Tag: Sushant Thapa

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Contents

Borderless, February 2024

Art by Sohana Manzoor

Editorial

Finding Godot?… Click here to read.

Conversations

Ratnottama Sengupta talks to Ruchira Gupta, activist for global fight against human trafficking, about her work and introduces her novel, I Kick and I Fly. Click here to read.

A conversation with Ratna Magotra, a doctor who took cardiac care to the underprivileged and an introduction to her autobiography, Whispers of the Heart: Not Just a Surgeon. Click here to read.

Translations

Two poems by Nazrul have been translated from Bengali by Niaz Zaman. Click here to read.

Masud Khan’s poetry has been translated by Fakrul Alam. Click here to read.

The White Lady by Atta Shad has been translated from Balochi by Fazal Baloch. Click here to read.

Sparrows by Ihlwha Choi has been translated from Korean by the poet himself. Click here to read.

Tagore’s Dhoola Mandir or Temple of Dust has been translated from Bengali by Mitali Chakravarty. Click here to read.

Pandies Corner

Songs of Freedom: What are the Options? is an autobiographical narrative by Jyoti Kaur, translated from Hindustani by Lourdes M Supriya. These narrations highlight the ongoing struggle against debilitating rigid boundaries drawn by societal norms, with the support from organisations like Shaktishalini and pandies’. Click here to read.

Poetry

Click on the names to read the poems

Rhys Hughes, Maithreyi Karnoor, Luis Cuauhtémoc Berriozábal, Sivakami Velliangiri, Wendy Jean MacLean, Pramod Rastogi, Stuart McFarlean, Afrida Lubaba Khan, George Freek, Saranyan BV, Ryan Quinn Flanagan, Sanjay C Kuttan, Peter Magliocco, Sushant Thapa, Michael R Burch

Poets, Poetry & Rhys Hughes

In City Life: Samples, Rhys Hughes takes on the voice of cities. Click here to read.

Musings/Slices from Life

Ratnottama Sengupta Reminisces on Filmmaker Mrinal Sen

Ratnottama Sengupta travels back to her childhood wonderland where she witnessed what we regard as Indian film history being created. Click here to read.

Suga Didi

Snigdha Agrawal gives us a slice of nostalgia. Click here to read.

Healing Intellectual Disabilities

Meenakshi Pawha browses on a book that deals with lived experiences of dealing with intellectual disabilities. Click here to read.

Musings of a Copywriter

In Hobbies of Choice, Devraj Singh Kalsi explores a variety of extra curriculums. Click here to read.

Notes from Japan

In Becoming a Swiftie in my Fifties, Suzanne Kamata takes us to a Taylor Swift concert in Tokyo. Click here to read.

Essays

Walking about London Town

Sohana Manzoor takes us around the historic town. Click here to read.

How Do You Live?

Aditi Yadav explores the universal appeal of the translation of a 1937 Japanese novel that recently came to limelight as it’s rendition on the screen won the Golden Globe Best Animated Feature Film award (2024). Click here to read.

The Magic Dragon: Cycling for Peace

Keith Lyons writes of a man who cycled for peace in a conflict ridden world. Click here to read.

Stories

A Night at the Circus

Paul Mirabile tells a strange tale set in Montana. Click here to read.

Echoes in the Digital Expanse

Apurba Biswas explores a futuristic scenario. Click here to read.

Two Countries

Ravi Shankar gives a story about immigrants. Click here to read.

Chadar

Ravi Prakash writes about life in an Indo-Nepal border village. Click here to read.

Just Another Day

Neeman Sobhan gives a story exploring the impact of the politics of national language on common people. Click here to read.

Book Excerpts

An excerpt from Nabendu Ghosh’s Journey of a Lonesome Boat( Eka Naukar Jatri), translated from Bengali by Ratnottama Sengupta. Click here to read.

An excerpt from Upamanyu Chatterjee’s Lorenzo Searches for the Meaning of Life. Click here to read.

Book Reviews

Somdatta Mandal reviews The History Teacher of Lahore: A Novel by Tahira Naqvi. Click here to review.

Basudhara Roy reviews Srijato’s A House of Rain and Snow, translated from Bengali by Maharghya Chakraborty. Click here to read.

Bhaskar Parichha reviews Toby Walsh’s Faking It : Artificial Intelligence In a Human World. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poetry

A Song of Life

By Sushant Thapa

A fakir sings of life,
In abandon,
He plays his string instrument. 

Who said you can't
Pluck a smile and
Garden millions of them?

Writing the pain
And erasing it is
Like the ocean
Washing the shore.

The dew of dawn glistens
After night closes its purdah*. 

