Categories
Poetry

Poetry by Saranyan BV

Standing in the Expanse Under the Neem Tree Cluster

I wait with a bundle of tinder logs rolled in a hessian sack.
It’s raining, the air humid, the dust in the air settled.
I wait for the pilgrims to pass, the coast town is overfilled.
I wait for today’s angels to avail my service,
Angels who arrive with spices and groceries,
They never bring the firewood. I cook their food with love.

I stand waiting at the crossroad with a jerrycan of petrol,
The fuel’s brown looking like gold, no sediments in there,
No decisions to be made by the private car users,
Except to notice the quality of my fuel,
And ask me if I could take over the wheels.
I drive with love. Whatever I do, I do with love.

All this waiting is about being and the essence of being
And finding means to make ends meet;
When the need stops, you would no longer find me
Standing in the expanse under the neem tree cluster;
The hessian sack or the jerrycan would continue
In the hands of another good person, waiting to learn.

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Poetry by Saranyan BV

Not Knowing What to do with What is Left


I sat in the railway station leaning on a chair.
The evening was pleasant with orange-violet cotton clouds.
The chairs were meant for the passengers waiting for the 5.45 pm shuttle.
The passengers carried veggies and sweetmeats in yellow bags to take home.

Most of the passengers were old and capable of coughing the phlegm of life.
One or two well-to-do walked up the refreshment stall and slurped the hot brew.
I never went to that side because it reeked of sour milk.
Aroma of guavas rented the air where I was seated. It is the season, though late.

The bill advertising the tabloid press said,
‘An engineer from the public works department was found dead in the reservoir.’
I have seen only fishes in those turbid waters, big and small ones snapping their tails.
Sometimes pachyderms appeared from the thick groove on the banks for a drink.

Doubts were raised if the engineer committed suicide, or was it a murder?
A crow wearing a grey collar flew under the roof. It pecked at crumbs fallen off
The potato wafers people bought, ate from polythene bags to kill hunger
While the wait pounded blue vessels and produced dreariness.

The fritters would be swept away before sunset
By the station cleaning staff enveloped in bellow-like overalls.
These particles would soon be part and parcel of the purple carboys in which garbage collects.
The crow has to make a quick dash for its supper. It did not pause to read the bill.


The news of the engineer’s death did worry the crow or anyone. We were not like the crow with the grey collar.
We sat craning our necks and knitting brows, not knowing what to do with what is left.
One of us returned and said the post-mortem is done. The pyre is lit without a trace.

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poets, Poetry & Rhys Hughes

City Life: Samples

Published in 1972, this novel by Italo Calvino explores Marco Polo’s journey to China and is in the form of a conversation between Marco Polo and Kublai Khan.

Last year I began work on a project called City Life, which will consist of fifty short stories that are each exactly 500 words in length. I don’t know where the idea for this project came from, but I suppose it must have been influenced by Italo Calvino’s Invisible Cities. Perhaps my project is a modest tribute to that magnificent author, my favourite writer of fiction, but there are differences in approach. His cities are imaginary; mine are real. I tell the stories of my cities from the viewpoint of the cities themselves.

I feel a little uncomfortable trying to compare myself to Calvino. I stand in his shadow. City Life will never match Invisible Cities, yet I am pleased with my progress so far. I have written 32 instalments to date. I am at present unsure how I will go about finding a publisher for the book when it is completed, especially as my ideal format is for the book to be published in a box, with each individual city on a separate piece of paper, meaning that the tales can be easily read in any order. I will deal with that issue in good time.

Meanwhile, the following two extracts are told in the voices of Bangalore and Colombo.

City Life: Bangalore

Once I was a garden city, full of lakes and trees, an environment with a climate very conducive to good health. But someone in another country discovered the transistor and then the computer chip. How did these technological innovations change me? I rapidly became a major centre for the new industries generated by those inventions. I expanded, lost my original definition, acquired a new one. A human being who expands too rapidly does so because of misapplied greed and a reckless disregard of bodily danger. I had no choice in the matter. I turned into an electronics hub, one devoted to the money that can be made from computers, those miraculous and alarming devices.

