Categories
Poetry

Paradise no more

By Kashiana Singh


*2020 California wildfires are still raging


there is fire, everywhere

an inferno of shadows as

anaemic as the men who

bleached the ground of its

resilience, its benevolence

the ground that rises now

into a billowing cloud, of

lashing tongues that

hiss and piss

at everything

they see below— the ground

is a charred body, dead in

a concentration camp

left

to singe for water—

parched

tall forests are falling

to our fallen grounds

no more their spines

can hold our organs

destroying the path

to verdant morrow’s

no more these tunnels

can hide our shadows

cleansing of terrains

to garish

fire tongues

no more a kiss of love

will erase our own rot

an ash

spitting death

to frescoes on my sky

no more dripping blue

into our deranged souls

the walls are punctured

to gaping battle holes

no more a loving nest

of a futureless hope

the rivers are in wailing

to arson, ignorance

failing

no more erasing pestilence

bleeding into its crust

these patterns repeat

lyrical, a greek poem

unfolding

before and after us

flames into flames

we extinguish

our own

as water rises itself into a

high tide, feverishly some

of us wobble into the

stagnant water

bearing on our backs

fistfuls of these savanna’s

cawing

cooing

crying

into a smokeless horizon

where a weary

Noah

awaits at the edge

of his burning ark

.

Kashiana Singh lives in Chicago and embodies her TEDx talk theme of Work as Worship into her everyday. Her poetry collection, Shelling Peanuts and Stringing Words presents her voice as a participant and an observer. Her chapbook Crushed Anthills is a journey through 10 cities – a complex maze of remembrances to unravel. Her poems have been published on various platforms including Poets Reading the News, Visual Verse, Oddball Magazine, Café Dissensus, TurnPike Magazine, Inverse Journal. You can listen to her reading her work on Rattle, Songs of Selah and Poetry Super Highway episodes. She serves as an Assistant Poetry Editor for Poets Reading the News. Kashiana carries her various geographical homes within her poetry.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Stories

Disconnected

By Chaitali Sengupta

Angry clouds gather in the west corner of the sky. Thunder crashes, once in the overcast skies and then in her bosom. Scanning the sky with her nervous eyes, Ms. Bose switches on the TV, her mind in complete turmoil now. Her twenty two year old daughter has not yet returned home and it is past 12 o clock at night. Earlier in the day the KNMI weather bureau had issued a code orange weather warning for Noord- Holland, Friesland and Groningen. Uprooted trees, damaged roofs, closure of roads and highways, her mind briskly translates the Dutch teletext into English, a habit, like so many others, she yet cannot get over, despite her 23 years of stay in the low lands.

Auto slaat over de kop, A20 afgesloten tot nader bericht.(Car overturns; A20 closed until further notice)”  The words jump at her from the screen and she reaches for her mobile, punching Piu’s number frantically, sending silent prayers to the Gods above that she picks it up this time. How would she come home if that highway remains closed? And whose car it was that had overturned, she wonders? Fear dizzies her.

While the ringtone burrows into her ears, her mind goes through the scene from the morning.

Is it necessary to go today, of all days, to the youth day evening party, she had asked, even though she knew the answer she would get. “There is a warning for extreme weather,” she reminded her daughter using Bangla, using which she breathed easily. “You may get stuck. It is not safe to drive…”

With an exaggerated sigh her 24-year-old daughter, Anamika Bose — Anna to the native tongue and Piu to her — refused to listen. “Really Ma, you can’t let weather dictate our lives. I’ll be there before the storms strike.”

It irritated her, this pert brightness in Piu’s voice, but she forced herself to be calm. Incase there is a need, she had continued in her simple way, would she call her parents’ friends, the Rays, who lived only a few blocks away from where the party was held.  I am a grown up girl, Mum, quite capable of looking after myself, she heard Piu snap as she gathered her large bag, stashed her foundation and cream into it and moved out of the bedroom after giving herself a last hurried look in the mirror. While Ms. Bose sat rigid at the edge of the bed, Piu added from the door, “I’ve my mobile, I’ll call you as soon as I reach, Ma. Besides, Martijn is there. He’ll take care of me.”

                                                               *

Martijn. Blue-eyed, tall, white with a sharp European nose. And a few years younger to Piu. She still remembers the silence that had bristled around Piu’s announcement at their dinner table couple of months back.

“Martijn and I, we ’re going steady, wij zijn nu 8 maanden bij elkaar (We’ve been together for eight months now)! It’s serious, and I intend to move in with him soon,” said she, her face gleaming with satisfation.

In the silence that ensued she saw her husband nodding his head and preteding to be interested, encouraging further conversation. “Martijn? The one whom you introduced me at the Kunst Akademie?”

It had prompted Piu to talk in great deatil about Martijn’s love for art pieces and a whole lot more half of which she doesn’t remember anymore. What she remembers is that strange heaviness running through her limbs and those many words swirling around in her head. In her maternal confusion she had only heard herself speaking about the difference in their ages. He’s a couple of years younger to you, she had tried to begin cautiously.

Piu cut her off, offended and almost furious. “What is age, Ma? A number, een getal. Has got nothing to do with love!”

