Categories
Poetry

Go, Green Hornet, Go

By Peter Magliocco

Go as the ghost without shadow
Into realms of Iron Man and Achilles
To steal their superpowers tonight.
What good is just being human anymore?
Pluck the force of ages
From the secretive cabbala
Of Wall Street mystics in hiding;
Fill your bounty with their crypto-coins
And rule the stock market of dreams.
The Gen-Z losers will cringe at your doorstep,
Bring you cold elixirs for forgetting foibles
Of their obsolete flesh in a time capsule.
With gusto swirl your cape into faces
Of once doubting infidels
Who’ll never know what it’s like coming-out
To scrape clouds of silver linings,
The taste of greening ambrosia on your lips
In the sunlight’s caress arcing
Past rainbow arches –

While Gotham mortals dress up for Halloween
Waiting for their monstrous selves
To replace dead superheroes

Peter Magliocco writes from Las Vegas, Nevada, where he’s been active as writer, poet, editor, and artist. He has recent poetry in A Too Powerful Word, Trouvaille Review, Lothlorien Poetry Journal, Flashes of Brilliance, dyst, Dreich, and elsewhere. His latest poetry books are The Underground Movie Poems (Horror Sleaze Trash), Night Pictures from the Climate Change (Cyberwit.net), and Particle Acceleration on Judgement Day (Impspired press).    

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Under the Rock Crags

By Peter Magliocco


Crabs scuttle there, lonely hearts of purblind pleasure
You yearn to scoop up with a child’s shovel,
Relishing the tingle of sand’s reanimated matter.
In the corkscrewed nexus of a god’s naked palm
You discover butts and unusable flotsam
Blackened by barnacle rust from history’s rime:
The timelessness where you bear witness
To a soggy past with these craggy sentinels
Watching marshmallow clouds slowly morph
Through hazy days of mist-ridden skies.
Rock becomes pillow to your nodding head,
For one cannot sleep under destiny’s rainbow
With scattered rain eclipsing the diurnal wend
Of conflicting elements?
Your lips bear a garlanded surprise, perhaps,
Of entwining seaweed still growing yet,
Into lungs of possibly pandemic rot
Where the airs of your humanity expire
Under the crags of dubious spiritual shelter;
You’re no longer witness to urban banality
Outside where a gross mechanised landscape
Looms in retinal configurations of cold dust.
You won’t have to breathe airborne droplets
Fastening a bleak curtain of acidic rain, either:
The grey confetti choking those homeless ones
Pushing shopping carts filled with dumpster leftovers,
While sparrows with limpid wings descend
To peck at that detritus of rife, decaying flora.
Under the crags the helix of humanity crumbles
As you finally emerge to sit atop one,
Meditating as an outcast Buddha of sorts
On the inevitability of seasons forever
Eroding these basaltic, ocean thrones –
and the secrets beneath left to other sad beachcombers?

****

Under the crags you found an old cell phone
Ringing, and the voice said “under the crags
Hip crabby beachcombers live scuttling there,
And they forage under the littoral’s rocks
Of old volcanic upheaval beneath cloud-ridden skies
Where brave explorers once ruled the sea.
They mapped nearby landscapes, my friend,
As long-billed terns strutted gaily everywhere,
Pecking for food … (Under the crags of eternity,
Or boulders of outsized granite, with gemstone stanchions
Like god pebbles thrown there by Gulliver’s sturdy hand):
Until you’re meditating with the drowning Buddha today
On the inevitability of seasons eroding these ocean thrones
You sit like a beached saviour in silence beneath …”

Then I hung up –

Peter Magliocco writes from Las Vegas, Nevada, where he’s been active as writer, poet, editor, and artist. He has recent poetry in A Too Powerful Word, Trouvaille Review, Lothlorien Poetry Journal, Flashes of Brilliance, dyst, Dreich, and elsewhere. His latest poetry books are The Underground Movie Poems (Horror Sleaze Trash), Night Pictures from the Climate Change (Cyberwit.net), and Particle Acceleration on Judgement Day (Impspired press).    

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Live and Let

By JM Huck

LIVE AND LET


Life doesn’t believe in magic dirt
Who settled what
Who was there first
Who makes or stakes a claim today

Life doesn’t believe in magic flags
The flying stars
The burning stripes
The cloths contained and held captive

What life does believe is music
A mother’s heart
A lover’s song
A lion’s breath to lullaby the madness

Judi Mae “JM” Huck is an arts administrator currently based in Las Vegas, Nevada. She is the Clark County Poet Laureate coordinator and a teaching artist for both literary and visual arts. Follow her on Instagram @bandittrl. 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Contents

Borderless August 2023

Art by Sohana Manzoor

Editorial

Other Echoes in the Garden… Click here to read.

Interviews

Ujjal Dosanjh, former Minister from Canada and former Premier of British Columbia, discusses his autobiography, Journey After Midnight – A Punjabi Life: From India to Canada, and the need for a world with less borders. Click here to read.