Yet my appearance matches no true vision of an imaginary future. Do not suppose that I am clean and beautiful, filled with crystal towers and monorails of gleaming glass. My roads are clogged with traffic, I am dusty, cracked, prone to flooding, polluted and overstressed. My air smells of smoke and chemicals. I am ashamed of my lakes, plastic-choked and foamy with effluent. I have grown huge and ugly, I tremble with the urgency of the commercial transactions taking place inside me, as if I have a nervous disorder, damage to my spinal cord. Yes, I generate enormous wealth, but who for? Not for the majority of the inhabitants who fight for the daily right to survive.

We think of deserts as empty wastelands and we suppose that the addition of a thousand lakes would transform them into paradisal realms. But deserts can be created by intense ambition as surely as by weather patterns and geography. Cut down trees, build roads, pound the ground flat in order to erect buildings, absorb villages on the edge of the sprawl. The process is too late to arrest. It will keep going until I am unable to recognise myself in my dreams. Not that I sleep enough these days for dreams to be common. I am a restless giant. The noise of the traffic is permanent. It reduces at night but never ceases. The coming and going of freight trains keeps me awake.

But I am not yet ready for despair that resembles an infinite resignation. Every desert, even one manufactured for profit, should contain an oasis. Near my heart, at the centre of my flux, there is a certain street and halfway along it can be found the greatest bookshop in the world. Blossom Book House not only has a tremendous selection of titles, it also provides the burning desert traveller with pools of thoughtful quiet. I am a city that contains a bookshop. How can I enter and browse that store without turning myself inside-out? This is a mystery with a solution I intend to keep secret. Perhaps a city’s spirit can enter a human consciousness every once in a while?

I immerse myself in books full of pictures of the way I was. When I was the fairest one of all on my high plateau.

City Life: Colombo
Colombo

There is crime in all big cities, that’s a law of life, and a certain amount of crime occurs in me too. On the western shores of the island of Sri Lanka I recline, but it is difficult to relax for long. There are sirens, shouts, a scuffle. Someone is robbing pedestrians at knifepoint or breaking into a shop again. What is to be expected? There is even murder on occasion.

The police frequently arrest those responsible, but sometimes the best detectives are mystified by a cunning theft or abduction. They admit defeat. One day there is a spectacular homicide near the ocean. The perpetrator leaves no clues at all. The experts are baffled. At last, a forensics specialist comes up with the ingenious idea of turning the case over to me.

I am the city itself and must be fully aware of every incident that happens within me. If anyone can solve this case, it is I, the capital of my modest nation. When I am approached with the proposal, I agree immediately. There’s no need for me to examine evidence, which is non-existent anyway. The usual methods of the criminologist are suitable for human beings only.

I am a metropolis, not huge but significant enough, and the killing took place inside my body. I tightly shut my notional eyes and concentrate. Where do I feel a peculiar itch? In one of my southern suburbs, in a particular street. I narrow it down quickly enough, to a house and a room in that house. A man is sitting on a chair at a table. He is eating his dinner.

I speak to him. He is so surprised that he drops his spoon. But he is rather a resourceful person, able to recover his composure in a matter of moments, wide grin on his mouth, his eyes full of mockery. It is clear he feels safe from arrest, an assassin who carefully covered his tracks after the deed.

Securing his confession is the only way he can be prosecuted and he has no intention of admitting anything to a disembodied voice, a voice he assumes is his own guilty conscience toying with him in order to test the firmness of his resolve. I ask him questions about his movements on the night of the murder and he answers in an offhand manner.

He doesn’t even pause while eating his meal. He has an alibi, a plausible answer for everything. Half an hour of questioning and I am ready to give up. I tell him this and he smiles thinly and nods. I turn to leave. On the threshold of his consciousness, I suddenly stop and turn.

“Just one more thing,” I say, and I reveal that I am the city of Colombo, that he lives inside me and I’m aware of everything he has done. He is deeply shocked. His confession follows. How could it not? We might betray the people we love, but who willingly betrays their own home?

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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Categories
Poetry

Final Chapter in the History of Atonement

By Saranyan BV

Courtesy: Creative Commons
Imagine a situation, 

where Earth instructs the gravitational force
to stop wasting its energy
holding together earthlings…
Earth is not God,
yet it speaks against God’s own subjects.
The earthlings comprised of us --
we always come as primary --
then the animals, the flora
-- the trees, plants the shrubs --
and the pale green cloud of fungus,
the water, the seas, the oceans,
the rivers, the lakes with or without bunds,
dams, reservoirs, dead tree-trunks sprouting from under,
the loose sand, the tight sand, the clay, the quartz, rocks
tnd the angry embryo of core --
the magma, anything in that or any other order.