He has dropped college and you are a topper in the university, she had struggled to put the words in their correct mould and had failed miserably in her agaitation. On what basis have you taken this decision Piu?

She knew the collision that her words would produce. But with those very definite notions of womanhood that she had been raised with, those set of dictates that explained who is considered a good woman and how she is to behave, she ignored the outcome, going ahead. It all feels good to you now, Piu. A couple of years later you’ll regret it…

She felt the brittleness in the air around before her daughter spoke up. “Why is it so impossible to talk with you, Ma? You never understand.” Piu’s voice was stretched thin, her hands pushing the plate away. “You’re forever distrusting, forever finding faults with me, my decisions. Whatever I do, it is never right for you.” She picked up her plate, threw the leftover food in the bin and before storming out of the room, had turned to her father, saying, “I hate it here, you know Baba (father). Can’t take it anymore, this perpetual interference.”

The edges of her daughter’s words had cut her to the deep and the bleeding had begun. Can a mother be an enemy to her own daughter, she thought? Her husband moved back to the kitchen with a look of vaccum in his eyes and repeated the same words, like an ancient mantra. “While in Rome, be like Romans. Don’t bring your prejudices into her life, it won’t work. Try and be a part of the society where you are living…

*

And hadn’t she tried? To be a part of this society?

She had adopted this land, learnt the language, exchanged her nationality, included mashed potato & veggies-stamppot in their winter menu, gone to the barbeque party with her neighbors in summer and tried to relish the olliebollens in the winter. Given up adorning her parting with vermilion in public and had gotten used to to wearing trousers in place of her comfortable cotton saris. And yet that link with the land had refused to form; that much awaited bonding remained as elusive as on that very first day when she had landed in Schiphol, a timid bundle of nerves, following her young husband in silent excitement, her eyes wide with wonder and bright with hopes.

That first year was the year of change for both of them. But while the changes transformed her simple husband to a meticulous, ambitious person, all that the new changes did for her was to nurture a dissatisfaction with her own, lonely life.

The harder she tried to fit into the society, the more was her need to recoil back and belong to that old world she had left behind. The inordinate laxity prevalent in this western society, the permissive lifestyle, the non-existence of permanent relationship between man and woman had awakened a kind of wary incomprehension in her in those early years. Later she had tried to strike a balance between her deep-rooted Indian beliefs and modern European outlook. But in the new enviornment, she had found the new ways of life to clash with the importance of values she was raised with.

Once when her colleague Ineke from the small wereldwinkel (shop) where she went twice a week had wanted to know how was it possible for her to be still connected  to the land  she left twenty two years ago, she had just smiled, covering up her frustration of not being able to coin the exact expression in Dutch to her colleague. How was she to explain that her family in that crumbling, old home in Kolkata was still her rock and that she considered the place she left twenty three years back still as her home?

         *

Disruptive, angry winds lashed out at the house like a furious animal kept in chains. Where did she go wrong, she wondered, standing in front of the telephone table and trying to connect with her husband who was at the moment travelling out of Holland. Her very desire to pass on to her child her heritage and to help her to grow so that she could create a space to call her own — was this desire so unfair, one that she didn’t deserve to yearn for? The phone kept ringing somewhere on the other side of the Atlantic, but instead of her husband’s voice she reached his voicemail. Knowing that it was useless to leave a message, she put the phone down. She had to find Piu herself, she knew. But how?

Her back slumping, she walked up the stairs to her own room, watching her own shadow, a silhouette of loneliness and regret. A cup of strong masala tea, that was what she needed now, as she felt the dull, familiar ache returning and pressing on her temples. As she filled water from the tap in her small water kettle, she could not stop thinking about Martijn.

What was it in him that she didn’t like, that she didn’t trust? The way he addressed her by name? The way he held Piu’s hands in front of her? The way he casually spent the night with Piu in her home? Something that she as Piu’s mother found most inappropriate?

Once when she had tried to raise the point to Piu, her daughter had tried to explain hard. “It’s not your fault, Ma, I don’t blame you, she had tried to be sympathetic in her thoughts. It’s all because of that ‘closet culture’ you were raised in, where parents decide their children’s future. It is still so prevalent. You are so used to find happiness in marriage by arrangement. How would you understand the importance of the freedom of choice Ma? You never knew any other man in your life other than Baba.”

She watches the water come to boil; She tries to be honest with herself. No, it wasn’t that she mistrusted Martijn. What she did not, could not bring herself to trust was these modern, temporary, impermanent relationships between man and woman, relationships that needed to be ‘worked out’. “It’s up to us to work out the relationship,” Piu had concluded, finally having no patience left for her mother’s litany on the need to keep the best part of her heritage.

She had then wanted to ask Piu how did one ‘work out’ a marriage, was that a sum, a calculation, or a formula that needed to be worked out? But watching the glittering stars of hope in her daughter’s eyes, the question had died on her lips.

She checked the weather outside, lifting the curtains. The dark outside her window was shattered by the unrelenting zig-zag of lightening. Closing the curtains, she walked back to the sofa, carrying the tea cup in both hands. She felt tired, exhausted, and the pain behind her temple pulled at her eyelids. But she could not sleep. What if Piu phones..? Or anyone else…from the police station…just anyone…?

