Categories
Poetry

‘Fragrance of Childhood’

Poetry by Alpana

GULGULA-GULGULE

This is going to be sweet.
Leave behind the sour and savoury.
Come, feel the taste of this Haryanvi delight.
Monsoon special.
Teej* treat.
Take some wheat flour,
Add jaggery,
And a dash of fennel powder,
Leaving your hands and kitchen aromatic.
Give it a good mix with some water.
Keep your hands moving.
We don't want lumps in our gulgule. And in life, in general.
Glad, you noticed, they are called gulgule.
Gulgula in singular.
Gulgule in plural.
Packed with sweetness of dadi's* love and profound memories,
Deep fried in mustard oil and tossed in a huge thali,
Emanating the fragrance of childhood fondly wrapped in our hearts,
So that we may catch a whiff of love once in a while
Only to realise how loved we are.
Frantically moving and crossing various stations,
of remembrance and recollections.
Gulgule.
Embellished with tokens of toil, patience and warmth.
Never in a perfect shape
But evermore fitting for a perfect time.
Try it
For you will relish it.
And taste a flavour from the bylanes and dhaanis* of Haryana!


*Hariyali Teej is a festival of North India celebrated in the month of monsoon.
*Dadi -- grandmother
*Dhaanis are small conglomeration of houses located mostly in Punjab and Haryana
Gulgule. Courtesy: Creative Commons

Alpana teaches in a government college of Gurugram, Haryana. When not working on her laptop, she can be spotted making lists of her essentials, her husband’s sloth hours and her toddler’s tantrums.

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Categories
Poets, Poetry & Rhys Hughes

Tintin in India

An Indian newspaper published an article about adults who still read Tintin and I realised that although I would have liked to be interviewed for that article, my qualifications were inadequate, for there is no ‘still’ in my particular case. I only began reading the comic when I was grown up. In fact, I only read it properly in the past few years, and I am more than half a century old. True, I did read one or two of his adventures when I was young, but I read them half-heartedly, I don’t know why, instead of with unalloyed delight, as they ought to be read. Possibly they were too elaborate for me back then.

Yes, Tintin is elaborate, but this doesn’t mean it isn’t simple. Yet it has the kind of simplicity that seems complex to the very young reader. There are plots and subplots, conspiracies and clues, and all of this is perhaps a bit much for the mind of a child more familiar with the primitive antics of Dennis the Menace or The Bash Street Kids from The Beano. Each of Tintin’s exploits seemed beyond reasonable length to me, too adult and requiring a heavy investment of my time and intelligence. I speak, naturally enough, only from a personal perspective. In some households, Tintin was read by minds younger than mine, understood and enjoyed too. I was clearly a late developer.

Thanks to a remarkable bookshop in Bangalore, I have been able to obtain the comic books in omnibus editions and catch up with what I missed out on. It intrigued me to learn that the elements I had regarded as impossibly modern in my youth are now quaintly dated. Tintin’s adventures are not hugely dissimilar in tone and setting to the adventure stories of John Buchan1 and they even put me in mind of Somerset Maugham2 at his most sensational, with their heavy reliance on seaplanes and tramp steamers and open-topped automobiles. The pacing is as fast as The Thirty-Nine Steps or Greenmantle, the atmosphere as exotic-colonial as The Moon and Sixpence or The Narrow Corner. There are differences too, of course, but the differences are less surprising.

The pacing is incredibly fast and Tintin blunders his way into scrapes and pickles almost as if destiny has chosen him for the role of spanner in the cogs of the workings of villains, which in a way it has (if we regard Hergé as Fate). He is highly competent most of the time, but can also be inefficient and even inept, often hampered as well as helped by his dog, Snowy. But no quantity or quality of hampering can keep him down for long, he is deft at seizing the opportunities of coincidence that extreme contrivance throws his way. He is fully the equal of any ancient hero from legend or mythology.

