Categories
Poetry

Moonlight

Balochi poem by Bashir Baidar, translated by Fazal Baloch

O kind and gentle moonlight!
In your embrace, hold me tight.
Like a mother, rock me with love
And chant to me the songs of delight.
 
Like the luminous rainbow
On lofty hills and mountains,
Shower pearls of light
On vast fields and arid plains.
 
Look at the downcast hamlets,
The mute and deserted pathways,
Where like a graveyard life stands
Perpetually silent and dismayed.
 
Fathom the pain of the blue sea,
Listen to the shrieks of the tides.
Night cried again the last night,
Look at the dewdrops far and wide.
 
I wonder at these canyons,
Barren caverns, and pastures --
These made wretched by time.
Will your bright scarf ever flutter?
 
If we do not reap the harvest of heads,
Of corpses, floods will not surge.
After all, how will a rainbow form
On earth, if the sky doesn’t rain blood?
 
How long will the night linger on
To kill all the stars one by one,
Smother the twilight over and over again!
Yet, I am sure, there will be a new dawn. 
 
 

Bashir Baidar belongs to the generation of the Balochi poets that emerged on the horizons of Balochi literature in the 1960s. Drawing inspiration from Progressive Writers Movement, Baidar’s poetry is widely cherished for his political undertone. So far, he has published four anthologies of his poetry. This Poem originally featured in poet’s third collection of poetry “Mahikaan” (Moonlight), published by Gaam Publication Gwadar in 2011.

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Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

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Categories
Poetry

Kiyya and Sadu

A part of a Balochi ballad translated by Fazal Baloch with a brief introduction by the translator

Courtesy: Creative Commons

The love story of Kiyya and Sadu is very famous among the Baloch. An anonymous poet has versified the whole story in the form of a romantic ballad in lucid yet captivating language, this story of Kiyya, a young man from western Balochistan, and Sadu, who hailed from Makkuran. When a devastating draught hit the region, Kiyya along with his herd migrated from his hometown and camped somewhere in coastal area of Balochistan. One day by the river, he ran into a fair maiden, Sadu. He was struck by her charm so much that he fell in love with her instantly. He approached Sadu’s father and asked for his daughter’s hand in marriage. Since Kiyya was the member of an illustrious tribe, Sadu’s father accepted his marriage proposal.

A few days later, Kiyya took leave from Sadu’s father asking him that he would come back just in a few days after making necessary preparation for the marriage. However, he did not return in the stipulated time. Time went by. Neither did Kiyya showed up nor did come any message from him. In the meantime, some other men approached Sadu’s father with the desire to tie the knot with Sadu. His father was caught in a dilemma. He had given his words to Kiyya who had almost forgotten his commitment. On the other hand, age was slowly creeping upon her daughter. While, Sadu was not in favour of tying the knot with another man. She wanted to wait for Kiyya. The following poem is the description of Sadu’s message to Kiyya through an emissary bird:

SADU SAYS TO THE BIRD --

O sweet singing lively bird! 
Red-eyed and pretty-winged, 

When you peck from harvested fields,
Bits of spring yields. 
But tiny grains of wild shrubs 
Wouldn’t ever feed ye. 

Come, alight onto the threshold of my hut, 
Away from rest of the flock -- 
I'll feed you with fragrant grains, 
With cardamoms and cloves.

I’ll spread them on my scarf 
And water I’ll give you in a silver cup. 
In the shade of my sable hair 
Perch on my shoulder and chirrup.

Nestle on my lap and sleep. 
Whenever you want to leave, 
Just coo and forewarn me. 
With civet-musk I’ll gild your beak, 
With rose-petals your wings,
I’ll dispatch the clouds of mist 
To sail you over.
 
Come and be my messenger 
From Belau*, all the way to Bahau*.
Of the lay of the land, I'll give you some clues. 
On the land that's called Bahau, 
A long river flows through.

Like Zamzam* its water sweet and scared,
Herds of camels and calves,
Roam and graze on the verdant meadows. 

A dome-shaped tree stands in grace and awe,
Like a camel’s foot appears its leaves,
Like a scorpion’s sting its spikes,
And branches like a tiger’s paw. 

Illustrious men have gathered by the royal court. 
In a row, sit the matchless warriors; 
In the next, the common folks; 
The blue-blooded Kalmatis*, in the third row.

Amongst them, there’s a man 
Dressed in exquisite robes.
Handsome of the most handsome fellows, 
Indeed, Kiyya is distinct 
In appearance and demeanour, 
His waist curved by the quiver,
By the glistening shield his shoulder.

Alight on his turban, chirping 
Ever so gently whisper in his ear, 
The message of Sadu I do bear 
Her message and good tidings.

Kiyya! O, you the unfaithful fellow 
You promised to return in ten days, 
But now it has already been 
Six months and a whole year.
You vowed to return but did not.


