Categories
Celebrating Humanity

Can Old Acquaintances be Forgot…

Our January 2025 Cover: Art by Sohana Manzoor

It has been a strange year for all of us. Amidst the chaos, bloodshed and climate disasters, Borderless Journal seems to be finding a footing in an orphaned world, connecting with writers who transcend borders and readers who delight in a universe knit with the variety and vibrancy of humanity. Like colours of a rainbow, the differences harmonise into an aubade, dawning a world with the most endearing of human traits, hope.

A short round up of this year starts with another new area of focus — a section with writings on environment and climate. Also, we are delighted to add we now host writers from more than forty countries. In October, we were surprised to see Borderless Journal listed on Duotrope and we have had a number of republications with acknowledgement — the last request was signed off this week for a republication of Ihlwha Choi’s poem in an anthology by Hatchette US. We have had many republications with due acknowledgment in India, Bangladesh, Pakistan and UK too among other places. Our team has been active too not just with words and art but also with more publications from Borderless. Rhys Hughes, who had a play performed to a full house in Wales recently, brought out a whole book of his photo-poems from Borderless. Bhaskar Parichha has started an initiative towards another new anthology from our content — Odia poets translated by Snehaprava Das. We are privileged to have all of you — contributors and readers — on board. And now, we invite you to savour some of our fare published in Borderless from January 2025 to December 2025. These are pieces that embody the spirit of a world beyond borders… 

Poetry

Click on the names to read the poems

Arshi, Luis Cuauhtémoc Berriozábal, Snehaprava Das, Ron Pickett, Nziku Ann, Onkar Sharma, Harry Ricketts, Ashok Suri, Heath Brougher, Momina Raza, George Freek, Snigdha Agrawal, Stuart Macfarlane, Gazala Khan , Lizzie Packer, Rakhi Dalal, Jenny Middleton, Afsar Mohammad, Ryan Quinn Flanagan, Rhys Hughes

Translated Poetry

The Lost Mantras, Malay poems written and translated by Isa Kamari

The Dragonfly, a Korean poem written and translated by Ihlwha Choi

Ramakanta Rath’s Sri Radha, translated from Odiya by the late poet himself.

Identity by Munir Momin, translated from Balochi by Fazal Baloch

Found in Translation: Bipin Nayak’s Poetry, translated from Odiya by Snehaprava Das.

For Sanjay Kumar: To Sir — with Love by Tanvir , written for the late founder of pandies’ theatre, and translated from Hindustani by Lourdes M Surpiya.

Therefore: A Poem by Sukanta Bhattacharya, translated from Bengali by Kiriti Sengupta.

Poetry of Jibanananda Das, translated from Bengali by Fakrul Alam.

Tagore’s Pochishe Boisakh Cholechhe (The twenty fifth of Boisakh draws close…) translated from Bengali by Mitali Chakravarty. 

Fiction

An excerpt from Tagore’s long play, Roktokorobi or Red Oleanders, has been translated by Professor Fakrul Alam. Click here to read.

Ajit Cour’s short story, Nandu, has been translated from Punjabi by C Christine Fair. Click here to read.

A Lump Stuck in the Throat, a short story by Nasir Rahim Sohrabi translated from Balochi by Fazal Baloch. Click here to read.

Night in Karnataka: Rhys Hughes shares his play. Click here to read.

The Wise Words of the Sun: Naramsetti Umamaheswararao relates a fable involving elements of nature. Click here to read.

Looking for Evans: Rashida Murphy writes a light-hearted story about a faux pas. Click here to read.

Exorcising Mother: Fiona Sinclair narrates a story bordering on spooky. Click here to read.

The Fog of Forgotten Gardens: Erin Jamieson writes from a caregivers perspective. Click here to read.

Jai Ho Chai: Snigdha Agrawal narrates a funny narrative about sadhus and AI. Click here to read.

The Sixth Man: C. J. Anderson-Wu tells a story around disappearances during Taiwan’s White Terror. Click here to read.

Sleeper on the Bench: Paul Mirabile sets his strange story in London. Click here to read.

I Am Not My Mother: Gigi Baldovino Gosnell gives a story of child abuse set in Philippines where the victim towers with resilience. Click here to read.

Persona: Sohana Manzoor wanders into a glamorous world of expats. Click here to read.

In American Wife, Suzanne Kamata gives a short story set set in the Obon festival in Japan. Click here to read.

Sandy Cannot Write: Devraj Singh Kalsi takes us into the world of advertising and glamour. Click here to read.

Non Fiction

Classifications in Society by Tagore has been translated from Bengali by Somdatta Mandal. Click here to read.

The Day of Annihilation, an essay on climate change by Kazi Nazrul Islam, translated from Bengali by Radha Chakravarty. Click here to read.

The Bauls of Bengal: Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

The Literary Club of 18th Century London: Professor Fakrul Alam writes on literary club traditions of Dhaka, Kolkata and an old one from London. Click here to read.

Roquiah Sakhawat Hossein: How Significant Is She Today?: Niaz Zaman reflects on the relevance of one of the earliest feminists in Bengal. Click here to read.

Anadi: A Continuum in Art: Ratnottama Sengupta writes of an exhibition curated by her. Click here to read.

Reminiscences from a Gallery: The Other Ray: Dolly Narang muses on Satyajit Ray’s world beyond films and shares a note by the maestro and an essay on his art by the eminent artist, Paritosh Sen. Click here to read.

250 Years of Jane Austen: A Tribute: Meenakshi Malhotra pays a tribute to the writer. Click here to read.

Menaced by a Marine Heatwave: Meredith Stephens writes of how global warming is impacting marine life in South Australia. Click here to read.

Linen at Midnight: Pijus Ash relates a real-life spooky encounter in Holland. Click here to read.

Two Lives – A Writer and A Businessman: Chetan Datta Poduri explores two lives from the past and what remains of their heritage. Click here to read

‘Verify You Are Human’: Farouk Gulsara ponders over the ‘intelligence’ of AI and humans. Click here to read.

Where Should We Go After the Last Frontiers?: Ahamad Rayees writes from a village in Kashmir which homed refugees and still faced bombing. Click here to read.

The Jetty Chihuahuas: Vela Noble takes us for a stroll to the seaside at Adelaide. Click here to read.

The Word I Could Never Say: Odbayar Dorj muses on her own life in Mongolia and Japan. Click here to read.

On Safari in South Africa by Suzanne Kamata takes us to a photographic and narrative treat of the Kruger National Park. Click here to read.

The Day the Earth Quaked: Amy Sawitta Lefevre gives an eyewitness account of the March 28th earthquake from Bangkok. Clickhere to read.

From Madagascar to Japan: An Adventure or a Dream: Randriamamonjisoa Sylvie Valencia writes of her journey from Africa to Japan with a personal touch. Clickhere to read.

How Two Worlds Intersect: Mohul Bhowmick muses on the diversity and syncretism in Bombay or Mumbai. Click here to read.

Can Odia Literature Connect Traditional Narratives with Contemporary Ones: Bhaskar Parichha discusses the said issue. Click here to read.