 And that’s what gave her the idea. Although she knew it would infuriate Piu, she still wanted to try. She lifted the mobile and punched Piu’s friend’s  number. A couple of rings as she sat stiffened and then a high-strung voice mumbled, “Met Myra.(Myra speaking)”. Gripping the mobile in her hand she asks after Piu. “I cannot reach her,” she says, asking her if she could pass on her message. A couple of minutes later the mobile rings. It was Piu. Finally.

“I’m sorry I missed your calls, Ma. Was so busy.”

“You should have called, Piu. I’m alone here, sitting and worrying…when will you be back? Your father is also not here…”

“Why did you have to call Myra, Ma? You know I hate you calling up my friends,” she went on as though her mother hadn’t spoken. “I told you I’ll be fine. Will be staying over at Martijn’s tonight. Don’t worry, I’m fine.Will call you later.”

 “Listen, I was saying, the Ray’s are there, nearby, if you need…”

But she has hung up already. Disconnected herself.

Chaitali Sengupta is a published writer, translator, journalist from the Netherlands. She is involved in various literary & translation projects for several literary and social platforms in the Netherlands and in India. Her works have been extensively published in many Indian literary platforms like Muse India, The Telegraph, Indian Periodical, Eindhoven News, The Asian Age, Borderless Journal, Setu bilingual. Her recently translated work “Quiet Whispers of our Heart” (Orange Publishers, 2020) received good reviews and was launched in the International book fair, Kolkata, India.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Poetry

This Island of Mine

By Rhys Hughes

Every year the storms

are far more powerful

and more frequent too

on this island of mine.

The roof of my house

was blown away only

yesterday and my wife

and neighbour just now.

.

I watch through an old

astronomical telescope

as the receding forms of

those sadly supple fliers

dwindle like an eloping

couple, yet the residual

hope in my despondent

heart is still swindled by

climate change deniers.

.

(Liars who sold their

souls to the diabolical

buyers of rotten goods

and wallow in the mire.)

.

My dog, my cat and my

bathroom mat, and also

my geometric lawns, all

are gone thanks to those

violent winds, and even

words I hoarded to use

in this poem have been

blown away. You may

find them at the end of

this verse, all forlornly

disordered as follows…

.

wet

cold exposed

without a home useless

fruitless rootless and doomed

cocooned boiling floods

mudslides in our

eyes

.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

Blade of Grass: A Lesson Learnt

By Dr. D.V.Raghuvamsi

A blade of grass in my garden dancing in the summer morning breeze has offered a valuable lesson. I need to dismantle my human ego to accept it.

The entire world now grapples with the novel coronavirus that poses a threat to the lives and lifestyle adopted by humans. Of course, there is no doubt that Nature is transformation and transformation is Nature. But speaking on a pessimistic note, the pandemic may be interpreted as a way of the supreme design to balance several aspects. After all, life is all about balancing things!

If I have to come to terms with the fact that a small entity is able to pose a challenge to the technologically developed world, and make the so-called superior species pause, it is time to look within the trivial spaces of the human mind.

Is this pandemic a pre-planned act of Nature? Is this outbreak to make us comprehend that human organism is not the most all-powerful species on Earth? I use the term, ‘human organism’ only to drive home the point that we are a part of multiple species that are supported by the Earth.

I wish to put forward the idea that no other species is under the threat of Covid-19. Does it reinstate that it is the human perspective that has to change? Yes! It’s obvious.

If I have to delve into the deeper spaces, I feel that it is the human ego that pollutes all the entities. If we can take a zoom shot of the things happening around and observe the pattern, I can take home, three important aspects. In the first cycle, it is the human being who started exploiting the other species; in the second cycle, humans moved forward with the exploitation of his fellow beings. In the third cycle, it won’t be an exaggeration if I contend that man is exploiting his own inner self, paving a way for psychological disorders.

Till date, all the viruses disturbed the physiological elements feeding on the different organs of the human body. In future, there may be a day that uproots the so-called most developed entity called, ‘Human Mind’. A microorganism may pose the world’s biggest challenge to the home of thoughts, driving people towards illness that uproots the very foundation of human intelligence.

The whole world is eagerly waiting for a vaccine that treats the coronavirus. Human intelligence is on it and there have been developments on this front. But what if there comes a small entity that threatens the existence of human intelligence? It would be the end of the world for we have made other species subservient to man made technological constructs and they would remain as passive spectators while they watch the last human life on Earth snuff out the species to extinction.

In the name of war over resources, several countries all over the world have completed the second cycle of winning over their fellow beings. Perhaps now, we are headed for the third cycle of destruction. A reorientation of the approach towards other species that abound in Nature is something that demands attention. Living with Nature should be the slogan for today and even tomorrow, for it paves a way for the creation of sensitivity that treats all of living species as one. A moment can be the epitome of transformation. It is the concept of co-existence that constructs it.

.

Dr. D.V.Raghuvamsi has been working as Assistant Professor in MVGR College of Engineering, Vizianagaram, Andhra Pradesh . His interests include penning down short stories that offer a bird eye-view of the varied faces of human psyche.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Poetry

The Last Dance

By Smitha Vishwanath

I see it steal the lead

break away

and pirouette-

a dancing ballerina

swirling on the open stage,

a Turkish dervish

whirling to a melody I cannot hear,

I strain my ear

.

