Categories
Musings of a Copywriter

Libraries and Me

By Devraj Singh Kalsi

From Public Domain

The school library was the place we were herded to once every week. Although a few of us were booklovers, the brief period of relief and relaxation inside the large, airy, and sunlit room stacked with books, bookshelves, and desks made us fake an immersive experience of reading bliss. 

Contrary to the orders of Lobo Sir, our librarian who always emitted strange noises to remind us to maintain pin-drop silence, we occupied the window seats to gaze at the panoramic world outside and discuss what appeared in sight. It was more engaging, refreshing, and rewarding as an activity. I was not one of those smart, gifted fellows who focused on the brittle pages of the heavily borrowed titles to impress teachers.

Observing the lush green trees and the slow movement of traffic on the macadamised road outside the campus became the new pastime — punctuated with furtive, irksome glances at the middle-aged librarian who saw potential book thieves lurking within us. His long hands groping our pants and bellies during the mandatory exit check to locate books hiding inside never quite managed to reach the exact spot where books were hiding within some of us: inside our fecund, curious minds.

Most of the students were not fond of reading or stealing books when there were far more precious items like hearts waiting to get stolen outside the campus during those teenage years. Impressing the girls from the nearby convent with our natural gift of storytelling evinced an encouraging response and for us, it was a firm confirmation that holding a book in hand was less likely to catch their interest.

Keeping the library card was an obligation so we had to borrow at least one book in a month, get it stamped, and then return it within a week without further tears to avoid a hefty fine. It was wise to show the librarian the pages already torn, dog-eared, smeared with ink, or doodled with arrows piercing the hearts as his memory never failed to identify new signs of damage to the books and he would insist on replacement or recovery of its full monetary value at the given time.

Considering the perils of borrowing books from the library that made us careful about spilling tea or coffee or  noodle (stuck between the pages) or tomato sauce dots ruining the cover, I decided that I should buy the book and then read it without any fear, even if it involved buying from a second-hand bookshop. With a strong sense of possession and freedom to toss and turn around, I felt free to place a tall glass of cold coffee on it and read it the way I liked. The sense of reading with a free mind had no substitute. Borrowing titles from the library did not inculcate this sense of freedom.

The possibility of forgetting a storybook inside the bus or train was high. Even tears would not convince the librarian to waive the costs if we lost it in transit even though its condition was nothing close to mint. Some of us took the library titles home, kept them in the safest custody of parents and then carried the titles back to school without reading a single page. Of what use was such trouble we could not fathom but negative thoughts resonated more, keeping us mired in anxiety.

Only the toppers borrowed classics to read and discuss with teachers what they grasped. The teachers agreed with their insights and analysis in a bid to sound encouraging even if what the high achievers said made little sense. It was a source of collective victory that some students showed the potential to read classics and match the wavelength of teachers whereas we could not go beyond the popular, readable titles.

The desire to read for fun and pleasure was stronger than the urge to read for knowledge during our school days. ‘Read more’ was the repetitive message from teachers even before it caught our attention as the tagline of a global publisher. Every teacher suggested serious reading to build our command over the language though we had no estimate of its utility except for those aiming for academics. Reaching college gave us a comforting truth — acquired from visiting bookstores in the neighbourhood: it is possible to become a writer without the ballistic power of vocabulary. Several successful authors wrote simple yet powerful prose even if their works were not considered fit for inclusion in school libraries.  

Library trips made a comeback in my life at the university level due to my interest in spending more time in pursuit of a girlfriend who was fond of taking notes from various texts inside the library. While acquiring knowledge was not my goal, I chose to sit with a title and observed her fondness for the written word as she wanted her answers to be unique and well-researched.  The slow, whirring fan turned the pages of the slim title for me, and I ended up turning twenty pages without having read a single sentence in an hour. My dedication and punctuality to visit the library around the time she reached was noticed by many others including the librarian though he never saw us talk or disturb others.  Some weeks later, she said that it was futile for me to spend time in the library. But I contradicted her by saying it was always worthwhile to stay in the company of scholars. The peaceful environment inside the library – found nowhere else in the campus – allowed me to learn to focus on one thing even though it was not reading. She understood what I was referring to and her silence encouraged me to pursue this habit with greater concentration.