The lambs kept for the wedding feast
Have now all grown old.
Worms have devoured the flour.
Birds have pecked away the henna. 
Your bride has lost all her teeth.
The bridal incense has gathered dust.
Come if you must, 
Or henceforth someone else will replace you.

If you’ve fallen in love with someone else,
May death consume her! 
May a headache, a deadly cough 
And a slow fever claim her mother!
May no harm befall you ever!
It’s a loss alone I’m to suffer!

*Bahau: A place in Western Balochistan.
*Belau: A place in Eastern Balochistan
*Zamazam: A well located in Mecca, Saudi Arabia.
*Kalmati: Name of a Baloch tribe.

{Note from the translator: There are more than one version of this ballad with substantial difference in the text. This is an assortment of different sources primarily from Meeras, (The Heritage) (4th edition) compiled by Faquir Shad, and published by Fazul Adabi Caravan, Mand in 2016}

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

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Categories
Poetry

Balochi Poetry by Munir Momin

Translated by Fazal Baloch

Courtesy: Creative Commons
WAKEFUL STAYS THE DOOR  

Fear—a lustrous ring
gleams in a moment 
and fades in the next.
The wind sweeps through
the streets and alleys.
When silence clings to one’s feet,
voices echo into existence.

After all, how long,
how long can dogs bark?
The moment, the heart regresses,
eyes make a retreat.
Just a while before they withdraw,
a shred of cloud appears beside the moon 
and veils the ring.
Dreams hold the
whole world in a pledge. 
Wakeful just stays the door.

Night waits for the moment
when the maidservant drifts to sleep.
From collar to sleeves
down to the edge of the lap,
whispers of her robe float in the wind.
But who would hear that?
Mountains fly like birds,
but who would see them?

Lamps go down into the graves of eyes
and whispers entwine around the hands.
Onlookers who bear witness cease to exist.
Without any aim or purpose,
Wage or greed,
Words or vow,
wakeful stays the door.

Munir Momin is a contemporary Balochi poet widely cherished for his sublime art of poetry. Meticulously crafted images, linguistic finesse and profound aesthetic sense have earned him a distinguished place in Balochi literature. His poetry speaks through images, more than words. Momin’s poetry flows far beyond the reach of any ideology or socio-political movement. Nevertheless, he is not ignorant of the stark realities of life. The immenseness of his imagination and his mastery over the language rescues his poetry from becoming the part of any mundane narrative. So far Munir has published seven collections of his poetry and an anthology of short stories. His poetry has been translated into Urdu, English and Persian.  He also edits a literary journal called Gidár.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Dancer: A Balochi poem by Bashir Baidar

Translated by Fazal Baloch

Courtesy: Creative Commons
O dancer!
Come and dance
with ecstasy and trance
to set my heart aflame.

This dark and ebony night
may never see dawn's light.
May the jingle of your anklets
never cease into silence,
even for a moment.

As long as lingers the hangover, 
Move forth, stretch out your hands
and see how the colourful cash floats.

Why think of honour and modesty?
You're helpless, so am I.
You're famished, so am I --
You, for a crumb of bread.
I, of an anguished heart.
Who is chaste? Who is wanton?
Who is innocent? Who a sinner?
I know each and everyone.
Sealed are my lips.

These perfidious Masters and Chiefs,
shameless Mullahs and Pirs,
blood sucking oppressors
Are Man's eternal enemies.

Keep shaking your body,
till it crumbles apart
and all your organs shatter
like crystal on the floor.

O dancer!
Come and dance
With ecstasy and trance
And set my heart aflame.

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Bashir Baidar belongs to the generation of the Balochi poets that emerged on the horizons of Balochi literature in the 1960s. Drawing inspiration from Progressive Writers Movement, Baidar’s poetry is widely cherished for his political undertone. So far, he has published four anthologies of his poetry. This poem is taken from Gowarbam (second edition) published by Pak News Agency Turbat in 2021.

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Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Desolation: A Poem by Munir Momin

Translated from Balochi by Fazal Baloch

Courtesy: Creative Commons
Why didn’t you bring along the fire, 
embers of pain or snow clouds?
Perched on the green meadow,
I wonder if it’s a bird or its silhouette,
looking all alone at the city 
of its solitude 
like a handful of breeze 
someone held frozen in his hand.
If you move a few steps westward,
you’ll see life is a flock of birds
in a playful flight above
the surface of water.

Today, the eventide yielded 
my exhausted soul as
an empty vessel of melodies
and a wound inflicted by stillness
wrapped in a melancholy haze.
Today there lingers nothing
between the heaven and earth, 
neither a gaze, nor a scene, 
nor even I --
no call, no gimmick
to thrive in solitude.

Ages after
the wind seemed to have come to life again,
so did the statue of solitude.
It raised its eyes 
and saw the wind carry an epistle as
the cloud melted in its crystalline eyes.