Imagine a situation,
where the gravitational force decides
to stop wasting energy…
We would all be flying -- away from one another,
trying to wrest air in our lungs, those of us living beings,
try and find happiness for the left-over period of our life --
which is the primary purpose of everything,
of being alive, of breathing and of being. In that short time,

we delight in listing our achievements,
listing them as pinnacles to the sun,
to the moon and to that God, who has no ear for trivia,
and to God’s keeper of records,
who watches earthlings disintegrate. Some atone, atone and atone--
atoning for everything, in no particular order,
for the fear of truth behind some halfwits propounding
that death would place us at the crossroad,
between hell and paradise in which we no longer have a say.

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Slices from Life

Wayward Wayanad

Narratives and Photographs by Mohul Bhowmick

Chembra stands out imperceptibly in the background as the mist descends over its northern side. The driver of the rickety auto-rickshaw in which I make the topsy-turvy trip from Kalpetta settles to drop me at the backpacker’s hostel at Chembra’s foothills for 500 rupees. A vast tea estate stretches out for as far as the eye can see, and it is only when one edges closer to the property’s north-western precipice is any semblance of Wayanad encountered. 

Originally a hospital set up by the British in the 1920s, the hostel is a renovated colonial-style structure with a vast corridor that runs parallel to its rooms. I learnt much later that the tea estate that houses the hostel is spread over 700 acres. The fall to the northwest is spectacular, with hills in the lower range of the Western Ghats basking in the late evening sun as it makes its way down to the low-country orbs of Mysore and Chamarajanagar.

It is no surprise that one has to cross Bandipur to reach Wayanad in the first place; any easier and one would have been tempted to think that one was within the anonymity of civilisation.

*

Earlier in the day, the elephants that I spotted from an unobtrusive window on the bus from Mysore seemed triumphant and exultant — for what I did not know. The egret that sat contentedly upon the shoulders of a rather guileless water buffalo winked at me as I struggled to bring my camera out of the mishmash that my backpack had become. I was reminded of an older boy with whom I never got along in school and who often bullied me for the pancakes my mother painstakingly packed. 

*

I am forced to snap out of this reverie when my hostess reminds me that elephants were spotted at the southern expanses of the property a few days ago. She asks me to not step out after dark. In the common area boasting of a sit-out on a makeshift tree house, a motley crew from all hues of life rejoice at what appears to be a joint venture launched by a businessman from Bangalore and an engineer from Bombay. I join the pack and am welcomed by a loud cheer.

John, a chartered accountant who rode all the way from Coimbatore on his imported motorcycle, recounts having seen a leopard when turning in one of the several snaking curves when climbing from Kalpetta. He slurs as he articulates and his eyes appear bloodshot; I know only too well to separate the wheat from the chaff. Advait, a veterinarian from Anantapur, rebuffs everything that John says and vociferously advocates for an early dinner. He is, quite promptly, turned down.

*

The trek towards the peak of Chembra is made through the heartland of the eponymous forest range. Langurs peer out inadvertently while a flying squirrel makes an appearance from its cosmic abode. Catching sight of me and my companions’ incongruously sunscreened visages, it jumps shyly onto the double-storied Bo where it has made its home. Murali, the young forest officer who accompanies us jokes with Estelle, the German lady who quite fortuitously chooses to trek in her Birkenstock footwear, about sightings of bears in the vicinity but restrains himself when she turns ashen white. 

The heart-shaped lake peeks with unabashed curiosity as we huff and puff our way up to the midway point of the trek. To our great consternation, this is where we have to end our trip as the summit of the peak is sealed off by the government. A few years ago, Murali tells us, a group of nincompoops who made it to the summit lit a couple of cigarettes to celebrate. They did not, however, stub them when they were done. What happened next is well documented — a forest fire of gargantuan scale that wiped out about 60 hectares of forest land and claimed the lives of hundreds of wild animals. The summit has been off-limits to travellers ever since. 