A discussion on managing cyclones, managing the aftermath and resilience with Bhaksar Parichha, author of Cyclones in Odisha: Landfall, Wreckage, and Resilience. Click here to read.

A discussion of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal, with an online interview with the translator. Click here to read.

A conversation with the author in Anuradha Kumar’s Wanderers, Adventurers, Missionaries: Early Americans in India . Click here to read.

Keith Lyons in conversation with Harry Ricketts, mentor, poet, essayist and more. Click here to read.

Categories
Contents

Borderless, November 2025

Art by Sohana Manzoor

Editorial

Spring in Winter?… Click here to read.

Translations

Nazrul’s Musafir, Mochh re Aankhi Jol (O wayfarer, wipe your tears) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Four of his own Malay poems have been translated by Isa Kamari. Click here to read.

Five short poems by Munir Momin have been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Rohini K.Mukherjee have been translated from Odia by Snehprava Das. Click here to read.

S.Ramakrishnan’s story, Steps of Conscience, has been translated from Tamil by B.Chandramouli. Click here to read.

Tagore’s poem, Sheeth or Winter, has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, Usha Kishore, Joseph C. Ogbonna, Debadrita Paul, John Valentine, Saranyan BV, Ron Pickett, Shivani Shrivastav, George Freek, Snehaprava Das, William Doreski, Mohit Saini, Rex Tan, John Grey, Raiyan Rashky, Luis Cuauhtémoc Berriozábal

Poets, Poetry & Rhys Hughes

In Nomads of the Bone, Rhys Hughes shares an epic poem. Click here to read.

Musings/Slices from Life

When Nectar Turns Poisonous!

Farouk Gulsara looks at social norms around festive eating. Click here to read.

On a Dark Autumnal Evening

Ahmad Rayees muses on Kashmir and its inhabitants. Click here to read.

The Final Voyage

Meredith Stephens writes of her experience of a disaster while docking their boat along the Australian coastline. Click here to read.

Embracing the Earth and Sky…

Prithvijeet Sinha takes us to the tomb of Saadat Ali Khan in Lucknow. Click here to read.

Musings of a Copywriter

In A Fruit Seller in My Life, Devraj Singh Kalsi explores the marketing skills of his fruit seller a pinch of humour. Click here to read.

Notes from Japan

In Return to Naoshima, Suzanne Kamata takes us to an island museum. Click here to read.

Essays

The Trouble with Cioran

Satyarth Pandita introduces us to Emil Cioran, a twentieth century philosopher. Click here to read.

Once a Student — Once a Teacher

Odbayar Dorj writes of celebrating the start of the new school year in Mongolia and of their festivals around teaching and learning. Click here to read.

Bhaskar’s Corner

In ‘Language… is a mirror of our moral imagination’, Bhaskar Parichha pays a tribute to Prof. Sarbeswar Das. Click here to read.

Stories

Visions

Fabiana Elisa Martínez takes us to Argentina. Click here to read.

My Grandmother’s Guests

Priyanjana Pramanik shares a humorous sketch of a nonagenarian. Click here to read.

After the Gherkin

Deborah Blenkhorn relates a tongue-in-cheek story about a supposed crime. Click here to read.

Pause for the Soul

Sreenath Nagireddy writes of migrant displacement and adjustment. Click here to read.

The Real Enemy 

Naramsetti  Umamaheswararao gives a story set in a village in Andhra Pradesh. Click here to read.

Feature

A conversation with Amina Rahman, owner of Bookworm Bookshop, Dhaka, about her journey from the corporate world to the making of her bookstore with a focus on community building. Click here to read.

Book Excerpts

An excerpt from from Love and Crime in the Time of Plague: A Bombay Mystery by Anuradha Kumar. Click here to read.

An excerpt from Wayne F Burke’s Theodore Dreiser – The Giant. Click here to read.

Book Reviews

Somdatta Mandal reviews M.A.Aldrich’s Old Lhasa: A Biography. Click here to read.

Satya Narayan Misra reviews Amal Allana’s Ebrahim Alkazi: Holding Time Captive. Click here to read.

Anita Balakrishnan reviews Silver Years: Senior Contemporary Indian Women’s Poetry edited by Sanjukta Dasgupta, Malashri Lal and Anita Nahal. Click here to read.

Bhaskar Parichha reviews Diya Gupta’s India in the Second World War: An Emotional History. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

Spring in Winter?

Painting by Claude Monet (1840-1926)
If Winter comes, can Spring be far behind?

'Ode to the West Wind', Percy Bysshe Shelley (1792 -1822)

The idea of spring heralds hope even when it’s deep winter. The colours of spring bring variety along with an assurance of contentment and peace. While wars and climate disasters rage around the world, peace can be found in places like the cloistered walls of Sistine Chapel where conflicts exist only in art. Sometimes, we get a glimpse of peace within ourselves as we gaze at the snowy splendour of Himalayas and sometimes, in smaller things… like a vernal flower or the smile of a young child. Inner peace can at times lead to great art forms as can conflicts where people react with the power of words or visual art. But perhaps, what is most important is the moment of quietness that helps us get in touch with that inner voice giving out words that can change lives. Can written words inspire change?

Our featured bookstore’s owner from Bangladesh, Amina Rahman, thinks it can. Rahman of Bookworm, has a unique perspective for she claims, “A lot of people mistake success with earning huge profits… I get fulfilment out of other things –- community health and happiness and… just interaction.” She provides books from across the world and more while trying to create an oasis of quietude in the busy city of Dhaka. It was wonderful listening to her views — they sounded almost utopian… and perhaps, therefore, so much more in synch with the ideas we host in these pages.

Our content this month are like the colours of the rainbow — varied and from many countries. They ring out in different colours and tones, capturing the multiplicity of human existence. The translations start with Professor Fakrul Alam’s transcreation of Nazrul’s Bengali lyrics in quest of the intangible. Isa Kamari translates four of his own Malay poems on spiritual quest, while from Balochi, Fazal Baloch bring us Munir Momin’s esoteric verses in English. Snehprava Das’s translation of Rohini K.Mukherjee poetry from Odia and S.Ramakrishnan’s story translated from Tamil by B.Chandramouli also have the same transcendental notes. Tagore’s playful poem on winter (Sheeth) mingles a bit for spring, the season welcomed by all creatures great and small.

John Valentine brings us poetry that transcends to the realms of Buddha, while Ryan Quinn Flanagan, Ron Pickett and Saranyan BV use avians in varied ways… each associating the birds with their own lores. George Freek gives us poignant poetry using autumn while Luis Cuauhtémoc Berriozábal expresses different yearnings that beset him in the season. Snehaprava Das and Usha Kishore write to express a sense of identity, though the latter clearly identifies herself as a migrant. Young Debadrita Paul writes poignant lines embracing the darkness of human existence. Joseph C. Ogbonna and Raiyan Rashky write cheeky lines, they say, on love. Mohit Saini interestingly protests patriarchal expectations that rituals of life impose on men. We have more variety in poetry from William Doreski, Rex Tan, Shivani Shrivastav and John Grey. Rhys Hughes in his column shares with us what he calls “A Poem Of Unsuccessful Excess” which includes, Ogden Nash, okras, Atilla the Hun, Ulysees, turmeric and many more spices and names knitting them into a unique ‘Hughesque’ narrative.

