Categories
Contents

Borderless, February 2024

Art by Sohana Manzoor

Editorial

Finding Godot?… Click here to read.

Conversations

Ratnottama Sengupta talks to Ruchira Gupta, activist for global fight against human trafficking, about her work and introduces her novel, I Kick and I Fly. Click here to read.

A conversation with Ratna Magotra, a doctor who took cardiac care to the underprivileged and an introduction to her autobiography, Whispers of the Heart: Not Just a Surgeon. Click here to read.

Translations

Two poems by Nazrul have been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s poetry has been translated by Fakrul Alam. Click here to read.

The White Lady by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Sparrows by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Tagore’s Dhoola Mandir or Temple of Dust has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: What are the Options? is an autobiographical narrative by Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and pandies’. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Maithreyi Karnoor, Luis Cuauhtémoc Berriozábal, Sivakami Velliangiri, Wendy Jean MacLean, Pramod Rastogi, Stuart McFarlean, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan, Sanjay C Kuttan, Peter Magliocco, Sushant Thapa, Michael R Burch

Poets, Poetry & Rhys Hughes

In City Life: Samples, Rhys Hughes takes on the voice of cities. Click here to read.

Musings/Slices from Life

Ratnottama Sengupta Reminisces on Filmmaker Mrinal Sen

Ratnottama Sengupta travels back to her childhood wonderland where she witnessed what we regard as Indian film history being created. Click here to read.

Suga Didi

Snigdha Agrawal gives us a slice of nostalgia. Click here to read.

Healing Intellectual Disabilities

Meenakshi Pawha browses on a book that deals with lived experiences of dealing with intellectual disabilities. Click here to read.

Musings of a Copywriter

In Hobbies of Choice, Devraj Singh Kalsi explores a variety of extra curriculums. Click here to read.

Notes from Japan

In Becoming a Swiftie in my Fifties, Suzanne Kamata takes us to a Taylor Swift concert in Tokyo. Click here to read.

Essays

Walking about London Town

Sohana Manzoor takes us around the historic town. Click here to read.

How Do You Live?

Aditi Yadav explores the universal appeal of the translation of a 1937 Japanese novel that recently came to limelight as it’s rendition on the screen won the Golden Globe Best Animated Feature Film award (2024). Click here to read.

The Magic Dragon: Cycling for Peace

Keith Lyons writes of a man who cycled for peace in a conflict ridden world. Click here to read.

Stories

A Night at the Circus

Paul Mirabile tells a strange tale set in Montana. Click here to read.

Echoes in the Digital Expanse

Apurba Biswas explores a futuristic scenario. Click here to read.

Two Countries

Ravi Shankar gives a story about immigrants. Click here to read.

Chadar

Ravi Prakash writes about life in an Indo-Nepal border village. Click here to read.

Just Another Day

Neeman Sobhan gives a story exploring the impact of the politics of national language on common people. Click here to read.

Book Excerpts

An excerpt from Nabendu Ghosh’s Journey of a Lonesome Boat( Eka Naukar Jatri), translated from Bengali by Ratnottama Sengupta. Click here to read.

An excerpt from Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Book Reviews

Somdatta Mandal reviews The History Teacher of Lahore: A Novel by Tahira Naqvi. Click here to review.

Basudhara Roy reviews Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

Bhaskar Parichha reviews Toby Walsh’s Faking It : Artificial Intelligence In a Human World. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Finding Godot?

Discard all prayers,
Meditation, hymns and rituals.
Why do you hide behind
Closed doors of temples?
....
There is no God in this house.

He has gone to visit the
Farmers who plough the hard ground,
The workers who break rocks ...


— Tagore, Dhoola Mandir or Temple of Dust (1910)

Love is a many splendoured thing and takes many forms — that stretches beyond bodily chemistry to a need to love all humankind. There is the love for one’s parents, family, practices one believes in and most of all nurtured among those who write, a love for words. For some, like Tagore, words became akin to breathing. He wrote from a young age. Eventually, an urge to bridge social gaps led him to write poetry that bleeds from the heart for the wellbeing of all humanity.  Tagore told a group of writers, musicians, and artists, who were visiting Sriniketan in 1936: “The picture of the helpless village which I saw each day as I sailed past on the river has remained with me and so I have come to make the great initiation here. It is not the work for one, it must involve all. I have invited you today not to discuss my literature nor listen to my poetry. I want you to see for yourself where our society’s real work lies. That is the reason why I am pointing to it over and over again. My reward will be if you can feel for yourself the value of this work.”