Autumn's bare fate
Is spring's blooming reason.

Seasons follow one another;
Life sets and shines
Like seasonal sunshine.

Life can bloom,
While you appreciate
Waiting on a bench,

Under the reddish
Rhododendrons
That decorate and
Light up the landscape.

The seashells long to be collected! 



*Curtain

Sushant Thapa writes poetry, book reviews and flash fiction. He has an M.A. in English from JNU, New Delhi. He is a lecturer of English and Business Communication in Biratnagar, Nepal. 

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

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Stories

Stranger than Fiction

By Sushant Thapa

Old Mr. Bubble sat in his armchair and observed the passers-by. The city rose in the morning when the clock struck five. The silence gave way to morning sounds.

Women walked and talked on the footpaths about educating their daughters and little sons. They believed every lesson should not be taught more than forty-five minutes. The leader’s inability to rule the country became a conscience of some new job holders. The morning walk seemed to be all about venting such problems.

The road ran across the suburban sight. No cargo trucks were parked in the morning although, the day ran on wheels. The path was spacious, and the children played without being deterred. The road carried buses, vans, students cycling to school amidst flocks of sheep that strayed into the road as they grazed along the greenery that often lined the edges or some abandoned patch of grass under the supervision of shepherds.

The city felt like it had to be observed more closely and that is where characters like Mr. Bubble stepped in. Mr. Bubble was a high school teacher. He lost his son during the civil war period in the army. His son’s memories haunted him and every day he washed the memories with a heavy heart. Every evening Mr. Bubble took a walk on the highway. He had lost spaces in his life. Now he seemed to be filling merely a vacuum. The lack of action in his life made him realise the pauses. Fishes do not think of dying when they are safe inside the water. Mr. Bubble was in his bubble and he was still safe until things started getting out of his hands like the time when his son died. He couldn’t stop his son from dying and that did him no good.  

One evening while he was on his regular jaunt, he discovered a grassland beside the highway. There was a small pond which did not look dry although, the water was slightly muddy. The trees seemed to bear fruit and some looked burnt. The grass seemed to be smeared with chemicals so that they could not grow. If the place was meant to be abandoned why bother spreading chemicals on the grass so that they would not grow? Mr. Bubble was already inside that grassland and away from the road.

The evening sun was on its way to the dark land somewhere behind the moon. It was about to hide itself and let one part of the world be steeped in darkness. The sun knew when to get hot or when to get cold. Mr. Bubble thought that the world was a fabulous discovery till it was over-used by all.

One thing that Mr. Bubble’s pondered was why houses seemed deserted in the grassland? Perhaps nature took matter into its own hands when things were not cared for by humans, this was a fact and not fiction. Fiction, after all, had been manmade although it could contain natural ingredients. How we perceive every other reality can contain details like clockwork as even things have their hours, minutes and seconds that keep ticking. A beating heart has always been a clockwork before it could be forgotten for good.

Mr. Bubble was really alone after losing his son. When the closest people walk away or disappear, we really cannot make friends with inanimate things. There can always be a reality which engulfs the truth which is stranger than fiction.   

A lonely house and again a vast grassland where wind blew alone without a purpose, the sight of an old man and somewhere far, how tides hit the beaches lining the ocean went unnoticed.

Mr. Bubble just waited for another day and another lonely walk away from people’s sight, but he wasn’t running away from himself. Old age was a thing that one could not run away from because death came slowly — speed was only for the escapists. Those who have the time to wait do not worry about the passage of hours, minutes and days…

Sushant Thapa is an M.A. in English Literature from Jawaharlal Nehru University in New Delhi, India, who lives in Nepal. His poems, essays, short stories and flash fictions are published in numerous journals and books.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

Flash Fiction: The Discovery

By Sushant Thapa   

Ray copied all the questions from the question paper and looked out of the window. Twenty minutes had passed, and he wasn’t able to answer any question. Mathematics had always been very difficult for him. He always failed in mathematics but passed other subjects. He managed to get promoted to higher classes. He had reached the highest class of school with the lowest grade in mathematics.

“What do you expect out of me?” he would question his mother in an arrogant manner.

“Why don’t you study mathematics during your exams?” his mother would ask.

“Even if I study it, I wouldn’t make it,” he would reply, and scribble poetry.

He had a diary in which he wrote poems. On top of every poem, he would write proverbs, and those proverbs related to his poetry. Writing poems was the only virtue he was gifted with. He wasn’t good at sports either. During the whole duration of a game of football, he would not get a chance to touch the ball — leave alone to kick it.

Ray would question his existence in his poems. He would lament about his life, the life which he had not seen nor lived. He created mountains of words and he lived his life vicariously through his poetry. The thought of writing poems made him feel alive.

