Categories
Poetry

Poetry by Tim Tomlinson

Tim Tomlinson
GOLDFINCH
That’s it.
– Chase Twichell


I’m upstate New York, something like
a hundred miles south

of Chase Twichell, a Zen poet
I greatly admire, and once actually met.

She hated me (some poets will,
other poets…?), but that doesn’t matter.

What does matter is, I think,
that goldfinch there—the first

I’ve ever seen—on the disc of a sunflower,
pecking away at the seeds,

cracking some, dropping others.

That’s the way it is with seeds.


AN ISLAND IN GREECE

Whatever had been there must have fallen
among the soft corals …
– Donna Masini


A former girlfriend posts a photo
of the view from her desk window
on an island in Greece—

all that blue …

You could imagine a hero falling
into all that blue.


TRUTH

A strange old man
Stops me,
Looking out of my deep mirror.
– Hitomaro (tr. Kenneth Rexroth)


how elevated
the Japanese masters
apprehending truth

in so few syllables
whereas I
fill paragraph after paragraph

page after page
with words and more words
and now and then

some punctuation


QUESTION

If you ask me
you’re asking the wrong guy.

But what?

Tim Tomlinson is the author, most recently, of Listening to Fish: Meditations from the Wet World, a poetry-prose-photography hybrid collection concerning the perils facing the world’s coral reefs. He is the director of New York Writers Workshop, and he teaches in New York University’s Global Liberal Studies. 

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Categories
Poetry

Rows of Unlit Candles, Looking for a Flame

By Laila Brahmbhatt

I think of him often.

I have become
the ghost of my longing.

My breath never reached him.

He was the icicles
hanging from winter’s white breath.
I was a cactus
in a forgotten desert.

He carved his image in frost
while I searched for his face in a mirage.

Now I listen to songs
that remind me
how easily I fall in love.

As he walked through snow dunes,
I stood
a single grain of sand.

Laila Brahmbhatt, a Kashmiri/Jharkhand-rooted writer and Senior Immigration Consultant in New York, has published haiku and haibun in several international journals, including Cold Moon Journal and Failed Haiku.

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Categories
Essay

Somdatta Mandal on ‘Mother Mary Comes to Me’

Let me begin by saying that like most readers enamoured by her works, I really enjoyed reading Arundhati Roy’s first work of memoir Mother Mary Comes to Me published in 2025. It is a soaring account, both intimate and inspiring, of how the author became the person and the writer she is, shaped by circumstance, but above all by her complex relationship to the extraordinary, singular mother she describes as a gangster, as ‘my shelter and my storm’. In the meantime, many reviews of the book have already been published, some full of praise and some quite critical, but it can be undoubtedly said that the book created a literary storm that one hadn’t experienced for quite a long time. And to add to that, social media is now flooded with her interviews, readings etc., some very recent and some as old as fifteen years. This essay delves into several issues pertaining to it that have struck me as unique.


Born out of the onrush of memories and feelings provoked by her mother Mary’s death in 2022, this is the astonishing, often disturbing and surprisingly funny memoir of the Arundhati Roy’s life, from childhood to the present, from her movement from Kerala to Delhi. There are forty-two chapters in this book, not numbered, but the titles themselves are self-explanatory. By following their interesting nomenclature, one can get an inkling of how Roy has laid out her narrative strategy, by talking not only about her own life but how it has been intertwined with her mother in a peculiar love-hate relationship. In the very first chapter titled ‘Gangster’, (which Roy has been reading in many gatherings till now), she tells us about her peculiar relationship with her mother. In her excellent and unique narrative style, she says:

“As a child I loved her irrationally, helplessly, fearfully, completely, as children do. As an adult I tried to love her cooly, rationally, and from a safe distance. I often failed. Sometimes miserably. I wrote versions of her in my books, but I never wrote her.”

She then advices her reader: “Most of us are a living, breathing soup of memory and imagination – and that we may not be the best arbiters of which is which. So read this book as you would a novel. It makes no larger claim.”

The narration of the incidents always does not follow a strict chronological order. Some of the stories are already quite well-known. This tells us how the young Syrian Christian Mary Roy married a Bengali tea planter in Assam and had to soon leave her husband because of his drunkenness and lack of responsibility towards his family. Having no support except for a bachelor’s degree in Education, she takes the bold decision of walking out of the marriage and lands in Ooty along with her two young children to live in her father’s cottage. A few months into her fugitive life, her estranged mother and elder brother arrived from Kerala to evict her. They told her that under the Travancore Christian Succession Act, daughter had no right to their father’s property and that they were to leave the house immediately. Years later Mary would challenge the act in the Supreme Court and demand an equal share of her father’s property, and luckily by winning the case in 1986 she became a sort of celebrity overnight.

The story then moves on to Kottayam and then to Ayemenem in Kerala (some of the details of which are beautifully narrated in The God of Small Things too) where Mary Roy struggles to find a foothold for herself and the children and open a school. That story of how that school began in a rudimentary form and how it gradually grew into the well-known residential institution called Pallikoodam designed by the famous architect Laurie Baker, how it remained a top priority in Mary Roy’s life ( the school children prioritised over her own)  along with her own eccentricities, her uncompromising nature and peculiar behaviour ( her refusal to be accepted as the mother of the famous writer Arundhati Roy, being one of them), till her death remains one major strand of the narrative.

The other major narrative strand pertains to Roy’s own life. Arundhati’s version of the story tells us how in the summer of 1976 she finished her high school at sixteen and leaving Kottayam (and of course her mother whom she wanted to dissociate forever), arrived alone without any contact in a completely alien territory in Delhi to take the entrance exam for the School of Architecture. Not having any contact with her mother for several years, she led a bohemian life, lived together with different people, saw partly the underbelly of life and did odd jobs to sustain herself. In the architectural school, she met Pradip Kishen and eventually married him (who was then the husband of the boss under whom she was working for a while). She scripted a screenplay for a movie called In Which Annie Gives It Those Ones about the college life and though it was once telecast in Doordarshan decades ago, it had been lost till recently the footage has been recovered, restored and set as an official entry in the Berlin Film festival this year but one which Roy refused to attend citing the cause of Palestine.

She was involved in another movie script Electric Moon and acted in minor roles in some off beat films like Massey Sahib till she changed her mission of life. After the publication of The God of Small Things, Roy stopped writing novels and got involved in political and social causes and got involved with social activists like Medha Patkar and the Maoists in the Chhattisgarh region and even faced jail for a day for her protests. The writing she produced for a couple of decades were all powerful political manifestos supporting leftist politics (“The Algebra of Infinite Justice” being one of the well- known texts and My Seditious Heart, published in 2019, is a collection of her non-fiction) till she came up with her second novel The Ministry of Utmost Happiness.

In the meantime, the handsome royalty she received from her first novel changed her living style and for the first time Arundhati Roy managed to eke out a comfortable lifestyle and even buy a house of her own. Her narration is interspersed with several interesting anecdotes, relating to her relationship with her brother whom she mentions throughout as LKC, and their chance meeting with Micky Roy, their father in pathetic condition in Delhi. The chapter titled ‘Mama Bear, Papa Bear’ is very interesting to read. It begins with the following lines: “Seven years had gone by since I’d last seen Mrs Roy. The strangest thing is that I cannot remember how she and I came to be in contact with each other again”. Then the joy of seeing her brother after so many years was exacerbated with their meeting of their father Micky Roy, who had totally disappeared from their lives when they were kids. The pathetic state of the man almost dying out of liquor addiction, we are told about how he was “as frail as a small bird, lame and hunched over …he was severely malnourished, like people in UN pamphlets.” This is how Roy narrates the incident:

‘You would never have believed I was your father. You look so much more like me than your mother. Doesn’t she, Kapil Dev? Same nose. Same eyes…sorry eye.’(Giggle.) ‘I say Orundhuti, do you hit the bottle?’

He pronounced my name the Bengali way.

‘Me? No.’

‘Oh, go on. Tell the truth. All good Roys hit the bottle. Whaddyou say, Kapil Dev?’

(Giggle. Slap.)

After going through all the ups and downs of life, especially in relation to her mother (too many to be narrated here), the story end in the last chapter aptly titled ‘A Declaration of Love’ when in January 2022 she got a message from her mother saying that she loved her. Despite everything that had happened between them, somehow, she knew that to be true. “My lifelong refusal to stop loving her, no matter what, had finally breached her barriers.” The story ends with her death, the details of her cremating process, the performance of the Kottayam Police Band, the 21-gun salute she received and ultimately the memorial they built for her in the bamboo grove where the headstone mentioned Mary Roy as ‘Dreamer Warrior Teacher’ and ‘Founder Pallikoodam.’  The strange love-hate relationship that persisted between Arundhati and her mother comes out beautifully in the end when she writes:

“The first night in a Mrs Roy-less world, I spun unanchored in space with no coordinates. I had constructed myself around her. I had grown into the peculiar shape that I am to accommodate her. I had never wanted to defeat her, never wanted to win. I had always wanted her to go out like a queen. And now that she had, I didn’t make sense to myself any more.”

Another interesting piece of information is revealed in this concluding chapter is about how Arundhati casually decided to get divorced from Pradip Kishen with the same lack of seriousness with which she had got married, so that he and the girls (and their property) had no legal connection to her. The order granting them the divorce had been delivered to her the previous morning, at the very moment Mrs Roy died. ‘So, I, free woman, free falling, was heir to nothing at all. But I was curious about our great will-making mother’s will.’ Later she gets to know that her brother had marked off Mrs Roy’s house and its compound from the rest of the school and had it registered in her name. So, she decided to renovate the house and build the Grove simultaneously in it.

The Cover Design

Before concluding, I want to draw the reader’s attention to the special care that has been taken to make and market this book. The cover design is a highly skilled piece of production. On the stark red cover of the book with the title embossed artistically, we have half a dust jacket in white with two different pictures of Roy on the front and the back cover– one a current photograph of the author with her head full of pepper and salt curls and with a discreet smile on her face. The other photograph is of a much younger and radical Arundhati with a distinct far-away look in her eyes and with a burning cigarette on her lips. Though the publisher gives the statutory warning that cigarette smoking is injurious to health and it does not support it in any way, a very stark visual statement about the unnatural bohemian nature of the author gets revealed through this photograph.

Incidentally, this selling of a book through its stark and attractive cover reminded me of a similar strategy undertaken in 1997 when Roy’s debut novel The God of Small Things won the Booker Prize and took the literary world by storm. The book came out in what was essentially the pre-internet and social media era and the maximum number of reviews and essays that came out during that time were in print. In an essay which I had authored then, calling it “The Making and Marketing of Arundhati Roy” I had shown that the contents of the dust jacket of the book differed radically from region to region and it was done through a deliberate and effectively thought-out strategy. So, in the Indian edition we had a different story outline giving us a gist of what to expect inside, especially the love of a paravan, an untouchable man with an upper-caste woman, along with the local setting in Kerala, Ayenemem to be exact.

In the Random House edition published from New York, the story outline was completely different, not only telling us about untouchability and the love between Radha and Krishna that would lure the western reader to pick up the book about a unique place in India defined as ‘God’s Own Country’ in tourist brochures.  Also, the photographs of Roy (both taken by her then husband Pradip Kishen) differed radically. With this new book, of course, such strategies didn’t work anymore. With innumerable book launches, readings by the author everywhere (a search on Youtube will even land you with interviews that are more than a decade old) we now come upon other ways and means through which the book has been popularised. But all said and done, I must conclude by saying that whether you agree or disagree with the extreme left wing political views that Arundhati Roy professes, those who still haven’t read this memoir have really missed reading a wonderfully written book with its 372 pages that is really unputdownable, with its lyrical as well as down to earth style of narration, full of new metaphors, new word coinages that are the USP of Arundhati Roy.

