Categories
Tagore Translations

Red Oleanders

An excerpt from Professor Fakrul Alam’s unpublished translation of Rabindranath Tagore’s Raktakarabi or Red Oleanders (1924) from Bengali: It was first published in Prabasi magazine. This play rebels against totalitarianism.

Introduction

This play is based on truth. However, any reader who turns only to historians to ascertain the authenticity of events is bound to be left unfulfilled by it. Let this suffice then as an explanation: as far as this poet is concerned, they are based fully on truth.

It is possible also that geographers will differ on the play’s actual setting. But everyone knows that the setting is informally known as Lucre Land. Scholars say that the mythical Lucre Land was the site of the gilded throne of Mammon, the God of Wealth. But it will not be right to see this play as one set entirely in a mythical period; it should not be classified as a fable either. The land that it deals with it has in its mines the most precious of minerals. Its discovery led to tunnel-digging. This is why people fondly calls it Lucre Land. We will get acquainted with some of the diggers involved in due course.

No one can expect historians to agree on the real name of the monarch of Lucre Land either. The one thing that I know is that the moniker used for him is “The Dreaded”. In due course it will be clear why this is the name by which he is called.

Outside the king’s palace walls are latticed windows. It is from a room with such windows that The Dreaded One chooses to meet any number of people he wants to talk to. Why he acts so bizarrely is something that we know nothing more about than what becomes apparent from the exchanges taking place between the main characters of this play.

The chieftains who run the kingdom on the king’s behalf are well-suited to carry out their work. They are also supposed to be far-seeing—all of them are members of the King’s inner council. Their carefully taken measures ensure that there are no lapses in the work being done by the diggers. And so this is how Lucre Land has developed steadily. The supervisors, once diggers themselves, have earned on their own merit the titles they now have. Indeed, in efficiency they often surpass the chieftains they once worked for. If the laws governing Lucre Land can be called euphemistically “The Full Moon’s Beams”, the responsibility of enforcing them are entrusted to the supervisors manning what can be called its Department of Disgrace.

In addition, there is the “Holy One”. He always swears by God but lives off what is allotted to him by the chieftains. He is believed to be responsible for a lot of the “good things” that are benefitting Lucre Land.

From time to time, inedible marine animals get stuck in the net of the fishermen casting their nets here. They are of no value though—either as edible creatures or as ones that can be traded for cash. On the contrary, every now and then they leave behind holes in the nets they get entangled in. In a net flung in the course of the plot of the play, however, a girl called Nandini shows up—a girl seemingly destined to tear apart the intricate net that separates the King of Lucre Land from the rest of the world.

As far as we can see at the start of the play, the events it dramatizes take place outside the room with the latticed windows where the king lives. We get to know very little of what is happening inside the palace though.

This play is set in the country called Lucre Land. The workers here are employed to dig gold. Its king remains hidden behind a thick screen. Only one scene of the play, however, is set behind the screen. The remaining scenes all take place outside.

Enter Nandini and Kishore—a young man employed in digging mines

Kishore: Nandini! Nandini! Nandini!

Nandini: Why keep calling my name again and again young man? Do you think I have a hearing problem?

Kishore: I know you have no hearing problem. I keep calling you by your name because I like doing so. Do you need more flowers? If you do, let me go and get some.

Nandini: Go, go back to work. Don’t waste any more time here.

Kishore: What I do all day long is dig for gold. Whenever I can steal some time away from such digging to search for flowers for you. That makes me feel alive.

Nandini: Young man—don’t you know they’ll punish you if they find you not at work?

Kishore: But didn’t you say you really, really want the red oleanders? What delights me is that you can’t find them easily anywhere nearby. I found only one red oleander tree behind the rubbish dumped all over the place and that too after searching hard for it.

Nandini: Show me the place and I’ll go pluck the flowers myself.

Kishore: Please don’t say such a thing again. Don’t be so cruel Nandini! Let the tree remain as my one secret. Bishu sings for you songs he composed himself. From now on, I’ll get you the flowers you want and flowers that I can call my own.

Nandini: But the beastly people of this place keep punishing you. My heart breaks whenever they do so.

Kishore: The pain I endure makes the flowers that blossom even more dearly mine. They are the harvests of my sorrow!

Nandini: But how will I endure the pain and the suffering you have to endure on my account?

Kishore: What pain? That there will come a day when I’ll sacrifice myself fully for you is the thought that comes to my mind again and again.

Nandini: You keep giving me so much. Tell me, what can I give you in return?

Kishore: Make this pledge to me—every morning you’ll take the flowers from me.

Nandini: Fine, I’ll do that. But careful….

Kishore: No way I’m going to restrain myself! No way! I’ll bring you flowers even if I have to face their lashes every day!

Exit Kishore

The Professor Enters

Professor: Nandini! Don’t go; look at me!

Nandini: What for Professor?

Professor: Why do you keep surprising me again and again only to disappear afterwards? Since you succeed in stirring my mind, why don’t you then stir it up fully? Just stay for a minute and let me say a few things to you.

Nandini: Why do you need to talk to me?

Professor: If I’m to talk about what is of importance, just take a look! Our diggers climb up to the top from the tunnel with what they have mined from the heart of the earth and then carry burdens on their head like termites do. All the wealth of Lucre Land comes from that dust-mixed source—gold is the outcome! But beautiful one, you are golden not because of such dust but because of the light you emit. How can only the need for wealth detain you?

Nandini: You keep saying the same thing again and again. What amazes you so whenever you look at me Professor?

Professor: There is nothing surprising about the light that brightens the flower gardens in the morning. The light that comes through cracks in the wall are something else though. In Lucre Land you are that kind of unexpected light! Tell me—what could you for be possibly thinking about as far as this place is concerned? 

Nandini: I am amazed to see the whole city’s focus to explore what is underground and all the groping in the dark that goes on. They keep digging in these underground tunnels for treasures that have been fossilising there for ages. These are treasures earth buried there.

Professor: What we do is exhume the corpses of such resources devotedly. We want to tame the ghosts within them. If we can tie the golden lumps up and retain them so that they don’t seem strange, we’ll have the world in our grasp.

Nandini: What is more shocking is that you have your king covered up in a wall made up of weird nets. It is as if you wouldn’t like people to find out that he is human. I feel like either opening the cover of that dark tunnel or flooding it with light. I feel like tearing up such a weird net and rescuing the man trapped inside.