O, pigeon!
If a tyrant monarch
forces upon me 
his quietude, pain and solitude
I, in that very moment will
join the ranks of a fierce legion
and mark for myself a grave
in the battlefield.

Munir Momin is a contemporary Balochi poet widely cherished for his sublime art of poetry. Meticulously crafted images, linguistic finesse and profound aesthetic sense have earned him a distinguished place in Balochi literature. His poetry speaks through images, more than words. Momin’s poetry flows far beyond the reach of any ideology or socio-political movement. Nevertheless, he is not ignorant of the stark realities of life. The immenseness of his imagination and his mastery over the language rescues his poetry from becoming the part of any mundane narrative. So far Munir has published seven collections of his poetry and an anthology of short stories. His poetry has been translated into Urdu, English and Persian.  He also edits a literary journal called Gidár.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Stories

Clothes of Spirits

A Balochi Folktale translated by Fazal Baloch

Balochistan. Courtesy: Creative Commons

Once upon a time there was a certain kingdom somewhere on the earth. The moment night set in, thieves and robbers would let lose all across the kingdom. Despite all efforts from the king, the robbers were not contained. One day, the king, his emirs and viziers all put their heads together to devise an effective plan. At last, one of the viziers floated the following idea:

“Let’s us call the day the night, and the night the day. It is the only way to protect our people”.

The king liked the idea very much and immediately he issued the decree asking the people to start their day after the sunset and mark the sunrise as the beginning of the night. Initially, many people violated king’s decree and they were subsequently hanged. In due time, the unusual routine ensued in the kingdom. People slept during the day and resumed activities at night.

One day two strangers arrived in the city at midday. They went to a shop. The shopkeeper was asleep. They were looking around the shop, when the shopkeeper woke up and caught saw them. He instantly presumed they were thieves and accused them of shoplifting.

“We are no thieves. We have come to get some merchandise,” said one of the strangers.

“Why did you come so late in the night?” asked the shopkeeper.

Confounded by shopkeeper’s remarks he quipped: “Night? It is not night! Rather it is midday”.

The shopkeeper accused them of violating king’s decree and subsequently dragged them to the king’s court. The king told them that he would investigate their case in the daytime. Meanwhile, they were locked in a room. They were astounded by the strange behaviour of the king and his subjects. At night – the time they took to be the day — the king summoned the two strangers and asked them the purpose of their visit to the city.

“We are no ordinary folks. Rather we are royal tailors from the neighboring kingdom. We sew clothes for spirits”.

The king said: “How do these kinds of clothes look?”

“Only the legitimate sons of their fathers can see these clothes,” the man replied.

The king provided them with a sewing machine and asked them to sew the clothes. Later on, he asked his vizier to see if the clothes were ready. The vizier walked over to the room allotted to the strangers. They were absorbed with the sewing machine. The vizier drew nearer to the men and asked them about the progress in their work.

“The shirt is all done. We are half way through the trousers.  Isn’t it visible to you?” Surprisingly asked one of the men.

The vizier was quite confused. He couldn’t find any clothes there but he reckoned any negative answer would mean he was not his father’s legitimate son.

Hence, he said: “Of course, it is. It looks beautiful”. Then he cleverly asked them: “Where is the shirt?”

“It’s there in the box. See it for yourself.”

The vizier opened the box. It seemed empty, but he exclaimed: “What an exceedingly beautiful shirt!”

Then the vizier walked over to the king and told him that the clothes looked wonderful. Then the king strolled into the room. The vizier asked him to try the clothes on. The king opened the box. Lo, it was empty! He knew any remarks about the invisible clothes would call the legitimacy of his own birth into question. Thereupon, he peeled off his clothes and pretended to wear the clothes of spirits. He was naked but the vizier asked the people to clap and praise him new clothes. The king made a detour around the city. Everybody clapped and admired him being clad in the spiritual clothes.

The next day he issued another proclamation asking his subjects to wear the clothes of spirits. A few days later, the king invited the king of a neighbouring kingdom which was the home of the two strangers. When the king arrived there, he was astonished to see that nobody had a thread on their body and they slept during the day and worked at night. Then the two strangers whispered the entire story into his ear. The king said: “Let’s hurry off; otherwise they will force us to wear the clothes of spirits.”

This folktale has been translated from a retelling by Ghulam Jan Nawab in “Cher Andaren Neki” (The Hidden Virtue), a collection compiled by Ghulam Jan Nawab and published by Chammag Chap o Shing in 2021.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights from the publisher.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Today’s Child by Atta Shad

Translated from Balochi by Fazal Baloch

Courtesy: Creative Commons
Today’s child,
Tomorrow’s father,
A star of hope for the days ahead,
May you forever glow like moonlight!
 
From the ocean of the sky,
Countless stars sprinkle pearls of light.
Yet the dark night
Spreads out its tattered cloak.
Howsoever, it remains bright
Night is but night.
 