I watch still

as it pauses

for a beat

It seems forever

and then a final ghoomar*

before it gracefully sways

and lands

nimbly, on the terra-firma.

.

My heart applauds

the performance-

‘The last dance’

Before it bites the dust

joining the rest

who fell before it

after doing their bit

Of living,

.

breathing

giving to the world

now lying dried and curled

on the earth’s bed-

yellow, brown, orange, green and red

united, irrespective.

.

*ghoomar – Rajasthani dance involves twirling of dancers

Folk dance from Rajashthan, Ghoomar

.

Smitha Vishwanath is a banker turned writer. A management professional, she embarked on the writing journey in 2016, with her blog, https://lifeateacher.wordpress.com, while still heading the regional Cards Operations of a bank. After having worked for almost two decades in senior roles in the banking industry, in the Middle East, she quit and returned to India in July 2018 when her husband was transferred on an assignment. Her poems and articles have been published in various anthologies. In July 2018, she co-authored a book of poetry: Roads – A Journey with Verses. Other than writing, she enjoys reading, travelling, and painting.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.

Categories
Stories

The Cartographer

Praniti Gulyani journeys back to Godhra riots in 2002 Gujarat with her unusual narrative.

There was something absolutely strange about our next door neighbours, yet whenever I’d bring this apparently important issue up on the dinner table, my parents would reprimand me almost instantly. And despite their strangeness, I could not resist venturing into their house whenever time would permit me. There was this inbuilt magnet within me, which automatically pulled me towards all things bizarre. My next-door neighbours were a man and a woman, though in my initial years with them, I could never, ever figure out if they were related, and most importantly, how they were related. The man was a pleasant character, who had a big billboard with the word ‘Mr Noor – Cartographer’ imprinted on it, and pasted outside his door.

Every evening, he’d begin to take me around the map that he’d drawn the night before. As I’d glance over his hunched shoulders and look at the yellowing chart paper clipped to the huge slab of wood which was propped up against his knees, I’d witness a labyrinth of squiggles and scribbles, struggling to navigate my way. Yet, when I’d tell him so, he’d look at me with condescending glares and tell me, that just because I could not see his countries and continents, that didn’t mean that they do not exist. And then, when I’d shake my head in disbelief and walk out of his room, he’d throw his head back and burst into song.

I’ve spent many afternoons thinking about him and his absolutely extraordinary ideas and conversations, yet I’ve never been able to put my finger on the essential truth of the situation. By day, he was a prim and proper businessman, his shirt ironed to such immense precision, that it would almost make his onlookers uneasy. He’d sit through his meetings with a poker-straight back, his fingers drumming a slow metallic tune on the keyboard of his laptop. And when the moon would wedge itself into the entangled embroidery of the sky like a piece of cold, grey stone, he’d burst into his apartment, change into his loose, light-hearted night clothes , draw out his board, and continue working on what he called the map of his world. His eyes would sparkle with a silvery flame which made me feel as though the gibbous moon was softly flickering within his being. After all, the wilderness, the insanity of the flame was such.

He has a wife, as I later learnt — a simple, Indian woman who’d usually be found clad in a colorful jeans and kurta, who’d spend her days in the attic reading and writing. Both of them were two absolutely different individuals or rather living in absolutely different worlds under a common roof.  But at least, each individual world had space to grow and flourish. A few days ago, before Diwali — our festival of lights, I decided to pay this curious duo a visit.

Being a writer at heart, I’ve always believed that within the soul of every writer, there is a net crusted with starlight and moonlight. It is within this net, ideas, dreams and thoughts get entangled, and from there, they gradually flow out on paper. The sky was bruised with deep purple shades that looked almost ugly and threatening. I rang the doorbell – once, twice as the resounding chime cut through the silence. Yet, it seemed as though no one was at home. Instead, the white door striped with green paint and decorated with glow in the dark stars was partly open, and a string of shadows seemed to be floating out, silently. . .

The silence engulfed with its intense. I could almost hear the scrape of shadows against the wooden boards of the floor. With bated breath, I tiptoed inside. My eyes took at the messy garden, the confusion of wild grass that seemed to hold a million secrets entangled within its interior darkness, and a winding flight of stairs that seemed to curve into the infinity of the rich, purple sky. Almost instinctively, I began the journey up that flight of stairs. It seemed as though the stairs were calling out to me, in soft, low pitched voices, as they silently led me to his room. For a moment, I felt as though the stairs of his room had transformed into this silent companion, who was taking me by the hand and leading me to a place which was probably my destination. But instead, this companion did not converse with me in loud, exuberant tones. Instead, he just looked me in the eye and assured me that whatever happens, all would definitely be well.

His room still had its traditional, everyday yellow light on, and as I stepped inside, the characteristic fragrance of lavender incense mingled with freshly brewed coffee filled my lungs. The bedcover was hastily spread into some kind of a mat, upon which a huge, wooden board was propped up. I moved closer to the board, and examined the confusion of squiggles and scribbles that he had created. Now that I was closer to his creations, I noticed how some of the scribbles were especially highlighted with deep orange and crimson shades, and the streaks of this bright colour, were so angry, so furious that it almost seemed as though a fire was roaring within their soul. The wall was covered with partly crumpled wallpaper and I could distinctly make out the words “Welcome back to fairyland” spelt in stumbling, blue ink. Amidst all this, there was a crumpled sheet of paper pasted to whatever portion of wall was remaining. With increased eagerness, I leaned forward to read the sloping, slanting handwriting . . .  .

Dear Baby,

I hope you read this letter sometime in your life. I know that after reading this letter, you will feel as though your mother is the worst mother in this entire world and possibly you will be happy that your mother is no more. But, I just want you to know that your mother has left behind a story which she wants you to read, absorb and experience. This story is very special to your mother, dear child. Because this story is about you, the only person that your mother could call her own. Always remember that every child is an extension of their mother, and oh, the pride it gives to me merely write this sentence . . .  that you are an extension of me!

As I write this, you are squirming in a partially broken cradle that a passerby was kind enough to lend me. So, it all began on a warm, winter’s afternoon towards the end of February, when your father and I were returning to our hometown in Gujarat, from the temple of Ayodhya. You were in my belly, alive and kicking, and the sudden jolts that you would bestow upon me would make my world jerk to a sudden halt, and you know, in that pause, I’d see all the goodness in this world, all the rainbows, all the sunshine, all the stars. That’s the effect you had on me, my love. And then, as our train neared our home, you began kicking even more, even harder. I felt as though you wanted to come out of me right away, and make the world your own. I held onto the metal bars of the train, my breath reduced to short, sharp wheezes. I felt as though you would tear my belly apart and just dash out of my being. Then, the waves of pain intensified to such a great extent, I was sure I could not take it anymore. God wanted you to be born in a train cabin, my dear child, and He sent people to ensure that His wish became a reality.

There was a midwife in the next cabin, and she heard my cries. The men were cleared out, and I was made to lie down on the seats. After what seemed like forever, she drew you out, and I still distinctly remember seeing you . . .  your little tomato-like face was lit by the rusty rays of sunlight that scraped the train window and your lips were full with the crimson moonlight of the evening crescent. My eyes brimmed over with tears, as you were placed in my arms. I wanted to hold you to my heart, cover your forehead with a crown of kisses, and whisper all the prayers I knew into your tiny ears.

And, as I drew you close, a resounding thud echoed around us. There were flames everywhere, furious, angry flames that rose up and seemed to touch the sky, setting the clouds aflame. The world that you had entered a few minutes ago had been calm and stable, my dear child, but that very world had somersaulted into a chaotic, fiery, murderous mess. Your father burst into the cabin, and pulled me out, enveloping me in his arms, wrapping you in his coat. The stench of burning cabins, burning bodies was everywhere, and I could almost taste it. I felt an upcoming surge of nausea in my throat, and my eyes brimmed over, clouded with hefty mountains of smoke. I was coughing, wheezing, trembling, and amidst all of this, I was trying to hold onto you with all my might. I felt as though I was about to drop you.

The flames smacked me on my cheek, dear baby, and I remember putting my fingers straight into the fire, just so that I could prop up your father’s coat over your writhing body. My dear baby, your first glimpses of the world were squiggles, scribbles of consuming flames, and you were in the absolute centre of this fiery labyrinth. This was your first experience in the world, and I am so sorry for this. As I write this, I am partially lying down on a hospital bed. My cheeks, my neck, and my lips are all burnt, and I know that I don’t have much time to live. I can almost taste my bruises, my burns, my wounds . . . 

But, I am so happy I could save you. There are burns on your tender cheeks, but they are like moles. I am sure that a well wisher will tell you that these are mere birthmarks. I hope you will believe them.

Maybe what happened with us, what happened with you will be splashed across newspapers, and maybe your insides cringe when you learn that you were such an essential part of such a gruesome incident, and that too, in the initial hours of your life. I don’t know what people will call this. Will they call it riots? Will they call it a war? Will they call it . . . I hate to write it here, baby, but will they call it a Hindu – Muslim conflict?

If they do, my child, I just want you to remember that the person who placed your little, crying body in this cradle was a lady in a black curtain. Not only that, she also rocked you and held you in her lap, while your mother’s wounds were being looked after. Always remember that your second mother was a lady in a black curtain. And, isn’t this so very beautiful, my child? Motherhood is an essence which surpasses all boundaries of religion. And you know, after my wounds and burns were filled to the best of the on the spot medical fraternities abilities, your second mother kissed you on your forehead and asked me to name you ‘Noor’. She told me that you have precious gemstones shimmering in your eyes. And, so right she was!

Also, no matter what happens, I hope you build your home in our Gujarat, or at least visit this place thrice a year. It is an absolutely beautiful place, and I wish that you embrace your hometown with the joy and love that your mother and your father both did. Perhaps, your vision will be clouded with unfortunate memories after you read my letter, but let me tell you – that you’ve been living in Gujarat since the moment you were a mere fetus in me. And I know that Gujarat will reach out to you and call out to you, her child, in her soft, melodious voice.  . . . .

Let me seal this letter with a kiss. I hope you can forgive me for what you went through. I wish that this mess of fire and flames, fiery squiggles and scribbles did not have to make up your first bit and first memory of this world. Do you know what, baby? There is positivity in everything around us. Even amidst this murderous confusion. Even amidst this chaos of death and agony.

At least you can live your life knowing that you had a mother who held you close.

If not a life full of joy and love, at least I could give you this thought . . . .

Yours,

Maa

I was absolutely taken aback. I backpedalled, and all the words that would fill the space called my heart with initial ease, had almost disappeared. My eyes brimmed over with tears, as a pulsating river of sobs began to throb in my throat. My gaze drifted back to his squiggles and scribbles, and I could almost hear him telling me about his map. He’d been mapping out his world, a world that he’d lived and experienced. He’d been born from the flames.

“It is a surprise to see you beside my map’’ a baritone voice called from behind me. I saw him standing behind me, a slight smile on his beautiful face. I couldn’t answer. My face was an entangled mess of emotions, tears and joy. With one look at me, he understood everything. He picked up his wooden slab, lifted his pencil, and continued sketching and painting with all his might. “I am no less than a cartographer. It’s just that normal cartographers map out countries and continents, and I put forth unseen worlds on paper….’’ he whispered, mostly to himself, partly to me. He began talking about different shades of orange, the perfect mixture of grey to create the smoke, but paused as he thought long and hard about the colours to use, to paint his mother. . .

.


Praniti Gulyani is an aspiring poet from New Delhi. She enjoys debating, theatre and fiction . She believes in voicing her opinions through her stories and poems, and sees literature as the strongest and most beautiful form of protest. Her book ‘Sixteen Drops of Ink’ was published by The Impish Lass Publishing House in August 2020.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Poetry

Lingering Sounds and Scents…

By Hema Ravi

Grandma’s house resonates with distinct sounds and scents

of agarbathis* and aromatic spice(s)

In gleaming tins and porcelain jars the contents

were stored, hand-pounded by grandma, all in a trice.

The ‘clang’ on the brass filter ere decoction fresh

added to creamy milk with aroma pleasant

for heavenly ‘kaapi*’ to start each day afresh

Tumblers filled and emptied, brought smiles effervescent.

.

While grandma meditated with large pots and pans

Grandpa pored over religious texts for long hours

Our play would halt when we had to wash feet and hands

In prayer we stood; to deities, offered flowers.

In that easy chair sat Grandpa under the large neem

post the sumptuous dinner, it was story-time.

As the full moon in the sky continued to beam

We sat all eyes and ears, until it was bedtime.

.

Guavas and mangoes have gone; neem tree’s survived

Continues to invite the parakeets and crows

ammi and aattukkal* shelved when the mixer arrived

What happened to the assortment of pans, God knows!

The memories lie frozen in pictures of the past.

Now trendy, the large mansion does have its appeal

Technology had cast its spell on all too fast.

Progeny elated — they have got a square deal!

.

*Agarbathis: joss sticks used in prayer.

*Ammi, aattukkal: grinding stone

*kaapi: Cofee

.

Hema Ravi is a poet, author, reviewer, editor (Efflorescence), resource person and independent researcher. Her writings have been featured in several online and international print journals, notable among them being the Metverse Muse, Amaravati Poetic Prism, International Writers Journal (USA), Culture and Quest (ISISAR).  She is a freelancer for IELTS and Communicative English.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Categories
Musings

Of Cats, Classes, Work and Rest

By Nishi Pulugurtha

On the step of the building just opposite my living room window is a cat. A beautiful tabby that is in repose – a blissful repose, it seems, as I struggle to deal with things online. Examinations, messages, mails, calls, meetings, discussions – they just seem to go on. Beyond working hours, on Sundays too – yes, they do keep me busy, maybe keep me sane, however, at the same time they are tiring and exhausting. I attend sessions which tell me of various technical aspects of the online platforms that supposedly will make things easier, my take on them —  they seem to be even more complicated.

The cats are not my pets. It is just that I like to observe things around me and working from home my views are limited these days. One of my neighbours has about four pet cats, I can hear her calling out to them – Chini, Mini, Kini, Tini. I hear them purr in response to the call. They snuggle around her feet as she walks out. She picks up one, cuddles it and then picks up another. I see her kneeling and talking to them. That conversation goes on for a while. I hear all kinds of noises – human and feline. She goes in and gets to work and the felines decide to remain in the compound. I guess they want some more of the sun – it is scorching still but that does not seem to stop them.

One of them crawls into the green space in front. She seems to be looking for something — maybe she did get a scent of something that could be a delicious afternoon meal or snack. There is a big noise, an uproar, you could say. That is my other neighbour. I hear her go on. She seems to be shouting at someone. I can clearly understand that she is trying to drive something out of her house. She hollers out to her husband to close the kitchen door. She has just finished her cooking. Well, one of the felines decided to visit neighbours and that was the reason for the commotion.  Inspite of all this shouting and hollering, Mita makes it a point to mix a little bit of leftover rice and some fish bones every day after lunch. She puts this in bowls and puts them out in a small dish near the steps. Slowly the cats venture forth. She has been doing this for years now. She has a late lunch, a very late lunch.

I am in between classes then, online classes and need a cup of tea to cheer me up. As I make myself a cup, I see her walking towards that empty space, bowl in hand and a few of the felines following her. She is no longer shouting at them. Rather, she is talking to them, asking them to wait for a while. She leisurely walks, greeting someone in the distant window. As she puts the food, the felines get busy.

Mita decides to catch up on some conversation with the lady who lives upstairs. As I put on my headphones, I can hear their voices. I am off to another world, a virtual one – my classroom these days. The class consists of new students who are more than lost in all this huge virtual space. I tell them I am in as much trouble as they are in. I am still trying to negotiate my way through this maze of platforms, learning something, trying to learn and not always succeeding. They are quiet for some time, and then I see a message in the chat box. I answer, ask them to speak one by one. I have the list of names on a list, a list that has numbers too – numbers that confuse. This is the first time I am unable to associate the name with the person. I have never seen them, do not know when I will meet them in a classroom.

Room 212 on the second floor, a big, warm, airy room that in the summer months burns, is the allotted classroom for my students. The windows of the room look out to the huge playground. A lot of activity is seen there. A lot of noise too, that disturbs my class. I need to raise my voice to be heard by all. A couple of huge trees stand between the windows and the playground — trees that are home to beautiful pigeons and mynahs. Between the trees and the huge playground is a narrow path that meanders around the playground, branching off at two places. That physical space of my college and the classroom, the space beyond lingers on in my mind as I talk to these students who have just joined college. They have not been to the college. All they have seen are images in the virtual world. We go on trying to make some sense of things.

When it is done for the day, I still have work to be done, attendance and the like – there are still things that I need to attend to. I hear the sounds of the cats purring. They are all under my car that is parked just outside the window. It has been parked for most of the time in the past few months. The space beneath the car is the favourite afternoon siesta time for the cats. They play, they rest in the much cooler space there — nice and cozy too. As I walk on the terrace in the evenings to take a break from work, the two little girls on the neighbours terrace call out to me and point to two cats high up on a ledge. Like these two little ones they are at play too. A little later the cats are near the red toy teddy that has been discarded and tied to a pole on the terrace of the house opposite, their play still on.

Dusk settles in and the autumnal sky hues bring in much colour. The clouds, the setting sun, and that all those exuberant colours remain for a while. The cats are in by now. I know I will hear their names being called out again a little while later, at dinner time. As it gets dark and I turn towards the stairs I see a pair of bright eyes sparkle on the verandah grill – comfortably at rest.

.

Nishi Pulugurtha is an academic and writes on travel, film, short stories, poetry and on Alzheimer’s Disease. Her work has been published in various journals and magazines. She has a monograph on Derozio (2010), guest edited the June 2018 Issue of Café Dissensus and has a collection of essays on travel, Out in the Open (2019). Her recent book is an edited volume of essays on travel, Across and Beyond  (2020). She is now working on her first volume of poems.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Humour Poetry

Writer’s DUI

By Penny Wilkes

I grip the wheel stung

by consonants and vowels.

Nouns smudge the windshield.

.

As windows swarm with phrases

Verbs whine, bite and beg me

to pick up a pen at 65 mph.

.

“Write me. Me. Me. Me.”

.

Ideas flash and honk my horn,

they force swerves and street slaloms

as I sing to stay on the road.

.

When mind fireflies go incandescent,

I beg for red lights or stop signs.

Oh, let traffic slow.

.

On manic freeways

No stopping places

When the buzz heightens.

.

If I’m cuffed for DUI* when writing,

will the kind officer trade the ticket

for a signature on my poem?

.

*DUI – Driving Under Influence is punishable as it involves driving a car while impaired by alcohol or other drugs (including recreational drugs and those prescribed by physicians), to a level that renders the driver incapable of driving safely.

Penny Wilkes, MFA, served as a science editor, travel and nature writer and columnist. Along with short stories, her features on humour and animal behaviour have appeared in a variety of publications. An award-winning writer and poet, she has published a collection of short stories, Seven Smooth Stones. Her published poetry collections include: Whispers from the LandIn Spite of War, and Flying Lessons. Her Blog on The Write Life features life skills, creativity, and writing:  http://penjaminswriteway.blogspot.com/

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.

Categories
Review

Fighting Fascism with Poetry

Review by Candice Louisa Daquin

Title: Lastbench, North American protest edition,

Editor: Tanvir Ratul

Publisher: AntiVirus Publication www.lastbench.org, November 2020

Lastbench is an anthology written in the time of Trump and Covid-19, acting as a voice for those who are frustrated with the news cycle, wishing for something more visceral. It is unapologetically against Trump and considers his Presidency to be the terror that began the downfall. Whether true or not, this is the slant of this publication and it will appeal to those who feel similarly and are frustrated by the current office. That said, it’s aware things will not change simply because a President changes. Many of the issues brought up, are systemic.

If you are looking to read a collection of poets who explore the myriad ways of frustration against the current administration and the over-all ineffectiveness of politics en mass, you may find a lot here to sink your teeth into. Irrespective of which political hat you wear, you cannot fail to appreciate the solid authorship of the writers involved in this inaugural issue. Clearly the editor has gone out of his way to ensure those who were featured were the very best writers he had, and the writing is impressive.

