Categories
Ghumi Stories

A Night too Long

By Nabanita Sengupta

As the train eased itself into the dimly lit station, Purnima peeped out of the door of her compartment. The only bulb tiredly glowing in front of the station office at Ghumi did not do much to dispel darkness. In fact, to Purnima the lonely electric light seemed to highlight the blanket of darkness ahead rather than erase it. Once the train jangled to a complete stop, she descended the three iron steps at the compartment door to get down to the platform. Her brother-in-law rolled the luggage towards her and she quickly pulled them down on the platform. The month old infant, her own flesh and blood and the reason for her being in Calcutta for so many months, was happily sleeping in her sister-in-law’s arms. She was grateful to this elderly couple who had accompanied her from the city to help her during this long journey.

She helped each of them descend before the train hissed and heaved itself into reluctant motion, puffing a lung full of smoke along with tiny specks of coal dust, onwards into the darkness lying ahead. The station was unusually quiet and Kishore was nowhere to be seen. Probably he was on his way, Purnima thought to herself, a little embarrassed by his lack of punctuality at such a time.

 This small township in the undivided Bihar, tucked away in a quiet corner of the Chhota Nagpur plateau was never a very busy place. Yet at any given time there would be some twenty to thirty people on the platform including passengers, idlers and beggars. But today, it was just themselves and a young man with his pretty wife they had met on train. All, except the blissfully sleeping baby, were quite disturbed by the unnatural and eerie silence that had enveloped the platform. Only the baby felt secured, comfortable in the arms of those who absolutely adored her. From where this small party of stranded travellers stood, even the station office at a distance gave a despondent look.

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Purnima felt uneasy. Already post pregnancy blues and the long journey by train had claimed a heavy toll on her body and mind. Added to it was the unusual calm at the platform and Kishore’s absence. It became a bit more than she could handle; yet she had no option. The tensed and bewildered looks on the other faces belied to her their state of mind and she realised that she had to think of something fast; only she could lead them to a safe place, the only safe place she could now think of — her home. It must have been the bundled infant that she was cradling near her bosom that gave her the required strength and clarity of mind.

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Mind has its own way of conjuring things and right at that time she found herself going back to those bloody images that were splashed all over newspapers and television in Calcutta during her stay with her parents there. Riot had exposed its ruthless claws all over the country and the city of her maidenhood too had fallen prey to the monster. Still Calcutta was comparatively less affected, being far away from the epicentre of all troubles.

The Prime Minister had been assassinated and the entire country was ablaze with hate crimes. One man’s action escalated into a prejudice against an entire race and suddenly no one knew who could be trusted. But Purnima had her faith in Ghumi. She was relieved that Kishore, her husband, had returned to the calm and peaceful township of Ghumi, where he worked. There at least nothing could disturb the peace. She could never associate violence with that beautiful township of krishnachuras* and palash*.

Her first journey to Ghumi as a newlywed was still vivid in her mind. It was the beginning of her love story with a place that only deepened with the passing months. In spite of being a thoroughly city bred girl, it did not take her long to succumb to the unique charm that this place had to offer.

Flanked by a river and a hill, Ghumi was as fresh and vibrant as a teenager living a life of bounty as well as discipline. The residents were tied together in a disciplinarian regime, strictly maintained by the regular factory shifts. Since each and everyone drew their livelihood from the factory and its corresponding offices, they had to follow the pattern of life set by it.

To a newcomer like her, such intrusion seemed annoying yet reassuring. Purnima was not much fond of the factory siren that signalled change of shifts for its employees and also decided her everyday routine; yet as a new wife, she felt a grudging gratitude towards those bellowing giants for maintaining regularity in their lives. In the first few months of her unsupervised domesticity, away from both sets of parents and in the land of her husband’s work, the factory siren took up the role of the mother-in-law, ensuring an order amidst the desired and novel anarchy of this new phase of their conjugality. Since then, in the past few years that she has been living in Ghumi, she township drew her into the radius of its unique aura.

It was her mini-India — within a radius of a kilometre from her house, Purnima had made friends with a Malayali aunty, a Punjabi family and another Gujarati one. Apart from that, there were a few families from Bengal and Uttar Pradesh too. All these were people who had relocated from their hometowns in the different states of the country to earn a living in Ghumi.

The women from these houses would often meet for afternoon sessions of tea and gossip. They would return to their houses only when the siren sounded the end of the evening shift — time for their husbands’ homecoming. They would gossip about the latest neighbourhood scandals or about home remedies, and even new recipes. Purnima learnt how to cook various snacks from these ladies. It was an idyllic life where even discords didnot survive for long. At times she wondered at the harmony that this life offered. Was it some fairy tale that she was living through? The happy princess in her abode before the witch struck!

Her years in Calcutta had not been too happy, punctuated by bitter family feuds regarding property ownership and a latent competition that marked every lifestyle change — be it a for new television set or a new vehicle or acquiring a telephone connection. All these acquisitions of consumer items were not just simple moments of joy but at times, of one-upmanship as well. The city droned on like a bumble bee in a monotony of its self-imposed rat race and Purnima never felt herself anything more than an inconsequential entity in a sea of other humans. In contrast, Ghumi in its simplicity became the home she had always wished for. Its peaceful air enticed her to its fold to the point that she completely fell for its utopian charm.