The moon is alone --
But it's a beacon of light,
The spirit of tomorrow’s hopes,
The soul of the night nibbled, glows
A harbinger of dawn,
A gift of the morn.
 
Countless are the stars
The moon is alone.
But absolute is its light.
 
Today’s child,
Tomorrow’s father,
Your little world --
Whether you drag it into a dark night,
Or illuminate it with moonlight.
 
Today’s child,
Tomorrow’s father,
A star of hope,
May you glow like the moonlight!
 

Atta Shad (1939-1997) is the most revered and cherished modern Balochi poet. He instilled a new spirit in the moribund body of modern Balochi poetry in the early 1950s when the latter was drastically paralysed by the influence of Persian and Urdu poetry. Atta Shad gave a new orientation to modern Balochi poetry by giving a formidable ground to the free verse, which also brought in its wake a chain of new themes and mode of expression hitherto untouched by Balochi poets. Apart from the popular motifs of love and romance, subjugation and suffering, freedom and liberty, life and its absurdities are a few recurrent themes which appear in Shad’s poetry. What sets Shad apart from the rest of Balochi poets is his subtle, metaphoric and symbolic approach while versifying socio-political themes. He seemed more concerned about the aesthetic sense of art than anything else.

Shad’s poetry anthologies include Roch Ger and Shap Sahaar Andem, which were later collected in a single anthology under the title Gulzameen, posthumously published by the Balochi Academy Quetta in 2015. The translated poem is from Gulzameen.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights of Atta Shad from the publisher.

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Categories
Stories

Even A Simurgh Cannot Change Destiny

Balochi folktale translated by Fazal Baloch

A simurgh flies over a princess. Courtesy: Creative Commons

Once there lived a king who had a daughter who no one wanted to marry. The king summoned all soothsayers, palmists, astrologers and fortune-tellers of the land to determine the fate of his daughter. They all came to the conclusion that the child who was in his brother’s wife’s womb would marry his daughter. The king however was hostile to his sister-in-law and did not like her at all. Moreover, by then his daughter was twenty. He also felt by the time his nephew would grow old enough to marry, his daughter would have passed the marriageable age. The king had asked his brother to divorce his wife many times, but he brusquely refused.

One day when his brother went on a hunting expedition, the king summoned his men and commanded them to take his brother’s wife to a forest and rip her belly open. The servants did exactly what the king directed them and hurried back to the palace. In the meantime, a shepherd walking nearby noticed the woman lying dead with a baby wriggled in her womb.

Ironically, the shepherd did not have any child. He extracted the baby out of mother’s womb, and carried it to a midwife to get his umbilical cord cut. The shepherd and his wife were so happy that they could barely sleep that night.

Time passed. The boy grew into a handsome youth. One day, the king set out on a hunting trip. Wandering about the jungle, thirst overwhelmed the king’s party. They went to a hamlet in search of water. The king, leading the caravan made it to the nearest wigwam which coincidently belonged to the shepherd who was out then. The shepherd’s son, who actually was king’s nephew, brought water to the members of the royal caravan. The king was stunned by appearance of the boy. He was very handsome.

He asked the young man, “Whose son are you, boy?”

The boy said, “I am the son of the shepherd.”

But the king did not believe him. He called for shepherd’s wife and inquired of her: “Who are the parents of this boy? I’ve heard you don’t have any child.”

The shepherd’s wife retorted, “O Sovereign! The boy first belongs to the Almighty Allah, and then he is my son”.

In the meantime, the shepherd arrived and noticed the king looked angry. He had barely exchanged greetings with the gathering when the king bluntly asked him, “Hey shepherd! Whose son is the boy?”

He humbly answered, “Your Majesty! He is my son”.

The king looked askance at him and said, “The boy does not resemble any of you. How come you say he is your son?” King’s anger peaked. He threatened the couple,

“Tell me the truth otherwise I will cut the boy into two halves”.

The helpless shepherd admitted: “O Honorable king! Let the lie be separated from the truth. He is not my blood but I’ve brought him up. Many years ago, I went to pasture to tend my cattle herd, I saw a woman lying on the ground with her belly ripped open and the baby was in her womb. I took the baby home. The handsome young man who is now standing before you, is the very baby whom we brought up”.

The king knew the woman was his brother’s wife and the baby was the child who the soothsayers had declared a groom for his daughter. The desire to kill the boy sprang in king’s heart in that very instant.

The king immediately wrote a letter to his vizier addressing him: “The moment this boy delivers the letter, kill him. Carry his dead body to the graveyard with great pomp and show. I will join you there”.

He gave the letter to the boy and instructed him to deliver it to the vizier. The boy set out on his mission. He reached his destination by midday. It was summertime and everyone was asleep. The young man tucked the letter in the fold of his turban and paused by the king’s palace to beat out the heat and eventually drifted off to sleep.