Many times in the examination hall he would scribble poetry in rough sheets. His class teacher who was also the examiner was aware that Ray could only copy questions in mathematics but solving them correctly was another matter. He was not the only one who was weak in mathematics; there were many of them in his group. But he was the only one who wrote poetry, and that made all the difference.

Ray would try to solve the questions in mathematics, but his answers never matched with the answers at the back of his book.

Poetry was his only hope.

How fragile his life was without it? Reflections in poetry were like life itself. Poetry could reflect happiness, pain and illusion in life. Mathematics was very abstract for him. The answers never matched and sometimes he doubted the questions too.

On the other hand, poetry also questioned his existence, but always provided him with answers. It made him think and ponder upon the questions of life. And the best thing about poetry was that answers were different for each person and they need not match and be the same. This openness made all the difference.

Ray was finding answers to life in poetry and the answers were his own. The answers did not need to match with the answers in the books. It was unlike the mathematics they taught in school in every sense.

Poetry could be contemplative in nature but mathematics in school was derivative in nature — derived from facts and laws in form of numbers.  However, while trying to solve math problems, he glimpsed poetry could be like mathematics and only the ways of finding or reaching conclusions were different. He felt mathematics and poetry were two different paths to examine life and to prove that life exists. The process and methods might be different, but the conclusion was always similar. Both the subjects had a similar derivative – to explain life around us.

He even felt that zero, the smallest number in mathematics could also be meaningful. Zero was capable of having meaning on its own – it could mean nothingness. Yet, when combined with other numbers it could still be meaningful. Similarly, in poetry words were capable of providing infinitesimal meaning when they were on their own but when combined with other words, they could provide infinite meanings.

Mathematics explained the laws of universe in numbers and poetry explained it in words. Mathematics could elaborate a new dimension of time and space. Poetry could also elaborate a new dimension of time, thoughts and space. Senses could be unbound with words and with numbers too.

Mathematics surpassed time in its calculation and poetry was immortal in words. Mathematics could calculate in numbers the wholeness of the universe: poetry could describe the idea of the universe in words. Mathematics helped to create inventions with precision: poetry also invents with words – with brevity and precision.

Ray was only trying to solve the equation of life and draw conclusions in his own way. He felt and saw the subtle differences in both the subjects and yet both had some strains of similarity.

Poetry had brought him to limelight in his class and in school. Since he was good at poetry his teacher felt the urge to help him with his mathematics. He was the same examiner who always noticed Ray while he copied questions in the examination hall.

Ray had begun by copying questions of mathematics, but eventually he was all set to find his answers too. It took him time to find his answers through numbers, but eventually he succeeded to pass his mathematics exam of tenth grade. The difference worked out pretty well for him.

Ultimately, Ray realised the difference between poetry and mathematics. The difference which he realised brought different modes from life together and produced a meaningful ending for him. His teacher read few lines of poetry from Ray’s diary to the class:

For, what is it that Poetry can do?

It can make tremble a single leaf of a tree among many, and make you its master

It can let you climb on clouds while you are on the ground and are finding your stand

When your heart aches and you find pain in others

When you stumble and see others falling too ….

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Sushant Thapa is an M.A. in English Literature from Jawaharlal Nehru University in New Delhi, India. His poems, essays, short stories and flash fictions are published in Republica Daily, The Writer’s Club, Kitaab.org, firewordsdaily.com, Sahitya Post, Udghosh Daily of Biratnagar and Borderless Journal. Sushant revels in rock music, books, movies and poetry from his home in Biratnagar, Nepal.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

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Stories

Flash Fiction: The Guava Tree

By Sushant Thapa

The guava tree always stood in seclusion. The lemon tree also grew beside it. The potential of the lemon tree was curbed by the sharpness of its thorns. Jubilant children did not care about thorns on the lemon tree and swung beside it on the guava tree where their swing was attached. The potential of children was one thing and that of a tree with respect to its thorn was another. Ah! The sharpening of the senses and the sharpening of thorns, two things related in Nature, but created differently by Nature for two different subjects. Still, children cherished the playful act of swinging from a tree.

The tree that stood in seclusion was not at all alone because children visited it regularly. Had the children not cared to visit the tree, it would have remained alone. The thorny tree was also not lonely because it stood beside the guava tree and children visited the guava tree as their swing was attached to it. Every day they visited the guava tree after school. It was their place of recreation. They embraced the joy present in the air around the tree. The tree welcomed them with its spaciousness. The lemon tree was the only thing that occupied space and interfered with the space for children to play. The children were not able to climb or swing on it because of its thorns.