Professor: Just as the ghost of fossilised wealth can be scary, the king we have can terrify us because of the power he has to scare his subjects.

Nandini: Everything you keep saying is so concocted.

Professor: Yes, I’ve made them up for sure. A nude need not be identified; only his tailored clothes will mark him as a king or a beggar! Come to my house—I’ll be delighted to make you wise with words of wisdom.

Nandini: Just as your diggers bury themselves when digging the soil, you seem to be digging deeper and deeper into your books. Why would you waste time on someone like me?

Professor: We are dense, thick-headed creatures, submerged in opaque scholarly work. You are the evening star we see when we have nothing else to do; seeing you makes our wings restless. Come home with me; let me spoil myself for a change.

Nandini: No, not now—I’ve come to see your king seated in his chamber.

Professor: He stays within his latticed wall; he won’t let you in for sure.

Nandini: No wall can block me; I’m here to spend time with your king in his chamber.

Professor: You know what Nandini—I too live inside a wall. I’ve sacrificed a lot of my human side; only my scholarship stirs in me. Just as our king is awesome, I’m an awe-inspiring scholar. 

Nandini: You must be joking! You don’t seem frightening at all. Let me ask you this question: If they could bring me here, why didn’t they bring Ranjan to this place as well?

Professor: Their strategy is to tear up everything. In any case, let me say this: why bring your precious soul to a place so full of lifeless treasures?

Nandini: If Ranjan is brought here, their dead hearts will stir again.

Professor: Nandini alone has been enough to strike the chiefs of Lucre Land dumb; imagine what will happen if Ranjan is brought here as well.

Nandini: They have no idea how strange they can be. If God could make them smile, the spell they are in would be broken. Ranjan’s smile is God’s smile!   

Professor: The smile of God is like sunlight—it melts ice but doesn’t move boulders. If you want to stir our chieftains, you need to be forceful.

Nandini: Ranjan’s strength is like your Shankhini River. Just like that river, he’ll be all smiles at one moment and a destructive force in another. Professor, let me tell you what has been a secret till now. I’ll be meeting Ranjan later today!

Professor: How do you know this?

Nandini: We’ll meet, for sure we will. The news has come that we’ll be united soon.

Professor: How can such news travel without attracting the attention of the chiefs?

Nandini: They’ll come through the same route that ushers news about spring. It’s touched with the colour of the sky and the lilt of the wind.

Professor: In other words, the colours of the sky lilt the breeze that ushers in spring.

Nandini: When Ranjan comes, I’ll be able to show you how news that has been flying can land on earth.

Professor: Once the subject of conversation turns to Ranjan, there is no stopping Nandini from talking. Never mind! Since I’ve mastered real knowledge, let me enter its depths; I myself don’t dare do anything now.      

He comes back after advancing a little.

Nandini, aren’t you frightened at the thought of being in Lucre Land?

Nandini: Why should I be?

Professor: Animals fear solar eclipses but not the round sun. Lucre Land is a place where an eclipse of sorts has taken place. The sun was bitten when it got into a gilded crater during an eclipse. Since it itself wasn’t full, it didn’t want anything else to be fully developed. Let me advise you—don’t hang around this place. When you leave these craters, they will be yawning before us—but I’ll keep insisting—flee! Be happy with Ranjan anywhere else where people don’t shred the borders of Mother Earth’s sari into bits!     

He goes some distance and then returns

Professor: Nandini, won’t you give me one of the red oleander flowers you are carrying in your right hand?

Nandini: Why? What do you want to do with it?

Professor: On many occasions it occurred to me that the red oleanders you wear have some significance for you.

Nandini: I have no idea what they could possibly mean.

Professor: Perhaps the Divine Dispenser of your fate does. The red color emits mysterious negative vibes and not only ones that delight.

Nandini: Things that can frighten me?

Professor: God has in this case painted beauty with a brush dipped in blood! I have no clue to what you were scribbling in red as you came. There are malati, mallika, chameli flowers aplenty that you overlooked. What made you pluck flowers only from this particular flowering tree? Know that people only do unthinkingly what they are fated to do.

Nandini: Every now and then Ranjan will fondly call me “Red Oleander”. I don’t know why the thought occurs to me that my Ranjan’s love is of that colour. It’s the colour I wear on my neck, my bosom and my hand.

Professor:  So why not offer me a flower only for a while so that I can figure out the essence of that flower?

Nandini: Here, take this one. Ranjan will be here today. I’m so happy that I’ve decided to gift you this red oleander.   

The Professor departs.

Gokul, a Tunnel Digger, Enters

Gokul: Turn your face this way for once. I can’t seem to figure you out! Who could you be?

Nandini: I’m exactly what you see. Nothing else! Why do you need to know anything more?

Gokul: Not a good idea to not know. Has the King of this realm summoned you here for any reason?

Nandini: For no good reason!

Gokul: What a thing to say! He is trapping us all. You are the cause of the danger we all are in.

Anyone bewitched by your beautiful face is doomed. Let’s take a look—what is that swinging there where you hair is parting?

Nandini: Red Oleander flowers!

Gokul: What do they signify?

Nandini: Nothing!

Gokul: I don’t believe you at all. You must be up to something. There is bound to be trouble before the day is over. That is why you decked yourself so. What a dreadful trick!

Nandini: What makes you think I’m so terrifying just by looking at me?

Gokul: You remind me of a torch lighted up in many colors. Go and fool innocent ones by telling them— “Take care! Beware!”

Gokul Exits

Nandini is now outside a latticed window

Nandini (Striking the latticed window): Can you hear me?

Voice: I hear you Nanda! But don’t keep calling me again and again; I have no time left, not a bit.

Nandini: I feel very happy today! So happy that I’d like to enter your room.

Voice: No need to come in. If you have anything to say, do so from outside the room.

Nandini: I’ve brought you a garland made of jasmine flowers. It’s covered with lotus leaves.

Voice: Wear it yourself!

Nandini: It doesn’t suit me. I wear red oleander garlands

Voice: I am like a mountain peak. I look best unadorned.

Nandini: From such peaks waterfall stream. A garland will sway in your neck as well. Open the net—I’d like to go in.

Voice: I won’t let you in. Say what you want to now. I don’t have any time to lose.

Nandini: Can you hear any song from where you are?

Voice: What song?

Nandini: A song about the winter month of Poush[1]!  A song calling all to harvesting!

Poush calls us all
Come, come away
Its tray is full this day
With harvested crops galore
Come, come away

Don’t you see how the harvested rice’s loveliness mingles with the wintry sky?

In the heady wind 
Goddesses work
Across rice fields
All over the land
A golden hue spreads
So good to see. Ah me!
         

Come outside King! Let me take you to the field.

The sky is happy to hear in fields flutes play.
Who’d want to stay indoors any longer today?
Open, open all doors

Voice: I go to work? What work am I good for?

Nandini: Harvesting is much easier than the kind of work you do for Lucre Land.

Voice: The work which seems easy to you is actually hard for me to do. Can a lake dance like the foams of a waterfall?

Nandini: Your strength is truly amazing. The day you let me enter your treasury, I wasn’t a bit startled by your gold piles. What truly fascinated me then is the way you managed to put things into an orderly heap effortlessly despite your immense strength. Nevertheless, I’ll have to say this: can lumped up golden balls respond to the amazing rhythms of your hands as well as a rice field? Tell me O King, aren’t you at all afraid to handle the fossilised resources of the world day after day?

Voice: Why, what is there to fear?

Nandini: The earth bestows on us joyfully things it holds dear. But when even dead bones are snatched away by those who value them merely as precious things what they really do is dig up from the dark depths things a blind giant had cursed. Don’t you see that everyone here is edgy? Either that or they are scared.

Voice: Scared of what?

Nandini: The fear that things will be snatched away and of the killings that might follow.

Voice: I don’t know of any curse involved. What I know is about the power we can evoke. Does my immense strength make you happy Nandini?

Nandini: Very happy indeed. That is why I’ll insist: come out into the light; put your feet on the soil; let earth rejoice.

The light joy brings
Daubs ears of corn with dew
Why not feel the joy of touch?
Nature’s joy knows no bounds
A sight so good to see
—ah me!

[1] Ninth month of the Bengali calendar coincides with December-January of the Gregorian calendar.

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Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibanananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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Categories
Tagore Translations

Classifications in Society by Rabindranath Tagore

This essay was first published in Tattwabodhini Patrika, Ashwin issue, 1319 B.S.(September-October, 1912) and reprinted in Pather Sanchoy (Gleanings of the Road). It has been translated from Bengali by Somdatta Mandal.

Tagore at Paris, 1921. From Public Domain

When we travel to Vilayet[1], then it is not simply going from one country to another; for us it is like entering a new household. The external differences of lifestyle are not that important. It is expected that there will be a difference between us and the foreigners in our dress, ornaments, eating and pleasure habits and so that doesn’t bother us too much. But not only in lifestyle, there is a deeper dissimilarity in our evaluation of life and to find a sense of direction there suddenly becomes a very difficult task.

We start feeling this from the moment we board the ship. We understand that we will have to abide by the rules of another different household. This sudden change is not to the liking of man. This is why we do not try to understand it very clearly; we somehow try to follow it or feel disgusted and then utter to ourselves—their manner and behaviour is too artificial.

The truth is that what is important is the difference we have with them regarding our social position. Our society has come and stopped within the limits of our family and village. Within those limits we have evolved certain fixed rules about how to behave with one another. Keeping those limits in mind it has been decided what we should do and what we should not. Some of those rules are superficial whereas others are quite normal.

But the society which is the target of these rules being framed is not very big in size and it is a society of relatives. So, our habits are quite domesticated. You cannot smoke tobacco in front of your father, you are supposed to pay obeisance to the guru and pay him some money, the sister- in- law must cover up her face in the presence of the elder brother-in-law and close proximity to your uncle- in- law is totally prohibited. Those rules that are outside the family or village society are based on caste(varna) differences.

It can be said that the thread of caste difference has tied our village society and families like a chain or necklace. We have reached a conclusion. India has resolved its societal problems once and for all and she feels that if this system can be permanently retained then there is nothing to worry about. That is why modern India is trying to strengthen in all manner this family and social bonding laws woven through the thread of varnashram[2].

It has to be admitted that India had been able to find a solution to the problems it was facing at one point of time. She has somehow reconciled the differences between diverse castes, she has pacified the struggle between diverse classes; by classifying professions she has managed to contain competition and disputes and has staved off the vanity created by differences of wealth and capacity through the fence of caste differences. Though, on the one hand, India has maintained through all means the independence of Brahmins who are at the helm of society to the people belonging to other castes, at the same time, she has also spread out small and big processes through which all facilities and education could be disseminated among the others. This is why what the rich person enjoys in India is also partly distributed among the ordinary people on various pretexts and in this way, by giving shelter to the ordinary and appeasing them, the powerful retains his power. In our country, there is no reason to go into a major clash between the rich and the poor and the necessity has not arisen by which the incapable person has to be protected by legal means.

The Western society is not family oriented; it is an open and large society which is much more widespread than ours. It is more on the outside than on the inside. The concept of family that is there in our country is absent in Europe and that is why the people of Europe are spread everywhere.

The nature of this spread-out society is such that on the one hand it is loosely assimilated and on the other it is more diverse and stronger. It is like composing a prose piece. Poetry is restricted within its rhymes and that is why its binding is simpler. But the prose spreads out. That is why on the one hand it is independent and on the other its steps are bound through logic and reason, through diverse rules on ideas about the development of the mind in a greater way.

Because the English society is so spread out and because all its activities are externally motivated, it must be always prepared for different social rituals. It hardly has time to wear casual domestic clothes. It must remain dressed up because its social area is not that of relatives. Relatives pardon you, tolerate you, but you cannot expect such tolerance on the part of outsiders. Everyone must do each and every work in due time, otherwise one will encroach upon another. If the rail line is in my area or is under the control of a few of my friends and relatives, then we can run the train as we wish and can even halt each other’s train as and when we desire. But if we try to detain a train for five minutes in the ordinary train route where lots of trains move up and down, then there will be lots of problems and that will be difficult to tolerate. Because our society is extremely domesticated or maybe because we are habituated with domestic practices, we behave with each other very loosely—we spread ourselves as much as possible, waste time and criticise formal behaviour as lacking in fraternal feelings. This is the first thing that prevents us from feeling at home in English society—there one cannot act in a carefree manner and then expect that people will pardon us. They have created different rules that will on an average benefit the maximum number of people. They have set up fixed rules for meeting each other, for invitation formalities, for dressing up, for entertaining guests. If we try and impose the laxity that we display with relatives in a place that is not actually a society of relatives, then everything turns out to be horrible and life becomes impossible.

Till now this wide European society has not come up with any solutions. It has made an effort through certain rules and regulations in external rituals and behaviour to retain self-restraint and gracefulness but is unable to make arrangements by which the internal strife at a personal level can be resolved. Europe is only going through experimentation, change and revolution. There is a constant rivalry cropping up between men and women, between religious society and professional society, between the power of the ruler and the ruled, between businessmen and worker groups. It has not pacified itself like the halo round the moon. Even now it is ready like a volcano waiting to erupt.

But how can we say that we have solved all our problems, have finalised our social structure, and are resting as peacefully as dead bodies? Even though time has elapsed, we can retain the system for some time, but we cannot keep the situation in chains. We are facing the entire world, now we cannot do with our domesticated society; these people are not merely our fathers, grandfathers or uncles, they are outsiders. They belong to different countries and so we should be extremely alert while interacting with them. If we are absent-minded and behave in a loose manner, then one day we will be totally unfit to act.

We are proud of our tradition, but it is not at all true that the society of India has not evolved through history. In different situations even India had to go through newer revolutions—there is no doubt about that—and history is replete with instances. But I don’t want to even utter that it is the end of all treading for her and from now on till eternity she will just be there and hold on to her traditionality. Society gets fatigued after each large revolution; during that time, it shuts its doors, switches off all lights and prepares to go to sleep. After the Buddhist revolution India had gone off to sleep latching her doors and windows with the hook of strict laws. She was sleepy. But to boast about this as eternal sleep will become a laughable though pitiable thing. Sleep is good only during the night, when there are no crowds of people outside, and when all the big shops and markets are shut down. But in the morning when everyone is awake and there is activity all around, if you go on quietly lying down and close all the old doors and windows, then you will be the loser.

The rules of the night are very simple. Its arrangements are sparse, and its requirements are very little. That is why we can complete all our tasks and go to sleep in an unperturbed manner. Then things go on lying where they were kept because there is no one to move them. The arrangements during the day are not so simple and completing the job once and for all in the early morning does not mean that one can relax and smoke tobacco the rest of the day. Work keeps pouring down our necks. We must keep attempting new things and if we cannot adjust ourselves to the flow of the outside world, then everything else falls out of place.

For some time, India has spent her nights in a system of strict and fixed set of rules. That does not mean that that situation will permanently remain very comfortable. Getting a beating is most painful and difficult, especially when it falls upon a sleeping body. Daytime is the period to receive such blows. That is why it is most comfortable to remain awake during the daytime.  

It is time for us to wake up whether we wish it or not, whether we are full of laziness or not. We are constantly being hurt both internally and externally in society and so we are sad. We are suffering from poverty and famine. The society is breaking down; the joint family system is being split into bits and pieces. And the role of the Brahmins in society has become so demeaning that with the aid of ‘Brahmin societies’ and such other things, they keep on shouting loudly to prove their existence and thus only attest to their weakness. The panchayat[3] system worn in the neck by the government’s chaprasi[4] has committed suicide and its ghost is dominating the village. The food in the country is incapable of satiating the small village schools. Due to famine, they are now relying on the charity of government dole. The rich people of the country have doused the light in their birthplaces and are roaming around in Calcutta in motor cars, and people of noble descent are ready to sacrifice their entire wealth and their daughters at the feet of a graduate groom. There is no point in blaming the Kaliyuga[5], or the foreign king or the native English-speaking people for this misfortune. The truth is that our lord has sent his assistant during the daytime, and he will not stop till such time he can drag us out of our traditional bedrooms. So, we cannot forcibly close our eyes and try to create the night at odd hours. The world that has come to our threshold has to be welcomed inside our house. If we don’t give it a cordial welcome, then it will break open our doors and gain entry. Hasn’t the door not yet been broken now?

So once again, we must think about resolving our problems. It cannot be done by imitating Europe, but we must learn from her. Learning and imitating are not the same thing. Actually, if we learn in the correct way, we will be relieved from the art of imitating. If we cannot know the other truly, then we cannot understand the truth ourselves.

But I was saying that we cannot adjust ourselves in the European society with our loose domestic habits. We can never prepare ourselves in any way. It seems that everyone is pushing us aside, no one is waiting for us for a moment. We are pampered human beings; we feel out of place without our relatives in society. After coming here, I have noticed that since our students are not used to entering other people’s houses, most of them come here and learn things by heart but they do not keep any contact with the society here. The society here is large and so it has more responsibilities. Only if we undertake those responsibilities, can we find a sort of connection with the people of this society. If we cannot connect then we shall be deprived of the greatest learning prevalent here. This is because society is the greatest truth here. The greatest strength, the greatest sublimity is in the society here and not in the battlefield. Sacrifice and self-respect suitable for a broad-minded society are being expressed at every step. They are nurtured here and are preparing themselves in different ways to sacrifice their lives for the welfare of man. In modern India, the educated class of people still consider school education to be the true education. They are deprived of the education of greater society. Even after coming here and entering the school factory, if they come out simply as mechanical things and do not enter the birthplace of humanity visible here then they will be deprived even after coming to a foreign country.

Art by Rabindranath Tagore. From Public Domain

[1] England or the Western world

[2] Casteism

[3] Villages in India are still administered by the panchayat, a council of five selected members from the community.

[4] Peon

[5] The current age in Hindu mythology which ends when the Kalki avatar comes to rescue humanity from darkness.

Somdatta Mandal is a critic and translator and a former Professor of English at Visva-Bharati, Santiniketan, India. An earlier version of this essay was published in Gleanings of the Road (Niyogi Books, pg 20).

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Categories
Tagore Translations

Rabindranath Tagore’s Vernal Verses

Esho Bosonto, Esho Aj Tumi (Come Spring, Come Today) was part of Tagore’s collection called Smaran (Remembrances) in 1903. Here is a translation of the poem.