And it was perhaps to express this great love of humanity that he had written earlier in his life a poem called Dhoola Mandir that urges us to rise beyond our differences of faith and find love in serving humankind. In this month, which celebrates love with Valentine’s Day, we have a translation of this poem that is born of his love for all people, Dhoola Mandir.  Another poet who writes of his love for humanity and questions religion is Nazrul, two of whose poems have been translated by Niaz Zaman. Exploring love between a parent and children is poetry by Masood Khan translated from Bengali by Fakrul Alam. From the distant frontiers of Balochistan, we have a poem by Atta Shad, translated from Balochi by Fazal Baloch, for a fair lady — this time it is admiration. Ihlwha Choi translates poetry from Korean to express his love for a borderless world through the flight of sparrows.

Love has been taken up in poetry by Michael Burch. Borne of love is a concern for the world around us. We have powerful poetry by Maithreyi Karnoor that expresses her concern for humanity with a dash of irony or is it sarcasm? Luis Cuauhtémoc Berriozábal expresses his admiration for the poetry of Italian Poet Antonia Pozzi (1912-1938) in poetry. We have poems by Stuart McFarlane, Pramod Rastogi, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan and many more. Rhys Hughes brings humour into poetry and voices out in his column taking on the persona of two cities he had lived in recently. There is truth and poignancy in the voices of the cities.

Suzanne Kamata writes a light-hearted yet meaningful column on the recent Taylor Swift concert in Tokyo.  Aditi Yadav takes up the Japanese book on which was based a movie that won the 2024 Golden Globe Best Animated Feature Film Award. Sohana Manzoor journeys to London as Devraj Singh Kalsi with tongue in cheek humour comments on extracurriculars that have so become a necessity for youngsters to get to the right schools. Snigdha Agrawal gives us a slice of nostalgia while recounting the story of a Santhali lady and Keith Lyons expresses his love for peace as he writes in memory of a man who cycled for peace.

Ratnottama Sengupta also travels down the memory lane to recall her encounters with film maker Mrinal Sen as he interacted with her father, Nabendu Ghosh. She has translated an excerpt from his autobiography to highlight his interactions with Ghosh. The other excerpt is from Upamanyu Chatterjee’s latest novel, Lorenzo Searches for the Meaning of Life.

In reviews, Somdatta Mandal has explored Tahira Naqvi’s The History Teacher of Lahore: A Novel. Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty, has been discussed by Basudhara Roy and Bhaskar Parichha has reviewed Toby Walsh’s Faking It: Artificial Intelligence in a Human World. News and Documentary Emmy Award winner (1996) Ruchira Gupta’s daring novel born of her work among human traffickers, I Kick and I Fly, has been brought to our notice by Sengupta and she converses about the book and beyond with this socially conscious activist, filmmaker and writer. Another humanist, a doctor who served by bridging gaps between patients from underprivileged backgrounds, Dr Ratna Magotra, also conversed about her autobiography, Whispers of the HeartNot Just a Surgeon: An Autobiography , where she charts her journey which led her to find solutions to take cardiac care to those who did not have the money to afford it,

We have fiction this time from Neeman Sobhan reflecting on how far people will go for the love of their mother tongue to highlight the movement that started on 21st February in 1952 and created Bangladesh in 1971. Our stories are from around the world — Paul Mirabile from France, Ravi Shankar from Malaysia, Sobhan from Bangladesh and Ravi Prakash and Apurba Biswas from India — weaving local flavours and immigrant narratives. Most poignant of all the stories is a real-life narrative under the ‘Songs of Freedom’ series by a young girl, Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These stories are brought to us in coordination with pandies’ and Shaktishalini, a women’s organisation to enable the abused. Sanjay Kumar, the founder of pandies’ and the author of a most poignant book about healing suffering of children through theatre, Performing, Teaching and Writing Theatre: Exploring Play, writes, “‘Songs of Freedom’ bring stories from women — certainly not victims, not even survivors but fighters against the patriarchal status quo with support from the organisation Shaktishalini.”

While looking forward in hope of finding a world coloured with love and kindness under the blue dome, I would like to thank our fabulous team who always support Borderless Journal with their wonderful work. A huge thanks to all of you from the bottom of my heart. I thank all the writers who make our issues come alive with their creations and readers who savour it to make it worth our while to bring out more issues. I would urge our readers to visit our contents’ page as we have more than mentioned here.

Enjoy our February fare.

Mitali Chakravarty

borderlessjournal.com

Click here to access the content’s page for the February 2024 Issue.

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READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Stories

Echoes in the Digital Expanse

By Apurba Biswas

In the heart of a bustling metropolis, where neon signs battled the stars for supremacy, stood a high-rise that pierced the sky. On the 42nd floor, amidst the hum of advanced technology and the glow of omnipresent screens, lived Michael and Apollonia. Their apartment, a futuristic enclave, was filled with gadgets and gizmos that spoke of an age where technology reigned supreme.

Michael and Apollonia, once a couple whose love story could have inspired poets, now found their bond fraying in the unrelenting embrace of the digital world. Their home was an altar to the modern age, with walls adorned with the latest ultra-thin screens, surfaces cluttered with virtual reality gear, and AI assistants that responded to their every whim.

Michael, a software engineer with a passion for gaming, spent his days and nights in alternate realities. His VR headset was more a part of him than his own limbs. In these digital realms, he was a hero, a conqueror, a legend. Apollonia, a digital marketing strategist, found her solace in the lives of others through her social media feeds. Her world was one of perfectly curated images, witty captions, and vicarious living through the adventures of influencers.

Their apartment, high above the city’s ceaseless rhythm, had become a silent bubble. Conversations, once filled with laughter and shared dreams, were now a series of emotionless texts and emojis, even when they lounged on the same sofa. Dinners were silent, save for the soft tapping of their devices; their eyes rarely met, each lost in a personal digital labyrinth.

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Michael’s world was one of fantastical landscapes and impossible quests. His laughter, once a melody that Apollonia adored, was now a rare sound, often drowned out by the synthetic scores of his games. Apollonia, whose zest for life and storytelling had captivated Michael, now channeled her creativity into crafting an enviable online persona, her real emotions hidden behind a filter of digital perfection.

Their home was a stark reminder of a past filled with genuine connection. Framed photographs of their early adventures — hiking trips, impromptu road trips, and lazy Sundays in the park — were now just relics of a bygone era. Michael’s guitar, once a source of serenity, lay in a forgotten corner, its strings still. Apollonia’s collection of travel books, which had fueled her wanderlust, now served as mere decorative trivia, untouched and gathering dust.

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It was on a stormy evening, as the city beneath them was a spectacle of rain-drenched lights, that their worlds momentarily collided again. Michael, his VR adventure paused due to a rare glitch, noticed Apollonia. She sat curled on the couch, her face illuminated by the soft light of her tablet, scrolling endlessly. For a fleeting moment, he saw not the Apollonia lost in the digital world, but the woman he had fallen in love with.

Moved by a surge of nostalgia, Michael reached out and gently touched her shoulder. Apollonia looked up, her eyes wide with surprise, as if seeing Michael for the first time in ages. Their eyes locked, and for a brief moment, the digital fog lifted, revealing the raw, vulnerable humans beneath. A torrent of memories flooded back — their first date, the late-night talks, the tender moments.

But the magic of the moment was fleeting. Apollonia’s gaze shifted back to her screen, the ghost of a smile fading as she immersed herself once again in the digital stream. Michael, a wistful sigh escaping his lips, re-entered his virtual world. The screens that had grown between them were too strong, their digital habits too ingrained.

Their night did not end in a dramatic confrontation or a tearful goodbye. Rather, it faded, like the last bars of a forgotten melody. They continued to share their high-rise haven, yet their worlds were galaxies apart. Their love, once vibrant and tangible, had dissolved into the ether of cyberspace. Around them, the city throbbed with life, but in their high-rise sanctuary, they existed in a state of digital solitude, side by side yet worlds apart. As the city lights flickered and danced below, they sat together in their digital cocoon, a testament to a world where hearts beat in sync with bytes, and love stories are written in the code of a bygone era.

Apurba Biswas is a Ph.D. scholar at the School of Humanities and Social Sciences, National Institute of Science Education and Research Bhubaneswar (An Autonomous institute under the Department of Atomic Energy, Govt. of India), and an OCC of Homi Bhabha National Institute, Mumbai. Apurba Biswas specialises in bridging gaps between science and humanities.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International