The parched outcrops that surround the lake by no means diminish the panorama that lies to the west. A faint countenance of the vast fields of tea and paddy which fortify the district of Wayanad is visible through the mist. It is almost noon, but my companions and I find no reason to shed our coats. Specks of Mohit Chauhan’s Phir Se Ud Chala[1] fill the air; it feels as if Chembra herself has come to life. 

It is not exactly wise, but we surrender to the lure of lying down on the grass and bask, cocooned by the benevolent gaze of Chembra. Dark clouds brew overhead but Begum Akhtar reassures us in her palliative voice, and it is not before the first drops fall on my forehead that I alert the others over our predicament. Unsurprisingly, I find that most of my friends had nodded off, obliged by the exercise and the accompanying iridescent breeze. 

*

The descent, as always, is trickier than the climb, and we take refuge from the rain under a giant rock midway. The shelter is insubstantial for a group of ten, and we end up getting soaked to the skin anyway. Murali, rather ingeniously, offers his service raincoat to Estelle. Much to his chagrin, she declines, and continues unabated in her soaking t-shirt, Nike track pants and Birkenstocks. Someone mentions a childhood spent in the Bavarian Alps…

Dry leaves fall from the trees — these untimely showers ensure that they are not held on to their material comforts for long — and the fauna we encountered on the way up seemed to have disappeared. The langurs call out occasionally, but the mynahs respond in dulcet tones of their own. 

Drenched to the core yet alive beyond measure, the rain loses significance as we meander down the trail. Consciousness makes itself felt in every cell of my body as I lumber past the sludge and try to find a foothold on the wet tracks. Awake to the moment and mindful of not slipping — essentially holding my life in my hands — I experience a pacifying sense of tranquillity that I normally associate with timing a straight drive back past the bowler on a cloudy afternoon at the Gymkhana.

Damp pathways mark our way back to the hostel. On the way, an appetising breakfast of puttu and kadala curry[2] is sought to calm our nerves. A gulp of tea, brewed from the plants of the estate on which our hostel stands, soothes and brings some warmth back into our bodies. After that, we sleep all afternoon. The 1980s restaurant at this point serves as a reputable hotbed for the exchange of accounts as fellow travellers make their way upcountry for further investigation. Krishnagiri, Edakkal, Banasura and even Ooty, among other places, feature on their itinerary. Buses out of Meppadi take the circuitous route towards Sultan Bathery via Kalpetta. A few companions remain as I make the hike back to the hostel. 

Last vestiges of the raindrops from earlier in the day cling on with pride on the tea leaves. Seen from a distance as we walk up the bend onto the track that leads to the hostel’s gates, it appears as if the leaves have shed tears of their own. 

The sky turns a dull shade of orange, almost as if playing testament to friendships made and attachments uncovered. I am content enough to watch the sunset over the lower Western Ghats as another pre-monsoon drizzle wafts in. Someone mentions a fresh batch of pazham pori[3] being made in the kitchen. I scramble down the tree house to beat the rush.

[1] Song from Bollywood movie, Rockstar. Translates to: He flew again

[2] Local fare. Rice cake and spicy chick pea curry

[3] Banana Fritters

Mohul Bhowmick is a national-level cricketer, poet, sports journalist, essayist and travel writer from Hyderabad, India. He has published four collections of poems and one travelogue so far. More of his work can be discovered on his website: www.mohulbhowmick.com.

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Categories
Review

I am Not the Gardener

Book Review by Ranu Uniyal

Title: I am Not the Gardener: Selected Poems by Raj Bisaria

Author: Raj Bisaria

Publisher:  Terra Firma, Bangalore

Here is a book that I have been waiting for.  In several sittings you go through these breathtaking poems by Raj Bisaria.  A book that needs to be read with patience and, if you have had the privilege of being taught by him, you read with a curious eye.  Soft and gentle – a touch of an artist gently goads you to read it loudly– as if you are in an auditorium reading out to an unknown audience.  Who will listen to this voice of a gardener who with I am Not the Gardener weaves seasons of delight “telling of one’s heart is not self-gazing” but divine contemplation? 