Everyday, I climbed the stairs to stare at this beautiful girl inside the library. I even suggested coffee inside the canteen. She declined but surprised me by suggesting a sip outside the campus. We came out of the library and allowed others to notice us together. The campus would be rife with speculation and to keep the world guessing was the first vital step to relish the taste of celebrity culture.

Within a few weeks, she distanced herself from me. I suspected someone must have poisoned her mind. I thought she had changed her timings to avoid me. I kept track of the library hours and noticed her regular absence. One afternoon, driven by the mad desire to check on her, I entered the library with a book purchased from a pavement stall. I scanned the room, but she was not there. The librarian came running as he saw me leaving the hall with a book in hand. Perhaps he thought I was a book thief – like Lobo Sir did in our school. He grabbed the book from my hand only to feel ashamed.

It was a romantic title with a suggestive cover that he took his bifocal eyes away from, assured that such books were not stored inside any library. Recovering from the embarrassment, he admonished me for bringing such dirty books inside the campus. He further disappointed me by saying the girl I came with had surrendered her library card without offering any reason, and I pretended as if it was not the information I was looking for, certainly not from him.  My library trips came to an end with this bitter adventure, and I have not entered any library for more than a decade now.

The need to visit libraries has almost disappeared with the emergence of cafe cum bookstores where you can sit and read like you did inside the library, with a wide view of the world outside, but without the pesky librarian keeping track of the moves and ulterior motives. The book thieves are also taken care of by beeping machines installed at the exit point, thanks to advanced technology, and the innocent browsers do not have to suffer the indignity of groping hands of a security guard.

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel.  


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Categories
Poetry

An Apology

By Alpa Arora

AN APOLOGY 

Where do knives go when they die?
Do they sink in the ground,
Without a sharp sound?
Or do they watch with devil wings,
While you sit around and cry?

Do they burn to lava, molten, but cold,
Steel words purified by silence,
A sad, pungent shame released into air?

Do they sit around and wait for their funeral,
A rigid coffin forever holding their fiery breath?

The one who cut even the hardest of fruit,
Now sits around sulking because no one
Really knew, they didn't mean to be so cruel.

Where do knives go when they die?
Where do words go to return to silence?

Alpa Arora is a former journalist/content writer who has been writing articles, poetry and short stories for the last 25 years. Her work has been published in The Times of India and Bengaluru Review. Her first novel, Floating Worlds, is looking to be published in the coming year. She resides in Bengaluru.

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Categories
Review

To her Great Grandfather from a Great Granddaughter

Book review by Bhaskar Parichha

Title: Selected Works of Vyasa Kavi Fakir Mohan Senapati

Editor: Monica Das

Publisher: Sahitya Akademi

Fakir Mohan Senapati (1843-1918) is a prominent figure in Indian literature and a key advocate for Odia nationalism. Born in Mallikashapur, Odisha, he faced significant hardships, losing both parents by age two and being raised by his grandmother with limited education.

Senapati is celebrated for his pioneering works, including the first modern Odia short story, “Rebati,” and novels like Chha Mana Atha Guntha (Six Acres and a Third) , Mamu (Uncle), and Prayaschita (Atomement), which address social issues and the lives of ordinary people, emphasizing social justice and peasant struggles.

His impact transcends the realm of literature; he was instrumental in promoting the unique identity of the Odia language during times of external challenges. His literary contributions facilitated the de-Sanskritisation of Odia, thereby rendering literature more accessible to the general public. He continues to embody the pride and cultural identity of the Odia people.

Selected Works of Vyasa Kavi Fakir Mohan Senapati by Monica Das is characterised by its relevance and authenticity. The compilation and editing, originating from Sahitya Akademi, reflect a high level of quality, with the editor having meticulously attended to every detail.

Monica Das is an Associate Professor of Economics at Gargi College, University of Delhi, and a fellow at the Developing Countries Research Centre. Her research focuses on feminist economics, and she is involved with the International Association for Feminist Economics (IAFFE). Her own works include Tales of the Girl Child in India and The Other Woman, which examine the socio-economic impacts of underage marriage and polygamy on gender development. She also produced the film Anwesan, highlighting the life of her great-grandfather, Fakir Mohan Senapati. She oversees the Fakir Mohan Foundation, which promotes Odisha’s cultural heritage and addresses social challenges, particularly those affecting women.