Art by Sohana Manzoor
O Spring, come today,
Welcome to my world steeped
In untidy darkness and emptiness.
The flowers remain unplucked.
Mock at the poverty
And disarray if you must.
Still O Spring, today,
Do visit my home.
Today, all my windows—
all of them — are open.
The day stretches without hindrances.
There is no hope, no work.
The heart swings as
All the windows stay open
In the empty house.
For many days, laughter and tears
Have not been heard here.
Let them find freedom in your skies.
Let them breathe your breeze.
Let them be reborn with
Blooms of bokul and champa.
The past is over —
all its tears and laughter.
Revel with your festivities
Amidst the wounds in my heart.
Play your flute.
Blossom in abundance.
Let all the returning birds
Sing in chorus.
Celebrate your vernal festivals
Tuning in with my pain.
I will heal with the joy
Of your celebrations.
The heaven and Earth will
Come together as you celebrate.
They will laugh at death’s door
Repeatedly. Such festivities
Will heal, touch deep within
My being to find closure.

This poem has been translated from Bengali by Mitali Chakravarty with editorial input from Sohana Manzoor

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Traversing Shores: A Poem by Rabindranath Tagore

Kheya (Ferry) by Tagore is the titular poem in a collection called Kheya published in 1906.

Art by Sohana Manzoor
KHEYA OR FERRY

Who are you traversing the shores,
O boatman!
I sit at my doorstep,
And gaze,
O boatman!
As the haat* closes,
People to the ghat flock.
Then I imagine
Myself among them
O boatman!


In the gloaming, you row the boat
To the other shore.
My heart soars to sing
As I gaze upon the scene,
O boatman!
The dark waters gurgle as the golden glow
Spreads across the other shore.
My teardrops flow
With euphoria
O boatman!


You have no words to express,
O boatman!
I gaze to read
What your eyes speak,
O boatman!
Momentarily, if your gaze,
Falls on my face,
Then I imagine
Myself among them
O boatman!

This poem has been translated from Bengali by Mitali Chakravarty with editorial input from Sohana Manzoor

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Probhat or Dawn by Rabindranath Tagore

Probhat or Dawn by Tagore was first published in a collection called Chaitali in 1897.

Painting by Sohana Manzoor
Dawn 

In the serene, young dawn, the cool breeze
Sets aquiver the river that had been at peace.
The swans have not yet started to swim
Nor has the boat raised its white sail trim.
The village brides have not yet come to the ghat,
The cows aren’t grazing, nor the farmers walking down the path.
Only, I sit by an open window to gaze
Spellbound at the free sky, amazed.
As the breeze caresses my hair, sun rays
Dance happily on my face.
Merry birdsongs fill the air,
Enchanting the skies everywhere.
I feel blessed for this sky, so luminous.
I feel blessed to be in love with the world.

This poem has been translated from Bengali by Mitali Chakravarty with editorial input from Sohana Manzoor

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The Century’s Sun by Rabindranath Tagore

Published as part of Naibedya (1901) Tagore’s Shotabdir Surjo Aji (This Century’s Sun Today) remains relevant to this day.

Art by Sohana Manzoor
THE CENTURY’S SUN 

The century’s sun sets today amidst clouds that are blood-red.
Revelling in violence, the crazed ragini* of death
Plays a fierce tune. Civilisation’s merciless serpent raises
Its evil hood, its concealed fangs with deadly venom laced.
Conflicts are born of self-interest.
Wars are fought to satiate greed.
Hurricanes rage in distress and churn
Barbarism that rouses from filth
Shamelessly, disguised as decorum.
Terrible outrages are committed.
Faith is pushed adrift by force,
Ostensibly, for the love of the race.
Poets scream stirring fear in hearts.
Dogs in the graveyard snatch and bark.

*Female raga

This poem has been translated from Bengali by Mitali Chakravarty with editorial input from Sohana Manzoor

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Flowers and Tagore

Phul Photano (Making Flowers Bloom) by Tagore was first published in 1906 in Kheya (Ferrying), a collection of 55 poems. The book was dedicated to the Indian scientist, Jagadish Chandra Bose (1858-1937), who discovered plants can feel pleasure, pain, understand affection and make sounds of distress.

MAKING FLOWERS BLOOM 

You cannot force,
Force flowers to bloom.
Whatever you say or do,
However hard you try,
Day and night, excitedly
Striking the stem —
None of you can force,
Force flowers to bloom.

You can repeatedly
Fatigue with your glances.
You can tear the bunches,
And throw them in the dust —
In such extreme chaos,
If they break their silence,
Their colours could spill,
Their perfumes could overwhelm.
None of you can force,
Force flowers to bloom.

He who can make flowers bloom,
Does so on his own.
He radiates
With his eyes rays
Of the lifeforce
To enchant the stem.
He who can make flowers bloom,
Does so on his own.

Just his breath, seems
To make the flowers yearn to fly.
With wings made of leaves,
They waft in the breeze.
Vibrant varied hues bloom
Like the heart in a swoon.
Many are drawn to them,
Allured by the scents.
He who can make a flower bloom,
Does so on his own.

This poem has been translated from Bengali by Mitali Chakravarty with editorial input from Sohana Manzoor

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A Hymn by Rabindranath Tagore

Tagore published the lyrics of Andhokaarer Utso Hote (From the Fount of Darkness) in his collection called Gitali[1] in 1914.

From the Fount of Darkness 

From the fount of darkness emerges light.
That is your luminescence.
A beacon shines amidst all rebellions, conflicts.
That is your radiance.
The hut that lies along a dusty path,
That is your abode.
Being immortalised by war is cruel affection.
That is your love.
When all is lost, what remains,
That is your invisible gift.
Death contains life like a vessel.
That is the life you give us.
The dust that lies under our feet laces the land.
That is your heavenly land.
Amidst all of us, you conceal yourself.
That is You for me.

[1] Gita means song or sacred hymn in Sanskrit.

A rendition of the song in Bengali by Srabani Sen and Abhinaba Basak

These lyrics have been translated by Mitali Chakravarty from Bengali with editorial input by Sohana Manzoor 

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Suprobhat or Good Morning by Rabindranath Tagore

Tagore’s poem Suprobhat or Good morning was originally published in in Purabi (Name of a Raga) in 1925 by Vishwa Bharati.

Art by Sohana Manzoor
Sunshine, your radiance 
Bursts through the doorway.
Like lightning, it has stunned
Penetrating the dreamworld.
I was wondering if I should arise,
If the blinding darkness has passed,
If I should open my closed eyes
Redolent with sleep.
Meanwhile, the northeast
Heralds your arrival.
Amidst the bright sky
Clouds waft,
As if set aflame.
The Eastern breeze
Stunned awake, blushes red.

Bhairav*, in what guise have you come?
Snakes twine around your fron,
The Rudra bina* plays a melody
To welcome the ragini of the morn.
Does the enchanted koel coo?
Do the flowers in the woods bloom?
After eons, suddenly,
The dark night has split.
Your sword has sliced
The darkness into two.
In pain, the universe
Shivers, bleeding light,
And spills it across the skies.
Some have woken up with the tremor,
Some continue to dream with fright.

Though hungry after the night
At the cremation ground, your followers,
Moisten and wet their lips
To scream, to holler.
They are our guests.
They dance in our yards.
Open, O householder, open
Your door, do not hide —-
Bring everything you have.
You will have to give your all.
Do not sleep any more.
Rend your heart,
Pour your being.
O devout, why are you
Attached to false affections?

As the sun rises, I hear an unknown voice:
“There is no fear. O, there is no fear —
In the final reckoning, he who gives up
His life is immortalised in eternity.”
Oh Rudra, I sing for you.
Tell me how to invoke you.
I will drum the tabor in rhythm
With the dance of death.
I will decorate your offering
With a basket of pain.
The morning has come.
The destroyer of darkness,
Shiva, roars with laughter.
The hearts of the awakened
Flow with joyous contentment.

A new entity will emerge by
dedicating life to the life force.
Invoking your glory,
All fears can be overcome.
It is good that the storm
Has destroyed the decadent.
It is good that the morning arrived
Riding the lion-cloud—
The union will be set aflame
By a fiery bolt of lightning.
For you, I will give up
All my wealth.
Life can be eternalised by ambrosia,
Partaken with your grace.

*Bhairav is another name for Shiva. It is also the name of a morning raga.
*Rudra bina is a type of vina. Rudra is another name for Shiva.

(Translated from Bengali by Mitali Chakravarty with editorial input by Sohana Manzoor)

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The King and His Subjects by Rabindranath Tagore

Raja O Praja, an essay by Tagore, has been translated from Bengali as The King and His Subjects by Professor Himadri Lahiri. It formed the lead essay in his book of the same name published in 1908.

Translator’s Introduction: Rabindranath Tagore’s essay “Raja O Proja” was first published in the well-known Bengali periodical Sadhana (Sravana, 1301/1894). It is anthologised in Rabindra Rachanabali (Sulabh Sanskaran) 5th volume (Visva-Bharati, Pous 1394): pp. 727-31. Tagore unravels the nature of the relationship between the colonial masters and the subjugated subject people. Much before Edward Said, Tagore examined how the colonial masters resorted to the practice of stereotyping, a strategy that denies human qualities to the colonised and renders them inferior and uncivilised. Set against the contemporary political background, the essay provides an incisive analysis of the behaviour patterns of both the British colonial government and the subjugated Indian population. It should be considered a significant contribution to the study of colonialism.

 The King and his Subjects

When the British civilian, Radice Sahib1, insulted and persecuted a certain zamindar in Orissa by violating laws, Lieutenant-Governor MacDonnell2 subjected the offender to a one-year-punishment.

If we reflect on this incident, it should not have surprised us. In reality, however, this act of justice was incredibly startling to the general public. This explains why some naive individuals expressed their unusual delight.

Shortly afterwards, when MacDonnell Sahib was duly replaced by Elliott Sahib3, the latter freed Radice from the punishment by illegally reversing his predecessor’s order and even promoted him to a higher post. Now the same naive people have started expressing their profound sorrows.

The task is accomplished by the will of the master. Only the master knows why he [i.e. Elliott] violated the rule; we are left desperately groping in the dark. It may be that one civilian protected the prestige of another. But the decision was surely inappropriate – this incident dented MacDonnell Sahib’s prestige, and even that of the government.

In course of their conjectures, people are providing different theories; all of these may turn out to be incorrect. On the whole, it may be said that only the government knows the ins and outs of its own policies; we are merely blind puppets being controlled by these policies.

Hence, it is my opinion that driven by our delusions, we instinctively express our happiness and sadness at the moral and immoral decisions of the people at the helm of affairs. Where everything is done at the master’s will, where our good fortune or bad depends greatly on the character and whim of a particular person, there we should consider both the auspicious and the inauspicious, the moral and the immoral as merely momentary, accidental episodes. What MacDonnell Sahib did was the result of his own will, and what Elliott Sahib did was also produced by his own caprice; we are merely ruses.

Even then, we cannot help feeling distressed or shocked by the appalling events or delight at their praise. But we should always remember the specific instances that will make us happy and contribute to our people’s glory.

This can be achieved only when all the common people develop so intense a sense of conscience and alertness that we can feel the pain together in the face of insult and injustice, and also when the government absorbs into its own system an obligation to respect the conscience of the people; only then can we genuinely rejoice.

Usually, our moral conscience, our understanding of our work culture, and our apprehension of vilification all combine to guide us to the path of duties. The principles of responsibilities of our governments are largely determined by moral conscience and work culture. Their connection with the subject people’s ideology of good and evil is very weak.

It is universally known that when conscience comes into conflict with work culture, the latter sometimes prevails. During this conflict, the moral compass of those individuals not involved in the conflict can help reinforce one’s own conscience. When we will find the subject people’s criticism being appropriately reflected in the government’s activities, we will express our happiness.

In the absence of the subject people’s criticism, the sense of moral duty of the British in India imperceptibly slackens and degenerates to such a level that their moral ideals begin to radically differ in nature from those of the native British. For this reason, we find on the one hand, the Englishmen in India hate us, and on the other, they express their utmost intolerance towards their own countrymen’s opinions, as if both were alien to them.

There might be several reasons for this. One reason is that due to the remote location of their country, the British in India forget how social criticism typically motivates or impacts actions of their own countrymen. In addition to this, the Englishman’s relationship with us is primarily based on selfish interest as they do not share any emotional bond that stems from nation-based kinship. Hence, for various reasons, it becomes challenging for the British in India to maintain the same purity of selfless duties towards their subjects. Consequently, a distinct and specific code of duty begins to develop for the colonials in India – this arises from various factors such as their self-interest and pride of power, the moral conscience of the weak, subjugated nation, and the complexities involved in administering a foreign country. The English of England sometimes fail to recognise this distinct code of duty.

Certain talented Englishmen with exposure to colonial India have taken upon themselves the responsibility of effectively introducing this unique object [i.e., this new ideology of difference] in England. By virtue of their talent, they are demonstrating that this new object has its own unique appeal.

Rudyard Kipling’s name may be cited as an instance. He has exemplary power. By invoking that power, he has created in the English imagination an image of the Orient as a cattle pen. He is trying to convince the native Englishmen that the Indian government is, indeed, a circus company. He is skillfully orchestrating our actions as a performance of strange and spectacular animals of various species before the civilised world, implying once the spectators take off their steady gaze, all the animals could immediately spring upon them. The animals are to be observed with intense curiosity, they will have to be kept under control with the proper combination of fear of the whip and temptation of pieces of bone. Of course, certain doses of compassion for animals are also required. But if you raise here issues of principles, love, and civilisation, it will be difficult to keep the circus going, and it will also be dangerous for the proprietors.

The image of strong human animals being controlled solely by willpower and compelled to dance at the mere gesture of the master’s finger is likely to fascinate the English as a curious spectacle of entertainment. This generates in them an interest in the uniqueness of the human animal and also a racial pride. There is also a profound satisfaction in being able to control someone who embodies an imminent threat, and this seems delightful to the inherent nature of the English people.

On another front, the number of Anglo-Indian team members is also increasing day by day. Anglo-Indian literature too is gaining popularity. The influence of Anglo-Indians is gradually finding roots in the English soil, spreading its branches all around. In this context, it should be mentioned for the sake of justice that many Anglo-Indians, after retiring from their assignments in India, have displayed extreme benevolence towards the helpless Indians.

For all these reasons, many native English people are sceptical about whether it would be a quixotic stupidity for them to discharge to the oriental animals those duties usually reserved for themselves, whether this act of showing equality will reveal the civilised islanders’ intellectual narrowness and inexperience, and whether this would also harm animals of various species. English philosophers such as Herbert Spencer believe that it is not only inevitable that moral ideals vary according to the standard of civilisation but also necessary according to the norms of evolution.

The truth of these opinions will be judged on some other occasion. For the time being, I can only say that its (i.e., the practice of treating Indians unequally) consequences are very painful for us. Apprehending an uprising after noticing some posters on trees in the state of Bihar, opinions have been expressed in several English newspapers that a genuine union of love is never possible between Oriental and Occidental races. The former has to be subjugated forcibly by means of fear of threats. All these, it seems, are being expressed more openly these days than ever before.

Our opinion is that even if we admit that the principles of duty in freedom-loving Europe may not be suitable for application in every corner of the ever-subjugated Orient, it is indeed an unrealistic dream for them to maintain the usual rhythm of the Oriental life here for the simple reason that our king is a European. If our country were free, the monarchy that would have evolved in the natural process in this Oriental space would surely have been different in multiple aspects. It may be that, from one perspective, the king’s excessive power would have appeared greater than it is now. Similarly, from another perspective, the subjects, by limiting the king’s authority, would have channelised their own desires in various forms and through multiple avenues. Natural compatibility can be best expressed through natural means. Howsoever they may want, the English cannot achieve that (artificially) just through policy making.

Hence, the Englishmen can behave with us just in the way they do; if they willingly distort it, that will amount to misbehaviour, it will never become an Indian behaviour. They can break their own ideal, but in its stead what will they build and how? However, the English, fallen from their ever-familiar native ideal, may turn out to be big, ferocious animals. From the hints of cruelty, laced with aggression of power, that we can trace in the works of authors like Rudyard Kipling, it seems that man often wishes to jump into the primitive barbarity of wild nature of the forest by ripping through the fine, hundred-threaded strong net of civilisation. On their arrival in India, the Anglo-Indians taste the exquisite wine of power that may create this overwhelming intoxication. The natural, spontaneous embodiment of masculinity in the writings of these loveless, difficult, power-boasting talented men has a kind of extreme fascination. That is literature for the English but for us, it is indeed a recipe for death.

Secondly, the way authors in their contemporary novels represent the Orient as appearing mysterious to the Occident is largely fictitious. There are numerous intersections between us. The similarities of the heart are often overshadowed by external differences. Modern writers tend to apply colour to, and even exaggerate, the unfamiliarity of these external features to please the readers; they do not try to unearth the similarities lying deep within, neither are they capable of doing that.

The significance of making all these statements is simply this: the idea that European values are exclusively meant for Europe is gradually spreading not only in India but also in England. Indians are supposedly so different a race that the civilised values are not completely applicable to them.

Under such circumstances, if our ethical values become strong, the policy of governance cannot go off the right track. When the English are conscious of the fact that their actions are being closely watched by the entire Indian population, they will not be able to do anything by completely disregarding India.

Recently, some evidence of this is being noticed. When India witnesses some misdeeds committed by the English, she begins to call for justice in her own feeble voice, invoking civilisational and moral values. This naturally angers the colonials, but at the same time, they are forced to remain somewhat vigilant.

Even then, full results are yet to be seen. The British consider it an admission of their weakness to adhere to codes of values that exhibit respect towards us all the time and under all circumstances. They find it insulting and harmful if one of them commits a crime against us and is punished by the law. They fear that Indians will perceive it as curtailment of power.

It is impossible for us to identify the nature of thoughts of government officials. However, I feel the untimely promotion of Radice Sahib can be linked to the above policy. This suspicion is reinforced specially when such an event is found to have occurred repeatedly. The government is, as if, silently declaring, it is your audacity to expect an English official to be humiliated for harassing and insulting one of you. Even if we have to violate conventions and neglect the rules of governance to crush that audacity, it will be desirable. The English race is greater than the norms of ethics, they are beyond the jurisdiction of justice!

For the sake of truth, it has to be admitted that the government tends to keep not only the English but also its own employees a notch above the rule of justice. This has been observed in one or two contemporary incidents. In the Baladhan4 murder case, all those involved, right from the English judge to the Bengali police personnel who were openly blamed in the judgement of the High Court, have been rewarded and encouraged by the colonial Bengal government.

We are individuals outside the realm of politics, we are not familiar with its internal complexities. There might be a hidden motive behind it [the government’s decision]. The authorities may believe that the local judge in the Baladhan case did not issue an incorrect ruling – around five to seven individuals should have been hanged in some manner. They might have nurtured a biased opinion that the incident in reality happened despite the lack of concrete judicial evidence, and that only the local judge could have determined the truth which was inaccessible to the High Court judge.

We want to say that openly rewarding, instead of punishing, individuals who have been publicly condemned by the highest court of the country, who have been proven guilty in the eyes of the public, amounts to the disregard of the moral judgment of the public. Everyone’s told we do not feel the need to offer any explanation to you about our duties. The government is not bothered about whether you praise or criticise it – our government is strong enough to withstand such scrutiny!

The governor who demolishes the anguish and moral judgement of the subjects under his shoes, and drowns their feeble, insecure voices beneath the marching sounds of their feet, is indeed a strong ruler in Anglo-India!

It is unnecessary to disclose whether this highlights their power or reveals our utmost weakness. This insolent disregard of the government suggests that, in its view, the moral judgement of the Indians is not strong enough to evoke a feeling of embarrassment in them. Instead, this unapologetic recklessness seems to them as the manifestation of a genuine power over an ever-oppressed nation.

If we can really convince the agents of the government that we do not consider the violation of ethics as bravado, that injustice, however powerful it may appear, is held as equally despicable and reprehensible in our Oriental system of judgement, and that the lack of courage to dispense justice everywhere firmly and impartially is also considered by us as a sign of weakness, only then the English would be forced to respect our norms of duties. The reason is that they will be able to discover the correspondence between our ideal and their own.

When we forget the bitter lessons of our prolonged subjugation, when we decide not to consider the injustice of the powerful as the manifestation of divine will — something that must be endured in silence — when we consider attempts at the redressal of injustice, even if it fails, as our duty, and when for these reasons, we stop being averse to sacrifice ourselves and bear pains, only then the days of true happiness will bloom. At that point, the sense of justice of the British government will never be derailed by any selfish policy and eccentricity of any individual; it will stand like a resolute mountain firmly based on the foundation of the subjects’ hearts. At that time, good gestures of the government will not accidentally be showered on our bowed heads like momentary favours; we will, on the contrary, accrue them as respect. What we are getting as alms today will be received as our rights.

Questions can be raised – offering advice is easy, but what about the solution? To that, we may retort that no proper bliss can be achieved by clever strategies alone; for that we have to pay the entire price due to it. All of us must strive to our utmost potential, proper lessons should be imparted to siblings and children in every household, a strong ideal of justice needs to be established in both the family and society, and careful attention must be paid to one’s own behaviour. Like all good advice, this too is easier to hear, difficult to implement, and is indeed age-old. However, there is no new, short-cut or hidden path other than this long, open, and ancient highway.

Translator’s Notes:

1. Mr. C.A. Radice belonged to the Indian Civil Service cadre during the late nineteenth and early twentieth century.  He was posted as an Assistant Magistrate and Collector in Murshidabad in 1890 and was “vested with third class powers” (Appt. File 5C—4. Proceedings B. 1—3, Ja. 1890). He was ‘degraded’ for “prosecuting Babu Radha Shyam Nissanta Mahapatra, zaminder of pargana Balinkandi in the district of Balasore” [Judl. File J-1P—113(1-21), Proceedings 134-55, Aug. 1893].  Radice’s ‘reversion’ to 2nd grade became effective in February 1895. [(Appt., File 6C—8(3.8). Proceedings B. 716-21, Feb. 1895)]. The translator of this essay traced these pieces of information in the entry on “Radice, C.A. Mr.,  I.C.S.—” pp. 1126-1128. Kindly see: https://sadte.wb.gov.in/uploads/pdf/D12/D1224.pdf

2. Antony Patrick MacDonnell (1844–1925) joined the Indian Civil Service in 1865. He was the Lieutenant-Governor of Bengal during the period 1893-1895. MacDonnell was respected as an expert on the Indian land reformation and famine relief. “His sharp temper and unwillingness to tolerate inefficient subordinates earned him the nickname ‘the Bengal Tiger.’” Kindly see the entry on “MacDonnell, Antony Patrick” contributed by Patrick Maume, in Dictionary of Irish Biography. https://www.dib.ie/biography/macdonnell-antony-patrick-a5180.

3. Sir Charles Alfred Elliott (1835-1911) was the Lieutenant-Governor of Bengal during the period 1890-1893. Tagore’s reference to MacDonnell being replaced by Eliott is confusing because Eliott indeed preceded MacDonnell, and did not succeed him.

4. Tagore refers to an incident which is popularly known as “Baladhan Murder Case.” It took place in Baladhan Tea Garden in the Cachar district of Assam on 11 April, 1893. Several persons barged into the manager’s bungalow in the tea garden at night and killed the manager (Mr. Cockburn) and the chowkidar and seriously wounded Mr. Cockburn’s Indian paramour named Sadi. Money and other valuables were looted. Later six Manipuris and a Gurkha were arrested. They were tried by the sessions judge John Clark (and a panel of three Indian assessors) at Sylhet who sentenced four of the accused to death. Babu Kamini Kumar Chanda took up the case to Calcutta High Court which acquitted all the accused (Sanajoba 234). “On December 11, 1893, Calcutta High Court Judges Ameer Ali and H.T. Prinsep acquitted all of the prisoners on account of the many ‘irregularities’ and ‘illegalities’ committed during the police investigation and trial, as well as the lack of corroborating evidence” (Kolsky 145).

See pp.142-48  [in Chapter 4 titled “One scale of justice for the planter and another for the coolie”: law and violence on the Assam tea plantations” (pp. 142-184)] in the book Colonial Justice in British India edited by Elizabeth Kolsky (Cambridge University Press, 2010) and  p. 234 of Th. Babachandra Singh’s chapter “The Manipuris in the Politics of Assam” (pp. 213-36) included in the book Manipur, Past and Present: The Heritage and Ordeals of a Civilization, Volume 4 (Pan-Manipuris in Asia and Autochthones), edited by Naorem Sanajaoba, Mittal Publications, 2005. (Google book link: https://books.google.co.in/books?id=CzSQKVmveUC&printsec=copyright&redir_esc=y#v=onepage&q&f=false)

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Himadri Lahiri retired as Professor of English, the University of Burdwan, West Bengal, India. He is currently teaching English at Netaji Subhas Open University, Kolkata.

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