Professor Fakrul Alam discusses his new book of Tagore translations, Gitabitan: Selected Song-Lyrics of Rabindranath Tagore. Click here to read.

Translations

Tagore’s Musalmanir Galpa (A Muslim Woman’s Story) has been translated from Bengali by Aruna Chakravarti. Click here to read.

Masud Khan’s poem, In Another Galaxy, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Wakeful Stays the Door, a poem by Munir Momin, has been translated from Balochi by Fazal Baloch. Click here to read.

Dangerous Coexistence, written in Korean and translated by Ilhwah Choi. Click here to read.

Proshno or Questions by Tagore has been translated by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: An Ordinary Tale is a narrative by Nandani based on her own experiences, translated from Hindustani by Janees. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and Pandies. Click here to read.

Poetry

Click on the names to read the poems

Jared Carter, Rhys Hughes, Malachi Edwin Vethamani, Luis Cuauhtémoc Berriozábal, Saranyan BV, Ryan Quinn Flanagan, A Jessie Michael, Jahnavi Gogoi, George Freek, Koushiki Dasgupta Chaudhuri, David Francis, Akil Contractor, Michael Burch

Poets, Poetry & Rhys Hughes

In An Experiment with Automatic Poetic Translation, Rhys Hughes auto translates an English poem sequentially through 28 languages and then back to English with hilarious results. Click here to read.

Musings/ Slices from Life

Mister, They’re Coming Anyway

Timothy Jay Smith writes on the refugee crisis in Lesbos Island, Greece with photographs by Michael Honegger. Click here to read.

Migrating to Myself from Kolkata to Singapore

Asad Latif explores selfhood in context of diverse geographies. Click here to read.

Islands that Belong to the Seas

Paul Mirabile muses on how humans are like migrants on islands borrowed from the seas. Click here to read.

Of Dreams, Eagles and Lost Children

Aysha Baqir muses on the narrow, closed borders that condemn children. Click here to read.

Mushroom Clouds and Movies: Response from a Hibakusha’s Daughter

Kathleen Burkinshaw discusses Oppenhiemer the movie. Click here to read.

Sleepless in the High Desert, Slumber in the Sierra

Meredith Stephens covers Nevada to Columbia in a car with her camera. Click here to read.

My Hostel Days

Ravi Shankar reminisces on bygone days. Click here to read.

Musings of a Copywriter

In The Amateur Professional, Devraj Singh Kalsi writes of a amateur who thought of himself as a professional. Click here to read.

Notes from Japan

In How I Wound Up in Japan, Suzanne gives her story as an immigrant. Click here to read.

Essays

A Different Persuasion: On Jane Austen’s Novels & their Adaptations

Deepa Onkar delves into the world of Jane Austen books and films. Click here to read.

A Foray into Andamans

Mohul Bhowmik explores Andaman with a camera and narrative. Click here to read.

Bhaskar’s Corner

In Chittaranjan Das: A Centenary Tribute, Bhaskar Parichha discusses the life of one of the most legendary Odia writers. Click here to read.

Stories

Belacan

Farouk Gulsara shares a story based on the life of a migrant in 1950s. Click here to read.

The Japanese Maple

Shivani Shrivastav weaves a story of friendship and loneliness among migrants. Click here to read.

The Coin

Khayma Balakrishnan explores human and supernatural interactions in a school setting in Malaysia. Click here to read.

The Vagrant

Reeti Jamil narrates a strange tale set in a village and told by a farmer. Click here to read.

Book Excerpts

An excerpt from Ujjal Dosanjh’s Journey After Midnight: A Punjabi Life from Canada to India. Click here to read.

An excerpt from Roses in the Fire of Spring: Better Roses for a Warming World and Other Garden Adventures, by M.S. Viraraghavan and Girija Viraraghavan. Click here to read.

Book Reviews

Somdatta Mandal reviews Amitav Ghosh’s Smoke and Ashes: A Writer’s Journey Through Opium’s Hidden Histories. Click here to read.

Basudhara Roy reviews Greening the Earth: A Global Anthology of Poetry, edited by K. Satchidanandan & Nishi Chawla. Click here to read.

Bhaskar Parichha reviews Arunava Sinha’s The Greatest Indian Stories Ever Told: Fifty Masterpieces from the Nineteenth Century to the Present. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Slices from Life

Sleepless in the High Desert, Slumber in the Sierra

Narrative and photographs by Meredith Stephens

Alex and I had completed our road trip from California to Colorado and now it was time to make the two-day drive back along the interminable desert roads.

Every time we stopped, I would try to get into the driver’s side of the vehicle, thinking it was the passenger side. My brain would not adapt to a car with the steering wheel on the left. Once back in the passenger seat, the sun blazed on my temple, so I manoeuvred my visor to cover the right window to block it from penetrating my eyes. It was hard sitting still, so I stretched my legs before me, then slid them beneath me to elevate my height.