 But the vibes that emanated from the railway platform at that moment was very different from those feelings that she had long nurtured in her heart. She pulled herself back to the present. Asking the group to wait, she called the young man away from his pretty wife to accompany her to the station master’s office. But the futility of that feeble attempt was visible to them even before they reached there — the two roomed structure was not only abandoned but also brutally vandalised. She suddenly felt a chill down her spine.

Where was Kishore? The import of his absence from the station only now hit her fully and she had to lean against the nearest wall to steady herself. The young man accompanying her wanted to help, but the habitual shyness of an introvert male confronting a strange woman left him at a complete loss. He merely stood at one side and kept looking at his toe. It took a few minutes for Purnima to regain composure. After all, her precious little one was still wrapped in a bundle of clothes close to her bosom. She could not let go so easily, not without an earnest effort.

Her house was about fifteen minutes walk from the station and she had to take them all there in safety. Yes all, including the unknown couple whom they had known only for the duration of that journey and their familiarity was just a few stray conversations old. She realised that she could not leave this couple stranded in the middle of nowhere, with no one coming to pick them up. Perhaps, it is in such difficult times that we come to terms with the humanitarian soul lying within us. She had long realised that they were new to this place so now she finally asked the man — where will you go from here?

—      I have no idea. My uncle was supposed to pick us up but as you can see he too hasn’t arrived!

I think we should stay here and catch the next train home, he added after a thought.

Purnima returned to the rest of the party, the young man in tow, and asked all of them to follow her, completely disregarding the conversation she had a few moments ago. They walked through a narrow lane along the railway tracks, unsure about the dangers lurking along the main road. Worries regarding her absent husband made her stomach lurch vehemently. The lane was dark and full of stones, but as it was along the railway lines, every now and then, there were abandoned compartments left unattended. Purnima felt those might provide them with a shelter if the need arose. They moved quietly, making as less noise as possible, their eyes forced to take in the devastation and ruin all around.

The cloth shop near the station was fully torched, only rubbles lay scattered around — deceased witnesses of Mr. Balwinder Singh’s once thriving entrepreneurship. Purnima stood routed to the spot for some time. Tears of pain, fear and anger trickled down – just a few months ago, before visiting her parents, Balwinder bhaiya* had helped her select dress material for all her cousins. He was a nice man, a bit shortly built for an average Punjabi male. Perhaps, to compensate for that, he sported a huge turban, which Purnima always felt, was precariously balanced on his head. This could not have been a minor clash.

The road smelled of burnt clothes and plastics amidst the pervasive silence. Recollecting herself and mentally preparing for further bleak scenes ahead, she stubbornly prodded forward with the infant in her arms. The rest followed her, as if in a trance. But the rest of the journey did not present them with any more distressing sights except a few uprooted light posts and a couple of battered vehicles as a reminder of the simmering violence.

Purnima, in spite of all her worries about her husband and their own safety, could not help wondering about Jaspreet aunty, her next door neighbour. The fate of Balwinder’s shop had pointed out to her the vulnerability of Jaspreet aunty and her family. The two women of unequal age had spent so many carefree evenings together — Purnima listening to the elder one’s bawdy Punjabi folk songs and reeling with laughter — that Jaspreet had become an irreplaceable part of her life at Ghumi. What had become of them in this world where everything had suddenly turned so ghastly and unreal! All through her way home, Purnima  prayed hard. She prayed for her family; she prayed for Jaspreet aunty’s family and for all those she knew.

As this tired party reached her home, everything was dark inside. She could sense human presence within, so asking everyone to wait; she slowly tiptoed to the door and pushed it. It opened by itself but she could not see anybody. Just as she was about to switch on the lights near the door, a hand stopped her.

Even in the dark she knew it was Kishore. Assuring him of her silence and comprehension, she quietly went out to bring the rest of the party in. If Kishore was surprised to see the unknown couple, he kept quiet. In silence he escorted everyone to the bedroom and asked them to wait. Taking their baby from his wife he held both of them close, in a warm embrace of happiness and relief. As they hugged each other, they could feel chunks of weariness slowly melting away from their bodies, rejuvenating them. He did not want to let go, but quickly controlled his emotions and took her along with the baby to the next room, leaving the rest behind. The tired passengers had found a safe haven in his home but he needed his wife and child for something more important.

Unable to leave that night to escort his family home, Kishore had remained rooted to their front window as soon as he heard the train whistle carried into his house through the quiet of the night. After the longest half an hour of his life, he could spot his wife with their baby huddling cautiously along with his brother and sister-in-law. There was another couple too whom he could not identify.

He realised, his wife must have brought them home in absence of any other alternative. He did not mind. After all, in such times, providing a safe stay was all he could do. And God knows, he had been trying to do that since morning. As that tired party approached the gate, he moved away from the window and kept the front door opened. He wanted to keep noise at its minimum, not sure if any miscreants were still around. So he quietly stood by the door, waiting for Purnima to step in. Thankfully, Purnima too was cautious enough.

This morning’s events had rattled him completely. It was in broad daylight that a group of armed men attacked Jaspreet aunty’s house. By then he knew about the fate of Balwinder. So, he had forced the mother and her young son to shift into his house a little before those hooligans broke in. And what a sensible decision it proved to be! He knew his house won’t be spared the search too, so he quickly gave the boy a rough haircut and asked aunty to dress in Purnima’s clothes, complete with sindoor and bangles. Thankfully, the men did not look under the beds or they would have discovered chunks of hair hastily shoved under it. As the men approached his door, Kishore recognised Vimal, a nearby house help, among the hooligans; for a moment he dreaded that his little ruse will be discovered.

But then he saw recognition followed by understanding flicker quickly across Vimal’s eyes when the unruly group entered his house. Kishore at once realised they were safe. There was probably still some humanity left — Vimal did not reveal the identity of his employer. There had been times when Jaspreet aunty would send medicines for his mother or some goodies for his sister. She had even helped him with his father’s funeral. It was his turn to return those acts of kindness today. So Jaspreet aunty passed on as an elderly relative of Kishore, waiting for his wife and the baby – a little deceit of kindness that tied the two men from two diverse strata of society in a secret, unbreakable pact. The rest of the frustrated crowd smashed across his table and glass showcase before leaving to hunt for fresh targets, displeased at having to return empty handed.

Purnima could not believe what she saw when she followed Kishore to the other room! Lying huddled on her bed was Jaspreet aunty. The lady who would always be clad in bright hued loose kaftans or chiffon salwar kameez was lying on her bed wearing a simple beige coloured cotton sari!

Her teenage son was sitting by her side with his head hung low, shorn of its neatly tied turban; in its place stood a set of unevenly cropped hair as if the barber has left his job midway. He did not even look up at her, too embarrassed at his new condition. When Jaspreet aunty looked at her, the eyes were blank – the shock of the morning incident had drained all emotions out of them. Purnima stood looking at them aghast, tears involuntarily sliding down her cheeks. She needed no explanation to understand what had happened. She moved to the window and peeped out — the ravaged bungalow of the Singh’s stood still, waiting for its inmates’ return. Jaspreet aunty called her near and held on to her tightly: “Your uncle is safe, currently under the factory’s protection. Tomorrow the factory along with the paramilitary is going to mobilise a protection and anti-riot force. We shall be safe, but we shall never be the same again”.

Her last line kept echoing in Purnima’s ears. She thrust her baby into the old woman’s arms and watched her frail and furrowed face gradually light up. Tears of love welled up in the eyes which even a while ago were so blank and dry.

“You are my child’s Jassi nani* and my dearest aunt and that can never change. Ghumi can never fail us. Keep faith,” Purnima asserted wholeheartedly.

As the old woman and her son started playing with the infant, Purnima suddenly felt a huge weight lifted off her shoulders and tiredness take over as she slumped down in peaceful fatigue beside the bed. The siren announced the beginning of night shift and Purnima felt assured that her world would return to being the same again, irrespective of its scars.

*krishnachuras : brightly coloured flowering tree

*palash: red flowering tree

*bhaiya: brother, an affectionate and respectful term used in India

*Jassi nani: Jassi grandmother, Jassi being the short form of Jaspreet

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Dr. Nabanita Sengupta is an Assistant Professor in English at Sarsuna College Kolkata. She is a creative writer, a research scholar and a translator. Her areas of interest are Translation Studies, Women Studies, Nineteenth century Women’s writings, etc. She has been involved with translation projects of Sahitya Akademi and Viswa Bharati. Her creative writings, reviews and features have been variously published art Prachya Review, SETU, Muse India, Coldnoon, Café Dissensus, NewsMinute.in, News18.com and Different Truths. She has presented many research papers in India and abroad.

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Categories
Excerpt Poetry

Poems from Notes of Silent Times

Poetry from Nepal by Mahesh Paudyal

Workers’ Poem

In a small gathering on the lawn

The poet was reciting his verses.

A little away, some masons and labours were busy

Hammering nails.

The poet stopped, looked at them, and yelled—

“Stop your pranks! Can’t you see I am reading a poem?”

The workers were silent. The poet recited his verses.

Much later, when everyone was gone

The workers resumed their life-song.

I don’t know if the poet heard it.

***

Emperor and the Kids

“Emperor, we are hungry!”

This sounded like a shooting lullaby;

The Emperor slept for one more century.

“Emperor, please lend us your crown for a while;

We will play the king-queen game and return.”

The Emperor ordered:

“Officer! Send these children out of the four passes!

They are here to spread measles.”

***

Firefly

Firefly,

Perhaps it’s time that writes our existence.

No matter how much you try

To glow in broad daylight

You need to wait for the night

To make yourself visible

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Storm!

Blow on, storm!

Blow with all your might!

Unless there is wind

And unless a few homes and roofs are betumbled

No one writes

An epic on air, the puny thing!

***

The Sky

All smoke rising from the earth

Goes skyward

But the sky is never called the country of smoke

It is always called

The land of the stars and moons

***

These poems are excerpted from his latest collection, Notes of Silent Times

Mahesh Paudyal is a Nepali poet, storywriter, critic and translator. A lecturer of English at Tribhuvan University, Mr. Paudyal has written extensively for children and adult readers, and has translated more than 2 dozen books from Nepali into English. His major works include Tadi Kinarko Geet (novel), Tyaspachhi Phulena Godavari (stories), Of Walls and Pigeons (stories),  Sunya Praharko Sakshi (poems) and Notes of Silent Times (poems). Among his seminal translations are Dancing Soul of Mount Everest (representative modern Nepali poems), Radha (an award-winning novel by Krishna Dharabasi), Unfinished Memoirs and Prison Notes by Sheikh Mujibur Rahaman and Silver Cascades (representative Nepali short stories.) A recipient of Nepal Bidhyabhushan, Narendramani Dixit Gold Medal, Bimal Gurung Memorial Award, Sudish Niraula Memorial and Prasiddha Kandel Memorial Award, he has also represented Nepal in many international literary seminars.]

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Categories
Humour Poetry

How to Kill a Poem

By Sambhu R.

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It takes much time to kill a tree,

Not a simple jab of the knife- On Killing a Tree, Gieve Patel

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It’s easy to kill a poem.

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If it’s the flying kind,

rip off its wings already slick

with the oil spill of words

and slit its throat

with the blade of your pen

run like a bow across the jugular.

The frantic flapping you hear

is the nerves straining for a final burst of music.

Plug your ears with indifference,

pluck the feathers, and clean up the blood.

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If the poem is Black in its epidermal garb,

you may choke it with your knee

pressed ruthlessly to the back of the neck*.

It takes some time for the oxygen

to be shut out of the door of the lungs.

Be patient. Wait for the last leap of breath,

roll the corpse onto a gurney,

and smile at the spectators sliding mobile phones

out of the scabbard of their pockets.

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If the poem talks too much,

incarcerate it behind thick bars of sense.

Try every trick from bastinado

to waterboarding and force a confession

of its all-the-perfumes-of-Arabia-will-not-sweeten guilt.

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And if the poem is too popular,

chances are that it is adulterous;

then it merits no ordinary death.

Stone it with words

stone it

stone it

stone it

till all its charms are ripped out of its flesh.

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To let a poem live, you need eyes

that can see the space between the lines

as the poem’s right to breathe,

and not as Nazi death trains

into which words are squeezed.

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Killing it is a lot easier, takes no particular skill.

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*Reference to George Floyd’s killing which took place in Minneapolis on 25 May 2020.

Sambhu R. is a bilingual poet from Kerala. He is Assistant Professor of English at N.S.S. College, Pandalam and is also a doctoral candidate. He has published an anthology of poems in Malayalam titled “Vavval Manushyanum Komaliyum.”

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Categories
Stories

Flash Fiction: Nameless

                                                                                                                 –by Bhumika R.

Ira watered her tiny patch of kitchen garden for the third time that day. The tomatoes were clearly wilting and the cucumber had even given up trying. But Ira ensured that they were watered and checked on them, caressing their almost dead leaves and stem. Delhi’s summer was ruthless. It scorched everything that seemed alive, leaving behind a faint smell of smokiness in the air that her people breathed.

Ira’s relationship with this city had always been a little too complicated. She felt she belonged and unbelonged simultaneously. Loneliness was a constant, loyal companion. She had once laughingly told her colleague that loneliness was a certainty in an otherwise uncertain terrain of her life. It lived within her and to think of its absence caused her discomfort.  She moved with that certainty in her everyday life. The pendulum swung with an almost even rhythm between her teaching job, her home and her little daughter Charitra.  A decade ago, in Delhi’s harsh summer, something snapped within her, leaving behind a never to fade kind of burnt smell.

That year when Delhi’s summer had scorched her, everyone seemed suspicious and paranoid about some strange creature that they said had been loitering around in the city. Some claimed that they had sighted it here and there. The description of those who had sighted matched that of the terminator. Children playing with their toy guns and shrieking in joy on having killed the creature was a boringly regular sight in almost every colony and society complex.

The authorities went around on foot and on motor vehicles, announcing on a screeching microphone that residents must stay indoors until further instructions from the competent authority. It was so like a fairytale, thought Ira. Who or what was this creature and what did it even do, was a question that remained unanswered.

Everyone she met or spoke with, had a different description of this creature. She smiled inwardly at the different narratives that piled up around the creature. Perhaps, she could turn these heaped up narratives on the creature to bedtime stories for Charitra when she was little older. Ira felt a strange relief thinking that perhaps Charitra could draw the creature with crayons and colour pastels when she would be old enough to understand the narratives.

Ira gazed at Charitra, sleeping in her cradle, unperturbed by the screeching sounds emerging from the microphone. Caressing her daughter’s forehead, Ira stood in her balcony, gazing at the spider, weaving its web beneath the cane chair. The spider seemed unperturbed by her presence and continued busy. Ira felt uneasy. She had a strange discomfort about believing anything about the creature. Any thought of believing it, made Ira uneasy.

It all happened a week after that announcement from the shrieking microphone. A news channel flashed a news about the sudden ‘disappearance’ of some people in the city. News anchors argued and screamed, banging their fists about the connections of the ‘disappeared’ people with the strange creature which had turned life upside down in the capital city. Narratives about the creature got funnier and weird with each passing day. Her student had messaged to say that the old rickshaw wallah had been lynched by the residents’ welfare association committee members of a colony, near her college. They alleged the poor man had connections with the strange creature

Two months later, a lot of people were taken away by the authorities for their connections to the mysterious creature. Her old classmates, Aman, Riya and Shweta had also been taken away for investigation.  

Ira never heard from any of them after they had been taken away for further investigation. A decade later, the authorities still claimed that the creature was still lurking around somewhere. All invitations to neighbourhood tea and snacks parties, children’s birthday parties had stopped. Everyone in the city only wanted to eat, talk and party with their families. Outsiders were strictly prohibited from being a part of any kind of party that each family almost routinely hosted for themselves.

Ten-year-old Charitra disliked crayons and drawing. For Ira, the creature remains an abstract, strange and unbelievable thing.

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Bhumika R completed her Ph.D from Jawaharlal Nehru University, New Delhi in 2019. She has taught English in Surana College, Bangalore and in IIT Jammu and plans to resume teaching soon. Besides her academic publications, she has also contributed articles to Cafe Dissensus Everyday, The Hindu and Deccan Herald. She also writes poetry and short fiction in English and some of her poems have been published in the Visual Verse. She is currently translating Mizo author Malswami Jacob’s novel Zorami into Kannada. She lives with her husband in Jammu. She may be contacted at patrika.bhumika@gmail.com.

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Categories
Essay

Cozies and Me: Adventures during the Pandemic

Soma Das explores comfort reading during the pandemic

I have always enjoyed curling up with a mystery novel, especially on days when nothing seems to go right. But over the last few years, I started experiencing a vague sense of guilt every time I would read a non-academic book.            

All that changed thanks to Covid-19. In Mumbai, the lockdown (in place since March) has meant limited mobility and life coming to a standstill. Exams have been postponed or cancelled, work is now largely done from home, and there is little incentive or safety in stepping out or travelling.

Reading is the best antidote to unpalatable things in life, including uncertain times. So, I started browsing through my bookshelf and tentatively selected a few dusty titles. The books, however, didn’t speak to me. I would keep reading the same passage over and over again, without being able to decipher the meaning hidden in the text.

So, I turned to the only thing that didn’t tax my brain: a cozy mystery. Also referred to as the cozies, this is a type of crime fiction where an amateur sleuth (usually a girl/woman) investigates a particular incident — it can range from arson to blackmail, a haunting, or a murder.

The plot is set in an idyllic location, such as a small village in England/France, or at a seaside resort. The stories are often humorous and tend to feature pets (mostly cats). There can be a culinary angle to the story, as the sleuth may be working/frequenting a cafe, or a crime may take place there. While some of the novels stand-alone, others are part of a series.

The titles of cozy mysteries tend to be strangely alluring, and hunger-inducing: Chocolate Cream Pie Murder, Mystery at Apple Tree Cottage, Murder over Cocktails, Profiteroles and Poison, Cookies, Spells and the Tolling Bells, Feral Attraction, More Cats, Cupcakes and Killers, A Sprinkling of Murder…  

Unlike regular crime thrillers or mystery novels (where the goriness of the crime takes centre-stage), in cozies, the actual criminal act is not graphically described. And there is rarely any use of profanity. In other words, these are the non-PG (parental guidance) versions of sordid mystery novels.

The usual plot for a cozy mystery involves an idyllic locale where most people know (and trust) each other. The sleuth (usually someone resourceful and quick-witted, but not a trained detective) makes an entry. Just in time, a crime occurs. The amateur sleuth is somehow connected to the incident and must investigate. There may be a romantic angle as well. Several characters appear suspicious, but eventually, the sleuth eliminates the false leads and points out the real culprit. Interestingly, in these stories, most of the culprits are victims of circumstances and not serial killers.

Most of us have read cozy novels, but we perhaps never identified them as such. Some good examples are MC Beaton’s Agatha Raisin series, Agatha Christie’s Miss Marple series, and Alexander McCall Smith’s The No 1 Ladies’ Detective Agency series.   

For me, an additional incentive to read these stories came from a simple fact: Kindle has a large number of cozy mysteries available for free. The pricing changes over a period of time (and what’s free today may not be free tomorrow), but there are always a few cozies available at any point of time.

Cozy novels are one of the most popular forms of crime writing. Novice authors along with seasoned ones often take a stab at it (pun intended), which accounts for the extensive range. It is safe to say we will never run out of cozies.  

In terms of quality, some of the books can be boring and average, as the authors come up with improbable storylines or lose their hold on the plot during the denouement. But there are some works that are able to build suspense and keep you hooked till the very end. To save precious time, I would advise you to read the reader reviews and steer clear of the terrible ones.

Writing in Psychology Today, author David Evans described murder mysteries as “fairy tales for adults”. And therein lies their charm. While the stories talk of all kinds of evil things and people, it also offers a template on how to deal with your fears, as well as a reassurance that things will some day return to normal. More importantly, it tells you to trust your intuition and bravely face the challenges that life may throw at you. That is priceless advice in times like these. And all included within the price of a cozy!

Soma Das is an independent journalist and lecturer at the Department of Mass Media, Kishinchand Chellaram College, Mumbai.

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Categories
Poetry

A Parliament of Owls

By King Komrabai Dumbuya

A Parliament of Owls

With that flamboyance,

murmured by onlookers,

a parliament of owls set in.

Swinging electioneering pendulums,

clouded with deceptive crowns,

and holding large thesauruses

to splutter barren promises.

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Thence suddenly,

an easy prey appears

amongst the crowd of predators.

The innocuous eighteen-year-old

Piercing eyes through the apparel

of this treacherous nature.

Yearning to fit in the heart

of a sugarcoated world.

Without the thinking cap of his own.

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Blind and not knowing

that deep inside,

behind the mask is a beast

armed and stalking to clog thy mind

with an indisputable aim

to clock thy own will.

Yes, though well packaged

as illiterate, poor, and hungry,

but not too poor

to read the truest lips of a parrot

cartooned to catapult self-interest.

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In this endless quinquennial loop,

we’re guzzled by this bunch of racketeers.

Stain corrupted by borrowed systems.

Painted with faded strings of equity.

Leaving souls lagging in their very own eyes.

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Alas, a system perceived

as a measure of intelligence,

and a wheel of equanimity,

flagged with free, fair and quality pendulums,

has now become the scourge of the world.

And its disciples are teasing us,

with ironies of unattended manifestos

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Through it caps, war zones brew.

Prerogatives are despotic.

Spirited mouths of truth are imprisoned.

Justice has been bought by the rich,

shipwrecking the generations to come.

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King Komrabai Dumbuya is an poet from Sierra Leone, a coastal country in West Africa. A self-confessed lover of words, he makes his thoughts bleed through his pen. His poems revolve around complex themes like trauma, gender, societal issues, war, and injustice. He cherishes a dream to publish his poetry collections soon.

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Categories
Nostalgia Poetry

Re-collection & More

By Melissa A. Chappell

Something Right and Lovely

In the mornings I grind my own coffee,

which comes to me from ridges stranger still.

I watch the panes of light break on the wooden floor.

Shadows of you linger and pass through me,

your face fluid in Richard’s lion-hearted kindness and

the terrible courage of the tree swallow.

Like flowing water, the questions

shall not allow an escape,

but they penetrate every hesitation,

every “no,” every passive voice.

Am I guilty?

Yes. Yes. I am guilty on many counts.

I did not do well enough.

Yet I will say this.

Our loving was honest

and good

and pure.

In the mornings I grind my own coffee.

I listen to the news, the news that is

stranger still,

and I know that

though I am

alone, I will do better.

Yet I know that together,

after so many white lilies

have fallen from the stem,

we did

something right

and lovely

in this world,

and for this,

perhaps a wayward blessing

may sail to you upon

some following breeze.

And justice and passion shall lie in the unharrowed field, 

at rest upon the breast of the Lord.

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Melissa A. Chappell is a native of South Carolina living on land passed down through her family for over 120 years. She is greatly inspired by the land and music. She plays several instruments, among them an 8 course Renaissance lute. She shares her life with her family and two miniature schnauzers. She recently published Dreams in Isolation: The World in Shadow: Poems of Reconciliation and Hope with Alien Buddha Press.

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Categories
Review

How old is the Kashmir Dispute?

Book review by Bhaskar Parichha

Title: Understanding Kashmir and Kashmiris

Author: Christopher Snedden

Publisher: Speaking Tiger, 2020

There can be, and have been, countless books on Kashmir and Kashmiris. Given its geopolitical importance in the Indian subcontinent and the constant needling by Pakistan, Kashmir has been a boiling point in the relationship between the two disagreeing neighbors. It has now been a year since the Indian government changed the status of Kashmir by making amendments to Articles 370 and 35A. Since then, Pakistan’s efforts to highlight this unilateral change and the human rights violations within it have been under the spotlight.

The challenge in writing a book on undivided Jammu & Kashmir — the only Muslim majority state in India — in the backdrop of four wars with Pakistan in 1948, 1965, 1971, and 1999 and also in the context of Chinese conflict in 1962 is enormous. Fortuitously, Christopher Snedden has come out with a book that is unprejudiced and at the same time comprehensive. Understanding Kashmir and Kashmiris is just the book you want to read on Kashmir.

Australian politico-strategic analyst, author and academic specializing in South Asia, Snedden has worked with governments, businesses, and universities. Currently, a professor at the Asia-Pacific Center for Security Studies, Honolulu, Hawaii, he  visited J&K frequently to undertake research for this and has interviewed many elder statesmen involved in the Kashmir dispute. This authoritative book is the result of that endeavor.

Reads the blurb: “In 1846, the British created the state of Jammu and Kashmir and then quickly sold this prized region to the wily and powerful Raja Gulab Singh. Intriguingly, had they retained it, the India-Pakistan dispute over possession of the state may never have arisen, but Britain’s concerns lay elsewhere — expansionist Russia, beguiling Tibet and unstable China — and their agents played the ‘Great Game’ in Afghanistan and what was then known as ‘Turkistan’.”

Snedden contextualizes the geo-strategic and historical circumstances surrounding the British decision to relinquish Kashmir and explains how they and four Dogra maharajas consolidated and controlled J&K subsequently. He details the distant borders and disintegrated peoples that comprised the diverse princely state. It explains the Maharaja of Jammu and Kashmir’s controversial accession to India in 1947 — and its unpremeditated consequences.

Writes Snedden in the introduction, “The Kashmir dispute is now seventy years old. This makes it older more than ninety percent of Indians and Pakistanis. Its longevity surpasses the average life expectancy of a Pakistani male (65.16 years) and an Indian male (66.68 years)…Wistfully, some of my friends in J&K, India, and Pakistan tell me that the Kashmir dispute would continue for another two-thirds of a century…This book provides sufficient background information for a reader to understand why such a woeful scenario is possible.

Surely, the ground situation in J&K has changed since the book was written and, particularly, after 5th August 2019. But the dispute is far from over because  Pakistan constantly harks back that Kashmir cannot be removed from the agenda of the United Nation Security Council, which was committed to resolving the issue according to the wishes of the Kashmiri people.

Coming back to the politico-historical analysis of Kashmir, Snedden weaves a compelling narrative that frames the ‘K’ dispute, explains why it continues, and assesses what it means politically and administratively for the divided peoples of the state and their undecided futures.

Divided into five parts and punctiliously done chapters, Snedden begins with the Sikhs:  “We now come to an intriguing matter concerning the Sikh Empire: the significant role played by two powerful and influential brothers from Jammu, Gulab, and Dhyan (Dhian) Singh. In particular, as we shall see, the British took Raja Gulab Singh very seriously. The Sikh Empire had many non-Sikhs serving as soldiers and administrators. These included Gulab and Dhyan Singh, plus their other brother, Suchet, from the Jammu area that was located immediately to the south of Kashmir and north of the Sikh Empire’s Punjab heartland. Jammu had some strategic importance as its hilly uplands were relatively remote from traditional invasion routes into India that crossed Punjab. People had sought refuge from invaders in such areas, including most recently from marauding Afghans. Nevertheless, there was no distinct geographic division between Jammu and Punjab. Essentially, Jammu was an undulating-to-hilly extension of the Punjab plains that rose northwards to the Pir Panjal range located at the southern edge of the Kashmir Valley, with this range providing a natural boundary between Kashmir and Jammu.

Because Gulab Singh was a brave and capable soldier, in the 1810s, he caught the eye of the Sikh Maharaja. This was significant as both men thereafter engaged in a mutually beneficial partnership that brought them extensive benefits. For the effective but vigilant Maharaja Ranjit Singh, Gulab provided a non-Sikh ally whom the ruler could trust, an important factor in a fractious empire in which Ranjit was the senior Sikh. The ambitious Gulab Singh used Ranjit as a vehicle for Gulab to advance himself and his interests. Gulab Singh apparently first came to Ranjit Singh’s notice in the Kashmir campaign of 1813, after which Gulab was given control of the Reasi area, north of Jammu, in 1815. Later, because of his actions suppressing the uprising in Jammu in 1819, Ranjit Singh recognized the Jammuite as ruler of Jammu in 1822.”

What enhances the beauty of this 360- page is the in-depth analysis is the lucid explanation. Written in a language that is most nourishing and generous, this book is by far the best chronicle on Kashmir. Snedden has adroitly handled the dispute along with its intricate political and geo-strategic dimensions. He goes that extra mile to probe at length the history of the oft-neglected Kashmiris too.

An excellent account of Kashmiri identity and the conflict between India and Pakistan, the book is peerless on one of the world’s most ‘intractable disputes.’

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Categories
Stories

Flash Fiction: The Carpet

By Niles M Reddick

Three years into our marriage, we purchased our first ranch home with no down payment thanks to help from a bank that gave us two mortgages; one was for eighty percent and the other for twenty percent with an extremely high interest rate. We stayed there five years, owed as much as we did when we bought it, and replaced the flooring, roof, the heat, ventilation and air-conditioning unit, kitchen countertops, and even the landscaping.  Fortunately, the value increased, mostly because of a growth explosion in the city, and we sold high, netting a thirty percent profit, which we plunked onto the next house.

We didn’t have a lot of time to look for that first house because of start dates for our new jobs, so we had driven the realtor crazy looking at more than forty houses in three days, putting in a contract on the fourth day, and solidifying the deal on the fifth. There were things Beth had wanted I could care less about: fresh paint, no wallpaper, and the three bedrooms on the first floor. I, on the other hand, felt an office, fireplace, and wood floors were the most important things. The house we both finally agreed on had a long laundry room that could double as an office for me, except when the washer was on the spin cycle and vibrated the computer on my desk. I did get a fireplace, and Beth got the fresh paint and no wallpaper. Unfortunately, I lost out on the wooden floors, but Beth got all the bedrooms downstairs in case we had children.

Because we had an antique rattan sofa and chair set Beth’s dad had given her as a college graduation gift for her first apartment, it was more chic than comfortable, so I often lay on the carpet in front of the television to watch movies on the video player or episodes of Seinfeld or Friends. Before we went to bed, I thought a mosquito had bitten me on the outer upper thigh area. A red bump felt irritated and warm to the touch. I put a little antibiotic cream on it and went to bed. The next morning, I didn’t even think about the bump, but the second day when I was taking a shower, I noticed the bump was darker, larger, and there seemed to be rings around it, like someone had tattooed my upper thigh with an image of Saturn and her rings. I decided I would stop by the clinic for a check since I’d never had a mosquito bite look that way, I feared the West Nile virus since it had just found its way to the states, and whatever it was seemed to be spreading fairly close to my genital area.

The nurse took my vitals, temperature, and didn’t give any non-verbal communication hints when she had a peak, but the doctor came in, looked at the chart, mispronounced my name, looked through his bifocals he wore on the tip of his nose, and said, “Looks like a Brown Recluse got you. Still early and not a lot of damage, but it’s killing the tissue. The rings give it away. We’ll get you on an antibiotic.”

Brown Recluse Spider

“Brown recluse? A spider bite?”

“Oh yeah. Could be anywhere in your house. They often live in dark places, cracks and crevices, and under carpet.”

“Carpet? I knew we shouldn’t have bought that house with carpet everywhere.”

“Yes, well, I’ll look at it again next week after you’ve been on the meds. Hopefully, we won’t have to take any skin.”

 After the bite healed, I had the ring for some time, but that didn’t stop me from having the carpet ripped up and wooden floors installed throughout the house. I insisted on being there with bug spray, but never saw a Brown Recluse. Beth washed the linens and I had an exterminator come monthly.

I still check my skin if I have an itch and scratch. It seems to take a lot of time to do so, and at times, if I’m in a conversation at work, I have to excuse myself to check. Co-workers see me going to the restroom more than usual. Once in a while, a co-worker might find me in the restroom with a pants leg pulled up to the knee, my sock down to the shoe, or my button down shirt open, my using a flash light to check my skin closely in the mirror, but at least they know I don’t have diarrhea, a bladder issue, or am hiding alcohol to drink. 

Niles Reddick is author of the novel Drifting too far from the Shore, two collections Reading the Coffee Grounds and Road Kill Art and Other Oddities, and a novella Lead Me Home. His work has been featured in thirteen anthologies, twenty-one countries, and in over three hundred publications including The Saturday Evening Post, PIFNew Reader MagazineForth Magazine, Boston Literary Magazine, Flash Fiction MagazineWith Painted Words, among many others.

Website: http://nilesreddick.com/

Twitter: @niles_reddick

Facebook: https://www.facebook.com/niles.reddick.9

Instagram: nilesreddick@memphisedu

Linkedin: https://www.linkedin.com/in/niles-reddick-0759b09b/

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Categories
Poetry

A Charitable Destitute & Capitalist Love

By Roopam Mishra

A Charitable Destitute

For decades,

Her house lay empty

So did her life, vacant.

Running like roots

There were cracks on the floor,

A cloud of cobweb above.

There were cracks on her skin too

And, a million fragments of her hopes.

The window panes were broken, and so were her teeth.

There were serpents beneath the banyans, outside,

But of those, her heart bore none.

Life deceived her, she had lost love.

People deceived her, a failed career.

Dementia found her

In whose arms she stayed always.

Clothed? Scarcely ever.

Well fed? She didn’t know hunger.

Sheltering birds, rodents, and beasts,

Living in penury she was the most charitable of all.

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Capitalist love

Your love,
Feels like over-priced gulab-jamuns*.
As much I strive to save,
And seem equipped to savour
The dessert,
Your capitalist heart hikes the price,
And I return dejected,
Yearning,
Saving up again,
Dreaming to gorge on
The delicious, syrupy dumplings,
Tomorrow, when I have better means!

*gulab jamuns – A fried Indian sweetmeat

Ms. Roopam Mishra lives in Lucknow, India. She is a Research Scholar at the Department of English, and Modern European Languages, University of Lucknow. Her area of interest, and enquiry is theatre, performance arts, and aesthetics in the new millennium. She writes bilingually, both in Hindi and English, from the age of thirteen.

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