Somdatta Mandal, critic and translator, is former Professor of English at Visva-Bharati University, Santiniketan, India.

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Categories
Stories

Mrs. Thompson’s Package

Mary Ellen Campagna

By Mary Ellen Campagna

Mr. Foley’s sister, Gin Thompson, was somewhat taken aback when the mail person arrived on the Wednesday after New Year’s with a suspicious looking package; suspicious because it was both heavy and oblong; a dimension heretofore not observed by her, at least not pertaining to a package.

“Mercy!” she yelled upon twisting the last bit of brown paper away from its contents.

Mr. Thompson stood beside his wife as she read the note addressed to her from St. Paul, Minnesota. They lived in Sioux City, Iowa.

“This is obviously from your brother Jack,” Harold Thompson said, grinning due to the curiosity aroused because Jack had been out of touch for years.

His wife didn’t find her husband’s big grin amusing. She usually knew what he was thinking. Yet, he was right. Jack hadn’t contacted Gin, his only sibling, in coming on fifteen years.

“It’s not FROM Jack!” Gin screamed. “It IS Jack!”

“What the hell?” was all Harold could find to say. To ask. Whatever.

Gin plopped down in Harold’s usual chair holding the ominous quart jar in both hands. “Gee whiz,” was all she could muster, and then a quieter, “Damn.”

“I had so many things I wanted to ask him,” she said.

“I wanted to pick his brain a little too,” Harold said, trying not to smile. “I guess that opens up a can of worms now,” he continued, still pretending a serious demeanor.

“Shut up, Harold!” Gin insisted.

Still, the couple agreed that what Jack Foley did, sending himself to his sister in such an unadulterated, absurd and impossible form with only a brief note was, in itself, unthinkable, untenable, and even morose.

They didn’t use those exact words, but that’s what they thought and Gin did say: “He’s made a mockery of my life.”

After all, Jack Foley had known that ever since his older sister turned sixteen, she’d adored canning. He was present in the Foley home attending grade school when Gin enthusiastically learned to can and pickle cucumbers, beets, zucchini, radishes, and okra. There were also jars of tomatoes and a host of other vegetables.

This very day in the Thompson basement assorted canned veggies were lined up with care on grease papered shelves.

But what should I do with this jar of mortal remains? Gin wondered.

She suffered, perhaps more than was necessary, over the prospect of Jack’s ashes getting mixed up with the onions which were the same color, though of a coarser texture, of course; dear nostalgic memories mixing with fatigued, cooked vegetables in a pickled sauce.

“What do you make of it?” Harold asked with a ruddy faced naivete that deserved scolding, but she didn’t have the stamina for it at that moment.

His question seemed as rottenly absurd as the jar full of what had been her brother for over 59 years. She pondered over how she was to remember him now. The phrase: Jack the vagabond’s last stop occurred to her but was quickly abandoned.

Jack was once an itinerant deli worker. A pill popper of barbiturates; yet he’d probably saved the life of a little girl named Betsy Sears by taking her to Hobby ’N Crafts every Friday so she could buy supplies and paint her way past the abuse she was dealing with at home until she was old enough to go out on her own. Ten years of going to the craft market, reading the ads while Betsy shopped.

He’d desperately wanted to donate one of his corneas to the Eye Bank but they’d insisted on a pair; something he couldn’t bring himself to sacrifice. Still, it was a sweet thought, their mother always said.

“And what would Mama think of Jack passing this way?” Gin asked, conjuring a gnawing question that Harold certainly couldn’t answer.

“What way?” Harold asked. “We know nothing of how the fellow actually died; if he were ill for a long time or hit by a bus. We just don’t know.”

“I guess I mean, what would she think of him passing himself to me like this?”

Gin confessed that she should have called her brother more often, not understanding the true nature of her failure; yet, realising deep down that there must have been a time when she dropped the ball, when she might have kept it surging in the air until Jack could have caught it, might have returned it, and kept the momentum going. She’d never been one to send birthday cards, or even Christmas cards. She thought of that too.

“You did all you could,” Harold soothed.

Everyone who says that phase knows it’s a lie. Still, as Harold saw it, soothing was a husband’s duty in such a situation, and he was merely doing his duty. He certainly felt no guilt in regard to the strange demise of his brother-in-law — no guilt or remorse whatsoever.

His only hidden concern was that Gin would somehow grow less fond of canning. This might affect his daily menu as it was presently full of pickled relish and mango chutney, condiments he favored almost as much as he loved a good cut of beef.

And Harold was right to worry, for it did take Gin a few weeks to bounce back, but canning was in her nature. Her mother had always told her that, and it was true.

She would store Jack on the bottom shelf, far to the left of the vegetables, and that would be that. 

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Mary Ellen Campagna taught Creative Writing and Essay at Virginia Western Community College after receiving her Master’s in Liberal Arts from Hollins University in Virginia. She now writes full-time from Upstate New York. She was recently published in Wild Sound Festival/Experimental Stories, Half and One Literary Magazine, and the Hudson Valley Writers’ Guild.

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Categories
Memoir

Recycling New Jersey  

                       

By Karen Beatty       

When I was five years old, my father transported our impoverished family from the banks of the Licking River in Eastern Kentucky to Bound Brook, New Jersey, just off a tributary of the Raritan River. My mother had not wanted to leave her beloved Kentucky or depart from her numerous kin there, but she did want to stay married. And my father wanted to find work and get away from anything connected to hollows, moonshine, and that old-time religion. Mother also hoped that she, and especially her four children (with a fifth on the way), would be better off. As it turned out, we children mostly were, while she likely wasn’t.