Putting together a collection can be quite a challenge. It has to open up different viewpoints and styles for readers, deepening their grasp of literature and culture. Curators have to also add introductions that give context to the works, making it easier for readers to see the importance of each piece in the larger literary scene. Monica Das has successfully met these expectations. This Selection highlights Senapati’s creations that established a framework in which the ordinary individual became the focal point.

Says Monica in the introduction: “Fakir Mohan Senapati is a giant in the field of Indian literature, who belonged to Odisha. He brought about a revolution in novel writing by departing from romance and writing on social realism. His portrayal of the common man and his concerns predated those of Premchand and Rabindranath Tagore, the other giants of Indian literature.

“His writing had elements which, apart from promoting secular attitudes, helped bring about social changes, to which he also contributed directly as the Dewan of some of the princely states of Odisha in British India. Odisha is the first state in India to have been established on the basis of language, for which he laid the foundation.”

Fakir Mohan distinguishes himself from his predecessors in the field of Odia prose through his unique use of language: “His liberal use of terse proverbs and the folksy style of his writings is what catches the reader’s immediate attention. Besides this, it adds to the rustic wisdom of his characters. In his stories, one cannot miss the underlying concern with social reform. He always took care to depict an honest view of life. Though he takes a didactic stance in his writings, he took care to see that this did not militate against realism and the smooth flow of the narrative. Fakir Mohan’s characters were drawn from ordinary life from among peasants, weavers, barbers, milkmen, revenue clerks and teachers. Very few belong to the higher ranks of the society. He set the tone of the common man. For the first time, ordinary readers were touched by the fact that stories were written about them, about their concerns, their agonies, exploitations and bitter-sweet experiences. Fakir Mohan was indeed a consummate artist with a keen eye for minute details.”

The Selected Works of Vyasa Kavi Fakir Mohan Senapati spans approximately four hundred pages and presents the intriguing perspective of a remarkable individual. He was more than merely a writer; he was a social reformer, a patriot, and a cunning strategist, serving as the dewan of the princely states of Odisha during the period of colonial rule.

Concludes Monica in the book: “It’s a strife-torn world that we live in today. Fakir Mohan’s works, considered unparalleled internationally, hold even greater significance now because of the centrality of humane modes that form the essence of his writings. The compilation in the Selection presents all this and more.”

The volume serves as a comprehensive and curated resource on Fakir Mohan’s literary works, significantly enhancing the current body of literature dedicated to the father of Odia literature.

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Bhaskar Parichha is a journalist and author of UnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Categories
Poetry

Strolling among the Stars…

By Fhen M

𝑽𝑰𝑹𝑮𝑶 

I see you in the eastern sky
a fair maiden strolling among the stars
your feet, light as a feather,
like the feet of my daughter.

a rope mark around your neck
I heard the wine god
(I refrain from drinking liquor)
inflicts insanity on unmarried women

𝘵𝘩𝘦𝘳𝘦'𝘴 𝘵𝘩𝘦 𝘳𝘶𝘦 𝘩𝘦𝘳𝘣* 𝘧𝘰𝘳 𝘺𝘰𝘶,
𝘢𝘯𝘥 𝘩𝘦𝘳𝘦'𝘴 𝘴𝘰𝘮𝘦 𝘧𝘰𝘳 𝘮𝘦

the willow branch broken
she dropped beside a brook

If I die, I want my daughter
to live a long and happy life

so I say a prayer to Erigone*
sometimes to the drunkard deity
before wine is poured to a glass

a fair maiden strolling among the stars
(death will kindly stop for me)
let me sing a song on your short life
in the eternity of the heaven.



*Rue is a herb that gives relief from anxiety
*Erigone in Greek mythology was the author of Icarus. She was placed in the constellation of Virgo after she hung herself post her father’s death by his friend, Dionysus, the god of wine.

Virgo. Digital art from the Public Domain

Fhen M was a fellow in a creative writing workshop. His poems “A Name Whispered in the Wind,” “Yakal House beside the Sabang River”, among others appeared in 𝘗𝘰𝘦𝘵𝘪𝘤𝘢 anthology.

