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Historic Travelogue Reviewed by Aruna Chakravarti

Title: The Forest of Snow

Author: Swami Ramananda Bharati

Translated from Bengali by Somdatta Mandal

Publisher: Speaking Tiger Books

Just as the European Renaissance was a transformative intellectual movement marking a transition from the social and cultural stagnation of the Middle Ages to a new age of enlightenment, a similar movement found its genesis in Bengal and gradually spread to the rest of India. Known as the Bengal Renaissance, it is generally believed to have had its genesis towards the end of the 18th century and its culmination in the first decade of the 20th. Like the preceding one, it marked a period of intellectual and cultural awakening in various fields: literature, politics, music, art, society and religion. At its heart was a shift from rigid religious primitivism to an all-embracing humanism. It represented a transformative era in which traditional norms were questioned, and new ways of everyday living were explored. This movement, influenced by Western liberalism, threw up many great thinkers and scholars. Among them were Raja Rammohan Roy, Maharshi Debendranath Tagore, Ishwarchandra Vidyasagar and Swami Vivekananda. It gradually paved the way for another — the national movement which demanded the end of British rule in India.

But the Bengal Renaissance was not only a period of intellectual and cultural awakening. Like its European counterpart, it also sparked a desire to push boundaries and go in search of unknown spaces and climes. It was a time when travel became a means of self-expression. Travelogues and narratives from this period reflect the colonised Bengali intelligentsia’s desire to assert identity and seek self-definition. While Troilakyanath Mukherjee, Romeshchandra Dutt, Dwarkanath Tagore, Michael Madhusudhan Dutt, Swami Vivekananda and Rabindranath Tagore are known names in the field of secular travel, there were also those who undertook hazardous journeys in search of a different kind of enlightenment.

Earlier, religious travel was limited to traditional pilgrim spots. To sacred sites like Varanasi, Vrindavan, Mathura and Puri. But now, travellers were filled with new confidence. They became more adventurous and undertook spiritual journeys into the hearts of deserts and mountains. Some crossed miles of icy desert to reach the cave temple of Hinglaj. Some trekked to Amarnath, the twin peaks of Badri and Narayan, to Mount Kailash and Mansarovar Lake in the heart of the Himalayas.

The book under review has been written in the form of a diary. It describes in detail the hazardous journey the author undertook to reach Mount Kailash, believed to be the abode of the Gods, and Mansarovar Lake, a dip in whose waters promises redemption from a hundred years of sin. The height at which these pilgrim spots are located, the rugged terrain and the excessive cold at all times of the year made this journey almost impossible to complete in those days. Reports of deaths by falls from dangerous precipices, of being blown away by blizzards and freezing to death, were far greater than of successful returns. Only supreme faith and dogged determination enabled a person from even thinking of undertaking such a perilous expedition.

One such brave heart was Ramananda Bharati. A Bengali scholar, reformer and ascetic, he set out on a trek to Kailash and Mansarovar lake in the summer of 1898. His travels across Tibet and the experiences he gathered forms the backbone of his book Himaranya aptly translated by the translator as The Forest of Snow. In Himaranya, Bharatichronicles his experience of crossing perilous mountain passes, snowbound peaks and glacial valleys to reach his destination. But he went, not only as a pilgrim seeking divine blessing but as an observant traveller eager to explore the lives of the people who lived in the bordering villages. He notes the clarity of thought and purity of heart in these people. Their patience, forbearance and hospitality despite the acute hardship of living in a snowbound region. This is a conversation he had with an old man in the village of Malhari.

“This country of yours is very cold…If this is your summertime how do you live during winter?”

“One cannot survive here in winter…all our houses will be under snow. No one will stay here.”

“Where do all of you stay in winter then?”

“Eighteen miles below Joshimath there is a place called Lalsangha. We go there.”

“Then it must be very difficult for you.”

“Sir what shall I tell you about our hardship. It is very difficult to travel with our children, cattle, sheep and goats every year.”

“Then why don’t you shift completely and live there?”

“If we lived below during summer, not only would we die, there would be no sign of our animals too.”

Passing through different landscapes, Bharati describes the scenery. This is a description of Donagiri mountain.

“The place was very pleasant. The grand path was in front of us, the cave was located above it. And the fast-flowing river was just below. On both banks of the river were sky-high mountains…at night thousands of bright lights can be seen over this mountain…if anyone climbed up to the top of this mountain, he would become dizzy with the smell of leaves and flowers.”

Bharati regales the reader with an account of the legend associated with this mountain. The Puranic name of Donagiri was Gandhamadan Parbat. When Lakshman fell unconscious during battle, he needed a special herb that only grew there. Hanuman went to Gandhamadan but, unable to locate the herb, he carried the whole mountain on his back and brought it to Lanka thereby saving Lakshman’s life. Bharati writes:

“Till this day there are signs of that. Donagiri doesn’t have a tall peak and looks as if someone has uprooted its peak. Different kinds of medicinal plants are found in Donagiri even today.”

Somdatta’s translation is faithful and apt at the same time. Though the original is written in a Bengali that may sound archaic to the ears of today’s readers the translation flows smoothly. Kudos to her for bringing an almost forgotten but compelling record of Himalayan travel to those who love reading travelogues.

Aruna Chakravarti has been principal of a prestigious women’s college of Delhi University for ten years. She is also a well-known academic, creative writer and translator with eighteen published books on record. They comprise five novels, two books of short stories, two academic works and nine volumes of translation.
Her first novel, The Inheritors (published by Penguin Random House), was shortlisted for the Commonwealth Writers’ Prize and her second, Jorasanko, received critical acclaim and became a bestseller. Daughters of Jorasanko, a sequel to Jorasanko, has sold widely and received rave reviews. Her novel Suralakshmi Villa was adjudged ‘Novel of the year (India 2020)’ by Indian Bibliography published in The Journal of Commonwealth Literature U.K. Her other well-known works include The Mendicant Prince which has been shortlisted for the Rabindranath Tagore Literary Prize, and Through a Looking Glass: Stories. Her translated works include an anthology of songs from Rabindranath Tagore’s Gitabitaan, Saratchandra Chattopadhyay’s Srikanta and Sunil Gangopadhyay’s Those Days, First Light and Primal Woman: Stories. Her most recent work is titled Rising from the Dust.
Among the various awards she has received are Vaitalik Award, Sahitya Akademi Award and Sarat Puraskar.

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