And he is mentally strong: no amount of trauma, no near-death incidents or hair-breadth escapes affect him psychologically. He falls out of an aeroplane, an assassination attempt by a dastardly pilot, and his parachute malfunctions. A flat character on a flat page is about to be flattened on the flat ground, but no, he has the singular good fortune to land in a hayrick being transported on a cart. There are no broken bones and no gasping for breath. He picks himself up, dusts off a few straws, resumes his mission with perfect aplomb. One might even say he is inhuman in his attitude to danger. A touch of psychopathy, perhaps? But he is a friend of goodness, an enemy of criminality.

He is also weirdly tolerant of the pompous ineffectiveness of all the sundry supporting characters who populate his existence. Thomson and Thompson, the detectives who never get it right but always take credit for cases solved in their vicinity, provide comic relief, which justifies itself, but even a cursory analysis of their deeds raises a few awkward questions. How on earth are they entrusted continually with missions requiring the utmost delicacy, tact and cunning? They are negative factors in the field of detection, hindrances rather than boons, a pair of slim buffoons (we normally regard buffoons as portly) with a strange sartorial taste and peculiar speech patterns, dramatically underperforming sleuths who are prone to take what they are told at face value. They are worse than useless; they are beneficial to the continuance of evil.

It was a long time before I was able to tell them apart but now, I know they are doubles rather than twins, and that the one with the drooping moustache is Thompson and the one with the flaring moustache is Thomson. In the original French, they were Dupont and Dupond, which is a little less confusing but not much. Tintin ought to have nothing to do with them, but he is always delighted to see them and treats them as highly competent and valuable colleagues. This is a symptom of his own occasional incompetence. But this has nothing to do with India and so we must regretfully forget them.

Tintin travels to India on several occasions. In Egypt, he daringly escapes a firing squad, requisitions an aeroplane, a 1929 de Hallivand DH-80 Puss Moth, one of the highest performing aircraft of its time, with a 130 hp (97 kW) Gipsy Major engine (this aircraft is also notable for being the first to cross the Atlantic from east to west, in 1932) and he courageously, some might say foolishly, sets off for India. Unlike the pilot Nevill Vintcent3, who flew the exact same aircraft from Britain to Sri Lanka (Ceylon, as it once was) without crashing, Tintin runs out of fuel and comes down in the jungle.

Although extremely absurd, the idea of piloting such a plane so far isn’t as implausible as it might appear. We should remember Maurice Wilson4, that very noble but eccentric mystic who planned to climb Mount Everest solo in 1934, forty-six years before Reinhold Messner5 managed the feat, and of course it was inevitable that he would fail, for all the odds were against him. Despite his lack of flying experience, he purchased a de Havilland DH.60 Moth, a more rickety aircraft than the one Tintin used, and flew it from Britain to India in a series of hops. It was a lunatic thing to attempt and yet he succeeded. His failure was on the mountainside, not in the air. Therefore, we have established that Tintin really could have flown to India from Egypt.

Tintin, after his crash landing, meets elephants in the jungle and he wishes to solicit their aid but he doesn’t know their language. He decides to learn it and improvises a trumpet in order to do so, carving the instrument from a block of wood with a penknife, an amazing feat of carpentry (but in Land of the Soviets he creates a new propeller in a similar manner). Now he can fluently talk to all elephants in their own tongue, for elephants apparently speak in a kind of jazz. It is good to have such magnificent animals on your side. One elephant is worth a dozen human friends when it comes to strength and endurance. And they will never forget a service rendered. That, as far as I’m aware, was Tintin’s first visit to India, but he had another a little later.

Tintin in Tibet, often regarded as his finest adventure, finds Tintin visiting Delhi in the company of Captain Haddock, that boisterous, drunken, bumbling, loquacious master mariner who frequently makes matters worse rather than better. They admire the Qutab Minar, as I did, awestruck, when I was in Delhi. I have since learned that the Qutab Minar was based on a tower in Afghanistan, the Minaret of Jam, which must be the most marvellous name ever devised for a tower. I imagine it is made from apricots and strawberries and I lick my lips as I contemplate it. But this has nothing to do with Tintin, who after leaving Delhi travels to Kathmandu and then overland into the mountains. He meets a Yeti and scares it off with the flash of his camera.