Heaven knows at what moment a maidservant noticed a handsome young man was lying asleep at the door. She rushed to the princess and informed. The princess followed her out of the palace. When princess’ eyes fell on the boy, she almost stunned. When she drew a little close to him, she noticed a piece of paper tucked in the fold of his turban. She gently extracted the letter and read it. She figured out her father’s handwriting and became aware of his intentions. Thus, she hurried back to the palace and addressed a new letter to the vizier. She wrote: “The moment this young man delivers you the letter, solemnize his marriage with my daughter amid great celebration before my arrival.” She scrawled her father’s signature at the bottom of the letter and tucked it back in the fold of young man’s turban.

In the evening the boy got up and walked over to the vizier and hand delivered him the letter. The vizier after having gone through the letter gazed at the handsome boy and was convinced that at last the king had found a young man who deserved to be the husband of the princess. The vizier sent for a mullah to solemnise the marriage.

Later in the day when the king leading his caravan reached the graveyard, there was nobody there. The sound of drumbeat was coming from the palace. The king sent a servant to his vizier and asked him if he had performed the task he had been told of. The vizier replied in affirmative and asked the servant to tell the king to come and see with his own eyes.

When the king arrived, he was furious. He asked the vizier for the corpse of the young man. The vizier was taken aback. He asked the king, “Whose corpse?” The king said that he had written asking him to kill the young man bearing the letter. He had further instructed he wait with his dead body at the graveyard for his return. The vizier was confounded. He went and brought the letter he had received and presented it to the king. When the king read the letter, he too was surprised to see his signature scrawled at the bottom of the letter but there was not a word about young man’s murder.

Thus, he was convinced that “Even a simurgh[1] cannot change one’s destiny”. His daughter was destined to marry with his nephew. And what is written in the destiny cannot be changed by one’s desire.

(This folktale was originally published in Gidar-12 January  2021 retold by Sadiq Saba. Fazal Baloch has the translation rights.)

[1] The simurgh is a mythical bird. It is believed that whosoever has this bird will have whatever they desire for.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

.

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Categories
Stories

The Clay Toys and Two Boys

By Haneef Shareef, translated from Balochi by Fazal Baloch

Courtesy: Creative Commons

The boy smashed his clay toy and threw its pieces into the sewage water. He did not like his friend’s father at all because he never bought toys for his son. He loved his clay toys because his friend always lamented that he did not have any kind of toy. But despite his insistence he refused to carry his toys home. Not even once.

They always met at the corner of the street and played there by the sewerage line in front of his friend’s house. His mother took all household chores upon herself and deputed the servant at the door to keep an eye on her son.

His friend lived somewhere in the western side of the street. He always emerged in the western corner of the street and went back in that direction. He always said that the sewage water flew by their house. If something fell in it, it would resurface by their house. But he never told his friend exactly where he lived. Nor did he ever reveal if the window of their house opened to the south or north. Nor did he say, when the wind blew, in which direction the jujube fruits would fall. He also did not reveal if they lived in a government quarter or in a rented bungalow or had a house of their own.

They just met at the corner of the street and played there and smiled at being the co-owner of the sewerage line. A few times they made up their mind to step into the water and retrieve the toys lying buried in its bottom but every time, at the last moment, courage failed them. The sewage water was dark, full of waste and it also ran deep. And on top of that, they were just two small boys ironically looking for clay toys and that too in the bottom of sewage water.

They sat at the edge of the drain and played there. They built kingdoms and ruled over them like kings. At times they made fields and meadows, raised their hands to pray for rain. some other times, they became herd owners. Every day they scored new marvels. Shopkeeper, street vendors and people around them smiled even at times they laughed at their innocent adventures. It was small world — transparent like water — hung by a thread. As the sun went down the horizon, they took leave of each other hoping to meet on the next day. His friend had aligned his routine with sun. The moment the sun set, he would say goodbye to his kingdom and leave for home. Thereafter, his friend piled up the toys and the servant put them in the basket and carried his little master against his chest leaving behind the kingdom of two little kings in darkness.

Heaven knows which day of the month it was, when for the first time his friend did not turn up there. He piled up his toys, laid down rules and roadmaps for his kingdom but the second king had not arrived yet and his subject was nowhere around the kingdom. He waited for him till dusk, but he did not come. Then along with his servant he went looking for his friend’s house. They passed through several lanes and streets and finally stopped at a door by the edge of the sewerage line. The branches of a jujube were dropping on the wall. It was not obvious if it was a rented house, a government quarter or someone’s private property. The boy assumed it was the house his friend lived in. But its doors and windows were closed. Lamps and light had been blown off. They put their ears against the walls, but they could not hear any human voices. A flock of sparrows were singing in the jujube tree. Otherwise, everything was shrouded in silence. An old rusty lock was hanging on the door bearing witness to all past seasons.