I particularly appreciated the IMMEDIACY of this publication, you feel as if you are reading in ‘real time’ – this highlighted in Jennifer Lagier’s piece, ‘A New War’, that begins with a quote from Michael Cohen, “I fear if he loses the election in 2020, there will never be a peaceful transition of power.” Let’s hope the prophecy isn’t true, but either way, we’re in the moment, the writing is now, the authors are current, this is why we have technology, and this is how Lastbench is relevant and interesting.

With such publications, poetry needs to have that edited, clear, precision that speaks to the point immediately and cuts to the chase. If it goes on too much, we lose focus, because this is all about the punchline, the bottom line, the key points, the overview of what is occurring. We don’t want massive detail; we want provocative thoughts, and this is how this publication reads.

Personally, it doesn’t matter whether I agree with the politics or not, I can appreciate the voice and what is being described through poetry, as well as the humor and horror behind it. This is a writ of 2020 and it’s deeply relevant because of its collective moment.

On a purely poetic appreciation level, I really liked Mary Ellen Talley’s piece, ‘Fools Like Me’ for its simplicity, and jarring vernacular, it’s a classic resistance poem that could have been written in WW2 as easily as now, but has the edge of today, and the sorrow of loss etched all over it. I must really like Talley’s work because her second piece, ‘Veering from a Villanelle’ was equally haunting to me. The line: “Come again, USA, nation of truce, nation of trust” was chilling.

‘Love Letter to the President’, by John Milkereit, was another modern horror/humor mixture that I appreciated for its sardonic wit and deft amusement with reality. So many memorable lines like: “I can’t love you as much as I love a stranger, / or Joseph Stalin’s ghost might be watching.” It’s hard to go wrong with writing like that, veering on the classic.

Some pieces didn’t do anything for me, but I’m sure others could find a lot in them, it’s all about what you’re feeling as you read them and how they relate to your own ideas at the time, as much as how stellar they are literally. For example, I could see what Tom Montgomery was trying to do with ‘untitled’, but I felt ultimately it just read like a dull version of a children’s rhyme and it didn’t catch me beyond that. Compared to this, Marianne Weltman’s ‘Make America Great Again Songbook’ was incredibly clever and very funny, she really took the genre of a children’s rhyme and made it work with the idea of Trump’s campaign slogan as key theme. The lines I found most compelling; “This Land is Your land, This Land is My land / In a prison van to Riker’s Island / Ave Maria, Holy Mother take pity / On asylum seekers lost in this city.” A very, very smart blend of reality and children’s song, leaving you wondering and slightly horrified by the depiction. The core question Dustin Pickering begs in Snake/Shutdown “why did we nourish him? / why did our nation bend?” Lines like these will resonate with those seeking comrades in arms, or just an alternative voice to the mainstream narrative.

‘Summer in Trump’s America’ by Marianne Szlyk, is a haunting version of today’s emptied streets and whether you argue in favor of Trump being culpable in some way for Covid-19 or not, you can appreciate Szlyk’s portrayal of those abandoned streets – as we have all seen them. In Jim Cox’s poem, ‘Earth Day’, we see the other ways writers blame Trump for global-warming and his responses thus, and whilst I am not a huge fan of rhyming, Cox does a terrific job, making something awful, humorous and then reframing it and begging the question, when will it end? Leszek Chudziński’s beautiful poem, ‘Refills Are Free’, really struck a deep chord, it’s a classic poem you’ll think of long after you’ve finished reading with lines like: “Where food is good / And suffering discernible.”

Equally, any survivor will find much in Kelli Russell Agodon’s brave piece, ‘When I Look Into The Face Of The President Of The United States, What I See Is My Trauma Walking Around’. I won’t spoil everything by detailing what I appreciated in each, but there is a little bit for everyone and some enormously talented writers therein. Often when you read a collection of poetry by different poets, you wonder why half of them were included, not so here. The editor(s) have done a superb job of collating the very best, the very now of writing and if poems like Thomas Brush’s “Legacy, don’t stay in your head for hours afterward, percolating and querying at the deepest levels, I don’t know what would.”

I won’t go through all the poems, although I could, and I’d enjoy doing so, which in of itself proves the readability and relevance of this publication. Suffice to say, there are gems here that any vantage point will get something from, and stellar writers with sound awareness of what it takes to write a good poem, irrespective almost, of what you are writing about. Margaret Shafer Paul Shafer, in ‘January 1st’, give a voice to those who do not fit the label of ‘minority’ but feel as disenfranchised by recent events, Cheryl Latif in her blazing poem, ‘Searching for America’, really stunned me with an anthem of these times, so many Americans will relate to, I don’t want to say more, just read and you’ll see. If nothing else, this is half or more of America and what they are thinking, feeling, saying and it’s wise for everyone to listen, because to do less is to miss half of this country’s voices.

There’s even a manifesto at the end, I’ll leave that for you to find. I stand with Rose Drew on this salient last word; “Can’t watch the news but I’m not defeated.”

.

Candice Louisa Daquin is a Sephardi immigrant from France who lives in the American Southwest. Formerly in publishing, Daquin is now a Psychotherapist and Editor, having worked in Europe, Canada and the USA. Daquins own work is also published widely, she has written five books of poetry, the last published by Finishing Line Press called Pinch the Lock. Her website is www thefeatheredsleep.com

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL