killing each other for retaining constructs created by powerbrokers.

In the timeless lyrics of ‘Imagine’, John Lennon found peace by suggesting we do away with manmade constructs which breed war, anger and divisions and share the world as one. Wilfred Owen and many writers involved in the World Wars wrote to showcase the desolation and the heartfelt darkness that is brought on by such acts. Nazrul also created a story based on his experience in the First World War, ‘Hena’, translated for us by Sohana Manzoor. Showcasing the downside of another kind of conflict, a struggle to survive, is a story with a distinctive and yet light touch from S Ramakrishnan translated from Tamil by B Chandramouli. And yet in a conflict-ridden world, humans still yearn to survive, as is evident from Tagore’s poem Pran or ‘Life’. Reflecting it is the conditioning that we go through from our birth that makes us act as we do are translations by Professor Fakrul Alam of Masud Khan’s poetry and from Korean by Ihlwha Choi.

A figure who questioned his own conditioning and founded a new path towards survival; propounded living by need, and not greed; renounced violence and founded a creed that has survived more than 2500 years, is the man who rose to be the Buddha. Born as Prince Siddhartha, he redefined the norms with messages of love and peace. Reiterating the story of this legendary human is debutante author, Advait Kottary with his compelling Siddhartha: The Boy Who Became the Buddha, a book that has been featured in our excerpts too. In an interview, Kottary tells us more of what went into the making of the book which perhaps is the best survivor’s guide for humanity — not that we need to all become Buddhas but more that we need to relook at our own beliefs, choices and ways of life.

Another thinker-cum-film maker interviewed in this edition is Vinta Nanda for her film Shout, which highlights and seeks resolutions for another kind of crisis faced by one half of the world population today. She has been interviewed and her documentary reviewed by Shantanu Ray Chaudhuri. Chaudhuri has also given us an essay on a bookshop called Kunzum which continues to expand and go against the belief we have of shrinking hardcopy markets.

The bookshop has set out to redefine norms as have some of the books featured in our reviews this time, such as Rhys Hughes’ latest The Wistful Wanderings of Perceval Pitthelm. The reviewed by Rakhi Dalal contends that the subtitle is especially relevant as it explores what it says — “The Absurdity of Existence and The Futility of Human Desire” to arrive at what a person really needs. Prerna Gill’s Meanwhile reviewed by Basudhara Roy and poetry excerpted from Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan and Nishi Chawla, also make for relooking at the world through different lenses. Somdatta Mandal has written about Behind Latticed Marble: Inner Worlds of Women by Jyotirmoyee Devi Sen, translated by Apala G. Egan and Bhaskar Parichha has taken us on a gastronomic tour with Zac O’Yeah’s Digesting India: A Travel Writer’s Sub-Continental Adventures with the Tummy (A Memoir À La Carte).

Gastronomical adventures seem to be another concurrent theme in this edition. Rhys Hughes has written of the Indian sweets with gulab jamun as the ultimate life saver from Yetis while trekking in the Himalayas! A musing on lemon pickle by Raka Banerjee and Ravi Shankar’s quest for the ultimate dosa around the world — from India, to Malaysia, to Aruba, Nepal and more… tickle our palate and make us wonder at the role of food in our lives as does the story about biryani battles by Anagaha Narasimha.

Talk of war, perhaps, conjures up gastronomic dreams as often scarcity of food and resources, even potable water and electricity is a reality of war or conflict. Michael Burch brings to us poignant poetry about war as Ramesh Karthik Nayak has a poem on a weapon used in wars. Ryan Quinn Flanagan has brought another kind of ongoing conflict to our focus with his poetry centring on the National Day (May 5th) in Canada for Vigils for Missing and Murdered Indigenous Women by hanging red clothes from trees, an issue that perhaps has echoes of Vinta Nanda’s Shout and Suzanne Kamata’s poetry for her friend who went missing decades ago as opposed to Rachel Jayen’s defiant poetry where she asserts her womanhood. Ron Pickett, George Freek and Sayantan Sur have given us introspective perspectives in verse. We have more poetry asking for a relook at societal norms with tongue-in -cheek humour by Jason Ryberg and of course, Rhys Hughes with his heartfelt poem on raiders in deserts.