The Tintin comics always had a very substantial fanbase in India and letters from Indian readers often were mailed to Hergé. It is therefore unfortunate that a Tintin adventure set entirely in India doesn’t exist. Personally, I would be happy to see one set in Goa. In the 1990s, a nameless artist designed a series of t-shirts bearing images that are parodies of the Tintin book covers with the title “Tintin in Goa” on them. They show the intrepid reporter doing nothing intrepid at all, simply lounging about the beach or going for a joy ride on a motorcycle. Even a comic character as psychologically resolute as Tintin needs a holiday once in a while. What better place for a relaxing stay?

  1. John Buchan ((1875–1940), Scottish peer, writer and editor ↩︎
  2. Somerset Maugham (1874-1965), British writer ↩︎
  3. Neville Vintcent (!902-1942), South African aviator ↩︎
  4. Maurice Wilson (1898-1934), British soldier, mystic and aviator, who died trying to climb Mt Everest solo ↩︎
  5. First mountaineer to ascend Mt Everest solo, without oxygen in 1970 ↩︎

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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Categories
Poetry

Autumnal Musings by George Freek

Courtesy: Creative Commons
A POEM ON THE NEW MOON

Fall is as cold as the moon.
Fierce clouds tell me
snow is coming.
Monks, seeking comfort,
mutter incantations
in their self-absorbed occupations,
but in their trance,
they ignore the signs
in the sky. I watch the moon
as it dies.
Where does heaven lie?
I stare at that dimensionless sky.
If life is a mistake,
to whom should we apologise?

George Freek’s poetry has recently appeared in The Ottawa Arts Review, Acumen, The Lake, The Whimsical Poet, Triggerfish and Torrid Literature.

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Categories
Poetry

The Time for the Janitor to Pass By



Poetry and translation from Korean by Ihlwha Choi

THE TIME FOR THE JANITOR TO PASS BY 

Birds colliding with the glass window and falling,
The janitor sweeps them away with familiarity.
Birds that once lived in the square of the sky,
On Ukraine's transparent glass window,
On Myanmar's ruthless glass window, they plummet.

The time for the janitor to pass by again.

Flowers we see are like a fleeting paradise,
The way we viewed America once.
Glass windows erected over America, horrible barriers.
The time for the janitor to pass by again.
The mother bird becomes a glass wall of death,
Time and time again, a baby bird falls beneath the glass wall.
From the glass window of the sea,
To the soundproof walls of the land, colliding silver wings,
Many things plummet daily onto the blue star.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time When Our Love will Flourish, The Color of Time, His Song and The Last Rehearsal.

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Categories
Stories

The Airport

By Prakriti Bandhan

It is funny that I knew the title of this story before I had even begun it. I knew that my characters would meet at the airport, in this place where there is a momentary suspension of life, the spot which physically and symbolically marks the continuation of a journey or even the beginning of a new one and sometimes the end.

I don’t know why but it is important to me that the two characters know each other. It shouldn’t be that they were meeting each other for the first time. The two are supposed to be long lost, perhaps even estranged. But I don’t really know how to begin this story. I don’t even know what the story is, all I know is that there is supposed to be one. A story meant to take place at the airport.

The image has haunted me for a long time and has made me wonder if it is a glimpse of my past life or a premonition of the future. I have always wondered if in case it is a premonition, who would be the other person for me at the airport. I have often looked at the people around me and have been compulsively forced to imagine an arc of experiences with them that would make them that persona at the airport for me.

Some people felt to be a good fit to be the persona of my imagination, but for each person I imagined a new context, and a new feeling would colour the moment. The top contenders for that character, slowly with time disappeared from my memory altogether. Or with time, became entirely unsuitable for that moment. It became so special — this glimpse, this image — that now I think that maybe this is not a premonition but a calling for my work. That perhaps it will be the centrepiece of a story I am destined to write. But how do you write a story that you are destined to write? There is just too much riding on that. I don’t even know if it is a story about love or loss. 

I think I will suddenly bump into him. When our eyes meet, in a matter of seconds, years of questions will be answered. I will look at him, realising that I have come far. I will be introduced to his wife. Now that I see her by his side, I know I didn’t belong there at all, that all the moments I questioned whether it could have been me, would finally be resolved, because she — she makes sense. At that moment my children would run to me, a set of twins — I have always imagined — and say hello to him. That looking at them he would smile, because I always talked about how I didn’t want children and was afraid that because I resist them so much, I would end up having two in one go. This moment wouldn’t be one of those moments where we would run into our old friends and would be just happy to see each other. This moment would feel like the universe allowed us a glimpse of the forbidden.

It is intriguing to me that I always saw my children, but in this vision, my husband is in the background, I cannot see him clearly. I cannot imagine, for the life of me, what my partner looks like. Is he brown or white, tall or somewhere closer to my height? Isn’t it strange that in this alleged premonition/vision of the future, I have more clarity about the man I am supposed to meet for five minutes and not the man standing next to me, supposedly for life?

But what is the story? Is it that this man and I were close, lovers maybe, and had to go our separate ways? Or were we friends who never could fall in love? I have definitely thought of being by his side. Perhaps, he is the person who remained an entity without a background. We silently must have seen each other in the periphery of our visions, too afraid to look straight. Maybe, the clarity with which we might see each other would be too much for us to handle in this life. So maybe the next? He would leave and so would I. I hope that once again somewhere, when our flights land, we can see each other. No, only in our next lives.

But I still don’t know what this story would be about, I still don’t know if I already have lived this story, I still don’t know if this is the story.

Prakriti Bandhan writes stories with a difference.

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Categories
Poetry

Unmask Me

By Nirmala Pillai

Time leaves footprints on my body,
Wrinkles my skin, greys my hair.
Makes me tell a lie with Dyes and Botox;
But my neck and fingers refuse to lie: 
Lying still, won’t cooperate with me,
Whisper the ageing lie, the mirror is a referee.
Every time I face my reflection,
It only stares back,
A nirvana-detached yogi,
Doing its duty.
Every time I face the glass -- 
Silvered true with oxides,
I fall into despair: 
The mirror only makes it worse.

Beauty lies in the eyes
Of the beholder;
Naked truth lies, in my image.
The dead truth lies,
On the crinkled parchments
Of my neck and hands.
The veins like old banyan roots,
Strangle the fleshless bones.
Muscles are only memories --
Of a shape I used to be.
No scalpel changes me.
No pills, No creams, No chants:
Only muffler, stoles and gloves.
To play hide and seek.
Some sad emojis left to laugh,
With me, with me. 

Nirmala Pillai is a writer, painter, and an Ex-Civil Service Officer, who has published three collections of poems and one of short stories. Her published works have appeared in PEN, The Asian Age, Indian Literature, Bare Root review from Minnesota University, Poetry Can, UK [Poetry Southwest], The Telegraph, The Little Magazine, Cha; An Asian literary journal.

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Categories
Musings

Where is Your Home?

By Madhulika Vajjhala

Going into work after almost a week of absence feels rather peculiar, I feel like an outsider in the city where I grew up — a city that is often referred to as my hometown. It greets me with a polite nod as a stranger would. This is the city where I spent over two decades growing up and yet today my sense of belonging seems to have dissipated in the dusty morning traffic, leaving me confused as to what makes a home. Is home the physical space that we exist in or is it the people who make a place a home?

If the definition of home is about a place I reside in, why can’t it be the dusky lonely evening that I got lost in the Tallahassee Park only to find company in the countless stars that helped me find my way back?

Or the Welsh mountains that I struggled to hike up with Chittappa — almost giving up for the steepness of the trek, constantly reminded by my aching body that I was lazy and good for nothing. Yet, the endless green hills glistening in the golden rays smiled at me and greeted me with a cool welcome hug, urging me to be hopeful for my future. Isn’t that a home for making me believe in myself once again?

Or can it be the bone chilling cold shores of the lake in the Algonquin State Park, where Anna and I greeted the new year alongside the wolves howling at the moon who seemed to be lost that night like us. We hid from the countless years that stretch before us, not knowing if there would be an end to all the craziness that we had to deal with. Is it home when you are lost and confused, yet at peace knowing that not all answers are to be found, some questions are endless quests, but the journey teaches us more than the answer itself?

Or maybe it is in the sunrise on the Vizag beach with my cousins, where we laughed and played while the cool water soothed our battle scars of rivaling parents and vengeful family feuds. Is it home where all my fears and insecurities are treated with a cooling balm and my soul is healed so I find courage to love again amidst the raging darkness that overwhelms me?

Or is it the apartment I found on the hot afternoon, walking in despair along the Whitefields road with Amma after our family banished us from living in their home? The balcony with the wise eucalyptus trees that reminded me that parents are human too. While love is not perfect, setting my boundaries and building my life independent of family can strengthen our bonds more.

Or is it home when my girlfriend opens the door with the brightest smile after a long stressful day at work, asking me how my day went? Even if we had both just spent the past eight hours getting yelled at and defeated by corporate patriarchy, she gives me the warmest hug assuring me that I am safe and with her. I don’t have to battle to be seen or heard. Isn’t it home where you always matter and your contributions are recognised, irrespective of where you live or how far apart you are from each other?

Or can it be home in the arms of my boyfriend as he cuddles me to sleep, gently calming my mind, easing away the stress. Reminding me to stay smart and channel my ever-bubbling anger, raging beneath my surface into something useful instead of drowning myself in it and getting lost. Isn’t it home where you learn to channel your strengths but there is space for your weakness and failure to co-exist, so that you learn to not get overwhelmed in the face of adversity?

Perhaps home is in the delicious fragrance of my mother’s coffee as she greets me with her loving good morning and a freshly baked pumpkin muffin, a reminder that today is a new day and ripe with unexplored opportunities. Isn’t it home where you feel supported and encouraged even when you are lost and unsure of what to do next?

Maybe I am someone who will always find a home wherever I go with the people I love. Home is not static nor confined to a physical space set in a particular time. To me it is all those experiences (and people) that help me find joy, love, courage, and strength to greet another day with a smile.

Madhulika Vajjhala has a passion for literature and exploration. She loves reading and globetrotting.

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Categories
Poetry

Ahilya Park

By Prof. Sagar Mal Gupta

AHILYA PARK 

Three monkeys
with their babies
romped merrily in the park,
gambolled and jumped from one branch to another.
Twice, the group of monkeys crossed my path,
Preventing me from walking forward.
Three children swung on the swings.
On the adjoining the pillar,
squirrels, sparrows and sandpipers
shared food together with glee. 
All this added to my joy of
walking in the park.
The park is not just an assemblage of trees,
plants and creepers,
but a rendezvous for
men, animals, birds and trees
and together they exist,
happily and blithely.

Sagar Mal Gupta, educated at the University of Edinburgh and the University of Hawaii, earned his Ph. D. in Linguistics from the University of Hawaii USA. He has fifty-six years of teaching experience of English language and Literature in India and abroad. He has published four books of poetry in English and his poems have been published in a number of national and international journals of repute.

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Categories
Stories

Getting Old is like Climbing a Mountain

By Saranyan BV

Courtesy: Creative Commons
Getting old is like climbing a mountain, you get a little out of breath 
but the view is much better!
                                                                     - Ingrid Bergman, actress

He arrived in the morning. He was carrying a small bag but enough to contain things to stay for three to four days. His visit was unannounced. Although he was cordial, I didn’t inquire into the purpose of his visit. I invited him inside and showed him the spare room where he could rest a while. He was seventy-nine years and could do with some rest. His body language showed he was grateful, yet he didn’t offer a reason for his presence in the morning. I went inside the kitchen so that I could prepare a cup of coffee for him. I heard him move inside his room, the footsteps of an old man. I could hear him take things out from the bag and push some back. After a while, the sounds stopped. The house turned silent. It sounded silent and silence sounds like death. My eyes roved over the kitchen table to check on the things available to make a decent breakfast for uncle. He was in need. He looked famished.

I pushed open the door leading to the backyard, in the kitchen garden, the plants were unkempt. It was a messy area of about forty-four square feet. I plucked brinjals and tomatoes to make the sambar respectable and to add on to the coconut chutney which was already done. There was also coriander, not ready for plucking, but at times like this it could be useful. I heard the sound of the cistern flush, the water drained without giving inkling of anger. I handed him the cup, he took it and kept looking at the floor. He drew an arc with the toe of his right foot. I could not understand what the act meant except he was disturbed. There would be time later to get to know. For the time being I let him feel at home. He didn’t inquire about my husband’s whereabouts. My husband was his nephew. Uncle might have assumed Shyam has gone to office. Actually, Shyam has gone to handover his Renault Kwid for the first unpaid service. He would be late today. Shyam too would have to have his breakfast before starting for work. Maybe they could have it together. We all could.

I hoped uncle would spruce himself and be ready before Shyam returned. I was not going to rush him.

Shyam would be in a terrible hurry. He could catch up with his uncle while he is pushing the idlis[1] down his throat. I have to keep requesting Shyam time and again to eat slowly. Food is meant to be enjoyed and not be dealt with as if it is a task to be completed. Breakfast is the only meal Shyam has at the dining table. He took his lunch in the office canteen and the night meal was invariably at the bar he frequented. I had rehearsals for the coming play at Ranga Shankara in Jayanagar. Most evenings, I was out. I think he ate only fritters and no proper dinner. I never questioned him about his activities. He found that convenient.

I went past the room in which the uncle was lodged. I pretended to go out under some pretext. The garbage collector had entered the street. The garbage needed to be in cans outside the gate. I peered in. The door was open. Uncle was seated on the mattress leaning back on his hands. He was looking up at the ceiling fan, at his own reflection on the chromium plated hub-cap. He had not switched the fan on, the weather was fine. I collected the compost bag and kept tossing handfuls on the potted plants in the courtyard. That was my weekly routine. The plants responded to the manure but the moment the plants shoot buds, insects destroyed them. I tried to give uncle some privacy by remaining in the garden. He looked rather pulled down. If he wanted to make some calls in my absence, I’d rather facilitate it; but he didn’t.

Uncle lived in Hebagoddi with his only son, his house overlooking the wholesale fruit market. Whenever we visited, I found him standing on the open terrace upstairs and watching the trucks loading and unloading. Ajay resigned his job in Hosur and had left to take up new assignment in Abu Dhabi. He told us he wanted to move with his family to Abu Dhabi. I wondered if he could take his father as well. Maybe that was what made uncle preoccupied – the thought of being left alone without his son, who was also his caregiver.  Uncle had a handsome pension as a retired school master. He was not dependent monetarily, but he needed someone to assure him everything was going to be fine. An old man required assistance and supervision. My dad’s brother had dementia from being lonely they said.  since He had no one to talk to. He was a bachelor with lots of money but dementia doesn’t check the wallet before setting in.

I went back to the kitchen. The decoction had filtered down. I mixed the coffee and took it along with two Marie biscuits. He took it and placed it on the table. His hand shook. He said, “Thanks.” He wasn’t curious about Shyam’s absence. I was surprised he did not inquire.  He was Shyam’s uncle not mine.

I told him, “Shyam would be back shortly, I will serve breakfast when he comes.”

“That’s nice”, he said. “In that case I will have the coffee after breakfast. I took Pantacid just now. Let the medicine do the job.” He took the two biscuits, placed them on the paper napkin and returned the cup.

I said, “Fine.” I lifted my chin to scrutinize his face.

“Its difficult to live with Ajay’s wife,” he said. Uncle moved towards the window turning face away from me. The top two panes of the window were open. They overlooked the vegetable garden I was ambitious about curating. Beyond that was a small 30 feet road. I did not attempt to mollify him. I left the job to Shyam. He was Shyam’s his uncle.