The children visited the guava tree every day after four in the afternoon. Manu was among those youngsters. He was a shy lad. He didn’t talk much in school. He occupied small space in the library while he visited, and sat with his books. Ideas and words went above his head. He sat with his vacant mind in the vastness of the library. His mind dwelt around the guava tree and its spaciousness which was very lively for him in comparison to the sedate, quiet library. He liked the vastness and liveliness around the guava tree.

Manu dwelt happily on the secluded space of the orchard where those trees stood. Sometimes, he used to swing alone at the fall of dusk. He found himself even in the aloofness. The tree caught and captured his scattered self and he always felt himself to be slightly amassed when he was near it. Loneliness did not occupy any space near those trees, especially near the guava tree. Manu did not feel vacant at all; such was the ambience and the feeling, the feeling of personal space, in the vastness of nature. His heart and mind were occupied in that playful act of swinging on a tree. The freshness of the air and invigorating atmosphere made him feel lively. He did not feel alone. He was present in the wholeness of the space. He kept swinging on the guava tree beside the lemon tree, without caring about thorns of the lemon tree.

Eventually, he was able to make few friends. His shyness gave way while he played. After all, life in the orchard was not bad at all. Even beside the thorny lemon tree, goodness prevailed. Yes, the guava tree always stood there in its seclusion like in the beginning of the story.    

Sushant Thapa is a recent post-graduate in English Literature from Jawaharlal Nehru University, New Delhi, India. His short story “The Glass Slate” has been published in Kitaab.org from Singapore. His poems and essays have been published in Republica daily from Kathmandu. His short stories and poems have also been published by The Writers’ Club, New Jersey, United States. He revels in rock music, poetry, books and movies from his home in Biratnagar, Nepal. 

Categories
Stories

Flash Fiction: The One Rupee Taker

By Sushant Thapa

                                                                                                           

Every day he visits my home and takes only a one-rupee coin. Not more and not less. If I try to give him a two-rupee coin, he asks, “Do you want me to take this coin?” and he won’t take it. He is in the habit of taking a one-rupee coin from my home and perhaps many other homes. I can only see him coming to my home to take a coin. I do not care if he visits other homes and collects coins, for I care about his visit to my home because of his regular habits.

We see him in gatherings and ceremonies at other places. He sits flat on the ground. They serve him well in many social functions. Unconcerned, he sits politely and leaves in a well-mannered way. Yet, his daily habit of taking a one-rupee coin from my home worries me.

“How very forgetful of him!” says my dad if he is late.

His tension is unlike that of a housemaid who lights a single cigarette in the afternoon after finishing her morning chores. A single cigarette puts the maid to relief. But a single coin puts the man to unrest every day.

People say he is loosely wired. Decades have passed. But he has not changed his habit. Everybody in the town has ceased to talk about him now. They are not worried about his activities. He is dressed untidily in dirty clothes often.  He is well built, stout and tall. He seems to come from a healthy family. The only thing that concerns him is the daily collection a one-rupee coin from every home. He might have hoarded a vast amount by now.

He used to talk to my grandfather in those days when I was young. He would see my grandfather having lunch at the dinner table through the window, and he’d say, “Well, you are having your lunch, should I not be having my coin?” I used to be young but now I can write his story. I’m a grown-up man now, and I can write things about the one-rupee man.

Many times, I have placed a coin in front of the man myself. I would place it on the windowsill, he would murmur something, and I would say — “It’s there.” Silently, he would feel the coin with his hand and take it. He would say nothing to me.

Once, my little niece gave him a two-rupee coin. The man asked my dad, “Why do you create such confusion? Why do you give me two rupees instead of one?”

Once a day, we see him standing in front of the window of my house, but he is very careful not to visit more than once a day. Perhaps it bothers him, and that’s why he is particular about it.

Some say he was a rich businessman, and that his business partners deceived him and he lost every penny he invested. He got detached from the business world, but he does collect a one-rupee coin from everyone. He continued to have a relationship with the monetary world in as much that he would have his daily dole of a one rupee coin. He makes sure that he comes to collect a one rupee coin from us, and we get bothered about handing him his single one-rupee coin. The give and take process dilutes the tension. Yet, it seems to be a never-ending process that holds the burden for both parties.

Sushant Thapa is a recent post-graduate in English Literature from Jawaharlal Nehru University, New Delhi, India. His short story “The Glass Slate” has been published in Kitaab.org from Singapore. His poems and essays have been published in Republica daily from Kathmandu. His short stories and poems have also been published by The Writers’ Club, New Jersey, United States. He revels in rock music, poetry, books and movies from his home in Biratnagar, Nepal.