The piece that really brought a smile to the lips this time was Farouk Gulsara’s ‘Humbled by a Pig’, a humorous recount of man’s struggles with nature after he has disrupted it. Keith Lyons has taken a look at the concept of bucket lists, another strange construct, in a light vein. Devraj Singh Kalsi has given a poignant and empathetic piece about trees with a self-reflective and ironic twist. We have narratives from around the world with Suzanne Kamata taking us to Osaka Comic Convention, Meredith Stephens to Sierra Nevada and Shivani Shrivastav to Ladakh. Paul Mirabile has travelled to the subterranean world with his fiction, in the footsteps perhaps of Jules Verne but not quite.

We are grateful to all our wonderful contributors some of whom have not been mentioned here but their works were selected because they truly enriched our June edition. Do visit our contents page to meet and greet all our wonderful authors. I would like to thank the team at Borderless without whose efforts and encouragement our journal would not exist and Sohana Manzoor especially for her fantastic artwork as well. Thank you all.

Wish you another lovely month of interesting reads!

Mitali Chakravarty

borderlessjournal.com

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Categories
Poetry

Two Minds

Poetry by Sayantan Sur

Never have I surfed the waves
But I know the feel
The sky endless blue and bright
Cold Sun and Warm Sea
Strength of a Manta Ray, open wings
Riding a Tsunami about to fall
My senses in desperation for a thrill
Salt in my eyes, on my lips
Even now I can hear the roar
Washing over the brain corals

Never I have been to space
Yet, I see the Earth
All beings in a ball of blue
My limbs floating in a void
The dark seeping in
I, spinning away farther
No sound, null
No matter how much I bawl
The smell of seared flesh
Aether is where I belong

Dr. Sayantan Sur is a postdoctoral researcher at the University of Glasgow. He received the prestigious AWSAR award from the Government of India for his scientific essay. His literary works have been published in the Borderless and Aphelion.

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Categories
Stories

Am I Enough?

By Sarpreet Kaur

The Call

“Hello”

“Hello, beta[1]. How are you?” a gentle voice of my mother came from the other end.

I started crying.

“Why are you crying? Everything alright na?”

“Maa, you know. Nothing is right. I can’t live like this anymore.” I answered through muffled sobs.

“Don’t you dare to say that word again. If your father hears, you know what will happen. Give it time. It is going to be alright.” she answered with an air of finality.

“How is Ajay?” she asked starting the ‘so-called normal conversation’.

“He is well.” I played along.

“Had your food?” she asked genuinely concerned.

“Yes.”

“How’s the weather nowadays?” she was out of things to talk about now.

“It’s better.” I replied

She concluded the call.

“Never even think about it and take care there is a viral fever around.”

Diary

Hey Diary. My name is Rumi. I am 29 years old. I work with a software company. I am married to a software engineer for the last three years. And I am sad. I have been sad for so long that I think I was born this way but I know that can’t be. I used to be happy. Every weekend I get a call from my mother. It is strictly weekends only as she doesn’t want to be an intrusion in her daughter’s happy married life. After every phone call, my heart shatters into million pieces and the shackles around my wrists tighten a little more. I thought my mother would be the one to have the key to these locks but ironically she pleaded with me to hide the shackles and even forced me to promise never to talk about it.

I know I am too old to be writing in a diary but I don’t have anyone to talk to. No one listens to me anymore. And a few people who listen, they judge me. They judge me at that very instant when I say ‘the word’. The same word that my mother asked me to never mention.

Divorce

I want to shout “I hate my life. I don’t want to live with him anymore. I want a divorce.”

But the voice never comes out. It trails off somewhere. Somewhere dark. Somewhere deep. Somewhere within me.

The Call

“Don’t take it to heart. Stop finding meaning in everything. You have a job. You have a house. You have a husband,” my mother continued the next weekend when she heard a weak hello from my side.

Then came the questions

“Does Ajay ever hit you?”

“No.”

“Does he stops you from working?”

“No.”

“Does he ask you to do something that you don’t want to?”

“No.”

“Then Rumi I don’t understand what is the problem?”

Silence from my side. She reiterated

“Tell me. What do you want?”

“Respect Maa. I want respect.” I answered surprising even myself.

“Huh.” She coughed a sly laughter.

And the line went dead…..

I guess my father must have come in the room.

Diary

“Is this the only way to live?” Tell me diary Is it? I will tell you what happened at lunch today.

Ajay came for lunch.

“Please set the table.” he said while washing his hands.

“The table is already set. I am just coming.” I replied from the kitchen.

When I came back, I saw that he had already started eating. I just stood there with empty plate in my hand. He was too busy on his phone to notice me.

Today is Friday and my mother is going to call again in a short while. The time of call is always between lunch and evening tea. My father is sleeping then you see. And she is going to ask, “Had good lunch? How is he?”

I want to tell her the truth but how will I? How will I tell her that he started eating without waiting for me? How can I explain it to her that he should have waited for me? How can I explain this to my mother? That mother who thinks that first the husband should eat. That mother who takes pride in waiting for her husband to finish the food before picking up her own plate. How can I explain to her when she thinks this is normal? How can I tell her that her normal is not my normal? I want to shout at her and ask her why was she so keen on giving me education? Education that put funny ideas like gender equality in my mind. That evil education that taught me that husband and wife should eat together. Why mother? Why? I also want to tell her about all other moments. All those moments that she thinks is normal and is not a big deal. But mother it is. It is a big deal when he forgets to introduce me to his colleagues. It is a big deal when he cancels movie plans without checking with me. It is a big deal when he is broodingly sitting on the bed by my side but when his friend calls he laughs, shares and smiles.

The Call

“You are still thinking about it and ruining your day. Why can’t you talk happily?” she was disappointed after listening to the same sad daughter voice.

“I am not happy. What part of it are you not able to understand?” I shouted and immediately realised it was impolite and mean. She doesn’t deserve this.

“I am sorry Maa. I really am.”

“It’s okay beta. Just talk to him once. Sometimes the most complex problems have the simplest solutions.”

“Yes Maa.”

Diary

I liked my mother’s advice. So I thought of giving it a go. I made tea. Gave one cup to him and took a sip from mine.

“How was your day?” I initiated

“It was good. How was your day?” he asked

“It was good.” I replied

A long silence.…….

Was it few second or few minutes. I can’t tell. But I can tell that it felt like a very, very, long time.

He made an effort this time —

“How is your new project coming along at work?”

“It’s going great. How are your new clients?”

“They are good.”

A long silence again………..

“We have to go to a wedding this weekend at your aunt’s place.” I informed

“Yes we have to.”

At last we picked our phones, took a sigh of relief and scrolled our evening away.

Diary today I realised something unusual. It is not only him. It’s me too. I also didn’t have anything to ask him. I tried to think. I tried to make a conversation. But my mind was blank. We don’t have anything in common nowadays. I wonder did he also rack his brains to find something to talk about? Was he also as tongue tied as I was?

The Call

“Beta divorcees are given no respect in society. You want respect na? Do you think divorcing will give you respect?” My mother replied in a hushed tone when I again committed the big mistake of saying the forbidden word.

“I know Maa.”

“Food done?”

“Yes Maa.”

“How’s health?”

“Good Maa.”

“Take care. Your father just came.”

“Bye maa.”

Diary

We went for dinner with our friends tonight. It was a good dinner — a fancy restaurant, soft lighting and calm ambience. We dressed up putting in all the efforts we could. We laughed with our friends reminiscing old times, had a good feast but I still came back with a heavy heart. Diary is there some problem with me? Is my mother right? Do I expect too much? I wanted him to complement me on my dress. I wanted him to hold my hand when we entered the restaurant. I wanted him to steal a few glances of my sweet neckline. I wanted a bigger connection diary.

Should I be happy and a little contented that we at least went for dinner?

Is it me?

Will it never be enough for me?

Do I want too much?

The Call

“Maa Is everything alright? Is papa fine?” It was unusual of her to call during a weekday and that too after 8 pm.

“Yes. Yes all good. My sister, your maasi, came today and she gave a wonderful solution to your problem.”

“What Maa?” I asked and instantly regretted.

“Have a kid and everything will be alright beta. Just have a kid. The relationship will improve and you will have a happy family then. Being a mother is the most rewarding thing. You will get all the happiness and respect that you seek from your kid then.”

“Like you are getting from me Maa.” I snapped and then realised that Ajay was looking directly at me. I was so startled when I saw my mother’s call at this hour that I forgot to get up and go out in the balcony like I usually do. I guess, he must have heard what she just said. My phone’s volume is always on blast and clearly audible to the person sitting next to me.

“Shit!” I muttered.

“Okay Maa. Good night now.”

No Mother No Diary Just Us

He looked at me. I looked at him. For the first time I could see that he wanted to talk. For the first time I was eager to talk to him. And we did. We talked. He talked keeping his ego aside and I talked keeping my self-respect at bay.

“Let’s get divorce.” he blurted out.

After a brief pause, he continued —

“I don’t want to bring a new life in this world. It’s a sad world. We made it sad. I. Sorry. I made you sad. You deserve happiness. I am not a bad person.”

He produced these bits and pieces. His eyes cast down, he played nervously with his ring finger.

“I am sorry. Really. You deserve all the happiness too. I am also not bad. We are…,”

I choked

“We are just different.” he completed.

That day he gave me the key to my shackles. Then he stretched his own arms in front of me and for the very first time in our whole married life I saw a big chain around his wrists holding on to an even bigger lock. Was I too blind till date to see his shackles? And then I felt something in my back pocket. It was the key to his lock. I smiled and handed it over.

Diary

Sometimes it just doesn’t work. There isn’t always a ‘Victim’ and a ‘Devil’ in a marriage. Sometimes it’s just a bad marriage. Sometimes it just doesn’t work. Today I give priority to happiness rather than some worldly opinions. If that makes me selfish then – Yes! I am selfish. I am selfishly happy. 

[1] Child

Sarpeet Kaur is a writer based out of Mayabunder, Andaman and Nicobar Islands. She has worked on many projects dealing with the islands. She likes to capture the colourful cultures of India, enigmatic human emotions and flawless nature in her words and lock them forever into bundles of pages.

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Categories
Poetry

Eclipse

By Smitha Sehgal

ECLIPSE

Sometimes I pencil an octave across
the sky, when it grows blue, I sense 
the sea burn and blisters on my skin. 
When I was younger, I used to wonder 
why seagulls in certain oceans had to 

sound like falcons toward the onset 
of autumn. I belong to that ocean where 
Odysseus returned to Ithaca slaying 
the lotophagi. Borne of thought, 
in the cast of Pallas, we could persuade 

Neptune without a disguise or Ravan 
without burning the island. Yet a woman
has to grow into a blood moon sometimes, 
grow an arc to leap across the tides. 
At one point she would cross the boundaries 

of Earth and eclipse the shadows lurking
around the horizon. On the last day 
of spring,  hyacinths grow by the lagoon of 
rancour in the promise of redemption. I wonder 
how the female dragonfly deals with the times

she feels the need to rise beyond the lake 
and go right into the moon’s cold breath. 
Frozen in her words, I wonder how the female
centipede meets with an earthquake, 
in deep meditation inside the hollow of the oak tree.

Smitha Sehgal is a legal professional in Govt of India CPSE and a bilingual poet who writes in English and Malayalam. Her poems have been featured in contemporary literary publications such as Usawa Literary Journal, EKL Review, Madras Courier, Ink Sweat & Tears and elsewhere. 

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Categories
Review

Behind Latticed Marble: Inner Worlds of Women

Book Review by Somdatta Mandal

Title: Behind Latticed Marble: Inner Worlds of Women

Author: Jyotirmoyee Devi Sen, translated from Bengali by Apala G. Egan

New Delhi: Niyogi Books

The very mention of the name of Jyotirmoyee Devi (1894 – 1988) brings to our mind the strong feminist Bengali writer, author of the famous Partition novel, Epar Ganga Opar Ganga (The River Churning), mainly depicted the lives of the women in Bengal who bore the burden of this communal divide, their bodies being inflicted with sexual violence, rape, and social exclusion as a consequence to the former two. Owing to the dearth in the literature that records such gruesome atrocities that were inflicted upon women, till date her work is extremely important. This present anthology however focuses on a totally different perspective of the writer where she tells us interesting stories about the life of the women and little girls of Rajasthan, and the discriminatory gender and caste norms that policed and defined their existence. 

Jyotirmoyee Devi was born in Jaipur in an upper-caste and economically well-off family. Her grandfather, who had emigrated there from Bengal during the British Raj, rose to occupy a high administrative position as the dewan or prime minister to the Maharaja of Jaipur. Thus, Rajasthan had a profound impact on her writings in the later years. Not being given an opportunity for formal education, her sole means to establish a relationship with reading became her grandfather’s library where she, along with her sister, were assigned to arrange newly arrived books and magazines. Therefore, even though she was a little girl, she attempted to make use of her multiple privileges that could help her access books and writing material. Married at the age of ten and widowed at twenty-five, she returned to her parents’ home along with her children and became a prolific writer during her long period of widowhood.

The ten fictional narratives in this anthology are all set in Rajasthan, and they create an elegant tapestry amidst the backdrop of Rajput grandeur and chivalry. Based on an eyewitness account of life in royal harems, these stories describe the very human interaction between men and women in this milieu. They highlight power play, disinheritance, and the threat of assault, which are perennial concerns for women. These include fascinating narration about the machinations that went on inside the royal households, as well as stories which tells us the plight of the veiled women in different strata of society. For instance, in “Beneath the Aravalli Hills,” a young village girl Dhapi disappears in the city where her father sold her for two hundred rupees. She is kept in a harem and punished for entering the festive hall without permission, she ends her life in prison. In “Frame Up” when the king dies, there is a heavy pall of suspicion in the kingdom that the queen had murdered him. Two decades later, when she is on her deathbed, she calls her son to tell him that the harem housekeeper and the chief eunuch had hatched a plot to kill his father but the young king walks away without acknowledging his mother’s innocence. In “The Child Bride” we read about the plight of a young widow Kesar whose jewellery is unlawfully snatched from her by the in-laws and she spends the rest of her life in poverty by serving like other destitute widows in the Govindji temple at Vrindavan.

Women-centric issues also recur in a story called “The Queen and the Concubine” where despite having plenty of riches befitting the Rajput royals, the ladies muse secret sorrows since their husbands, seldom, if ever, visited them. They spent their time in their sumptuous villas by holding pageants, dance dramas, and musical soirees. It tells the story of how the protagonist Kesar moved to the king’s harem upon his desire, metamorphosed from a mere maid to a courtesan, till she was burnt to death in the end. As per the rules of the state, sons of courtesans and concubines also lived luxurious and leisure lives, but somehow there always existed a fine dividing line between these men and the real heir to the throne. “The Taint” tells us of the king’s youngest son Samudra, who after receiving college education decides to take up a simple job in the British Indian army while his father arranges for his marriage with plenty of dowry albeit without his consent.

The human side of man is beautifully expressed in “Ungendered” where the royal eunuch decides not to have an heir and lets two young boys live a normal man’s life. Several other stories reiterate tragic tales of women in purdah and how many of them reach unfortunate ends when they try to escape from the strict socially imposed patriarchal norms that keep them totally voiceless. “The Princess Baby” (Beti ka Baap or Father of a daughter) calls for attention towards the evil of female infanticide by feeding them with an overdose of opium and focus on the limited social interactions allowed to young women. Though sometimes repetitive, the stories overall try and tell us about the miserable plight of women in Rajasthan, whether they were commoners or part of the royalty.

Before concluding, a few words about the translation. This anthology contains ten stories, each of which had been translated and published in different journals abroad (nine in different American journals and one in Turkey) before collating them into this present volume. The translator, residing in the USA, obviously had the western reader in mind and sometimes several complicated and difficult words and phrases are used probably to remain politically correct to the original text. But what this reviewer finds problematic is the introduction by the author. Who are the targeted readers? In her introduction, she mentions at random women’s issues from around the world and in different ages one wonders why the context of the stories translated here is not provided at all — except for giving us a bio-note of Jyotirmoyee Devi which is briefly included in the back flap cover. Also, the page-long bibliography provided at the end of the rather out-of-context introduction seems totally redundant. Apart from this lacuna of course, the volume will interest those readers who marvel at the eyewitness accounts of life of women and men, common and royal alike, in Rajasthan in the first few decades of the twentieth century.

Somdatta Mandal, author, academic and translator, is former Professor of English at Visva-Bharati, Santiniketan, India.

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