Uncle said, “I can grow enough vegetables in my house in the terrace, I mean in Ajay’s house. People these days grow vegetables in plastic grow-bags you know. I can grow enough for the family or even more. She wouldn’t allow.” He meant Ajay’s wife. Growing vegetables is my passion. My conviction is one should try to grow food in lifetime instead of only consuming. It’s my desire to grow at least one kilo of rice with my bare hands at least once in my life, I told this to uncle in order to keep him cheerful until Shyam returned.

“We should find a place in our village and try doing growing the rice there. Being in city, you can’t”, he said and curbed his instinct say more. The conversation cheered him and I believed took his mind away from Ajay wanting to shift his family to Abu Dhabi. I was not sure if Ajay was planning to take his dad there. It may not have been a workable proposition.

I said, “Its good to try, to think on those lines. I guess Shyam would agree to the idea post his retirement. As of now I have this theatre group which pegs me here.”

A car entered the lane, the sound of its engine was echoing from the between the compound walls. The colony would have looked more impressive without the compound walls. The car stopped in front. The driver’s face seemed familiar but I could not place him. Shyam got down from the other side. He thanked the driver and entered. The car sped away, it was an old red-coloured Punto. The driver smiled on seeing I was trying to place him.

I was not sure if I should inform Shyam about the unannounced guest or leave him to find out for himself. Maybe he knew of the arrival and had forgotten to inform me.

Shyam said, “I must rush, Sundar has promised to pick me on the way. Can’t make Sundar wait.” He went straight into the washroom. He was the type who would expect his wife to keep his clothes ready when he came out of the bath. Before that, he would want the towel. I did that part of the chore, returned to the living room from where I could see uncle. He was not affronted by Shyam’s behavior. He seemed to understand. He smiled sympathetically upon seeing my distress.

“Let me set the table for breakfast,” I told him and went about doing so. I wanted to tell Shyam to eat slowly — to get up only when uncle finished. Uncle came out of the room for the first time. He sat quietly in front of the dining table where Shyam sat normally. He leaned using his elbows on the table. He saw me arranging the plates. He opened the lid where idli was stacked. He smiled again. There was plenty. I too sat pretending to remove the speck on my plate.

“I have to find an old age home,”he said nodding his head.

 “It would do you good. you can be all by yourself,” I said.

“You don’t understand the point Kamala,” he said. I could hear Shyam coming out of the bathroom. He started dressing. He dressed himself first before using the hair drier and combing his hair. I knew as soon as he finished, he would head for the dining table. I waited for the sound of the drier being switched off. I had not informed Shyam about uncle’s presence as yet. Waiting at the breakfast table, I was not sure I should make the effort. He obviously was not expecting to find uncle. I hoped he would be polite to his uncle.

Shyam came in. He had heard our voices, if not the subject of our conversation. He was pleased perceptibly to see his uncle, he went behind him, put his hand over uncle’s shoulders and gave him a hug from behind. He said, “What a surprise! How is Ajay doing? Is he really liking it out there, it is a dangerous country, not meant for one with his kind of temperament.” Shyam rushed with his words, he wanted to convey whatever he wanted quickly without giving scope for his uncle to respond. He looked at me and said, “I promised uncle that I would find him a comfortable old age home. Better that Ajay takes his family quickly to Abu Dhabi. He has the knack of getting into trouble if left alone.”

Uncle didn’t want to prolong the conversation about his son. He said, “Something that fits my pension, not a paise more, I don’t want to take help from Ajay though he may be earning in Dinars now.”

He craned his neck to see when I would start serving. Shyam pulled the chair away from the table to sit, the chair made a grating noise on the floor. I switched the fan on and started serving. The three of us ate quietly. Shyam kept stuffing idlies as was his habit. He choked a bit but managed to swallow without any issues. I had only one idli. I got up to prepare coffee. Sundaram could arrive any moment, though Shyam had not stated the time of his arrival. Shyam took his uncle to the verandah in front. I could hear them talking, though I could not make out what they discussed. It sounded like they wanted to keep me out.

Uncle left our house after three days. He never went back to Ajay’s house. He went straight to the old age home. I felt sad. Shyam had arranged accommodation where uncle could stay in relative comfort. That’s what Shyam told me the previous night.

Whatever the comfort and care the old age home offered, such homes for the aged could not offer hope. Inmates kept falling sick, became invalids and sunk to death slowly. Besides they all had their own tales of woe which each would share, deepening the shadows in others lives. A home could not offer hope.

Shyam said the three days stay with us had restored uncle’s faith in humanity. It was a tall statement, though I suspected it was true. We tend to seek our own space in the kingdom of self-righteousness, we feed on such feelings. During the afternoons we had watched movies together on Netflix or Prime Video. Uncle made the selection. He always chose a crime thriller or science fiction, avoided movies focused on family relationships.

He took me into confidence and confessed on the last day. Shyam was to drop him at an old-age home named after Mother Theresa the next day. Uncle told me almost in whispers after the movie, as if he didn’t believe what he said, “Ajay’s wife is very loving, I can’t say she was wanting in that faculty.” I wanted to believe uncle.

When uncle left, there were tears in his eyes. He didn’t try to mask his feelings. I could not figure if it was on account of a feeling of gratefulness or of grief. He sprayed the insecticide on the rose plants in the courtyard while Shyam was loading his things in the car. I had presented him warm blanket in case the home didn’t provide one. Shyam promised to visit him often, though he did not specify how often.

Ajay’s family had left. He sent uncle photos of their new home. I had half a mind to tell uncle to stay with us, though I didn’t. He was not a bother, was really not a bother. He would have helped with the kitchen and courtyard garden as well as the proposed one in the terrace upstairs. During his brief stay, he helped to water the plants, folded the laundry, cut vegetables for cooking, he cut such perfect cubes. He enjoyed peeling garlic pods. He loved it. One day when the daily maid absented herself, I even found him doing the dishes quietly without letting me know. I had closeted myself in our room to memorise lines and cues of a new play.  

Uncle could have stayed with us if it was not too long. Life looks interminable if we don’t know how long. We didn’t know how long all this would go on had he stayed. He looked healthy though he was seventy-nine. You never know. Love without willingness to take on the responsibility was an aborted child, that much I knew.

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[1] Steamed, savoury rice cake

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Saranyan BV is Bangalore based poet and short-story writer. His works are being published in Indian and Asian journals regularly. He came to the realm of English by mistake but loves being there. He is a big fan of Raymond Carver and Charles Bukowski. He thinks that the genre short story is going to rule literature in the days to come, if the writers are ready to take up the challenge.  

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Categories
Poetry

History in the Making

By Pramod Rastogi

Clio, Muse of History, Painting by
Artemisia Gentileschi (1593 – 1656). Courtesy: Creative Commons
History has a long past, shrouded
In layers of the mist of Time,
Most of which is unseen in a museum. 
History has a future vast as an ocean.

Of times whose tides are frontline,
We are in the middle of the flow
Between a past catching up on us
And a future we are catching up to.  

We must dig deep in the gaping ruins 
To perceive all that remains cloaked 
In the halls of maligned controversies, 
In tune with ruling elites of the times.  

Painted dark might be the white,
And painted white might be the black,
This is how history is entrenched
And has seen snowflakes fall in the Sahara.

The past is in the jaws of the present
Which is incessant in its slither
Into the jaws of a future, rather nebulous, 
To drag it into the past sliding behind.

A lava of tears flows down the cheeks  
Of history as we wield its resolute truth 
Until it remains a shadow of itself.
It sheds one last tear and sails on.

Pramod Rastogi is an Emeritus Professor at the EPFL, Switzerland. He is a poet, academician, researcher, author of nine scientific books, and a former Editor-in-chief (1999-2019) of the international scientific journal, Optics and Lasers in Engineering. He has published over ninety poems in international literary journals.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International