For the next three days the boy waited for his friend, but he did not turn up. He spread the toys on the ground and waited for him. As the sun set and dusk fell, lamps were lit in the neighborhood. The young boy held his servant’s hand and went to the closed door where he thought his friend had lived. As usual, the place was shrined in silence. They stayed there for a while and then the boy looked at the servant. They exchanged gazes. The servant carried the basket of toys on his head. His little master followed him.

However, one Thursday, the two friends ran into each other at the corner of the street by the bank of the sewer line. He did not tell his friend where he was all that while nor did the boy reveal that he had found his home silent and locked.

A few days later, the young master’s father took him to the school. His mother insisted that he was five years old—still too young for the school but his father believed he was seven. They argued with each other. His father won. The boy insisted on taking his friend along. However, his friend had never appeared in the mornings. A few times, he thought he saw his friend at school. He seemed to be wandering alone in middle of the noise of hundreds of children. After that, he disappeared.

The two friends always met in the evening. No questions were asked by either of the young boys focused on their games.

One day when his friend arrived in the evening, he noticed tears in his eyes and his face looked pale. On that day, he went home early taking his friend’s clay bull along. The next day when came, he looked a little anxious. The bull was broken into two pieces. His friend did not ask him what had happened to it. Nor did the boy tell him anything about it. They tried a lot to join the broken parts of the bull, but they failed in their attempt. For a moment, the boy felt like crying loudly but he held back his tears.

They dug a little grave by the sewage water and buried the remains of the bull there. On that night the boy cried incessantly. In the morning, he told his teacher that his bull died the day before and that was why he was late. But his teacher was angry that he failed to distinguish between a truth and a lie. He thought the boy was too young to own a bull. Thus, he thrashed him like other naughty children.

In the evening the boy wanted to tell his friend that he was beaten by the teacher, but he could not. The boy plastered the grave with clay and erected a little epitaph on it. His looked at him and smiled. At dusk the boy called his brother, who in the glow of the lamp wrote on the stone ‘My Bull’. When they reached at the door, the boy halted, as if he remembered something. Thus, they turned back to the grave. Now, the epitaph on the grave read ‘Our Bull”.

My Bull…. Our Bull….The crowd….The door….The servant….The clay toys and two boys and the drain. It was a different world.

A few days later, the gap in their friendship began to widen. The boy stopped coming regularly but his friend always waited for him at the corner of the street with his clay toys piled up before him. Perhaps his companion had forgotten someone was waiting for him at the corner of the street. He felt quite lonely in the middle of the clay toys.

One day when the boy did come, he was shocked to discover that the grave of ‘Our Bull’ had been dismantled by someone. The remains lay scattered. He anxiously looked at the crowd bustling around. There was no trace of his friend. He picked up the pieces of the clay bull and threw them into the drain. Now, when there was not any trace of the ‘Our Bull’ he desperately wished not to have his friend over. Not in that hour of grief at least. He sat at the empty grave of the ‘Our Bull’ fearing the arrival of his friend. But he did not turn up.

The next evening when his friend arrived, he found the grave had been renovated. He scanned the heap of the toys, but the new clay bull was not there amongst the toys. His friend told him that he broke and buried it in the very grave. His eyes welled up and voice almost chocked. He admitted that it was he who dismantled the grave. His friend was shocked to hear it. For a while the whole world came to a halt, the sewage water stopped flowing and he felt himself all alone in a never-ending labyrinth. He could not ask him why he dismantled the grave nor did his friend tell him the reason. On that evening they did not play at all. They did not build kingdoms and did not dispatch emissaries to the neighbouring kingdoms. The boy had his eyes fixed on the pile of the clay toys and his friend sat by the grave and vacantly gazed at sewage water flowing in silence. The evening passed into dusk and on the foundation of the dusk, the night eventually erected it walls around the neighbourhood.

The next evening, the boy waited for his friend, but he did not show up. The street was crowded. Indifferent people were treading back and forth. For a moment the boy tried to find his friend in the jungle of people but, in the next moment, he gave up.

A month passed by but there was again no trace of his friend. One day, he took his servant and went to his friend’s house. They sat for a long time at the door, but nobody came out. Then they knocked the door, called out loudly but nobody responded. As the evening shadows lengthened, the boy for the first time realised that there was not a single house by the bank of the drain. Rather it flowed through the entire neighbourhood, bustling with young and old men and women, children, boys and girls and flock of goats. But the companion of his evenings, the co-owner of the ‘Our Bull’, was nowhere to be seen.

Nobody in the neighbourhood knew the boy. They believed he did not live there. Rather he came from somewhere else. But from where? Nobody had the answer. The boy did not know anything about him either.