My father chose Bound Brook, New Jersey, because he planned to work in the trucking business managed by his older brother. In Bound Brook, my father moved us into a place described as “Garden Apartments,” but there weren’t any gardens. It was post WWII housing, mainly for immigrants and working class people who could not afford to buy homes. Since I had been transported from a shack in Appalachia, the two-bedroom apartment in New Jersey, even for parents with five kids, seemed palatial: A bathtub and flush toilet!  Hardwood floors! A gas stove and oven! Sidewalks, and even a nearby building for doing laundry. Stupendous, indeed!

Bound Brook, New Jersey, was a town where most people worked in restaurants, retail, construction, trucking, and schools; plus, there were countless employees at a couple of highly polluting chemical plants located just above the west end of town. (Sometimes strange odors and actual particles released from American Cyanamid drifted into our schoolyards, homes and playing fields.)  I considered townspeople who were low-level bankers and teachers wealthy. Of course we all knew a few kids whose parents were doctors, high-level bankers, or businessmen. Those were the really rich people who did not live in project-style apartments or in low-income housing in the sections of town populated by immigrant Poles, Italians and Irish, with perhaps a random exotic Cuban or Indian family. It was rare to see a Black person or hear Spanish in Bound Brook in the 1950s.

In Kentucky, my mother was a vibrant woman who worked in the County Courthouse. Living in New Jersey, she devolved into a burdened housewife with no local kin and no capacity to access a new community or social life. When the sixth child was on the way, the apartment management informed my parents that they had to move out because they had too many kids. Our family was given two days to leave or pay an extra month’s rent, and regardless, we were being evicted. It happened that there was some new home construction on our west end, near a brook that occasionally overflowed its banks. I knew about the development because we local children frequented the site to steal plywood, tarpaper, and nails to construct lean-tos down the brook. We also nabbed construction cable, which the big kids affixed to tree limbs to make sturdy “Tarzan” swings for sailing from bank to bank across the brook. 

At age eleven, I surreptitiously joined a group tour of the model home in the completed new development, where the available space and the fancy furniture smote me. I raced back to our apartment to tell my mother about the model house, and she sent my father over to take a look. Fortuitously, he ran across a salesperson that informed him that as a veteran of WWII, he qualified for mortgage and down payment assistance. Child number six arrived shortly after we moved into one of the newly constructed homes in the development. Then, deep into the following year, my Mother delivered my youngest brother, child number seven. Our new house afforded a shared bedroom for me and my two younger sisters, and an elongated attic room for the four boys. 

Sadly, as the duration of her stay in New Jersey and the number of kids in our family increased, my Mother’s mental state diminished. She went from intimidation and apprehension about her life in Bound Brook to what could have been clinically diagnosed as agoraphobia and paranoia. In Kentucky she had been a proud and self-confident woman; in New Jersey she was increasingly unkempt, unhinged, and functionally disabled. I remember having to fake her signature on my report card and school permission slips because she was too distracted to sign or even look at paperwork; in fact, she opted out of most any activity not related to basic household management and cooking.

Without filtering her outbursts, my mother jabbered with religious fervor about her afflictions and her rage at our father who had brought her to New Jersey. She lamented that she would not live long enough to see us grow up. She sang sad and sometimes-scary gospel tunes like, “The Old Rugged Cross,” with lyrics about suffering and shame. She also warned us about rich “Republican snakes” that didn’t care about poor people, and dangerous immigrants with funny-sounding names who spoke strange languages (Polish, Italian). She denigrated both poor Black people and neighbouring Jewish people who didn’t love Jesus the way that she did. And she did love Jesus, and the church, even though she thought church people up North dressed too fancy, sang without spirit, and passed the collection plate with too many expectations. She loved us kids unconditionally, while often relying upon us for the basics of daily living. She was unhappy in her marriage and with living in New Jersey, but she was proud of her children, despite her disappointment when most of us went hippie and unchurched and, worse, two voted Republican. 

Sports events and churches consolidated the people in the town of Bound Brook. Officials and functionaries would save your soul if you let them, and, if you were male, tone your body. My brothers were better than good enough at sports, which won them friends, attracted mentors, and enabled them to acquire college scholarships.

I was an excellent gymnast, runner, fielder, and could handle baseballs, basketballs and footballs as well as many boys. And I could maneuver a cable swing and play ping-pong better than most boys. At an inter-school Sports Field Day, I won all six of the proffered blue ribbons. Nonetheless, I didn’t get scholarships, rewards, or accolades. Instead I was mocked as a tomboy for wearing sports attire, and teased as a “skinny-bones” because I didn’t eat or grow much. After leaving rural Kentucky where I was used to drinking raw milk, the New Jersey pasteurised milk did not taste right, and my mother was reduced to serving canned vegetables and mystery meat from a supermarket. I hated the ground meat, hot dogs, and strange overcooked vegetables she served up. So I mostly didn’t eat. At a time when women were expected to be voluptuous and alluring, I was lean and agile. I hated New Jersey.

In fact, I never embraced living in NJ the way I “owned” my early years in Eastern Kentucky and my adult years in New York City. My best friend Janice said whenever she told people she was born in New Jersey, they laughed. She even wrote a song about that. I wasn’t born in New Jersey, but had enough of it imposed upon me to understand the song. Although there were plenty of kids to play with and make “fun trouble” with in the apartments and in our new housing development, I was bullied by big (literally) girls in the neighbourhood, and spurned at school by stylish girls from the better-heeled households. To survive, I became fleet of foot and quick of tongue, able to either run away from dicey situations or talk my way out of them. I fully realised I had to get out of Bound Brook, New Jersey.

In the interest of fairness, I must report that in the late 1950’s and early 1960’s Bound Brook had excellent schools and recreation facilities. Unfortunately, I had not attended any school in Kentucky, so, upon entering elementary school for the first time, I was both shy and academically lost. I also suffered from undiagnosed dyslexia, so I didn’t learn to read until almost 6th grade and never learned to write script, to the chagrin of teachers charged with improving me. Self-conscious about my “hillbilly” accent, I also did not talk at school, a definite deterrent to making friends and getting teacher approval.

I finally caught up by playing and sparring with the kids on the west end, many of whom had worse family situations than me and had the kind of personal and academic issues that were not going to resolve with time. (Being a west end kid certainly informed me that the required “Dick and Jane” school readers did not represent most families.) By the end of fifth grade I could read slowly, print neatly, and participate orally in classes. Best of all, I learned about the local library where I took refuge and read about places and events beyond what I was exposed to at home or in school. I was determined to find a way out of New Jersey.

By high school I was considered one of the smart students who was also a discipline problem. I understood socio-economic differences and realised (without knowing the specified words) that I was from a home with domestic abuse and child neglect. We kids were essentially on our own because our mother had checked out mentally and our father was irritable, sullen and mostly absent. (His absence was a good thing, considering his PTSD rage disorder from WWII.) Never really fitting in either at school or in the neighborhood, I engaged in bravado and resentment to camouflage my fears and vulnerability.

While most of us west end kids were petty thieves and street combatants, my weapon of choice became wit. I assailed bad teachers with derision, mockery, and scorn, refusing to cave to silly authoritarian directives and relentlessly challenging their biased views or misinformation. In short, I was learning about and exposing racism (then called “prejudice”) and political manipulation (still called “patriotism”).

The good and honest teachers admired my audacity and laughed at my antics, but the bad teachers were threatened and became vindictive. I teamed up with Grace, a classmate from the neighbourhood. She came from a single parent household (rare for Bound Brook in the early 1960’s), and lived in one of those so-called garden apartments with her mother. Suffice it to say, Grace and I created a lot of “smart trouble” at school. Soon we were not allowed to be in the same classroom. Worse, despite my qualifying grades, I was barred from the National Honor Society and kicked out of senior English. I had to report to the guidance office where I befriended the guidance counselor, who arranged for me to graduate despite my not completing the English requirement. This all probably happened because English was my best subject, and I was beginning to nurture my lifetime commitment to human rights and civil rights. I held New Jersey in contempt.

I desperately wanted to get out of Bound Brook and away from my home life, but I had no information, experience, or resources to facilitate those yearnings. I had never even traveled to another town by bus or train.

Toward the end of my senior year, I got work at the local recreation center, where I met a woman who was attending Montclair State College. (At the time, Montclair was the best of the New Jersey State colleges.) My older brother was putting himself through Rutgers State University, where female applicants were relegated to their Douglas College campus, close enough to Bound Brook to have required me to live at home and commute. At the last minute, I mailed an application to Montclair State and got a late acceptance with a State Scholarship that covered the $150 annual tuition, without which I could not have attended. Best of all, I was required to find housing near the college, away from home.

I had managed to escape Bound Brook but not New Jersey. I only had enough savings to live off-campus and attend college for one year, so I was prepared to drop out when President Lyndon Johnson saved me by signing the Economic Opportunity Act. Based on family income, I was part of the first wave of acceptances. Yes, to socialism and good government! I was grateful and shocked to receive money for housing, books and general spending.

Moving onto the 7th floor of a new dormitory with a stunning view of the New York City skyline, I rejoiced. Furthermore, because of Montclair State’s proximity to New York City, I was able to partake of a broad liberal education in the arts and sciences. I could actually envision departing New Jersey, so I vowed never to use Bound Brook as my mailing address again. (As it turned out, my instincts were correct: the two of our seven siblings who remained in Bound Brook eventually voted unabashedly for Donald J. Trump.)

Still, my transition out of New Jersey was a long and winding road. I returned to the State (though not to live in Bound Brook) a couple of times for temporary work or educational opportunities, and I never abandoned my New Jersey family or friends. My escape route led me to explore living in Berkeley, California; Bangkok, Thailand; Hiroshima, Japan; Honolulu, Hawaii, and, finally, to settle permanently in Greenwich Village in New York City. My daughter was raised as a proudly triumphant New Yorker.

It was, therefore, not exactly serendipitous that in my early 70s I returned to the place of my former captivity: the state of New Jersey. My choosing a late-life summer residence in the Garden State just kind of happened. My sister and I had been looking in Cape Cod, Massachusetts for places to rent or buy near the ocean, bay or sound. At the time, I was living alone in New York City and Karla lived in Massachusetts. I wanted a get-away place; she was seeking a year-round home. After a couple of thwarted attempts and some financial reality testing, we conceded we could not afford Cape Cod.

Back in New York, we investigated numerous beach towns, with similar financial results. Then, in the New York Times, I read that Asbury Park, on the north coast of the New Jersey shore, was undergoing massively successful development. With more trepidation than excitement, Karla and I hopped on New Jersey Transit to check out the Asbury Park options. We were in the habit of referring to our old home State as “New F*cking Jersey” and reassured each other that “Down the Shore” is not the same thing as NFJ! 

From my youth and during the early days of my marriage, New Jersey towns along the ocean were not unfamiliar to me. In the 1980’s, my husband and I had joined resources with our New York City friends to rent summerhouses in towns close to the ocean. We were emulating our previous summer rentals in the Hamptons, except none of it was like the Hamptons or Amagansett. It was New Jersey.

The Garden State has the shore, not snooty beach towns. You go “down the shore,” not to the beach. The Jersey shore is much cheaper than the Hamptons, but also has far less cache. Thankfully, most of the Jersey Shore is also not like the TV series of that name, at least in the experience of my friends, who were college professors, psychotherapists, artists, or in media-related professions.

In the late 1980’s the shore rentals in New Jersey were affordable, the commute was a dream, and the ocean was fabulous, even if the food and entertainment were not top notch. Of course this was the early days of Bruce Springsteen, so we knew about the Stone Pony, but the town and boardwalk areas of Asbury Park were a wreck. We also knew that next to Asbury Park was an odd little town called Ocean Grove, which was developed and managed by the Methodist Church Camp Meeting Association. The church people did not allow driving on Sunday or the sale of liquor at any time. Entry to the beach was blocked until noon on Sunday mornings. (You were supposed to be in church at that time.) At best, we New Yorkers, many Jewish and all borderline atheists, thought this Ocean Grove place was endearingly bizarre.

We stuck to upscale towns like Spring Lake for our summer rentals. By 1992, when I was 47 years old, we ended our group rentals in New Jersey and eventually most of the friends and their marriages dissipated.

It was not until 2016, when I was 71-years-old, that my sister Karla and I sadly discovered, on a sweltering summer day, that the newly renovated Asbury Park was also not affordable. Dismayed, we crossed an inviting footbridge in Asbury that led to the Ocean Grove side of the Wesley Lake estuary. Meandering around the quiet, spiritually immersed town, we noted the striking contrast to bustling Asbury Park.

Needing a cool down, we spotted an air-conditioned realtor’s office and inquired, without enthusiasm, about properties near the ocean. The prices were considerably cheaper than Asbury and the town was charming, but could we contend with the controlling Methodists? (Certainly our Mother would have approved!) The realtor patiently showed us a couple of listings on the market, but none were very appealing.

As an afterthought, probably because she was kind, it was a slow day, and we were likeable, the agent mentioned that next door to her home was a large Victorian house that had been converted to condos a couple of decades ago. The gaudy blue structure was facing the ocean and included a small 2-bedroom apartment, which had been languishing vacant and unsold for about ten years. We asked to see it, and despite the heat, the realtor agreed to climb over thirty steps in the giant house to show us an unpolished, but fully furnished, top floor unit. A series of convoluted real estate and legal processes that dragged out for a year (plus simple naive luck) enabled us to purchase this condo in the turret (meaning attic) of a magnificent old house, with ocean views throughout. Yes, it was located in Ocean Grove, NEW JERSEY!

Nowadays, I very much enjoy spending my summers down the shore, gazing at the sea from our New Jersey condo and happily catching waves in the buoyant salty water. (Fortunately, my sister lives there year-round to help maintain it.) It is indeed ironic that lacking finances, but having good fortune, delivered me “down the shore” for the summers of my elderhood. Have I come to terms with NFJ?  Recently, I had lunch with a nephew visiting me in New York City. When he nonchalantly asked if I ever considered living year-round down the Jersey shore, I let out a resounding, “NOOO!” 

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Karen Beatty’s work appears in over 30 publications, including Chicken Soup for the Soul, Books Ireland, Non Binary Review, and Mud Season Review. Her novel, Dodging Prayers and Bullets, was published in 2023.

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Categories
Poetry

Still, I Dance Alone…

By Laila Brahmbhatt

BETWEEN SONGS

We speak through
what goes unspoken
like singers between songs.
We could move as dancers do,
through unrehearsed steps.
Let’s speak a language
of fluent silences, quiet breaths.
When I yearn to sing and dance with you,
I rewind our unheard conversations.
The tape holds only silence,
Yet still, I sing.
Still, I dance alone.
From Public Domain

Laila Brahmbhatt, a Kashmiri/Jharkhand-rooted writer and Senior Immigration Consultant in New York, has published haiku and haibun in several international journals, including Cold Moon Journal and Failed Haiku.

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Categories
Poetry

Poetry by Laila Brahmbhatt

From Public Domain

IN THE MOOD FOR LOVE 

Let’s exchange
our souls
like lovers trading glances.
We trace the lost walls
of our breath
in search of one another,
cursed by having loved.
Our hearts vanish,
proof that we were in love.

Laila Brahmbhatt, a Kashmiri/Jharkhand-rooted writer and Senior Immigration Consultant in New York, has published haiku and haibun in several international journals, including Cold Moon Journal and Failed Haiku.

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Categories
Stories

Looking for Evans

By Rashida Murphy

“I’m sorry ma’am, the card has been declined.”

Sharifa panicked briefly, looked around for Rhys, saw him near a row of tiny trains further inside the shop and waved at him to come to her. He didn’t see her, and the skinny boy wearing black nail polish was now waving the card right in her face. She frowned and said, “Sorry. I’ll get my husband.”

The punk whose name tag said Gee, shrugged and swept aside the scarves and tote bags Sharifa had placed on the counter and picked up the book he’d been reading.

“Rhys!” Sharifa tapped him on the arm, and he turned, smiling. “Something’s wrong with this card. Can I have yours?”

Later, bags tucked under the wrought iron table at the café they found around the corner, they sipped their coffees and tried not to grimace.

Rhys took off his windcheater and dropped it on the empty chair beside him. “Americans are coffee drinkers, right? How come this stuff tastes so horrible?”

“Maybe we don’t know where to find the best coffee in town. We should stalk those snappy office goers and see where they get theirs.”

They laughed and Rhys brought up the declined card again. She knew it bothered him even though her ANZ card was still working. She rarely used it because of the $2000 limit. But they’d used it to pay for the watery coffees and the horse carriage ride through Central Park earlier, and she knew there was enough to cover them for a week, if needed.

“Give us a look at that card.” Rhys put his hand over hers.

She sighed and placed it on the table.

“Shari. Love. This isn’t your card.”

“What do you mean? Of course it’s my card. I’ve been using it in Vegas casinos, for crying out loud.”

“Look.”

He was right. The name on the card said Sabiha Evans, not Sharifa Evans, but the signature was hers. Her writing. It didn’t make sense.

Sharifa withdrew her hand from his. “No, before you ask, I haven’t left it lying around, haven’t picked up someone else’s by mistake. You know me, Rhys. Paranoid from way back. I grew up in a country where you assume you’re going to be robbed, so I never take chances. This is seriously weird.”

“I know love.” Rhys’s hand covered hers again and he shook his head. “It’s the name that worries me. And that signature. It’s yours. How can this happen?’ And who’s this woman? Got a sister you haven’t told me about?”

“Yeah right. Also married to someone called Evans.” Sharifa tried not to sound annoyed. “This isn’t my fault.”

“Never said it was.”

They were meeting friends at a waterfront restaurant in New Rochelle, and arrived ahead of time, barely speaking to each other. An early thunderstorm prevented them from walking around the neighbourhood, and now they checked their phones, avoiding eye contact.

“Please …,” started Sharifa, wondering what she was pleading about, and Rhys looked back, nodding.

“I won’t say anything.”

“Thanks. I mean, maybe we can mention it?”

Mark and Andy were strolling towards them, hand in hand, and they both got up and hugged them, waving towards the table they’d booked.

“It is bizarre.” agreed Andy, looking at the card Sharifa had placed between them. “Spooky, almost. Have you gone to the Embassy? I mean, this could be fraud on a grand scale and you’re just at the start of your holiday. You don’t want to be aiding and abetting crime.”

“Andy.” Mark laughed. “Stop scaring them. Yes, it’s weird and we are in New York, but it doesn’t need to be quite so dramatic. Ring the bank and cancel the card. You have others?”

“Yes,” said Rhys. “Mine is fine. It’s Shari’s that’s gone whacko.”

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Andy and Mark insisted on driving them to their tiny hotel room in midtown Manhattan, where they’d spend the rest of the week. Promising to update their friends on The Great Card Saga, they fell asleep almost immediately, Sharifa dreaming of kittens walking on windowsills.

The man from the bank was not helpful. Despite Sharifa repeating her name and date of birth and typing her password on the link that was sent, the outcome was the same. There was no record of her ever having an account with them. Yes, they had Rhys, but not her. No, they couldn’t cancel a card that was never issued to her. Cutting up the card into little strips seemed to be the only option until they returned to Australia.

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A week after they got home, Sharifa stared at the envelope from the bank before ripping it open. Inside, a letter informing her that her replacement card was enclosed and that she should change the password at her nearest branch. A new card, with a blank signature strip, in the name of Sabiha Evans.

 Rashida Murphy is a writer living in Perth, Western Australia. She is the author of a novel and a collection of short stories. Her novella titled Old Ghosts is forthcoming next year.

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Categories
Poetry

My Cat Purrs

By Laila Brahmbhatt

From Public Domain
MY CAT PURRS  

At home, I was thinking about what it would be like to travel without a suitcase.
When I reached my destination, I would lie still,
let the water from the hotel faucet run between my fingers,
washing off the stains of the journey.
I would still carry in my wallet, like forgotten coins,
my cat's footsteps on a spiral staircase,
unfinished chores, buried secrets,
clothes that no longer fit,
a dying plant,
many conversations pressed between lips like lettuce in sandwiches.
My luggage is heavy, like a hangover from cheap wine.

Laila Brahmbhatt, a Kashmiri/Jharkhand-rooted writer and Senior Immigration Consultant in New York, has published haiku and haibun in several international journals, including Cold Moon Journal and Failed Haiku.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Stories

Unspoken

By Spandan Upadhyay

The city hummed in the distance, a restless body of lights and shadows. From the 10th-floor balcony of an aging apartment building, the sound of honking cars, barking dogs, and occasional train whistles formed a chaotic symphony. The night air was thick with the scent of rain-soaked pavement, diesel exhaust, and something else, something old, unspoken, waiting: like the breath of a forgotten tomb.

Flat 10-B faced east. At dawn, sunlight strained through grime-caked windows, pooling weakly on floors that hadn’t seen polish since Madhavi’s husband died. The walls, once eggshell white, had yellowed like ancient newspaper clippings. Cracks branched across the ceiling in fractal patterns, mapping silent histories of monsoons absorbed and endured.

Madhavi Bose had lived in this apartment for twenty-seven years. She had moved in as a young bride, her heart brimming with the quiet satisfaction of middle-class security. Her husband had been a government officer with a voice like a rusted hinge and hands that smelled always of mustard oil and ink. She’d learned to love him through ritual: starching his shirts, packing his tiffin, listening to his stories of petty office politics. Her world contracted to the geometry of his needs, his nap times, his preference for fish on Thursdays, his mother’s backhanded compliments about Madhavi’s rice.

And then, suddenly, he was gone. A heart attack at forty-five, slumped over a stack of tax files. No time for goodbyes, no time for regrets. Just the scent of his hair oil lingering on pillowcases, and the pension that arrived every month like a condolence card.

Left with a sixteen-year-old daughter and a life halved, Madhavi had done what was expected of her. She survived. She woke each morning, brewed tea for one, and scrubbed the balcony tiles until her knuckles bled. She learned to kill cockroaches without flinching. She stopped wearing sindoor.

And then there was Riya.

Riya, now twenty-four, had been a bright, sharp-eyed child, full of questions, full of hunger. At eight, she’d torn maps from schoolbooks to tape above her bed. Patagonia! Istanbul! Marrakech! Places whose names rolled like marbles in her mouth. At fourteen, she wrote stories about women who rode motorcycles through deserts. Too restless for a city like this, too impatient for a life like her mother’s. She devoured novels as if they were contraband, hiding Rushdie under her mattress, scribbling poems in the margins of math notebooks.

University had been a brief reprieve. For three years, she’d rented a hostel bunk near campus, subsisting on muri[1]and the euphoria of all-night literary debates. She fell in love twice, once with a Marxist poet who quoted Faiz, once with a biology student who sketched ferns in her notebooks. Both left for Delhi. Both promised to write. Neither did.

Her first job interview had been at a glossy magazine office where the editor yawned while she spoke. The second, at a publishing house, ended when they asked her to fetch chai for a visiting author. “You’ll start as an intern,” they’d said, though she’d graduated top of her class. Soon, she found herself in a cubicle the colour of wet cement, editing corporate brochures about cement. The future is built on solid foundations. Her colleagues wore polyester saris and discussed baby formulas. At lunch, she hid in stairwells, nibbling canteen samosas gone cold, scrolling through friends’ Instagrams: New York! Berlin! — until her eyes burned.

And so, she returned to Flat 10-B. To her mother. To a house where the only real conversations happened in the spaces between words.

The apartment’s rhythm was metronomic. Madhavi rose at 5:30 AM, the click of her alarm clock splitting the dark like a dry twig. She brewed Assam tea, the pot whistling two precise notes. The newspaper arrived with a thud; she read it front to back, circling typos in red pen. By 6:45, she descended the ten flights (the elevator had died with her husband), her cane tapping each step like a metronome. She walked exactly three laps around the park, nodding at the same widows on the same benches, their saris fading to identical shades of ash.

Riya woke at 8:00 AM to the smell of cumin seeds burning, Madhavi’s eternal attempt at breakfast. She dressed in the dark, avoiding mirrors. The corridor to the front door felt longer every day, lined with family photos fossilized in time: her parents’ wedding portrait, Madhavi’s smile stiff as starched cotton, Riya’s fifth birthday, half the cake uneaten, her father’s garlanded graduation photo gathering dust.

Evenings condensed into separate silences. Madhavi parked herself before the television, absorbing soap operas where women wept over stolen inheritances and switched-at-birth babies. The flickering blue light etched her face into something statue-like, immovable. Riya retreated to her room, headphones blaring punk rock, rereading The Bell Jar [2] for the twelfth time. She’d marked a passage years ago, I saw my life branching out before me like the green fig tree, but now the figs seemed rotted, the tree petrified.

Dinner was a sacrament of avoidance. “There’s dal in the fridge.” “Okay.” They passed each other like shadows, careful not to touch. Once, Madhavi’s fingers brushed Riya’s wrist while handing her a plate. Both recoiled as if scalded.

They never argued. Arguments required collision, and collision required caring enough to crash.

Then the sleepwalking began.

It was Riya who noticed it first. She woke one morning with grit beneath her nails, the taste of soil sharp on her tongue. Her legs ached as if she’d climbed mountains. On a hunch, she checked her shoes, the soles caked with mud.

The next night, she hung her mobile around her neck. The footage, grainy and green-tinged, showed her move out at 2:17 AM. Her movements fluid as that of a marionette. She glided past the cracked full-length mirror, her reflection blurred, as if out of focus, turned the doorknob with eerie precision. Moments later, Madhavi emerged from her room, eyes milky in the dark, nightgown billowing like a sail. Together, they drifted into the hallway, bare feet soundless on cracked tiles.

Riya didn’t speak of it. Words would make it real. Instead, she began stealing glances at her mother, really looking, for the first time in years. Madhavi’s hands fascinated her: long fingers calloused from scrubbing, nails pared to the quick, a silver band still indenting her ring finger. Once, she caught Madhavi humming a Rabindra Sangeet tune while chopping onions, her voice girlish, almost playful. The sound froze Riya mid-step. By the time she exhaled, the humming had stopped.

One rain-heavy evening, Madhavi broke the unspoken rules. “I wanted to be a teacher,” she said abruptly, ladling dal onto Riya’s plate.

Riya’s thumb hovered over her phone screen. “What?”

“At Bethune College, I’d been accepted. History. Your grandfather said educated wives were headaches. So.” She shrugged, a single lift of the shoulder that contained a lifetime of folded dreams. “Your father preferred my fish curry to my opinions anyway.”

The admission hung between them, delicate as a cobweb. Riya thought of her own application to Columbia’s MFA program, buried under a strata of rejection emails. She wanted to ask, Were you angry? Did you ever scream? Instead, she muttered, “The dal’s good.”

Madhavi stared at her, eyes glinting with something that could’ve been pity. Or recognition.

The sleepwalking intensified. Riya began waking in strange tableaus: perched on the fire escape, her toes curled over the edge; kneeling in the building’s puja[3] room, marigold petals stuck to her knees; once, standing in the parking lot, arms outstretched as if awaiting crucifixion. Her phone footage revealed nightly pilgrimages, down ten flights, through the lobby’s broken turnstile, into the skeletal garden behind the building. Always, Madhavi followed.

Then came the monsoon night.

Rain sheeted the balcony grilles, the wind howling through gaps in the window seals. Riya was sleepwalking, mud squelching between her toes, her nightdress plastered to her skin. She stood in the garden’s center, lightning fracturing the sky. To her left, Madhavi hovered, drenched and spectral, her gaze locked on Riya.

A current passed between them, not a spark, but a surge.

Madhavi spoke first, her voice unspooling like smoke. “At last. At last, my enemy.”

Riya’s jaw clenched. The words came out involuntarily. “Hateful woman. Selfish and old. You want my life to be your epilogue.”

“You devoured my youth.” Madhavi’s hands flexed. Her eyes had a glassy look, but they were inanimate. Still. “You, who blames me for her cage.”

“You never fought! You just… folded.”

“And you?” Madhavi’s laugh was a dry leaf crushed underfoot. “You run, but only in circles. You think I don’t see your applications? Your hidden bank account?”

Riya’s breath hitched. The garden seemed to pulse, neem leaves trembling, earth exhaling decades of buried words.

“I could’ve left,” Madhavi whispered. “After he died. Gone back to school. But you-”

“Don’t.”

“– you needed stability. Security.”

“I needed a mother, not a martyr!”

Lightning flashed. For an instant, Madhavi’s face was a mask of cracks. Then, a dog barked, the neighbor’s irritating new resident, and the spell snapped.

Madhavi blinked, rain dripping from her lashes. “Is that you, darling?”

Riya hugged herself, shivering. “Yes, Ma.”

And then, as if nothing had happened, they went back inside. They climbed the stairs in silence, leaving wet footprints that evaporated by dawn.

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[1] Puffed rice

[2] Novel by Sylvia Plath published in 1963 under the penname of Victoria Lucas

[3] Prayer


Spandan Upadhyay
 is a new writer whose work captures the vibrant nuances of everyday life. With a deep appreciation for the human experience, Spandan’s stories weave together subtle emotions and moments of introspection. Each of his stories invite readers into a world where ordinary occurrences reveal profound truths, leaving a lasting impact.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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