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Categories
Musings

To Be or Not to Be…

By Farouk Gulsara

From A Trip to the Moon, a 1902 film by Georges Méliès (1861-1938). From Public Domain

A teacher lost all her life savings, around RM 200,000, to spammers. Over 400 children were rescued from orphanages in two states from sexual predators in Malaysia. Stories like these are not ground-breaking anymore but happen on a daily basis. The worrying trend of late is that these are no isolated incidents perpetrated by individual wackos with ill intents. It is, in fact, a well-organised, well-lubricating establishment with vast tentacles lurking all over the globe. 

The brains behind all these schemes are super intelligent, erudite people who can judge what is good and what is evil. They are also aware of what is beneficial and what is detrimental and brings misery. Yet, these same people wilfully devise newer schemes to prey on people’s weaknesses year after year. 

They know how every action has an equal and opposite reaction. They understand what goes around comes around. Yet, without an iota of guilt, they carry on life. 

Is the lure of materialism too strong to resist? Is the power that money yields too compelling that it becomes an addiction? Is this business a quicksand too strong to extricate one out of? Like a politician trapped in a quagmire that needs to feed his cronies, perhaps this scamming business is multilayered and needs to be fed at many levels, from mafias to enforcement units. 

Only the conscientious person worries and regrets any of their deeds. He will have sleepless nights pondering and regretting his actions. He would fear its implications or pursuant legal ramifications. He would shudder to visualise how it hurt his reputation or embarrass his family. 

So, when people say humanity lives in each of us and that there is still goodness in the world, are they correct? Are we all innately evil and only conditioned to behave in a particular way because our wise ancestors told us so?

Have we developed a consciousness so advanced that we can justify all our devious actions? We say the people who lost their hard-earned savings can afford to lose some. It is all part and parcel of the circle of life’s ups and downs, karma, warts and all. It is a zero-sum game. One party loses for the other to live. Life is not fair, and we have to live with it. Nature is hostile and humans are part of nature. Our duty, first and foremost, is that we are obliged to take care of ourselves and our own at all costs. In the meantime, the conscientious brood over the evil that is spewed throughout the world. They make their lives purpose to correct the balance. They yearn for equality and social justice and lose valuable sleep over it. 

Meanwhile, fraudsters and psychopaths cheat without an iota of guilt. They justify all their crimes. In fact, they feel entitled to do what they do and obtain inner gratification from their manipulations. On the other hand, the conscientious ones constantly assess and reassess their actions, aiming to do the correct thing. These thinkers carry much guilt and regret. They consider their own actions and try to do the ‘right’ thing.

This topic is nothing new. It was tackled by the legendary Tamil philosopher-poet Valluvar[1]. His origin is hazy, but many parties claim him to be part of their tradition. He was probably a Jain-Hindu poet. His short couplets are recited daily by most primary schoolchildren in Tamil schools. These couplets generally talk about righteousness, love and wealth. He sarcastically comments in one of his lines (Kural #1072), “Blessed are the cheats who do not think about good and bad.”

[1] Dated to have lived between 4th and 5th century BC

Farouk Gulsara is a daytime healer and a writer by night. After developing his left side of his brain almost half his lifetime, this johnny-come-lately decided to stimulate the non-dominant part of his remaining half. An author of two non-fiction books, Inside the twisted mind of Rifle Range Boy and Real Lessons from Reel Life, he writes regularly in his blogRifle Range Boy.

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Categories
Poetry

Dust, Dreams and Desert

Poetry by Michael Burch

DUST

Flame within flame,
we burned and burned relentlessly
till there was nothing left to be consumed.
Only ash remained, the smoke plumed
like a spirit leaving its corpse, and we
were left with only a name
ever common between us.
We had thought to love “eternally,”
but the wick sputtered, the candle swooned,
the flame subsided, the smoke ballooned,
and our communal thought was: flee, flee, flee
the choking dust.


EVERY MAN HAS A DREAM

Every man has a dream that he cannot quite touch ...
a dream of contentment, of soft, starlit rain,
of a breeze in the evening that, rising again,
reminds him of something that cannot have been,
and he calls this dream love.

And each man has a dream that he fears to let live,
for he knows: to succumb is to throw away all.
So he curses, denies it and locks it within
the cells of his heart and he calls it a sin,
this madness, this love.

But each man in his living falls prey to his dreams,
and he struggles, but so he ensures that he falls,
and he finds in the end that he cannot deny
the joy that he feels or the tears that he cries
in the darkness of night for this light he calls love.


IMPRESSIONS OF A DESERT

a sulphuric
wasteland

seethes and glows

as from the sky
strange brightness flows

to heat,
congeal

oases vanish

or waver
,unreal,

even scorpions
languish

~~~~~~

sombre mountains
shift and merge

bonedry oceans
at the verge

of the horizon
stretch, converge

the sky is poison
sand storms
surge

~~~~

lizards, whining,
curse the skies

squinting fire
from burnt eyes

slipping, squirming
rattlesnakes

quench awful yearning
for moisture

and hate

~~~~~~

a flower
fated soon to die

rustles, crinkles
worn and dry
From Public Domain

Michael R. Burch’s poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into fourteen languages, incorporated into three plays and two operas, and set to music by seventeen composers.

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Categories
Stories

Sunset Memories

By Saeed Ibrahim

Raj leisurely sipped his tea as he sat side-by-side with his wife on the balcony of their seventh floor flat facing the Arabian Sea. As a retired couple, this was their favourite time of day, enjoying the view of the setting sun with the great orange orb gradually diminishing in size before dipping completed out of view into the sea. The mellow serenity of the moment    filled Raj with a nostalgic tenderness. He reached out to touch his wife’s hand and his outstretched fingers grazed a certain hard object, its brilliance undiminished through the passage of years.

Raj had first met his wife through the good offices of a family connection who also happened to be the community matchmaker. This venerable matriarch had  insisted on accompanying them to her own trusted family jeweller for the purchase of  the engagement ring. Not wanting to disrespect or offend her, he had grudgingly agreed. After much unsolicited advice from their elderly companion, a beautiful solitaire diamond had been selected and Raj had proceeded to pay with his credit card.

To his utter embarrassment, the card had been rejected, casting an uncalled for shadow on the  financial viability of the groom-to-be. Visions of wagging tongues and whispered warnings   had floated before Raj’s eyes. Red faced, he had rushed to explain that the cause of this contretemps had been his having forgetten to upscale the payment limit on his credit card. The old lady had looked at him with a knowing smile, obviously relishing  his discomfiture. Ignoring her and trusting Raj’s good faith, his wife had quickly pulled out her own credit card and paid for the ring herself. The matchmaker had let out a horrified gasp at this breach of convention. Raj had shrugged his shoulders and the couple had walked out of the shop arm-in-arm, leaving the lady open-mouthed with disbelief.

Still smiling at the memory, Raj squeezed his wife’s hand and drew his chair closer. They had been married for 50 years and his practical-minded wife had saved the day more than once. 

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Saeed Ibrahim is the author of two books – Twin Tales from Kutcch, a family saga set in colonial India, and a short story collection entitled The Missing Tile and Other Stories.

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Categories
Poetry

 For William Wordsworth

By Stuart McFarlane

ETERNAL SPIRIT OF THE LAKES 

O, Wordsworth, Eternal Spirit of the lakes,
a mysterious feeling in me awakes.
I wonder what it truly means just to be;
your presence insinuates itself in me.
In the motion of water, trees and flowers
I can, somehow, sense your elusive powers.
They swoop and swirl; they engulf my troubled mind;
like a racing rivulet, it seems, they wind
down into my body, course all through my blood;
ultimately there surges a rising flood,
flowing ever faster; faster still, until
I feel I am subsumed by your constant will.
A lone star glows in a sky as black as coal;
deep night cannot contain your immortal soul;
nor the light of a thousand suns ever dim
the fire of your spirit that burns from within.
Your aura consigns paler thought into shade;
still shining bright; shall your glory ever fade?

THE MARMALADE ( With apologies to W W)


I wandered lonely as a cloud
that floats on high o'er hill and glade
when, all at once, I saw a crowd
eating toast and golden marmalade.
Beside the lake, beneath the trees,
conjoined in convivial ease.

Earth has not anything to show more fair.
(it seems I've heard that line before somewhere!).
O, to witness such a glorious feast!
I can savour the memory, at least.
Yet must I suppress my fabled ability
to recollect emotions in tranquility.

For oft, when, on my couch, I lie
in a restless or in peckish mood,
when my stomach growls I must try
not to think of all that lovely food.
From one small thought another's made,
and spreads; just like the marmalade.

Stuart McFarlane is now semi-retired. He taught English for many years to asylum seekers in London. He has had poems published in a few online journals.                                                                                                                    

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Categories
Stories

The Melting Snow

Story by Sharaf Shad, translated from Balochi by Fazal Baloch

The moment he stepped into his home, he sensed that something was wrong. A strange desolation and silence crept down the walls and doors. His wife, upon seeing him, stood up. Her voice trembled overwhelmed with anxiety. She whispered: “The snow is melting.”

“What?” At the mention of snow, his eyes flared with alarm. He rushed to the room where the snow statue was kept. As usual, it stood there like an impregnable mountain. But now, a tiny teardrop was trickling down its right cheek. The line of the rolling tear seemed to slice the statue into two, like the slash of a sword. He knew that if the melting continued, the statue wouldn’t last much longer. The mere thought of this brought tears to his eyes.

A few years ago, the sea had gifted him that very statue. In those days, he used to visit the sea every evening. He adored the sea and its rising tides, drawn to the depths and the vastness that made him feel immortal. It was that very sense of immortality that pulled him to the shore night after night. Despite the violence of the waves rising and crashing, he continued captivated by them.

One day, as he was lost in watching the rise and fall of tides, he noticed the statue gleaming amidst the water, like a giant pearl. He picked it up, marveling at nature’s artistry. He wondered how such a beautiful statue could exist in the midst of such chaos. Then, a voice echoed from the tides, addressing him: “It’s a gift for you, from me. Every evening you came here and shared my grief. Take this statue home. It will bring you peace, health, and prosperity.”

The wind, tracing lines upon the surface of the ocean, was impressed by the sea’s generosity. It told him that, to help preserve the statue, it would maintain constant climate. When everything becomes kind to someone, time will surely follow suit. Thus, time assured him that it would never bring decay or harm to the statue.

He took the statue and placed it in the finest spot in his home. As the sea and the wind had promised, the statue became a symbol of prosperity and success. Under its shade, his life flourished. But that day, the snow had started to melt!

He knew that this was a sign that his life would soon be stormed with worries and torments. He quickly stepped out of the room. The wind was swirling dust in the courtyard. Like a man who finds comfort in a familiar face during a calamity, he tearfully told the wind that his snow statue was melting.

“Everything perishes in its due time,” the wind replied indifferently.

“But you promised to protect the statue and keep the climate unchanged.”

“I still stand by what I said. It is man who claims the climate is changing. Everything—the sky, the earth, the sea, the wind, the stars, and the moon—remains as it always has. It is only man who changes.”

“I don’t understand what you mean,” he blurted out in frustration. “Just tell me how to escape this curse!”

“Everyone must find their own way forward,” the wind replied.

“All roads seem closed to me,” he lamented.

“When all roads appear closed, that’s where a new one opens,” the wind whispered as it blew away, filling the lanes with dust.

To remind time of its promise, he turned to it for answers. The time listened patiently, as if it already knew the situation. After a brief silence, it gently spoke, “In this world, everything changes its shape sooner or later. Even things that seem unchanged eventually undergo some transformation. Your statue has fulfilled its purpose, and this is the law of nature. Everything new will turn old, and when it does, it changes. Your statue may have taken on a new form—one that may not be as appealing to you as it once was—but it will never truly decay.”

“My life now depends on this statue,” he said desperately. “By its virtue, my family has lived in prosperity. Since it arrived in our home, worries and sorrows of life have forgotten our door. Who knows what curse might fall upon us once it’s gone? Its new shape could bring harm and loss to me.”

“Who knows?” the time replied indifferently.

“If this statue continues to melt, my entire house will be ruined. That’s why I don’t want it to change its form.”

“It cannot be stopped from changing now,” the time said firmly.

Feeling disheartened by the time’s response, he wandered, lost in thought, searching for a way out of his dilemma. While he wandered absent mindedly, he felt a hand on his shoulder. Startled, he turned to find a tall man dressed in white, standing beside him.

“Hey man, I’ve seen you wandering these lanes for a while now. Is everything okay?”

Like a drowning man catching at a straw, he poured out the entire story. After listening, the tall man said, “You’ve pleaded with the wind and the time, and now you’ve told me, a mere wayfarer, your troubles. But you never approached the one who gifted you the snow statue.”

Startled by the realisation, he sprang to his feet, as if pulled up by ten men, and hurried away without thanking the tall man.

He rushed to the sea and bowed before it, pleading, “My snow statue is melting— please, do something to help me.”

“I cannot do anything,” the sea replied indifferently. “Your statue has run its course. Everything has its lifespan and eventually decays. It is an illness without a cure.”

“The fate of my house depends on this statue. There must be a way to escape this curse!” he cried, his voice filled with frustration and despair.

“The sea doesn’t find a way out for anyone,” the sea responded, its voice now filled with arrogance.

“Then no one should find a way for the sea either,” a voice echoed behind him. He turned and saw the same tall man standing there. The sea seemed embarrassed, lowering its head in shame. After a brief silence, its lips trembled as it muttered: “Go home. The blessing of snow will shower upon everything in your house.”

Overjoyed by these words, he grasped the tall man’s hand gratefully, thanking him. The fire that had been consuming his soul was suddenly soothed by the sea’s promise. He hurried home and rushed straight to the room where the statue stood. The teardrop that had once fallen from the statue had dried. Relieved, he smiled, content that the statue had been spared from decay.

Eager to share the joyful news, he went to find his wife and children. But as he stepped into each room, a strange, eerie air of grief and sorrow greeted him. Everything in his house had turned to snow—the windows, the doors, the curtains, and even his wife and children had transformed into frozen statues of snow. The sea’s words echoed hauntingly in his mind: “Go home. The blessing of snow will shower upon everything in your house.”

His heart shattered. Madness and despair took hold of him as he raced back to the sea. But when he arrived, his worst fears were realised. The sea was gone. In its place stretched a vast, dark desert.

He turned back and wandered through the streets, searching every lane and alley for the man in white. He needed to tell him how the sea had deceived and betrayed him. But after scouring every corner of the city, he found no trace of the man. Overcome with disappointment, he returned to the road leading to the sea, holding on to a faint hope that it might have returned.

When he arrived, there was no sea—only the endless desert stretched out in its place. His body, weak and exhausted, could go no further. He stood there, frozen, like a lifeless piece of wood.

He remained in that spot for years, unmoving. The changing seasons, the winds, and the harsh climates left their marks on him. Over time, his form withered into a blackened log, lying forgotten by the roadside. His body had turned dark — black as a stone, disconnected from the people, the sea, and the snow.

Sharaf Shad

Sharaf Shad is simultaneously a short story writer, poet, translator, and critic. The richness of narrative is one of the defining features of his short stories. Death and identity crises are recurring themes in his works. A collection of his short stories, titled “Safara Dambortagen Rahan” (Journeying Down the Weary Roads), was published by the Institute of Balochistan, Gwadar, in 2020. The story presented here is taken from that collection and is being published with the author’s permission.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Tribute

Where Courage Met the Street

A poetic tribute to the students who lost their lives in Dhaka in the uprising of July 2024 by Shahin Hossain

In the July heat, where courage met the street, 
Young hearts marched refusing to retreat.
Abu Sayed, a beacon, stood tall.
With each step, he towered above all.

Faisal Ahmed, Shanto, Wasim Akrum braved,
In the face of tyranny, they refused to cave.
Sakib Hasan and Tamim stood with fire in their eyes.
For Freedom, they paid the ultimate price.

They came in peace in the name of the land,
But power-hungry hands bled them to death.
The police like shadows darkened the light,
Thousands of souls vanished into the night.

But freedom is a flame that never dies.
It rises from ashes it pierces the skies.
The blood of our children, the tears we weep
Will water the soil where freedom becomes the call.

Mir Mugdho and Fahad your spirits remain
In every struggle in every refrain,
Cruelty’s reign a chapter of despair
Will lose itself in annals of time.

For every life taken, a thousand more rise.
In the name of justice under the free skies,
Guard this freedom, a treasure untold,
In the hearts of the young, let its spirit unfold.

For Abu Sayed and the fallen, we vow to defend
Our birthright until the very end.
Let the world know. Let the tyrants see.
Freedom is ours and forever it shall be.

The revolution’s fire will burn bright
For those fallen for freedom.
May they find peace in eternal lives.

Shahin Hossain is a Maryland-based researcher and writer, passionate about exploring global issues through poetry and prose.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International