Our fiction travels from Argentina with Fabiana Elisa Martínez to light pieces by Deborah Blenkhorn and Priyanjana Pramanik, who shares a fun sketch of a nonagenarian grandma. Sreenath Nagireddy addresses migrant lores while Naramsetti Umamaheswararao gives a story set in a village in Andhra Pradesh.

We have non-fiction from around the world. Farouk Gulsara brings us an unusual perspective on festive eating while Odbayar Dorj celebrates festivals of learning in Mongolia. Satyarth Pandita introduces us to Emil Cioran, a twentieth century philosopher and Bhaskar Parichha pays a tribute to Professor Sarbeswar Das.  Meredith Stephens talks of her first-hand experience of a boat wreck and Prithvijeet Sinha takes us to the tomb of Sadaat Ali Khan. Ahmad Rayees muses on the deaths and darkness in Kashmir that haunt him. Devraj Singh Kalsi brings in a sense of lightness with a soupçon of humour and dreams of being a fruit seller. Suzanne Kamata revisits a museum in Naoshima in Japan.

Our book excerpts are from Anuradha Kumar’s sequel to The Kidnapping of Mark Twain, Love and Crime in the Time of Plague: A Bombay Mystery and Wayne F Burke’s Theodore Dreiser – The Giant, a literary non-fiction. Our reviews homes Somdatta Mandal discussion on M.A.Aldrich’s Old Lhasa: A Biography while Satya Narayan Misra writes an in-depth piece on Amal Allana’s Ebrahim Alkazi: Holding Time Captive. Anita Balakrishnan weaves poetry into this section with her analysis of Silver Years: Senior Contemporary Indian Women’s Poetry edited by Sanjukta Dasgupta, Malashri Lal and Anita Nahal. And Parichha reviews Diya Gupta’s India in the Second World War: An Emotional History, a book that looks at the history of the life of common people during a war where soldiers were all paid to satiate political needs of powerbrokers — as is the case in any war. People who create the need for a war rarely fight in them while common people like us always hope for peace.

We have good news to share — Borderless Journal has had the privilege of being listed on Duotrope – which means more readers and writers for us. We are hugely grateful to all our readers and contributors without who we would not have a journal. Thanks to our wonderful team, especially Sohana Manzoor for her fabulous artwork.

Hope you have a wonderful month as we move towards the end of this year.

Looking forward to a new year and spring!

Mitali Chakravarty

borderlessjournal.com

CLICK HERE TO ACCESS THE CONTENTS FOR THE NOVMBER 2025 ISSUE.

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Categories
Essay

Once a Student — Once a Teacher

Odbayar Dorj writes of celebrating the start of the new school year on September 1st in Mongolia and of their festivals around teaching and learning

Mongolians are a people who celebrate festivals wholeheartedly and work with the same kind of enthusiasm. Among our many traditions, one of the most beautiful and meaningful to me is the way we welcome each new school year. In Mongolia, September 1st is not just the beginning of classes—it is a joyful national celebration for teachers and students. On this day, schools across the country hold ceremonies to mark the opening of the academic year. Students eagerly wait for this day, dressed in clean uniforms, their faces full of excitement. Traditionally, the new school year officially begins with a special lesson taught by the President of Mongolia, often about Mongolian script or history, which symbolises the importance of education and cultural heritage.

My own memories of this day are filled with music, excitement, and warmth. Unlike in many countries, Mongolian schools do not separate students into different buildings for primary, lower secondary, and upper secondary levels. Instead, everyone studies in the same school building, simply moving from classroom to classroom as they grow older. This creates a strong sense of community—older students and younger students share the same space, the same celebrations, and the same traditions. The ceremony usually begins with a speech from the school principal, followed by short performances by younger students. Songs about schools and teachers are sung, and the gentle melodies of the morin khuur—the traditional horsehead fiddle—fill the air. We sing, dance, and perform music to welcome the new academic year. Sometimes, I wonder how many other nations celebrate the start of school with such joy and artistry.

A man holding a morin khuur, whose music has been named as an Intangible Cultural Heritage of Humanity by UNESCO. From Public Domain

One of the most touching parts of the ceremony is the first bell ringing. This moment marks the official opening of the school year. First graders who are starting school for the very first time are given the honor of ringing a small handbell, while teachers line up their classes and lead them ceremoniously into the building. To ring the bell is considered a great honor, both for the child and their family. I will never forget the day my daughter entered first grade. She was chosen, together with a little boy, to represent all first graders and ring the bell. It was a chilly September morning, as it usually is in Mongolia. With one hand tucked into her uniform pocket to keep warm, she raised her other hand high to match the boy’s height and rang the bell. She was one of the smallest children in her class, but in that moment she seemed so brave and proud. That image remains clear in my mind even now—such memories stay with us forever.

For Mongolians, bells carry deep meaning. We even call our graduation ceremonies “Bell Ceremonies”. These are held for students finishing 5th grade (primary), 9th grade (lower secondary), and 12th grade (upper secondary). For 12th graders, the final bell has special significance: it is the last time they will hear the school bell as students before moving on to university or the adult world. That sound marks both an ending and a new beginning.

For teachers, September 1st is a day of joy. It is the moment we reunite with our students after the long summer break and see how much they’ve grown and changed in just three months. For students, it’s the thrill of seeing their classmates again. The entire month of September is a period of readjustment to school life, and it is followed in early October by Teacher’s Day, one of the few days in the year when teachers can celebrate their profession. Another beloved tradition in Mongolia is “Student Day.” On this day, graduating students—or, if the class is small, students from other classes too—take on the role of teachers for one day, while teachers become students. It’s a playful and meaningful role reversal that leaves deep impressions on both sides.

I still remember my first Student Day vividly. I was in 9th grade when my Mongolian language and literature teacher selected me to become a teacher for the day. It was the first time a lower secondary student had been chosen. I was nervous, especially standing alongside the older students from upper secondary school. I spent the entire night preparing, determined not to let my teacher down. On that day, I taught a 9th grade literature class. I was frightened at first, but the time passed in a flash, leaving me exhilarated.

The following years, I was chosen again—first as a biology teacher in 10th grade, then as a Russian language teacher in 11th grade. I participated as a student-teacher for three consecutive years. I especially remember the biology lesson; that day, I felt a special joy and excitement, a spark that would later lead me to choose teaching as my profession.

Years later, after graduating from university, I returned to school as a real teacher. During my first year at a public school, Student Day came again—this time, from the teacher’s side. My 12th

grade students drew lots to choose teachers, and a sweet girl named Khulan was selected to teach English in my place. She told me with a smile, “Teacher, you probably don’t have a student uniform anymore, so you can borrow mine tomorrow and join our class as a 12th grader.” The next day, the 12th graders handed us invitations, asking us to come to their class as students. Attached to each invitation was a class schedule for the day. When I put on the school uniform again, it truly felt as if I had traveled back in time to my childhood.

As a student, I used to think, “I can’t wait to grow up and start working. I’m tired of wearing this uniform.” But as a teacher, wearing it again brought back a wave of nostalgia. Returning to the classroom as a student for one day became one of the most unforgettable experiences of my life. On Student Day, everyone—teachers, administrators, and staff—puts on uniforms and attends classes together as “students.” The day is filled with laughter and playful mischief. Some pretend to be naughty students: interrupting class, asking silly questions, teasing each other. We laugh and call each other “bad students”.

At the end of the day, both the student-teachers and teacher-students gather to share their thoughts. This is always a moving moment. Older students often talk about how difficult it is to teach large classes and apologise for times when they had been troublesome. They express a newfound respect for their teachers, having experienced the challenges themselves. For us teachers, hearing this is incredibly rewarding. If there were a train that could take us back to our childhood, I think everyone would want to ride it. For teachers, Student Day is exactly that—a once-a-year chance to return to childhood.

For the past three years, I have spent September 1st, Student Day, and Teacher’s Day far away from Mongolia. At first, when I saw my friends’ photos and posts on social media, I felt a quiet envy. But at the same time, remembering these traditions filled me with warmth, pride, and a deep love for my profession. Throughout my life, I have met many wonderful teachers. Thanks to them, I have continued to learn and grow, always inspired by their example. These traditions, these bells, these memories—they are not just part of my past. They are part of who I am, both as a former student and as a teacher.

No matter where I am in the world, once a student, once a teacher—those identities live within me, carrying the echoes of September bells wherever I go.

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Odbayar Dorj is an international student from Mongolia currently studying in Japan. Her writing reflects on cultural identity, personal memory, and the power of connection across borders and generations.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Contents

Borderless, July 2025

Art by Sohana Manzoor

Editorial

‘…I write from my heart of the raging tempest…’.Click here to read.

Translations

Jibanananda Das’s poem, Given the Boon of Eternity, has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Karim Dashti’s short poems have been translated from Balochi by Fazal Baloch. Click here to read.

Five poems by Sangram Jena have been translated from Odia by Snehprava Das. Click here to read.

Surya Dhananjay’s story, Mastan Anna, has been translated from Telugu by Rahimanuddin Shaik. Click here to read.

The Last Letter, a poem by Ihlwha Choi  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Probhatey (In the Morning) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Luis Cuauhtémoc Berriozábal, Snehaprava Das, David R Mellor, Snigdha Agrawal, George Freek, Laila Brahmbhatt, Tracy Lee Duffy, John Swain, Amarthya Chandar, Craig Kirchner, Shamim Akhtar, Jason Ryberg, Momina Raza, Ryan Quinn Flanagan, Shahriyer Hossain Shetu, Rhys Hughes

Musings/ Slices from Life

What is Great Anyway?

Farouk Gulsara explores the idea of ‘greatness’ as reflected in history. Click here to read.

From Cape Canaveral to Carnarvon

Merdith Stephens writes of her museum experiences with photographs from Alan Nobel. Click here to read.

A Journey through Pages

Odbayar Dorj writes of library culture in Japan and during her childhood, in Mongolia. Click here to read.

By the Banks of the Beautiful Gomti

Prithvijeet Sinha strolls through the park by the riverfront and muses. Click here to read.

Dhruba Esh & Amiyashankar

Ratnottama Sengupta muses on her encounter with the writings of eminent artist and writer, Dhruba Esh, and translates one his many stories, Amiyashankar Go Back Home from Bengali. Click here to read.

Musings of a Copywriter

In Gastronomy & Inspiration? Sherbets and More…, Devraj Singh Kalsi looks at vintage flavours. Click here to read.

Notes from Japan

In Summer Vacation in Japan: Beetle Keeping and Idea Banks, Suzanne Kamata narrates her experience of school holidays in Japan. Click here to read.

Essays


It doesn’t Rain in Phnom Penh

Mohul Bhowmick writes of his trip to Phnom Penh and Siem Reap. Click here to read.

Haunted by Resemblances: Hunted by Chance

Aparajita De introspects with focus on serendipity. Click here to read.

Stories

Blue Futures, Drowned Pasts

Md Mujib Ullah writes a short cli-fi based on real life events. Click here to read.

Unspoken

Spandan Upadhyay gives a story around relationships. Click here to read.

Misjudged

Vidya Hariharan gives a glimpse of life. Click here to read.

Nico Returns to Burgaz

Paul Mirabile writes about growing up and reclaiming from heritage. Click here to read.

Feature

A review of Anuradha Kumar’s Wanderers, Adventurers, Missionaries: Early Americans in India and an interview with the author. Click here to read.

Book Excerpts

An excerpt from Rhys Hughes’ The Eleventh Commandment And Other Very Short Fictions. Click here to read.

An excerpt from Snehprava Das’s Keep It Secret. Click here to read.

Book Reviews

Somdatta Mandal reviews Dilip K Das’s Epidemic Narratives: The Cultural Construction of Infectious Disease Outbreaks in India. Click here to read.

Rakhi Dalal reviews Rajat Chjaudhuri’s Wonder Tales for a Warming Planet. Click here to read.

Gower Bhat has reviewed Neha Bansal’s Six of Cups. Click here to read.

Bhaskar Parichha reviews Jagadish Shukla’s A Billion Butterflies: A Life in Climate and Chaos Theory. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

‘…I write from my heart of the raging tempest…’

I can see the heartbreak, 
Hear the wailing, the awakening,
I write from my heart
Of the raging tempest.

— Translation of Probhatey or ‘In the Morning’ by Rabindranath Tagore (1906)

All around us, we hear of disasters. Often, we try to write of these as Tagore seems to do in the above lines. However, these lines follow after he says he draws solace and inspiration from a ‘serene lotus’, pristine and shining with vibrancy. He gazes at it while looking for that still point which helps him create an impact with words. That is perhaps what we can hope to do too — wait for a morning where clarity will show us the path to express not just what we see, but to find a way to heal and help. Finding parallels in great writings of yore to our own attempts at recreating the present makes us realise that perhaps history is cyclical. In Rome, new structures rear up against thousand-year walls, reflecting how the past congeals into the present.

Congealing the past into our present in this July’s issue are stories of American migrants — like Tom Alter’s family who made India their home — by Anuradha Kumar in her new non-fiction Wanderers, Adventurers, Missionaries: Early Americans in India. We feature this book with a review and an interview with the author where she tells us how and why she chose to write on these people. We have more people writing of their own wanderings. Mohul Bhowmick wanders into Cambodia and makes friends over a local sport while Prithvijeet Sinha strolls by the banks of the River Gomti in Lucknow. Meredith Stephens not only takes us to the Prime Meridien in Greenwich but also to Carnarvon which houses a science and technology centre in Australia. Devraj Singh Kalsi wanders with humour to discover gastronomical inspiration and hopes for sweeter recompense.

The dialogue started by Professor Fakrul Alam on libraries earlier with his essay and by Kalsi (with a pinch of humour) has been continued by Odbayar Dorj. She talks of the fading culture of libraries in Mongolia, her home country, and the vibrant culture that has blossomed in Japan. Suzanne Kamata writes of the rituals of summer holidays in Japan… including looking after a pet dung beetles.

Farouk Gulsara muses on ‘greatness’ as a concept with irony. Aparajita De muses on the word serendipity, applying it to her own situation while Ratnottama Sengupta muses on her encounter with the writings of eminent cover artist and writer who is not only a recipient of the Bangla Academy literary award but also immensely popular with children, Dhruba Esh, and translates one his many stories from Bengali.

In translations, Professor Alam has brought to us a beautiful poem by Jibanananda Das. Karim Drashti’s Balochi short poems have been rendered in English by Fazal Baloch and Snehaprava Das has found for us Odia poems of Sangram Jena in translation. Ihlwha Choi has rendered his own Korean poem to English while Tagore’s poem, ‘Probhatey (In the Morning)’ winds up the poetry in this section. We have more in prose — Surya Dhananjay’s story, Mastan Anna, translated from Telugu by Rahimanuddin Shaik.

In fiction, we have stories from around the world. Paul Mirabile sets his story in Burgaz. Spandan Upadhyay gives a mysterious narrative set in a world outside our waking consciousness and Vidya Hariharan gives us a glimpse of life in modern day India. From Bangladesh, Md Mujib Ullah writes a short cli-fi based on real life events.

Taking up the theme of cli-fi, Rajat Chaudhuri’s Wonder Tales for a Warming Planet seems to bring hope by suggesting adapting to changing climes. Rakhi Dalal tells us in her review: “It dares to approach the climate crisis through the lens of empathy and imagination rather than panic or guilt. In doing so, Rajat Chaudhuri gives us what many adult climate narratives fail to deliver—a reason to believe that another world is not only possible but already being imagined by the young. All we need to do is listen.” Bhaskar Parichha has discussed the autobiography of a meteorologist and Distinguished University Professor at George Mason University, Jagadish Shukla. In A Billion Butterflies: A Life in Climate and Chaos Theory, he claims Shukla has “revolutionised monsoon forecasting.” Somdatta Mandal has written about Dilip K Das’s Epidemic Narratives: The Cultural Construction of Infectious Disease Outbreaks in India. And Gower Bhat reviews Neha Bansal’s best-selling poetry collection, Six of Cups.

Poetry awakens myriad of hues in Borderless with verses from across the world. We have poems from Luis Cuauhtémoc Berriozábal, Ryan Quinn Flangan, Snehprava Das, George Freek, Laila Brahmbhatt, Tracy Lee Duffy, Amarthya Chandar, Jason Ryberg, Momina Raza, Shahriyer Hossain Shetu and more. Snigdha Agrawal gives a fun-filled poem about a duck and Rhys Hughes has given us a collection of verses like puzzles where we need to guess the animals! We also have an excerpt from Hughes’ The Eleventh Commandment And Other Very Short Fictions and Das’s short stories, Keep It Secret.

With that, we wind up the contents of this month’s issue. Do pause by our content’s page to check it out in more details.

This month’s edition would not have been possible without all our contributors, our fabulous team and especially Sohana Manzoor’s artwork. Huge thanks to all of them and to our wonderful readers who make it worthwhile for us to write and publish. Do write in to us if you have any feedback. Five years ago, we chose to become a monthly from a daily… We have come a long way from then and grown to host writers from more than forty countries and readers from almost all over the world. For this, we owe you all – for being with us and encouraging us to find fresh pastures.

Enjoy the reads!

Wishing you peace and happiness,

Mitali Chakravarty,

borderlessjournal.com

Click here to access the contents for the July 2025 Issue

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Musings

A Journey through Pages


By Odbayar Dorj

Before I ever stepped into a classroom, I had already learned to read and write. Over twenty years ago in Mongolia, children typically started school at the age of eight. But I began a year earlier—at seven—already recognising the letters and words on the page.

I don’t remember exactly how I learned, but I do recall asking my mother, who worked at a school dormitory, to bring me a copy of the Tsagaan Tolgoi (Alphabet Book) from the school library. With the help of my grandparents, I memorized all 35 letters and began reading. Because my mother worked at a school, we often visited the homes of her coworkers. On one such visit, we stopped by the home of the school librarian, Mr. Bayaraa. I remember flipping through one of the literature books for older students and seeing a drawing of a giant with one eye standing before frightened people in a cave. Later, I realised it must have been The Odyssey. From that moment on, I was fascinated. I longed to read every book I could find—especially those with pictures and stories.

When I finally started school, I couldn’t wait to dive into books. But the first-grade routine quickly wore me down: we spent most of our time copying words neatly into our notebooks. Then our family moved from the countryside to the city, and I transferred to a new school. By fourth grade, I was enrolled in a class called Reading and Writing, which would later become Literature. It was my favorite subject. Our teacher encouraged us to borrow books from the school library and read outside of class. That was, without a doubt, the most exciting homework I’d ever been given.

Still, getting into the school library wasn’t easy. Our school operated in two shifts, and my classes were in the morning—from 8:00 to 11:00. I lived nearby and could be home in under five minutes. My grandmother always had lunch ready, usually a warm bowl of bantan. Those were some of my happiest moments.

In the afternoons, I would walk back to school and try to visit the library. But the teacher on duty at the entrance always interrogated me: “Where are you going? Who are you meeting?” I explained that I just wanted to visit the library. Even after getting permission, I often found a sign on the door that read: “Closed for internal work.” Many times, I left disappointed. The librarian never opened the door.

Everything changed when I entered junior high school and gained the independence to ride buses. I started visiting the National Public Library named after D. Natsagdorj. It took about thirty minutes by bus, and I could only afford to go once or twice a week. The library was mostly empty, except for a few elderly men reading newspapers. It used the old Soviet-era catalog system, which was difficult to navigate. Instead, I approached the librarian directly and told her the kinds of books I liked. She always picked something out for me, and even though I never knew what it would be, the anticipation became one of my favorite parts of the week. I spent many summer days in the tiny reading room, lost in stories. When the fall semester began and university students returned, seats became scarce. They, too, relied on public libraries for study space.

By the time I entered high school, our school librarian had changed. Finally, we were allowed to use the library after classes. It had a wide range of books—both Mongolian and international literature. It felt like a dream come true.

Years later, in 2020, my daughter started school. In Mongolia, we celebrate the moment children finish learning their 35 letters with a Tsagaan Tolgoi celebration—a joyful milestone that marks the beginning of reading and writing. Sadly, due to COVID, my daughter never got to experience that celebration. More than that, she never even had a chance to experience a library. Unlike my school, hers didn’t even have a library corner. Due to overcrowding, the library space had been converted into a classroom. After textbooks were distributed during the first few weeks of the school year, the “library” served no other purpose.

As a mother and a former student, I couldn’t help but feel heartbroken by this quiet loss.

Now, as I study in Japan, I’ve started volunteering as an English teacher for first- to fourth-grade students at a local elementary school. It was my first time being at a Japanese school not as a visitor, but as a teacher. Two retired female teachers welcomed me warmly and introduced me to the principal. I would start teaching on May 1st. Even though my Japanese was limited, I felt their kindness beyond words.

We visited the classroom—a spacious room, half of it open for movement and activities. I was shown the storage room where they kept teaching materials, including flashcards. I was given two weeks to prepare. I was thrilled—not just to be working, but to finally be using my professional skills.

I reviewed every flashcard, thinking carefully about how to incorporate them into my lessons. I created a 12-week lesson plan and excitedly prepared for my first class.

But the first class didn’t go as I imagined. Sixteen students joined the English club, and as soon as I started speaking in English, some children looked surprised. Because I am Mongolian and physically resemble Japanese people, many often assume I am Japanese. The students seemed confused—some even asked if I was pretending or acting, wondering why a “Japanese-looking” person was speaking to them in English. I had prepared fun activities like Simon Says and The Alphabet Song, hoping to create a lively atmosphere, but without help from the two retired teachers, it was hard to hold their attention. Somehow, I made it through the class, but I left feeling defeated.

Thankfully, the teachers encouraged me: “Don’t be discouraged,” they said. “Especially with first graders—it’s only been a month since they started school.”

I spent the following week stressed and unsure. How could I communicate with children from another culture? How could I teach kids of different ages and learning levels?

There’s a Mongolian saying: “If God doesn’t know, ask a book.” I realised books were my only hope.

Just like the times I hesitated to enter unfamiliar spaces in Japan, I found myself nervous about entering the university’s children’s library. But I gathered courage, walked in, and soon found myself surrounded by picture books in English.

There were so many beautiful titles—more than I had ever imagined. I felt I was more excited than the children. Since then, finding the right book for my students has become my favourite part of lesson planning. I spend hours reading reviews, flipping through pages, and selecting stories that are both accessible and engaging.

At the same time, I couldn’t help but reflect on how lucky Japanese children are. Back in Mongolia, many children grow up without ever experiencing a library. And here I am, surrounded by cozy furniture and shelves filled with books, just a few steps away from the classroom.

Every week, I arrive an hour early to prepare for class. Right next to my classroom is the school’s library—bright, welcoming, and full of choices. Sometimes I see the first graders visiting with their teacher, eagerly choosing books and settling into child-sized chairs to read. And I think of my daughter. I feel sad—not only because I miss her, but because I know she doesn’t have access to a space like this. At her school in Mongolia, there is no library—not even a reading corner. Watching these children enjoy books so freely makes me wish my daughter could experience the same joy and comfort that comes from being surrounded by stories.

I remember my childhood dream: to one day have a small children’s library of my own. A place where I could read aloud to children, draw with them, fold origami, and spend quality time. That dream has only grown stronger.

In Mongolia, there are very few children’s book authors. Most publishers produce simplified versions of Disney movies or classic tales, often filled with too much text to engage young readers. Finding the right book for my daughter has always been a challenge. That’s when I began to dream—not just of reading books, but of writing one myself. After all, books hold countless lives, stories, and dreams. They are entire worlds we can live in.

I miss my daughter very much. I often make a list of things we could do together—places I want to show her if she ever comes here, places I want to go with her. I especially dream of going to the library with her, choosing and reading books together. I want to read aloud to her the book I think is the most beautiful, and then watch what she imagines, what she draws, and what she creates after reading it.

Sitting here in my university’s children’s library, I felt like I became a child again, and I found myself wishing that children everywhere in the world could have access to a library like this—one that sparks their imagination. That’s when I began writing this essay.

Because libraries are not just buildings filled with books—they are spaces where children begin to dream. I hope that one day, more schools in Mongolia will make room for those dreams. And until then, I’ll keep turning pages, teaching stories, and imagining that little library I still dream of—for my daughter, and for so many others like her.

Odbayar Dorj is an international student from Mongolia currently studying in Japan. Her writing reflects on cultural identity, personal memory, and the power of connection across borders and generations.

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Categories
Contents

Borderless, May 2025

Art by Sohana Manzoor

Editorial

“Imagine all the people/ Living life in peace”… Click here to read.

Translations

The Day of Annihilation, an essay on climate change by Kazi Nazrul Islam, has been translated from Bengali by Radha Chakravarty. Click here to read.

Arise O Woman and Two Flowers on One Leafstalk, lyrics by Nazrul, have been translated from Bengali by Professor Fakrul Alam. Click here to read.

Five poems by Bipin Nayak have been translated from Odia by Snehaprava Das. Click here to read.

Identity by Munir Momin has been translated from Balochi by Fazal Baloch. Click here to read.

Among Strangers, a poem by Ihlwha Choi  has been translated from Korean by the poet himself. Click here to read.

Asha or Hope by Tagore has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flangan, Jim Bellamy, Snehprava Das, George Freek, Niranjan Aditya, Christine Belandres, Ajeeti S, Ron Pickett, Kajoli Krishnan, Stuart McFarlane, Snigdha Agrawal, Arthur Neong, Elizabeth Anne Pereira, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Did He Ever?, Rhys Hughes gives fun-filled verses on Lafcadio Hearn, a bridge between the East and West from more than a hundred years ago. Click here to read.

Musings/ Slices from Life

Will Dire Wolves Stalk Streets?

Farouk Gulsara writes of genetic engineering. Click here to read.

The Boy at the Albany Bus Stop

Meredith Stephens dwells on the commonality of human emotions. Click here to read.

The Word I Could Never Say

Odbayar Dorj muses on her own life in Mongolia and Japan. Click here to read.

Social Media Repetition

Jun A. Alindogan discusses the relevance of social media. Click here to read.

Shanghai in Jakarta

Eshana Sarah Singh takes us to Chinese New Year celebrations in Djakarta. Click here to read.

Musings of a Copywriter

In My Writing Desk, Devraj Singh Kalsi writes of the source of his inspiration. Click here to read.

Notes from Japan

In Feeling Anxious in Happy Village, Suzanne Kamata relates a heartwarming story. Click here to read.

Essays

Reminiscences from a Gallery: The Other Ray

Dolly Narang muses on Satyajit Ray’s world beyond films and shares a note by the maestro and an essay on his art by the eminent artist, Paritosh Sen. Click here to read.

This Garden Calls Out to Me: A Flaneur in Lucknow’s Sikandar Bagh

Prithvijeet Sinha takes us back to a historical landmark, made for love but bloodied by war. Click here to read.

Stories

Going to Meet the Hoppers

Fiona Sinclair writes a layered story on human perspectives. Click here to read.

The Ritual of Change

Parnika Shirwaikar explores the acceptance of change. Click here to read.

The Last Metro

Spandan Upadhyay explores the spirit of the city of Kolkata. Click here to read.

Nico Finds His Dream

Paul Mirabile narrates how young Nico uncovers his own yearnings. Click here to read.

The Bequest

Naramsetti Umamaheswararao gives a story reflecting a child’s lessons from Nature. Click here to read.

Conversation

Ratnottama Sengupta introduces and converses with photographer, Vijay S Jodha. Click here to read.

Book Excerpts

An excerpt from Devabrata Das’s One More Story About Climbing a Hill: Stories from Assam, translated by multiple translators from Assamese. Click here to read.

An excerpt from Ryan Quinn Flangan’s Ghosting My Way into the Afterlife. Click here to read.

Book Reviews

Somdatta Mandal reviews Arundhathi Nath‘s translation, The Phantom’s Howl: Classic Tales of Ghosts and Hauntings from Bengal. Click here to read.

Andreas Giesbert reviews Rhys Hughes’ The Devil’s Halo. Click here to read.

Bhaskar Parichha reviews Aubrey Menen’s A Stranger in Three Worlds: The Memoirs of Aubrey Menen. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Editorial

“Imagine all the people/Living life in peace”

God of War by Paul Klee (1879-1940)
The sky weeps blood, the earth cannot contain
The sorrow of the young ones we've slain.
How now do dead kids laugh while stricken by red rain?

— from Stricken by Red Rain: Poems by Jim Bellamy

When there is war
And peace is gone
Where is their home?
Where do they belong?

— from Poems on Migrants by Kajoli Krishnan

Poetry, prose — all art forms — gather our emotions into concentrates that distil perhaps the finest in human emotions. They touch hearts across borders and gather us all with the commonality of feelings. We no longer care for borders drawn by divisive human constructs but find ourselves connecting despite distances. Strangers or enemies can feel the same emotions. Enemies are mostly created to guard walls made by those who want to keep us in boxes, making it easier to manage the masses. It is from these mass of civilians that soldiers are drawn, and from the same crowds, we can find the victims who die in bomb blasts. And yet, we — the masses — fight. For whom, for what and why? A hundred or more years ago, we had poets writing against wars and violence…they still do. Have we learnt nothing from the past, nothing from history — except to repeat ourselves in cycles? By now, war should have become redundant and deadly weapons out of date artefacts instead of threats that are still used to annihilate cities, humans, homes and ravage the Earth. Our major concerns should have evolved to working on social equity, peace, human welfare and climate change.

One of the people who had expressed deep concern for social equity and peace through his films and writings was Satyajit Ray. This issue has an essay that reflects how he used art to concretise his ideas by Dolly Narang, a gallery owner who brought Ray’s handiworks to limelight. The essay includes the maestro’s note in which he admits he considered himself a filmmaker and a writer but never an artist. But Ray had even invented typefaces! Artist Paritosh Sen’s introduction to Ray’s art has been included to add to the impact of Narang’s essay. Another person who consolidates photography and films to do pathbreaking work and tell stories on compelling issues like climate change and helping the differently-abled is Vijay S Jodha. Ratnottama Sengupta has interviewed this upcoming artiste.

Reflecting the themes of welfare and conflict, Prithvijeet Sinha’s essay takes us to a monument in Lucknow that had been built for love but fell victim to war. Some conflicts are personal like the ones of Odbayar Dorj who finds acceptance not in her hometown in Mongolia but in the city, she calls home now. Jun A. Alindogan from Manila explores social media in action whereas Eshana Sarah Singh takes us to her home in Jakarta to celebrate the Chinese New Year! Farouk Gulsara looks into the likely impact of genetic engineering in a world already ripped by violence and Devraj Singh Kalsi muses on his source of inspiration, his writing desk. Meredith Stephens tells the touching story of a mother’s concern for her child in Australia and Suzanne Kamata exhibits the same concern as she travels to Happy Village in Japan to meet her differently-abled daughter and her friends.

As these real-life narratives weave commonalities of human emotions, so do fictive stories. Some reflect the need for change. Fiona Sinclair writes a layered story set in London on how lived experiences define differences in human perspectives while Parnika Shirwaikar explores the need to learn to accept changes set in her part of the universe. Spandan Upadhyay explores the spirit of the city of Kolkata as a migrant with a focus on social equity. Both Paul Mirabile and Naramsetti Umamaheswararao write stories around childhood, one set in Europe and the other in Asia.

As prose weaves humanity together, so does poetry. We have poems from Jim Bellamy and Kajoli Krishnan both reflecting the impact of war and senseless violence on common humanity. Ryan Quinn Flanagan introduces us to Canadian bears in his poetry while Snigdha Agrawal makes us laugh with her lines about dogs and hatching Easter eggs! We have a wide range of poems from Snehprava Das, George Freek, Niranjan Aditya, Christine Belandres, Ajeeti S, Ron Pickett, Stuart McFarlane, Arthur Neong and Elizabeth Anne Pereira. Rhys Hughes concludes his series of photo poems with the one in this issue — especially showcasing how far a vivid imagination can twist reality with a British postman ‘carrying’ sweets from India! His column, laced with humour too, showcases in verse Lafcadio Hearn, a bridge between the East and West from more than a hundred years ago, a man who was born in Greece, worked in America and moved to Japan to even adopt a Japanese name.

Just as Hearn bridged cultures, translations help us discover how similarly all of us think despite distances in time and space. Radha Chakravarty’s translation of Kazi Nazrul Islam’s concerns about climate change and melting icecaps does just that! Professor Fakrul Alam’s translation of Nazrul’s lyrics from Bengali on women and on the commonality of human faith also make us wonder if ideas froze despite time moving on. Tagore’s poem titled Asha (hope) tends to make us introspect on the very idea of hope – just as we do now. At a more personal level, a contemporary poem reflecting on the concept of identity by Munir Momin has been translated from Balochi by Fazal Baloch. From Korean, Ihlwah Choi translates his own poem about losing the self in a crowd. We start a new column on translated Odia poetry from this month. The first one features the exquisite poetry of Bipin Nayak translated by Snehprava Das. Huge thanks to Bhaskar Parichha for bringing this whole project to fruition.

Parichha has also drawn bridges in reviews by bringing to us the memoirs of a man of mixed heritage, A Stranger in Three Worlds: The Memoirs of Aubrey Menen. Andreas Giesbert from Germany has reviewed Rhys Hughes’ The Devil’s Halo and Somdatta Mandal has discussed Arundhathi Nath’s translation, The Phantom’s Howl: Classic Tales of Ghosts and Hauntings from Bengal. Our book excerpts this time feature Devabrata Das’s One More Story About Climbing a Hill: Stories from Assam, translated by multiple translators from Assamese and Ryan Quinn Flangan’s new book, Ghosting My Way into the Afterlife, definitely poems worth mulling over with a toss of humour.

Do pause by our contents page for this issue and enjoy the reads. We are ever grateful to our ever-growing evergreen readership some of whom have started sharing their fabulous narratives with us. Thanks to all our readers and contributors. Huge thanks to our wonderful team without whose efforts we could not have curated such valuable content and thanks specially to Sohana Manzoor for her art. Thank you all for making a whiff of an idea a reality!

Let’s hope for peace, love and sanity!

Best wishes,

Mitali Chakravarty

borderlessjournal.com

Click here to access the contents page for the May 2025 Issue

READ THE LATEST UPDATES ON THE FIRST BORDERLESS ANTHOLOGY, MONALISA NO LONGER SMILES, BY CLICKING ON THIS LINK.

Categories
Musings

The Word I Could Never Say

By Odbayar Dorj

There is a word I’ve never been able to say. Just three letters in Mongolian—“ААВ” (father)—but for me, it’s the most difficult word of all. I’ve never called anyone by that name.

Duut in Mongolia. From Public Domain

I remember second grade in Duut Soum, one of the most remote and elevated villages in Mongolia. It was a small, close-knit place where everyone knew each other. My classmates and I had grown up together—from kindergarten to school, playing outside in the same familiar streets. Because there weren’t many children, each grade had only one class. Ours was one of the largest.

One day, our teacher assigned us to write a composition titled “My Father”. It was a simple assignment for most, but for someone who had never known a father, I didn’t know where to begin. For the first time, I asked my mother for help. I remember her thinking of her own father—my grandfather—and guiding me gently: “Write that when he comes home, it feels like a mountain’s shelter fills the house.”

I wrote exactly what she said and turned in my paper.

Later, our teacher read aloud one of the essays she liked best. To my surprise, she read mine. I was so embarrassed, I wanted to disappear from my seat. I still wonder why she chose it — maybe because it touched her, or maybe because it came from a child imagining what she had never experienced. When she finished, some boys asked, “How can she write about a father if she doesn’t have one?” Their words cut deeply. I didn’t cry, but I wanted to.

From that moment on, every assignment about “father” became something I dreaded. It felt unfair that schools continued to assign such topics, as if everyone had the same kind of family. In a world where many grow up without a father or mother, why do we continue to teach in ways that exclude them?

Despite it all, I’m endlessly grateful to my mother. She raised me without letting me lack for anything. Because I never had a father to begin with, I didn’t know what I was missing—until much later.

In 2022, I came to Japan as a student. It became one of the most beautiful periods of my life. I met many wonderful people, and one of them was Toshio-san.

As summer approached, I was researching places to travel. When I showed Toshio-san my list, he pointed to one place, Shimanto River. “That’s near my home,” he said. “I can help you get there.”

We arranged to meet at the library the following week. Punctual as always, he was waiting at the entrance. We planned to go on August 22, and he suggested we stay two nights instead of one. I agreed. He called a friend to find accommodations and promised to take me to the Pacific Ocean.

Later, he returned from a trip with brochures and snacks for me, but due to rising COVID cases, he suggested we postpone. “But I promise, I’ll take you,” he said. I would have understood if it didn’t happen, but just before classes resumed, he contacted me again. He opened his calendar and asked about October 29–30. I had no plans, so I said yes.

Before leaving, he added, “Oh, one more thing. Do you know Yuto Ishihara? He’ll join us.” I did. Toshio-san thought I might feel uncomfortable traveling alone, so he arranged a friend for me.

I counted the days until October 29.

When the day came, he called at 5:55 a.m., right on time. We picked up Yuto and headed toward Kochi. It was a warm, golden day. Our first stop was Umi no Eki in Toyocho, famous for fresh raw fish. Unfortunately, I dislike raw fish—and raw eggs too, which was part of the breakfast set. When I asked if it was boiled, Toshio-san laughed and explained that Japanese people enjoy mixing raw eggs with rice and soy sauce.

Still, I ate the miso soup and rice and watched the surfers nearby.

“Kochi is known for its waves,” he said, smiling.

We visited a cave near Muroto, one of Tokushima’s 88 pilgrimage sites, and passed through orange fields. “Do you like oranges?” he asked.

“Yes, I love them!”

He immediately called a friend to find the best ones and bought me two bags. I shared a few, then ate the rest happily. Watching me, he said, “What else do you like? I’ll get it for you!” He was sincerely happy to make me happy.

That’s when a thought crossed my mind: What would it have been like to have a father?

I had never asked myself that before. But seeing someone care so sincerely, someone wanting to make me smile, I couldn’t help but wonder: If I had a father, would he have been like Toshio-san?

We visited the famous Hirome Market in Kochi for lunch. I told him I liked karaage (fried chicken), and he got me several types to try. Later, we drove to Tosashimizu. On the way, he talked on the phone—I guessed it had something to do with fish.

By the time we arrived, the sun was setting. We went to Tosashimizu Geopark to see the sunset. Though we were late, the orange glow lingered, and the lighthouse in the distance glowed beautifully.

That night, we visited an elderly woman, nearly 100 years old, who gifted me handmade crafts and an eco-bag. Then we went to a guesthouse run by another friend. Dinner was elaborate, and though they had prepared sashimi, Toshio-san had informed them in advance that I didn’t eat raw fish. They made grilled chicken just for me.

It was then that I realized: that phone call earlier had been for me.

Another guest joined us—a friend of Toshio-san’s who showed me his collection of sea shells and marine fossils, each labeled and categorized. He even gifted me one as a keepsake.

At that moment, I remembered a Mongolian proverb:

“When your father is alive, meet people. When your horse is healthy, travel far.”

I had never been introduced to so many people before. This was what that proverb meant.

The next morning, we woke early to watch the sunrise. Words can’t describe its beauty—the waves crashing, the golden light spreading over the ocean and cliffs, the lighthouse standing tall.

We visited Kawashijima Island, where the sea was so clear we could see fish without any equipment. Later, we had lunch at another friend’s restaurant—a tiny, spotless place where I had the best omurice I’ve ever tasted. While waiting, another friend of his joined us—a lively woman who had worked in elementary school and was now a river master.

Although it was only a two-day trip, I met so many new people and visited countless beautiful places. It became one of the most precious memories of my life—when I truly felt how beautiful this world is, and how many kind-hearted people there are in it. In those moments, I found myself thinking, If I had a father, maybe he would have taken me on a trip like this, introducing me to his friends, just like this.

And in those moments, it felt like the wound I’d carried deep in my heart for 26 years had finally started to heal.
The thought: What if I had a father?

Just be kind. Your kindness may fill someone’s emptiness. It may even heal a wound they’ve been silently carrying for years. Maybe, at that time, Toshio-san didn’t even realize how much of that space he had filled in me. But I truly wanted to say the word I could never say for so many years—father—to him.

Even though we were born in different countries, speak different languages, and live in different cultures, I found the father I had long searched for—in Japan. I haven’t seen Toshio-san since, but if I’m ever asked about my father, I will tell this story again and again.

Because sometimes, it doesn’t take blood to become family.

Sometimes, a kind voice, a shared meal, or a smile from the heart is enough to fill what we thought would always be missing. In a quiet corner of Japan, through simple acts of kindness, I found a sense of belonging—and perhaps, the most unexpected gift of all: a father’s love.

Sunrise in Cape Ashizuri, Tosashimizu, Kochi, Japan. Photo Courtesy: Odbayar Dorj

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Odbayar Dorj is an international student from Mongolia currently studying in Japan. Her writing reflects on cultural identity, personal memory, and the power of connection across borders and generations.

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