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Review

Historic Travelogue Reviewed by Aruna Chakravarti

Title: The Forest of Snow

Author: Swami Ramananda Bharati

Translated from Bengali by Somdatta Mandal

Publisher: Speaking Tiger Books

Just as the European Renaissance was a transformative intellectual movement marking a transition from the social and cultural stagnation of the Middle Ages to a new age of enlightenment, a similar movement found its genesis in Bengal and gradually spread to the rest of India. Known as the Bengal Renaissance, it is generally believed to have had its genesis towards the end of the 18th century and its culmination in the first decade of the 20th. Like the preceding one, it marked a period of intellectual and cultural awakening in various fields: literature, politics, music, art, society and religion. At its heart was a shift from rigid religious primitivism to an all-embracing humanism. It represented a transformative era in which traditional norms were questioned, and new ways of everyday living were explored. This movement, influenced by Western liberalism, threw up many great thinkers and scholars. Among them were Raja Rammohan Roy, Maharshi Debendranath Tagore, Ishwarchandra Vidyasagar and Swami Vivekananda. It gradually paved the way for another — the national movement which demanded the end of British rule in India.

But the Bengal Renaissance was not only a period of intellectual and cultural awakening. Like its European counterpart, it also sparked a desire to push boundaries and go in search of unknown spaces and climes. It was a time when travel became a means of self-expression. Travelogues and narratives from this period reflect the colonised Bengali intelligentsia’s desire to assert identity and seek self-definition. While Troilakyanath Mukherjee, Romeshchandra Dutt, Dwarkanath Tagore, Michael Madhusudhan Dutt, Swami Vivekananda and Rabindranath Tagore are known names in the field of secular travel, there were also those who undertook hazardous journeys in search of a different kind of enlightenment.

Earlier, religious travel was limited to traditional pilgrim spots. To sacred sites like Varanasi, Vrindavan, Mathura and Puri. But now, travellers were filled with new confidence. They became more adventurous and undertook spiritual journeys into the hearts of deserts and mountains. Some crossed miles of icy desert to reach the cave temple of Hinglaj. Some trekked to Amarnath, the twin peaks of Badri and Narayan, to Mount Kailash and Mansarovar Lake in the heart of the Himalayas.

The book under review has been written in the form of a diary. It describes in detail the hazardous journey the author undertook to reach Mount Kailash, believed to be the abode of the Gods, and Mansarovar Lake, a dip in whose waters promises redemption from a hundred years of sin. The height at which these pilgrim spots are located, the rugged terrain and the excessive cold at all times of the year made this journey almost impossible to complete in those days. Reports of deaths by falls from dangerous precipices, of being blown away by blizzards and freezing to death, were far greater than of successful returns. Only supreme faith and dogged determination enabled a person from even thinking of undertaking such a perilous expedition.

One such brave heart was Ramananda Bharati. A Bengali scholar, reformer and ascetic, he set out on a trek to Kailash and Mansarovar lake in the summer of 1898. His travels across Tibet and the experiences he gathered forms the backbone of his book Himaranya aptly translated by the translator as The Forest of Snow. In Himaranya, Bharatichronicles his experience of crossing perilous mountain passes, snowbound peaks and glacial valleys to reach his destination. But he went, not only as a pilgrim seeking divine blessing but as an observant traveller eager to explore the lives of the people who lived in the bordering villages. He notes the clarity of thought and purity of heart in these people. Their patience, forbearance and hospitality despite the acute hardship of living in a snowbound region. This is a conversation he had with an old man in the village of Malhari.

“This country of yours is very cold…If this is your summertime how do you live during winter?”

“One cannot survive here in winter…all our houses will be under snow. No one will stay here.”

“Where do all of you stay in winter then?”

“Eighteen miles below Joshimath there is a place called Lalsangha. We go there.”

“Then it must be very difficult for you.”

“Sir what shall I tell you about our hardship. It is very difficult to travel with our children, cattle, sheep and goats every year.”

“Then why don’t you shift completely and live there?”

“If we lived below during summer, not only would we die, there would be no sign of our animals too.”

Passing through different landscapes, Bharati describes the scenery. This is a description of Donagiri mountain.

“The place was very pleasant. The grand path was in front of us, the cave was located above it. And the fast-flowing river was just below. On both banks of the river were sky-high mountains…at night thousands of bright lights can be seen over this mountain…if anyone climbed up to the top of this mountain, he would become dizzy with the smell of leaves and flowers.”

Bharati regales the reader with an account of the legend associated with this mountain. The Puranic name of Donagiri was Gandhamadan Parbat. When Lakshman fell unconscious during battle, he needed a special herb that only grew there. Hanuman went to Gandhamadan but, unable to locate the herb, he carried the whole mountain on his back and brought it to Lanka thereby saving Lakshman’s life. Bharati writes:

“Till this day there are signs of that. Donagiri doesn’t have a tall peak and looks as if someone has uprooted its peak. Different kinds of medicinal plants are found in Donagiri even today.”

Somdatta’s translation is faithful and apt at the same time. Though the original is written in a Bengali that may sound archaic to the ears of today’s readers the translation flows smoothly. Kudos to her for bringing an almost forgotten but compelling record of Himalayan travel to those who love reading travelogues.

Aruna Chakravarti has been principal of a prestigious women’s college of Delhi University for ten years. She is also a well-known academic, creative writer and translator with eighteen published books on record. They comprise five novels, two books of short stories, two academic works and nine volumes of translation.
Her first novel, The Inheritors (published by Penguin Random House), was shortlisted for the Commonwealth Writers’ Prize and her second, Jorasanko, received critical acclaim and became a bestseller. Daughters of Jorasanko, a sequel to Jorasanko, has sold widely and received rave reviews. Her novel Suralakshmi Villa was adjudged ‘Novel of the year (India 2020)’ by Indian Bibliography published in The Journal of Commonwealth Literature U.K. Her other well-known works include The Mendicant Prince which has been shortlisted for the Rabindranath Tagore Literary Prize, and Through a Looking Glass: Stories. Her translated works include an anthology of songs from Rabindranath Tagore’s Gitabitaan, Saratchandra Chattopadhyay’s Srikanta and Sunil Gangopadhyay’s Those Days, First Light and Primal Woman: Stories. Her most recent work is titled Rising from the Dust.
Among the various awards she has received are Vaitalik Award, Sahitya Akademi Award and Sarat Puraskar.

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Bhaskar's Corner

‘Language… is a mirror of our moral imagination’

By Bhaskar Parichha

Prof. Sarbeswar Das (1925–2009): A scholar of depth, a teacher of light. Photo Provided by Bhaskar Parichha

In the intellectual history of modern Odisha, Professor Sarbeswar Das stands as one of those rare figures who seamlessly bridged scholarship, ethics, and social commitment. A luminous teacher, an erudite writer, and a quiet Gandhian, his life and work embodied the moral seriousness and intellectual curiosity that marked a generation shaped by the freedom struggle and the promise of a newly independent India.

Born in Sriramchandrapur village in the Puri district of Odisha in 1925, Sarbeswar Das grew up in a milieu where simplicity, discipline, and community values were deeply ingrained. His brilliance shone early—he topped the matriculation examination across Odisha and Bihar, a distinction that foreshadowed a lifetime of academic excellence.

His educational journey took him first to Ravenshaw College, Cuttack, the cradle of higher education in Odisha, where he absorbed the liberal spirit and rigorous intellectual training that the institution was known for. He later studied at Allahabad University, one of India’s foremost centers of learning, before proceeding to the University of Minnesota, for advanced studies in English literature.

His exposure to American academia at a time when few Indian scholars ventured abroad profoundly shaped his intellectual orientation. The years in Minnesota opened to him a new world of thought—modern literary criticism, American fiction, and the philosophy of democratic humanism—all of which left a deep imprint on his teaching and writing in later years.

On returning to India, Das joined the teaching profession, which he would pursue with remarkable dedication and grace for several decades. He served as a professor of English in some of Odisha’s most respected institutions—Christ College (Cuttack), SCS College (Puri), Khallikote College (Berhampur), and Ravenshaw College (Cuttack).

As a teacher, he was known not only for his formidable command of English but also for his clarity of expression, quiet humour, and empathetic engagement with students. He could bring Shakespeare and Emerson alive in the classroom, weaving them into the moral fabric of everyday Indian life. His pioneering initiative was the introduction of American Literature as a formal subject of study in Indian universities, long before it became fashionable to do so.

In an age when English studies in Odisha were largely confined to the British canon, he expanded its horizons by introducing writers like Walt Whitman, Emily Dickinson, William Faulkner, and Mark Twain to Indian classrooms.

Das believed that literature must connect with lived experience. He often told his students: “Language is not just a means of expression; it is a mirror of our moral imagination.” This conviction shaped generations of students who went on to become writers, teachers, and civil servants. Among them was the late Ramakanta Rath, later one of Odisha’s most celebrated poets, who fondly remembered Prof. Das as a teacher who inspired intellectual courage and aesthetic sensitivity.

Alongside his teaching, Prof. Das was a prolific writer and scholar. He authored around twenty-five books spanning essays, literary criticism, translations, and reflections on education and society. His writings in English and Odia reveal a mind steeped in both classical and modern traditions. Fluent in English, Odia, and Sanskrit, he was at ease quoting from the Bhagavad Gita and Hamlet in the same breath.

His essays in English reflected on the role of language in education, the cultural responsibility of intellectuals, and the need for moral clarity in modern life. He consistently argued for a vernacular humanism—a belief that English education must not estrange Indian students from their cultural roots but rather help them view their own traditions through a broader, universal lens.

As a principal, he brought administrative efficiency and human warmth to his role. His tenure is remembered for reforms that encouraged academic discipline, faculty collaboration, and student participation. He believed that education was not merely about acquiring degrees but about shaping ethical citizens.

Prof. Das’s intellectual life was inseparable from his moral and civic commitments. As a young man, he participated in the Quit India Movement, aligning himself with the Gandhian values of simplicity, non-violence, and service throughout his life.

Late in life, Prof. Das turned inward to recount his journey in his autobiography, Mo Kahani (My Story), which has since acquired the stature of a modern Odia classic. Spanning eight decades of personal and social history, it offers not only a memoir of a life well-lived but also a vivid ethnography of Odisha across the twentieth century.

In Mo Kahani, he paints rich, affectionate portraits of his family—his parents and sisters, Suruji and Hara Nani—and evokes the rhythms of village life, with its festivals, hierarchies, and hardships. His account of the great famine of 1919, passed down through family memory, is a haunting narrative of suffering and resilience.

The autobiography captures the moral universe of rural Odisha—its compassion, faith, and silent endurance—while chronicling the social changes wrought by modernity, education, and political awakening.

The book transcends personal recollection to become a social document of rare authenticity, preserving the voices and values of an era in transition. Scholars have hailed it as a valuable resource for understanding Odia social and cultural history, as well as a significant contribution to Indian autobiographical writing.

Prof. Sarbeswar Das passed away in 2009 at the age of 84, leaving behind a legacy of intellectual depth and human kindness. Those who knew him remember his calm demeanour, his Gandhian simplicity, and his unwavering belief in the power of education as a moral force. His students and colleagues regarded him not merely as a teacher but as a guide who exemplified integrity and humility in every aspect of life.

His contributions to English literary education in Odisha were transformative. By introducing American literature, promoting cross-cultural study, and insisting on a pedagogy grounded in ethical reflection, he helped modernise the study of English in the state and inspired a generation to approach literature as a bridge between worlds.

Even today, his writings—both critical and autobiographical—continue to speak to the challenges of our times: the search for meaning in education, the reconciliation of global and local cultures, and the enduring need for moral clarity in a rapidly changing world.

In the final measure, Prof. Sarbeswar Das remains not only a scholar and educator but also a moral historian of his age—one who chronicled the soul of Odisha with the sensitivity of a poet and the precision of a teacher. His Mo Kahani endures as his final lesson: that learning is not a mere accumulation of knowledge, but a lifelong practice of understanding, empathy, and truth.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Review

Bhang Journeys: Stories, Histories, Trips and Travels

Book Review by Bhaskar Parichha

Title: Bhang Journeys: Stories, Histories, Trips and Travels

Author: Akshaya Bahibala

Publisher: Speaking Tiger Books

Akshaya Bahibala is a poet, bookseller, publisher, and library advocate. He is the co-founder of Walking Book Fairs, an independent bookstore and publishing company, as well as one of the most beloved bookmobiles in India, having journeyed over 35,000 kilometres through 20 states to promote a love of literature. Bahibala has authored four books in Odia. This book marks his debut in English. This captivating book is full of unexpected twists and turns, offering a unique blend of memories, adventures, and intriguing facts about a well-known substance. It serves both as an exploration and a cautionary tale.

Bhang Journeys: Stories, Histories, Trips and Travels by Akshaya Bahibala is an eye-witness account of the cannabis in one part of India – Odisha. Quite a bit of research and ideation seems to have gone into the book. This book is truly captivating due to its exploration of a controversial subject — bhang or cannabis..

Reads the blurb: “For ten years, from 1998 to 2008, Akshaya Bahibala was in the grip of bhang, of ganja—drinking it, smoking it, experiencing the highs and lows of an addict on Puri’s beaches with hippies, backpackers and drop-outs from France and Japan, Italy and Norway. Then he drew back from the edge and tried to make a life, working as a waiter, a salesman, a bookseller. He starts this journal-cum-travel book with startling, fragmented memories of his lost decade. From these, he moves to stories about people across Odisha whose lives revolve around ganja-bhang-opium.”

Bahibala commences the book by recounting his experiences of indulging in bhang and ganja on the shores of Puri. He also spends time with a considerable number of foreigners — Caucasian men and women who appear to visit Puri for the purpose of getting high. The author mingles with Japanese, German, French, Italian, and Israeli tourists, sharing meals, borrowing money, exchanging bhang-infused biscuits, occasionally engaging in fights, all while listening to Bob Marley’s soulful rendition of “No Woman, No Cry” in a state of intoxication.

The book has some interesting details like how the owner of a government-approved bhang shop prides himself on selling the purest bhang available, claiming it can make people as forgiving and non-violent as Jesus. Another story is about how an opium cutter, learnt how to massage a lump of opium with mustard oil and carve it into tablets as a boy. There is a heart wrenching narrative of a girl who survived cholera by licking opium and became a lifelong addict. Yet another, is about the yearnings of a goldsmith with an opium de-addiction card for 20 grams a month, but he longs for more — atleast 25 grams. There is also the story of the ganja farmer who flies to Puri from Punjab in a helicopter.

The hallucinations induced by the drug are reflected in the case study of a young man, suffering from ganja-and-bhang-fuelled paranoia, convinced that Indian and American spies are after him makes for an interesting yet concerning read. Descriptions are given of angry villagers indulging in violence against excise department officials who try to destroy ganja plantations.

Alongside these narratives, are official data on opium production, seizures, and destruction; UN reports on the medicinal benefits of cannabis and a veteran’s recipes for bhang laddoos and sherbets. The author delves into the process of creating bhang, highlighting its complete legality in India (unlike charas and ganja, which are prohibited under the country’s 1985 Narcotic Drugs and Psychotropic Substances Act). Additionally, there is a subtly humorous account of a Brahmin bhang shop owner who offers intriguing insights into the procurement and sale of bhang. Bahibala also discusses opium (referred to as afeem locally) cutters and government-operated facilities where opium is manufactured. He sheds light on opium addicts, for whom the government provides a de-addiction program.

The author concludes the book on a rather melancholic tone, discussing the current state of affairs in Puri and the significant changes that have occurred over the past two decades. The absence of foreign tourists on Beach Road, the police cracking down on public marijuana use, the proliferation of hotels and restaurants, and the eagerness of owners to expand and construct more establishments are all highlighted. Additionally, the author reflects on the individuals he once knew during his youth, noting that some have relocated to other countries while others remain in the area.

This book offers a comprehensive perspective on the bhang/charas/ganja culture in India, covering aspects such as production, sale, purchase, and consumption under peer pressure. The author’s personal experiences and lessons learnt add depth to the narrative, making it a captivating read. It is a liberating and unfiltered account, unconcerned with conforming to political correctness and yet, there is his own story, where he feels he ‘lost’ a decade of his life to addiction.

Bhaskar Parichha is a journalist and author of UnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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