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Contents

Borderless, September 2025

Art by Sohana Manzoor

Editorial

Seasons Out of Time Click here to read

Translations

Nazrul’s Karar Oi Louho Kopat (Those Iron Shackles of Prison) has been translated from Bengali by Professor Fakrul Alam. Click here to read.

Five poems by Ashwini Mishra have been translated from Odia by Snehprava Das. Click here to read.

The Dragonfly, a poem by Ihlwha Choi,  has been translated from Korean by the poet himself. Click here to read.

Tagore’s Aaj Shororter Aloy (Today, in the Autumnal Light) has been translated from Bengali by Mitali Chakravarty. Click here to read.

Poetry

Click on the names to read the poems

Ryan Quinn Flanagan, Onkar Sharma, Ron Pickett, Arshi, Joseph K Wells, Shamim Akhtar, Stephen House, Mian Ali, John Grey, Juliet F Lalzarzoliani, Joseph C.Obgonna, Jim Bellamy, Soumyadwip Chakraborty, Richard Stimac, Sanzida Alam, Jim Murdoch, Rhys Hughes

Poets, Poetry & Rhys Hughes

In Soaring with Icarus, Rhys Hughes shares a serious poems. Click here to read.

Musings/ Slices from Life

Parenting Tips from a Quintessential Nerd

Farouk Gulsara relooks at our golden years and stretches it to parenting tips. Click here to read.

Instrumental in Solving the Crime

Meredith Stephens takes us to a crime scene with a light touch. Click here to read.

What’s in a Name?

Jun A Alindogan writes about the complex evolution of names in Phillippines. Click here to read.

Bibapur Mansion: A Vintage Charmer

Prithvijeet Sinha takes us for a tour of Lucknow’s famed vintage buildings. Click here to read.

Musings of a Copywriter

In Demolition Drives… for Awards?, Devraj Singh Kalsi muses on literary awards. Click here to read.

Notes from Japan

In Contending with a Complicated History, Suzanne Kamata writes of her trip to US from Japan. Click here to read.

Essays

The Bauls of Bengal

Aruna Chakravarti writes of wandering minstrels called bauls and the impact they had on Tagore. Click here to read.

The Literary Club of 18th Century London

Professor Fakrul Alam writes on literary club traditions of Dhaka, Kolkata and an old one from London. Click here to read.

Stories

Looking for Evans

Rashida Murphy writes a light-hearted story about a faux pas. Click here to read.

Exorcising Mother

Fiona Sinclair narrates a story bordering on spooky. Click here to read.

The Storm

Anandita Dey wanders down strange alleys of the mind. Click here to read.

The Fog of Forgotten Gardens

Erin Jamieson writes from a caregivers perspective. Click here to read

The Anger of a Good Man

Naramsetti Umamaheswararao makes up a new fable. Click here to read.

Feature

A review of Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal, and an online interview with the translator. Click here to read.

Book Excerpts

An excerpt from Jaladhar Sen’s The Travels of a Sadhu in the Himalayas, translated from Bengali by Somdatta Mandal. Click here to read.

An excerpt from Prithvijeet Sinha’s debut collection of poems, A Verdant Heart. Click here to read.

Book Reviews

Somdatta Mandal reviews Aruna Chakravarti’s selected and translated, Rising From the Dust: Dalit Stories from Bengal. Click here to read.

Rakhi Dalal reviews Mohua Chinappa’s Thorns in My Quilt: Letters from a Daughter to her Father. Click here to read.

Pradip Mondal reviews Kiriti Sengupta’s Selected Poems. Click here to read.

Bhaskar Parichha reviews Kalyani Ramnath’s Boats in a Storm: Law, Migration, and Decolonization in South and Southeast Asia, 1942–1962. Click here to read.

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Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Musings

Bibapur Mansion: A Vintage Charmer

By Prithvijeet Sinha

Writing about Lucknow’s fabled monuments has set me free to regurgitate images and feelings (‘ehsaas‘ as the Urdu equivalent goes) that call for effusive recollections. When the praxis of location and travel stand side by side, words flow out of the material foundations of structures that court our instant awe. Another fabled monument that rewrites the architectural-historical continuum of Awadh in that admirable vein is Bibiapur Kothi (Mansion); there’s just something sturdy about its presence in one of the most beautifully quiet corners of the cityscape.

Blessed by the legendary aesthetic choices of Nawab Asaf-ud-Daula, one of the most prominent architects of Lucknow, and built by architect Antoine Polier and his dedicated team in the latter part of the 18th Century, Bibiapur Kothi is a vision of grandeur. Legend has it that it was a favourite country retreat for the Nawabs as well as a centre for another arcane ritual from the past — hunting.

Like it always happens, visiting this site is like opening a door and entering the mystifying corridors of a past that can never be replicated. The neo-classical architectural style itself is easy on the eyes as spacious arches, halls, high roofs and round pillars — hypnotic ballasts of extreme strength – mesmerize the visitor. An enchanting spiral staircase divides this space into two storeys while the halls and Greek columns, beautifying its iconic exteriors, make us hark back to the glory days of interracial socialization that prevailed here. Lakhauri[1]betweenbricks and majestic stones’ sturdy network further arrests our undivided attention.

Imagine the masked balls, coronations (such as that of Saadat Ali Khan as the legend goes) and exquisite mehfils (musical/ poetic congregations) marked this mansion and its prominence for both for the native and colonial understanding of Awadh’s sensibilities, particularly Lucknow as the harbinger of urban sophistication.

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Even for a modern traveller who can visualise yesteryears’ customs and etiquettes, the place is like a replica for the way the people lived and loved the essence of Lucknow. One can hear the hooves of equestrian sentinels guiding elaborate carriages, imagine a nawab reminiscing of a beloved while beholding the moon from the second floor and guests spread out under these roofs and occupying the hall, deep in conversations that could make or break the cultural sphere of influence tied intimately to regional politics. So, it’s natural that the more credulous storytellers still believe in this space holding fort for ghostly travellers who, it seems, just can’t escape the thrilling sensibilities of this particular realm.

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Bibiapur Mansion is a visual delight. Its current locational axis generates awe for discerning visitors. Today, one has to take a straight drive from the Dilkusha corridor and nestled within the cantonment area beyond an old railway line is this architectural wonder. An army sentry guides us further as we enter the gateway and a world of trees, vegetation, cricket’s unified whispers, quarters and a granary beholden to the cantonment board fall in the pathway. Everything has old-world charm. The passage invites to the visitor like a transcendent experience. Surrounded by ancient trees, some with beautiful forms and thickets relaying the permanence of this area’s timelessness, is this fabled monument.

Sunlight lights up its walls and every now and then a langur(monkey) sprawling his long tail stands guard over the gates. The staircases, spacious compound, arched entryway and the glory of the Greek columns touched by the inimitable mix of lakhauri and current-day refurbishments awe us.

Here at Bibiapur Mansion, everything has a presence. Everything is accessible and iconic. In the absence of noise and marked by surfeits of wonder, we travel to the past while celebrating the immediate moments that brought us to this place.

Here, History and Wonder never sleep for long. Rather they awaken a new sentience.

Photograph by Prithvijeet Sinha

[1]Lime paint and plaster

Prithvijeet Sinha  is an MPhil from the University of Lucknow, having launched his prolific writing career by self-publishing on the worldwide community Wattpad since 2015 and on his WordPress blog An Awadh Boy’s Panorama. Besides that, his works have been published in several journals and anthologies. 

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International