“As soon as we hit the Nevada border you will see a casino town,” Alex informed me.

Sure enough, we crossed the border into Nevada from Utah and a town immediately arose from the desert. Alex made a detour into the town to get some fuel.

“Can we drive down the strip?” I asked.

“Sure,” he replied. “Are you hoping to find a hotel here?”

Yes, I thought, but kept my silence. I was too proud to confess that I wanted to stay anywhere near a casino, but I would have welcomed clean sheets and hot water.

I took hold of Alex’s phone and searched for campsites en route, but they all involved deviations that would rob us of precious time.

“We can always stop at a rest area,” suggested Alex.

He searched his phone and found a rest area nestled into a hill, with outdoor tables surrounded by trees. We arrived at sunset and parked the car at the far end, away from other vehicles. We gratefully hopped out, picked up the ice box, and headed for the picnic tables, which we had to ourselves. No sooner had we started anticipating our picnic than we heard the murmur of a refrigerated truck.

“He probably has to keep his engine on to keep the food cool,” observed Alex.

The din was inescapable, so we decided to park back near the entrance to the rest area. I noticed a car parked with sheets draping the windows. Clearly, we were not the only ones seeking sleep in the rest area. Alex parked the car at an angle contrary to the parking lines so that nobody would be tempted to park right next to us. We hauled the icebox to a nearby picnic table to consume our leftovers. Alex proceeded to pour us a glass of wine, and we snacked on sourdough, cheese, avocado, deli meats, and corn chips.

I ate a little too quickly because it was getting late, and I was hungry. It was high desert, so the air was cool, even though it was mid-June. We packed up our picnic and headed for the car, where Alex moved all of our goods to the front seat and made up our bed in the back.

It was nearly 9 pm and we went to bed in the twilight. I revelled in the sensation of the thick flannelette cotton sheets, but I could not slip into a deep sleep. The overhead lights snuck through cracks in the fabric I had put up to cover the window, and the traffic rumbled on the adjoining freeway. Then, a few hours into the night, I heard a clanging outside the car. I peered myopically outside.

“That’s just a dumpster diver,” explained Alex, who turned back to sleep, obviously not too alarmed.

I had never heard that expression before, but I realised that some poor soul was working their way through the bins in the rest area in the wee hours when nobody could see them. I reflected on what I had thrown out after dinner, which had included a nectarine seed, and hoped their fingers did not come into contact with its slime. Then I started worrying whether the dumpster diver would come after us in the night. The next morning Alex explained to me that they were probably collecting cans to sell to a recycling centre. That, at least, was preferable to scrounging around in the bins for food.

We left early the next morning because Alex wanted to show me Lake Tahoe en route to California.

“That reminds me of Lac Leman in Switzerland,” I told him.

“Yes, there’s California on one side, and Nevada on the other. They share the lake.”

We stopped for photos, then resumed our way, winding through snowy mountains, and passing cattle, horses and foals down below. It was a huge relief after the deserts of Utah and Nevada. Then we wound our way through a canyon, following a rushing river, passing through picturesque towns adjoining Yosemite National Park.

“I need a coffee,” lamented Alex, typing ‘coffee shop’ into Google Maps. We entered the town of Columbia, heeding Google’s directions. We were directed down a narrow road through wooded hills. We passed a large car park the size of an oval, much too large for this rolling wooded area. Then Google Maps told us we had arrived. We parked under some shady trees to arrive at a tea shop from another place and time.

We wandered inside. They had a wide range of teas but no coffee, so we took our leave. The voice on Google Maps kept insisting we take a detour, so we followed her urgings past what seemed to be a historical town.

We turned the corner to find the coffee shop Google Maps had been directing us to. We entered and ordered Americano coffee, which despite the 19th-century decor was served in 21st-century paper cups.

We then realised in our quest to find a roadside coffee shop we had stumbled on Columbia Historic Park. The buildings which had been used in the town in the gold rush had been restored and made available to tourists. I wanted to linger in this authentic setting. Unlike a theme park, this was not a re-creation. Alex was worried that we still had several hours driving to go, so we had to resume our journey.

We wound back home through gentle valleys, passing cattle and horses. The sun in my eyes gave me an aura; a circle of lights started appearing in my vision. After 25 hours of driving, we arrived at our cabin at Shaver Lake. I crashed on the sofa, while Alex made a fire. He made up a bed in cotton flannelette sheets in front of the fire, and I rolled onto it from the sofa. What a relief it was to sleep in comfort, in contrast to the person in the rest area scrounging for cans in the wee hours. For us, sleeping in a rest area was a novelty, but for others, it was a way of life.

Meredith Stephens is an applied linguist from South Australia. Her work has appeared in Transnational Literature, The Muse, The Font – A Literary Journal for Language Teachers, The Journal of Literature in Language Teaching, The Writers’ and Readers’ Magazine, Reading in a Foreign Language, and in chapters in anthologies published by Demeter Press, Canada.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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