The book does not carry an introduction to the author.  It has forty-three poems with photos capturing moments with family and friends. A few pictures of the domes and spires from Lucknow too add a special meaning to the verses. As director, producer, designer, actor and professor, Raj Bisaria has left an indelible mark. Press Trust of India described him as “Father of the modern theatre in North India”. Raj Bisaria founded Theatre Arts Workshop in 1966 and Bhartendu Academy of Dramatic Arts in 1975 in Lucknow. He taught English literature for more than three decades at the University of Lucknow. He is the first to receive Padma Shree from Uttar Pradesh for his contribution to modern theatre.  As a theatre artist his contribution remains unparalleled.

The first poem in this collection is ‘The Curtain Boy’. The poem is a thoughtful mediation on the meaning rather meaninglessness of all our actions.  The poet writes “I am not the gardener, / Nor the owner of the garden. / My job is to do odd things/ To weed out little wrongs/ To keep the pathway clean”. ‘Odd’ and “little” acts of “watching” lead to an awareness of the burden of possession and the transitory nature of dreams.  And this is followed by a similar concern in the poem ‘To a Young Actor’ – “I was told once to discipline/ Imagination in the rhythm/ of iambs and trochees. Only I wonder / If external form will give / Meaning to chaos.”

The poet, artist, and the philosopher in him create a complex mirage of emotions that reflect the restlessness and the anxiety of a man who finds comfort in words.  “In your dying/ My love has found / A new lease:/ For beyond death / Only love goes on”, the poet expresses his love for his mother in the poem ‘Elegy’.  Like Hamlet he gives voice to his own fears and then affirms with a defining certitude “Love is a quiet secret, / The seed within the rose.” The images are drawn from garden to the sea and the mountains “And I learnt to be silent / with the unspeakable granite of the mountains.”

Travel as a motif binds his restless spirit and opens the unreachable corners of his heart.  Love and fulfilment are contraries in a world trapped in the mundane.  In his poem ‘Byzantium’, Yeats refers to “The fury and mire of the human veins”. An artist seeks perfection in this imperfect world. The desire to transcend the ordinary compels him to write. The debut collection of poems gives us fascinating insights as Bisaria draws us to a wide range of experiences with a cry for attention “Do not shut my words out.  It is winter.” Here in lies an assertion with a sad awareness that yes, life is ending.  The artist within and the performer without must often be traversing contradictory spaces.  Both are equally strong and vulnerable. 

Sometimes the voice of the performer seems to undermine the anguish of the poet.  “He who does not forgive himself/ Forgives others less.” These are poems of love, longing, grief, and interminable loneliness that invades an artist whenever he confronts his inner self.  Those familiar with Bisaria’s dramatic productions might find a different voice lurking behind these poems.  It requires courage to accept one’s vulnerabilities, to confront the inner daemons and to pour an array of emotions with a faith that only an eternal seeker can display.  “To your shrines I came my Lord, / But I came without faith; / To your people I spoke my Lord / But I spoke without love; …Yet give me Lord peace/ To bear my own emptiness, / And your silence /Quieten my doubting mind.” This is not just a poem with the title ‘Prayer’, but a plea that resonates with a quest for self-realisation. 

A sadness runs through these poems.  Read and receive every word, every glance, every touch of this mortal self where “Love comes slowly by and by…” and the poet firmly believes “Love’s life is more than time…”. “It is a flight in the freedom of self…”. Even if you try hard, it is difficult to run away from oneself.  Like a shadow your inner conscience follows you, here, there, and everywhere.   

Ranu Uniyal is a poet and a Professor from the Department of English and Modern European Languages, University of Lucknow.

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Categories
Stories

Getting Old is like Climbing a Mountain

By Saranyan BV

Courtesy: Creative Commons
Getting old is like climbing a mountain, you get a little out of breath 
but the view is much better!
                                                                     - Ingrid Bergman, actress

He arrived in the morning. He was carrying a small bag but enough to contain things to stay for three to four days. His visit was unannounced. Although he was cordial, I didn’t inquire into the purpose of his visit. I invited him inside and showed him the spare room where he could rest a while. He was seventy-nine years and could do with some rest. His body language showed he was grateful, yet he didn’t offer a reason for his presence in the morning. I went inside the kitchen so that I could prepare a cup of coffee for him. I heard him move inside his room, the footsteps of an old man. I could hear him take things out from the bag and push some back. After a while, the sounds stopped. The house turned silent. It sounded silent and silence sounds like death. My eyes roved over the kitchen table to check on the things available to make a decent breakfast for uncle. He was in need. He looked famished.

I pushed open the door leading to the backyard, in the kitchen garden, the plants were unkempt. It was a messy area of about forty-four square feet. I plucked brinjals and tomatoes to make the sambar respectable and to add on to the coconut chutney which was already done. There was also coriander, not ready for plucking, but at times like this it could be useful. I heard the sound of the cistern flush, the water drained without giving inkling of anger. I handed him the cup, he took it and kept looking at the floor. He drew an arc with the toe of his right foot. I could not understand what the act meant except he was disturbed. There would be time later to get to know. For the time being I let him feel at home. He didn’t inquire about my husband’s whereabouts. My husband was his nephew. Uncle might have assumed Shyam has gone to office. Actually, Shyam has gone to handover his Renault Kwid for the first unpaid service. He would be late today. Shyam too would have to have his breakfast before starting for work. Maybe they could have it together. We all could.

I hoped uncle would spruce himself and be ready before Shyam returned. I was not going to rush him.

Shyam would be in a terrible hurry. He could catch up with his uncle while he is pushing the idlis[1] down his throat. I have to keep requesting Shyam time and again to eat slowly. Food is meant to be enjoyed and not be dealt with as if it is a task to be completed. Breakfast is the only meal Shyam has at the dining table. He took his lunch in the office canteen and the night meal was invariably at the bar he frequented. I had rehearsals for the coming play at Ranga Shankara in Jayanagar. Most evenings, I was out. I think he ate only fritters and no proper dinner. I never questioned him about his activities. He found that convenient.

I went past the room in which the uncle was lodged. I pretended to go out under some pretext. The garbage collector had entered the street. The garbage needed to be in cans outside the gate. I peered in. The door was open. Uncle was seated on the mattress leaning back on his hands. He was looking up at the ceiling fan, at his own reflection on the chromium plated hub-cap. He had not switched the fan on, the weather was fine. I collected the compost bag and kept tossing handfuls on the potted plants in the courtyard. That was my weekly routine. The plants responded to the manure but the moment the plants shoot buds, insects destroyed them. I tried to give uncle some privacy by remaining in the garden. He looked rather pulled down. If he wanted to make some calls in my absence, I’d rather facilitate it; but he didn’t.

Uncle lived in Hebagoddi with his only son, his house overlooking the wholesale fruit market. Whenever we visited, I found him standing on the open terrace upstairs and watching the trucks loading and unloading. Ajay resigned his job in Hosur and had left to take up new assignment in Abu Dhabi. He told us he wanted to move with his family to Abu Dhabi. I wondered if he could take his father as well. Maybe that was what made uncle preoccupied – the thought of being left alone without his son, who was also his caregiver.  Uncle had a handsome pension as a retired school master. He was not dependent monetarily, but he needed someone to assure him everything was going to be fine. An old man required assistance and supervision. My dad’s brother had dementia from being lonely they said.  since He had no one to talk to. He was a bachelor with lots of money but dementia doesn’t check the wallet before setting in.

I went back to the kitchen. The decoction had filtered down. I mixed the coffee and took it along with two Marie biscuits. He took it and placed it on the table. His hand shook. He said, “Thanks.” He wasn’t curious about Shyam’s absence. I was surprised he did not inquire.  He was Shyam’s uncle not mine.

I told him, “Shyam would be back shortly, I will serve breakfast when he comes.”

“That’s nice”, he said. “In that case I will have the coffee after breakfast. I took Pantacid just now. Let the medicine do the job.” He took the two biscuits, placed them on the paper napkin and returned the cup.

I said, “Fine.” I lifted my chin to scrutinize his face.

“Its difficult to live with Ajay’s wife,” he said. Uncle moved towards the window turning face away from me. The top two panes of the window were open. They overlooked the vegetable garden I was ambitious about curating. Beyond that was a small 30 feet road. I did not attempt to mollify him. I left the job to Shyam. He was Shyam’s his uncle.

Uncle said, “I can grow enough vegetables in my house in the terrace, I mean in Ajay’s house. People these days grow vegetables in plastic grow-bags you know. I can grow enough for the family or even more. She wouldn’t allow.” He meant Ajay’s wife. Growing vegetables is my passion. My conviction is one should try to grow food in lifetime instead of only consuming. It’s my desire to grow at least one kilo of rice with my bare hands at least once in my life, I told this to uncle in order to keep him cheerful until Shyam returned.

“We should find a place in our village and try doing growing the rice there. Being in city, you can’t”, he said and curbed his instinct say more. The conversation cheered him and I believed took his mind away from Ajay wanting to shift his family to Abu Dhabi. I was not sure if Ajay was planning to take his dad there. It may not have been a workable proposition.

I said, “Its good to try, to think on those lines. I guess Shyam would agree to the idea post his retirement. As of now I have this theatre group which pegs me here.”

A car entered the lane, the sound of its engine was echoing from the between the compound walls. The colony would have looked more impressive without the compound walls. The car stopped in front. The driver’s face seemed familiar but I could not place him. Shyam got down from the other side. He thanked the driver and entered. The car sped away, it was an old red-coloured Punto. The driver smiled on seeing I was trying to place him.

I was not sure if I should inform Shyam about the unannounced guest or leave him to find out for himself. Maybe he knew of the arrival and had forgotten to inform me.

Shyam said, “I must rush, Sundar has promised to pick me on the way. Can’t make Sundar wait.” He went straight into the washroom. He was the type who would expect his wife to keep his clothes ready when he came out of the bath. Before that, he would want the towel. I did that part of the chore, returned to the living room from where I could see uncle. He was not affronted by Shyam’s behavior. He seemed to understand. He smiled sympathetically upon seeing my distress.

“Let me set the table for breakfast,” I told him and went about doing so. I wanted to tell Shyam to eat slowly — to get up only when uncle finished. Uncle came out of the room for the first time. He sat quietly in front of the dining table where Shyam sat normally. He leaned using his elbows on the table. He saw me arranging the plates. He opened the lid where idli was stacked. He smiled again. There was plenty. I too sat pretending to remove the speck on my plate.

“I have to find an old age home,”he said nodding his head.

 “It would do you good. you can be all by yourself,” I said.

“You don’t understand the point Kamala,” he said. I could hear Shyam coming out of the bathroom. He started dressing. He dressed himself first before using the hair drier and combing his hair. I knew as soon as he finished, he would head for the dining table. I waited for the sound of the drier being switched off. I had not informed Shyam about uncle’s presence as yet. Waiting at the breakfast table, I was not sure I should make the effort. He obviously was not expecting to find uncle. I hoped he would be polite to his uncle.

Shyam came in. He had heard our voices, if not the subject of our conversation. He was pleased perceptibly to see his uncle, he went behind him, put his hand over uncle’s shoulders and gave him a hug from behind. He said, “What a surprise! How is Ajay doing? Is he really liking it out there, it is a dangerous country, not meant for one with his kind of temperament.” Shyam rushed with his words, he wanted to convey whatever he wanted quickly without giving scope for his uncle to respond. He looked at me and said, “I promised uncle that I would find him a comfortable old age home. Better that Ajay takes his family quickly to Abu Dhabi. He has the knack of getting into trouble if left alone.”

Uncle didn’t want to prolong the conversation about his son. He said, “Something that fits my pension, not a paise more, I don’t want to take help from Ajay though he may be earning in Dinars now.”

He craned his neck to see when I would start serving. Shyam pulled the chair away from the table to sit, the chair made a grating noise on the floor. I switched the fan on and started serving. The three of us ate quietly. Shyam kept stuffing idlies as was his habit. He choked a bit but managed to swallow without any issues. I had only one idli. I got up to prepare coffee. Sundaram could arrive any moment, though Shyam had not stated the time of his arrival. Shyam took his uncle to the verandah in front. I could hear them talking, though I could not make out what they discussed. It sounded like they wanted to keep me out.

Uncle left our house after three days. He never went back to Ajay’s house. He went straight to the old age home. I felt sad. Shyam had arranged accommodation where uncle could stay in relative comfort. That’s what Shyam told me the previous night.

Whatever the comfort and care the old age home offered, such homes for the aged could not offer hope. Inmates kept falling sick, became invalids and sunk to death slowly. Besides they all had their own tales of woe which each would share, deepening the shadows in others lives. A home could not offer hope.

Shyam said the three days stay with us had restored uncle’s faith in humanity. It was a tall statement, though I suspected it was true. We tend to seek our own space in the kingdom of self-righteousness, we feed on such feelings. During the afternoons we had watched movies together on Netflix or Prime Video. Uncle made the selection. He always chose a crime thriller or science fiction, avoided movies focused on family relationships.

He took me into confidence and confessed on the last day. Shyam was to drop him at an old-age home named after Mother Theresa the next day. Uncle told me almost in whispers after the movie, as if he didn’t believe what he said, “Ajay’s wife is very loving, I can’t say she was wanting in that faculty.” I wanted to believe uncle.

When uncle left, there were tears in his eyes. He didn’t try to mask his feelings. I could not figure if it was on account of a feeling of gratefulness or of grief. He sprayed the insecticide on the rose plants in the courtyard while Shyam was loading his things in the car. I had presented him warm blanket in case the home didn’t provide one. Shyam promised to visit him often, though he did not specify how often.

Ajay’s family had left. He sent uncle photos of their new home. I had half a mind to tell uncle to stay with us, though I didn’t. He was not a bother, was really not a bother. He would have helped with the kitchen and courtyard garden as well as the proposed one in the terrace upstairs. During his brief stay, he helped to water the plants, folded the laundry, cut vegetables for cooking, he cut such perfect cubes. He enjoyed peeling garlic pods. He loved it. One day when the daily maid absented herself, I even found him doing the dishes quietly without letting me know. I had closeted myself in our room to memorise lines and cues of a new play.  

Uncle could have stayed with us if it was not too long. Life looks interminable if we don’t know how long. We didn’t know how long all this would go on had he stayed. He looked healthy though he was seventy-nine. You never know. Love without willingness to take on the responsibility was an aborted child, that much I knew.

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[1] Steamed, savoury rice cake

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Saranyan BV is Bangalore based poet and short-story writer. His works are being published in Indian and Asian journals regularly. He came to the realm of English by mistake but loves being there. He is a big fan of Raymond Carver and Charles Bukowski. He thinks that the genre short story is going to rule literature in the days to come, if the writers are ready to take up the challenge.  

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Categories
Poetry

‘A Stray Feather of Blue’

By Saranyan BV

Courtesy: Creative Commons
TUMBLED BELIEF

We sit on 
one side 
of the seesaw plank,
and think 
we have conquered: 
When you conquer 
one side alone --
Know ye 
Men of Destiny --
There is 
another side 
which needs defending.
Never sit on 
one side 
of the seesaw
and think 
you have arrived.
It’s like collecting
a stray feather of blue,
mistaking it
for an ostentation.

Courtesy: Creative Commons

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Naïve are the Phosphenes

By Saranyan BV

Naïve are the phosphenes

Asleep, when our eyes close,
It is not darkness as we imagine --
A night of timelessness and of starry wisdom unfolds,
In whose halcyon ambience,
Eyes link to ears to
Compose lilt-lyre music of intriguing feathers.
The mind is more alert than when we are awake.
The kind breeze throws up phantasmagorias.
The swank phosphenes,
Unlimited by and native to parameters of the iris’s womb,
Rove with infinite images,
Roving the planet and roving the universe,
Chariots of legitimacy, more beautiful than the colours of rain --
Naïve are the phosphenes, that we have seen, known and never embraced. 

Saranyan BV is poet and short-story writer, now based out of Bangalore. He came into the realm of literature by mistake, but he loves being there. His works have been published in many Indian and Asian journals. He loves the works of Raymond Carver.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Born To Be Me

By Rachel Jayan


Let no one tell me I'm falling short 
From expectations I so fiercely fought! 

Let no one tell me who I am 
Only me and the great 'I-am' --

Free from my chains, 
And free from pain.
Free to love my skin,
And free from so called sin.
Free from creed and colour
And free to find my Anchor!! 

I was born to be free! 
I was born to be me! 
I'm all of the above
And more than your eyes can see! 

I am my Father’s Daughter
And I just can't fall short! 
I don't want to measure up! 
And I don't want to match up!
I was born to be free!
I was born to be me!

Free from expectations I so fiercely fought --
Let no one tell me I'm falling short!! 

Rachel Jayan is the head of the primary school at Indus International School, Bangalore. She is a passionate educator who wishes to see a transformational change in her students. She believes it is important that each individual makes time to reflect, introspect, apply, express and inspire others to make, and be the change they wish to see in the world today.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International