The sun was setting. The boy started musing. He cast a look at the crowd and started crying loudly. The servant tried to console him but to no avail. He carried him back home. He continued to cry inconsolably. Then he told everybody that he knew where his friend had gone. He told them that he knew why he did not come back. Thus, he asked the servant to step into the sewage water. The servant was knee deep in the drain with stones, pebbles and pieces of broken glasses under his feet. He could not find anything. The servant grumbled and so did boy’s mother. The shopkeeper and the customers smile and laughed. But the boy was sure that his friend had stepped into drain looking for the pieces of the clay bull.

From then on, the boy broke his clay toys and threw them into the sewer hoping that they would be flown to his friend so that he would know he, his friend, was alive and waiting for him beside the grave of ‘Our Bull’.

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Dr. Haneef Shareef, a trained medical professional, is one of the most cherished contemporary Balochi fiction writers and film directors. So far, he has published two collections of short stories and one novel. His peculiar mode of narration has rendered him a distinguished place among the Balochi fiction writers. He has also directed four Balochi movies.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. He has the translation rights to Haneef Shareef’s works.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Stories

Hasan Sol: A Balochi Folktale

Translated by Fazal Baloch[1]

Balochistan. Courtesy: Creative Commons

Once there lived a poor man. Despite all his efforts, he could not beget any offspring. The grief of being childless had almost emaciated him. Most of the time he remained grief-stricken.

One day he left his home and took the route to the jungle where he reclined against a giant jujube tree. He decided not to move unless he was blessed with a child. A couple of days later a voice in the tree addressed him: “Man! Why don’t you leave me alone? I’ve named this tree after my own name. It is my dwelling. I have left the entire world for humankind and spared this tree for myself. Here I worship my Creator. Please leave me alone.”

The poor man said: “O, holy fakir! I am an unlucky man. I have no child. I have decided not to leave the tree unless I am blessed with a child. No matter if I die of thirst or hunger, I’m not going away”.

The fakir said: “Go home you will be blessed with a child, If it happens to be a boy, it is all yours but if it turns out to be a girl, you are bound to marry her with me. I will be your son-in-law”. The fakir continued, “If he’s a boy, his name will be Hasan sol, and in case of a girl, her name will be Nokmadina”.

The poor man replied, “Master! I am a Baloch. I will honour my promise”.

Nine months later he was blessed with a girl. As advised by the fakir, he named her Nokmadina. Time passed by and Nokmadina grew up. One day, along with other girls and womenfolk of the hamlet, she went to the jungle and walked over to the giant jujube tree to pluck its ripened fruits. The moment she stretched her hand, she felt her scarf had entangled with a branch of the tree. Despite all her efforts, she could not free it. She heard a voice addressed her: “Nokmadina! Ask your father to honour his promise”.

She immediately left for home but forgot to convey the message to her father. The next day when she went to the jungle, the same voice echoed again but Nokmadina couldn’t remember either. On the third day, when the jujube branch held her dress, Nokmadina apologised to it that she couldn’t remember his message.

The voice emanating from the tree said, “If you put your hand in the jar to pick up a dry date, a wasp will sting your finger and remind you of my words.”

She freed the hem of her scarf and quickly rushed towards home. Unmindful of the fakir’s words, the moment she ran her hand into the jar, the wasp stung her, and she broke out crying. Her father rushed to her and asked her what had happed to her. She recalled and told her father what the fakir had been telling for the past three days.

Her father did remember his promise. Though he did not want to marry his daughter with the fakir, he still wanted to fulfil his promise. His wife said, “May the Holy Quran cripple the old fakir! Do you have the heart to abandon your grown-up daughter in a jungle at the mercy of wild beasts? I am not going to allow you”.

The poor man said: “I’ve to honour my words. Let’s settle with whatever our fate has for us. First, we didn’t have any child. When we were blessed with one, it turned out to be a girl. And I have to marry it with the tree”.

Then he turned to his daughter and told her to be ready for he was going to leave her in the custody of the jujube tree the next morning. Everyone in the house including the girl and her mother cried inconsolably.

The next day he held Nokmadina’s hand and walked down to the jujube tree. Hasan Sol descended from the tree and they solemnised the marriage accordingly. Nokmadina’s father took the road back home.

Hasan Sol had already two ghoul-wives whom he visited every Friday in Mount Qaf and stayed with them for three days. He asked an old crone to stay with Nokmadina during his absence. Feeling envious of her, the old woman put Nokmadina in an underground den nearby and placed a huge rock on its opening so that she could not come out. When Hasan Sol returned, she produced her daughter before him and said, “Your wife has grown prettier than ever.”  On the other hand, she secretly fed Nokmadina with just a few morsels.

On a Friday morning, when Hasan Sol was about to leave, a dove perched on the tree. He shot at the bird and put it in the oven to roast it. Suddenly, the birds said: “The old woman has put Nokmadina in the den and brought her daughter in her place”. The bird repeated it over and again.

Hasan Sol thoroughly scanned her wife to determine the truth. He concluded that the bird was right.  Hence, he held her hand, spun it in the air and hurled it off like a stone in the sling. She landed beyond seven mountains. Nobody found any trace of her. Then he called out the old woman. He seized hold of her legs and thrusted them beneath the ground. Then he went to the nearby mountains to look for Nokmadina. He searched in each cave and cavern but could not find any trace of her. On his way back, he heard someone’s groan coming out of a jackal-den. He removed the rock from its opening and helped Nokmadina out and carried her home. When she fully regained her senses, Hasan Sol told her that he was going to Mount Qaf to visit her ghoul-wives. He warned her thus, “Never follow me. The road to Mount Qaf is long and tedious. You will wear out seven pairs of shoes made of steel, till you reach there. The ghouls will kill you there.”

When Hasan Sol flew off, Nokmadina made it to an ironsmith and ordered seven pairs of shoes made of steel and set out for Mount Qaf. After a long and tedious journey, having worn out all seven pairs of shoes, she finally reached the Mount Qaf.

A few children were playing at the door of a garden. She asked them if they knew anything about Hasan Sol. One of the children said that the very garden belonged to Hasan Sol and he would come there for his ablutions. She put her ring in the earthen jar, which he used to store water for cleaning himself, and hid behind a tree.

A little later, Hasan arrived there. When he noticed the ring in the bottom of the jar, he overturned and spilled the water on the ground to retrieve the ring. He assumed Nokmadina had disobeyed him and made it there. He asked the children if they had seen someone around.

The children told him about Nokmadina who was hiding behind a tree.

Hasan Sol walked over to her and asked her why she came there. He advised her to be careful otherwise the ghouls would eat her flesh. Hasan Sol transformed her into a knife and slipped it into his pocket and went home. The moment he got there, his ghoul-wives blurted loudly, “Human Smell! Human Smell.”

Hasan Sol said, “Where is the human? There’s no human but me. Are you want to eat my flesh?” He picked up spear and with great effort, he managed to silence them. He took his meal and strolled towards the garden where he transformed Nokmadina back into a human and together with her, he ate his meal. Then Hasan Sol transformed her into a pomegranate and tucked in a tree and told his ghoul-wives, “This pomegranate is meant for a sick man. Whosoever lays her hand on it, I will gouge out her eyes”.

When Hasan Sol left, the wives suspected it was a human. Thus, they cut a small piece and shared it together. When Hasan Sol returned, he asked them who spoiled the pomegranate in his absence. But they feigned ignorance. In the very instant, Hasan Sol transformed her back into a human and found out her that the ring on her little finger was missing. Infuriated, he shouted at them and said, “I swear by my sanctity, next time if you even touch her, I will tie you with chains and throw you before the dogs.”

One day when Hasan Sol had gone on an errand, one of the ghouls called Nokmadina and said, “You damn good-for-nothing human! Go to our mother’s house and bring us hair oil, comb and mud-soap.” They also gave her a letter as well. She complied and left. Midway through, she saw Hasan Sol who asked her where she was heading.

“I am going to deliver the letter to your mother-in-law,” she replied.

Hasan Sol asked her to show him the letter.

It read, “The moment this daughter of human delivers you the letter, kill her.” Hasan Sol changed the letter and wrote instead: “She is your granddaughter from your youngest daughter.” He further advised her thus, “Down the road you will see a dog with some grass before it and a goat with a piece of bone before it. Place the grass before the goat and the bone before the dog. Some distance further, you will find a mosque, replace its old mats with new ones. Then you will come across a dry pond. Unblock the watercourse and fill it with water.”

Nokmadina did exactly what Hasan Sol had advised her. When she delivered the letter, the ghoul woman hugged her and showered her with boundless love and affection. Nokmadina noticed a cage with four doves in the house. She asked her about them. The woman said: “One is my spirit; second one is your mother’s; third one is your stepmother’s and the fourth one is their grandmother’s”.

She took the cage and trampled the dove that was her co-wife’s sprit and ran off. The woman chased her. When she reached near the pond, she called the pond to stop her but the pond told her that she filled it with water a while ago so it would not stop her. When she drew close to the mosque, the woman asked the mosque to not let her go, but the mosque said that a while ago she replaced its mats, so it let her go. Then she asked the goat and the dog for the same, but they too refused as she fed them a while ago. At last, she reached Hasan Sol’s garden. When he saw the cage in her hand, he said, “Lo! You brought the cage along”.

“Why shouldn’t I? They don’t let me live. So now I’m not going to spare them either”, remarked Nokmadina.

“Alright. Kill all of them,” said Hasan Sol.

So, the story ended. And they headed home.


[1] This folktale is translated with permission from Geedi Kessah-4(Folktales Vol: 4) compiled and retold by Gulzar Khan Mari in Balochi, published by the Balochi Academy Quetta in 1971.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL