Categories
Poetry

Three Poems

By Sutanuka Ghosh Roy

Childhood

Rain lashed uniform

Storm tossed umbrella

Paper boat

A puddle

A slithering spider

Two small feet

One plunge!

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Ma’s Kitchen

Cracked porcelain jars

Locked-in memories

Two turmeric dipped palms

Sari smelt like Rohu fish

Bay leaves, cardamom and cinnamon

In a discourse

Gas stove

Our endless hunger

Wok and ladles,

Blob of mustard oil

Sweat and toil

Ma stood

Her hands spoke of food.

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Sleep

Trying a new Gucci dress

She tried to put together

Her hook -less Choli

Cold cream on my soft cheeks

She licked her parched lips

Turned on the AC

Snuggled the Raymond blanket

She covered her navel

A washed out loincloth

Sank deep into my Kurlo pillow

The racing-engine kneaded

Her track-pillowed head

She fell asleep.

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Dr Sutanuka Ghosh Roy is Assistant Professor and Head Department of English in Tarakeswar Degree College, The University of Burdwan, WB, India. She has published widely and presented papers at National and International Seminars. She is a regular contributor of research articles and papers to anthologies, national and international journals of repute like The Statesman, Muse India, Lapis lazuli, Setu etc. She is also a reviewer, a poet, and a critic. Her poems have been Anthologized and published in Setu, Borderless Journal etc

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Categories
Poetry

Departure

By Viplob Pratik

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A table on the corner of a restaurant.

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Half smoked cigarette is caught in my fingers

You are there; I am,

Face to face.

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I am telling something but mute

You are listening to me, but without any attention.

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The glasses of wine are recently backed in their position

And after we took the first sip,

One glass has a smear of lipstick on it

Another has on its outer part

A mark of wine drop.

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While trying to take another sip

Something weird happens

And the glass slips

Hops in the air

And crashes on the floor.

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Clink!

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What’s broken –- a glass or the heart?

Both are fragile.

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People look at us

And again become busy with them.

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The waiter is cleaning the floor.

Love has broken in our heart too,

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But there is no waiter for us.

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Viplob Pratik was born and raised in Kathmandu, Nepal. He loves to travel, and has learned from other cultures and societies. He draws inspirations from everyday life. His thoughts are compact, and he is deeply sensitive to human values. His poetry collection ‘Nahareko Manchhe’ (translates to ‘The Undefeated Man’) and ‘A person kissed by the moon’ was published in 2005 and 2013 respectively and his debut novel ‘Abijit’ (the unconquered) was published in 2017.

~Bhim Karki 
Frisco, Texas

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Categories
Stories

Mr & Mrs Chatterjee

By Amita Ray

       “What is the other side of love?”

         “Hate of course.”

         “No it’s love too.”

          “What makes you say so?”

           “Look at Ma and Baba, it has always been love…. friend or foe, through thick and thin.”

        The daughters of Mr and Mrs Chatterjee were indulging in banter. It was initiated by the elder of the two, Sushmita. The younger one, Supriya, was cool and calculating while the other was sprightly and full of spark. They were the best of friends since their childhood. At times they were mistaken as twins; being of same height, almost the same features, the same likes and dislikes. The difference in their ages was only two years. Nothing could tear them apart. Even when caught at mischief , they would shoulder the blame for each other. A happy family of four, the Chatterjees were known as peace-loving respectable folks in their locality.

But Mr. and Mrs. Chatterjee had their share of arguments and tiffs, probably a bit too many. It was contained and confined within the contending couple and rarely did it spill over to damage the peace of the household. The two daughters when big enough would at times take sides jovially and then it would inevitably climax to hilarious crescendos. The children preferred to be the silent spectators of the daily drama and enjoyed it, knowing very well the happenings during the post-argument phase; the epilogue to the drama. Ma with a grumpy face would resort to stoicism doing all household work with robotic precision. Baba would try his best to evoke a flicker of smile on her lips.

The arguments usually would spark off from trivial things and a day without bickering was unthinkable. The pet sentence of their mother when on the verge of defeat in an argument was, “Oh! What will I do with this person once he retires and stays at home the whole day to pester me?”

The daughters would then look at each other to exchange a meaningful look.  That sentence would mark the end of that episode for the day. Mr. Chatterjee would meekly admit defeat with a faint hint that Mrs. Chatterjee was at a loss for repartees.

Many a time a squabble would erupt from Mr. Chatterjee’s love for jokes. Picking on his wife, even in jest, would enrage her and an altercation would ensue. How the children lamented their mother’s poor sense of humour!

A young boy, Khokon, used to work in their garden tending flowers, turning the soil and planting seasonal flower trees specially during the onset of winter. Khokon was so pampered by their mother that Mr Chatterjee at times would call her Khokoner Ma or Khokon’s mother jokingly. That would infuriate Mrs. Chatterjee marking the beginning of yet another tiff where the children sometimes joined in flippantly pointing out how she had been partial to Khokon among his three children.

It was usually Mrs. Chatterjee who called it quits in meandering long drawn altercations. Then the daughters beheld a unique scene of togetherness and concern; one coaxing the other to eat, reminders of taking medicine or they would simply get engaged in casual talks watching the television together. Strangely enough the television itself was at other times reason enough for their habitual contention. It is often said that true love sans arguments and pleasant quarrels hardly exists. It adds charm to the happy blend of sharing and caring among couples. Mr. and Mrs. Chatterjee’s relationship was an embodiment of this love in its true sense.

The couple had been married for twenty five years, a long enough period to get adjusted to the rhyme and rhythm of each other’s ways and nature, but the propensity for arguments and occasional tiffs persisted. That seemed to uplift their spirit as a hearty interlude. It could be also a sort of cathartic release of boredom as Mrs. Chatterjee being a homemaker stayed indoors busy with domestic chores. Mrs. Chatterjee was petite and simple in her ways. She spent her early years till she married in East Bengal, at present Bangladesh.

 The traumatic phase of Partition and her subsequent migration to the west of the border had taught her ways to overcome hardships. So when she got married to Mr. Chatterjee, a modest employee in government service belonging to a middle class family, she had no problem adjusting herself to the new family.

Then her daughters were born in quick succession. Her father-in-law had lived for a decade after her marriage. Her mother-in-law had passed away long before her marriage. Hence, she shouldered the responsibilities of the family and fulfilled her role in all facets of family life as a wife, daughter-in-law and later as mother admirably.

Her father-in-law was enamoured by her sweet nature and looked upon her as his own daughter. In the early days of conjugal life, when her father-in-law was alive there were lesser verbal frictions with Mr. Chatterjee and even if there were, they would wind up soon enough. The senior Mr. Chatterjee would take side with his daughter in law and the altercation would be soon hushed with a sweeping comment, “My Bouma (daughter-in-law) is Lakshmi of this house. You have no right to demean her.”

After the death of her father-in-law, the once coy bride — now a seasoned housewife –became all the more responsible, looking into every minute details of household affairs. This she did to the extent of becoming a bit nagging and fastidious and it paved the path to greater confrontations; the husband mildly dominating, the wife defiant.

 But all said and done, Mr. and Mrs. Chatterjee were head over heels in love with each other but rarely did they make a blatant show of it. It was evident in small gestures of appreciation and doses of kind words.

“Hold your mother’s hand and be very careful while crossing the road…”

“While boarding the bus with your mother and getting down, hold her hands properly. She has a pain on her knee…”

“Help her to get up on the rickshaw. She is at a loss when she goes out. Be careful with her…”

The above words of caution were uttered by Mr Chatterjee repeatedly and ritualistically each time before the children took their mother out. The younger daughter, the jovial one, would at times mimic her father’s voice and rattle off the overused sentences of caution. The three of them then had a good laugh over it and the father too reluctantly joined it.

 As far as Mr. Chatterjee was concerned, he was more than aware of his responsibility when he took her out, sometimes verging on obsessive overprotectiveness. Not for once would he leave his grip over her hand fearing that she would either get lost or trip over to fall down. In the initial days after marriage, Mrs. Chatterjee would mumble a protest; the spectacle of walking hand in hand on the streets of Calcutta would seem preposterous to her.

She became more conscious about it as years passed when they couldn’t even pass off as a young romantic couple. But the possessive husband would have his way. Mrs. Chatterjee was forced to yield to the demanding gesture of her escort for all it meant was love for her. How could she be so rude? She knew that she didn’t feel confident enough to venture out alone for some strange reason. So whenever she went out of her home, she was in the endearing company of her husband or her daughters and complied with their wishes.

It was a Monday morning. The Chatterjees had to go to a relative’s home in neighbouring Jamshedpur for a wedding. The daughters chose to stay at home as they were busy with preparations for the University examinations. This was the first time the Chatterjees were not travelling as a family outside Kolkata.

The anxious children laid down a set of dos and don’ts for their parents while travelling. Of course one of them was the mandatory holding hands. Howrah station was a crowded place with people almost jostling in and out of its premises all hours of the day. In peak hours, it seemed to be a sea of humanity. People were in a hurry to catch trains from different platforms while those entering the station in down trains headed towards the exit.

Getting down from the taxi at Howrah station, Mr. Chatterjee held his wife firmly and led her into the station. It was afternoon and fortunately the place was not too crowded at that time. Being a railway employee, Mr. Chatterjee had a railway pass. They had ample time at their disposal. Having nothing to do Mr Chatterjee felt the instinctive thirst for a cup of tea. Moreover, it was almost time for the evening cuppa. So both of them headed towards a nearby tea stall; the husband careful enough about his grip over that tender hand. While sipping tea, suddenly a wave of passengers lashed towards them like a tsunami and crowds of people swept from other directions simultaneously.

Many down trains had arrived at the same time in various platforms and all the passengers tried to rush out. There were people negotiating the outgoing rush from the opposite direction too. In the vortex of such chaos Mrs. Chatterjee was pushed and her hand loosened from her husband’s clasp. She was compelled to drift along with the rush of people in a bid to save herself from falling down. It was impossible for her husband to either keep track of her or follow her. Thus she was virtually pushed to the exit point at one go when she sadly realised that she was lost. She could not spot her husband as she was far from the tea stall.

When the mad rush of people abated she looked out for her husband and tried to locate the shop. She was panic stricken and in the process discovered her husband had moved away from the tea stall. Mr. Chatterjee was also looking out for his dear wife frantically ruing that it was his fault. How could the hand which he had kept in his firm grip for twenty five long years slip off! But being a practical man he didn’t waste much time in looking for her. The time for the departure of the train was announced. He immediately got an idea. Why not approach the personnel in the public address system? He knew that his wife wouldn’t leave the station at any cost. But he grew increasingly uneasy and concerned thinking about her wife’s helpless condition, a lady who hadn’t ventured out of her home alone even once in her life.

Soon the public address system blared…  “Here is an announcement. Mrs. Sumedha Chatterjee from Tala Park Kolkata…you are requested to be at the Big Clock of Howrah Station…Your husband is waiting for you there.”

The announcement reached Sumedha Chatterjee’s ears and she beamed with relief. But the problem was that though she had been to Howrah station several times she did not know where the clock was. Ultimately she reached there guided by a young man whom she had approached. Thank God! There was enough time left for the departure of their train.

So overjoyed were they on being united that they did not start off with a round of blame game. But back home while narrating the incident to their daughters it was time to initiate the postponed battle of words. But this time each chose to take the blame on oneself.

Mr. Chatterjee: “It was my fault. I should have held the other hand so that you could be to my left. Then being in your place I could have withstood the impact of the sudden rush of people.”

Mrs. Chatterjee responded: “Oh no! How could you say so! Anyone would have been swept away in that wild rush. It happened because I was unmindful.”

“No dear, how can you claim yourself to be unmindful! That’s the last thing I can say about you.”

“ Last thing you can say about me! How often you have accused me of being unmindful…”

“But you…”

“Yes you…”

Thus Mr. and Mrs. Chatterjee went on in their journey of life; spells of loving words spilled in the guise of tiffs, an oscillation between a war of words and treaty. So is it even now when both in their late eighties sit together at home most of the time cooing such words of love.

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Amita Ray, a former associate professor of English is based in Kolkata. An academic of various interests she is a published translator, short story writer and poet. She has two books of translations to her credit. Her short stories have been published in The Sunday Statesman, Cafe Dissensus, Setu and other online journals. Her poems have been widely published and also feature in  several anthologies.

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Categories
Poetry

The Colour of Wind’s Song

By Linda Imbler

The Colour Of Wind’s Song

I must go with the wind’s song.

My feet bearing glad witness

to your many creeds.

Inside a maddening maze,

as day is done,

I follow the words on each page

that tell me how to sculpt my dreams.

Long standing upon stone,

upon hearts, jubilant,

upon the sky that is deep, dark blue,

upon vibrant moonshine

where all is amber and red,

I go to hear the colours

and feel exhilaration.

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How Do I Dream?

I gazed with wonder and delight

as the fall of monsters shook the Earth,

and effervescent spirits

became balanced between nowhere and now.

I forgave the winds,

and the Undines,

those elemental beings of water,

those paper tigers.

I walked through a door

of many colours.

Its soft archway still and grand,

and saw novel birds atop golden branches.

I saw a fly within its webbed cell.

On the ground, lay hatched fragile shells

but, no hatchlings were near.

A silent coil of that forgiven wind

lifted my hair ever so gently.

A clear horn blew from atop a shut temple,

and all the caves began to sing.

Within the heart of their song,

they said to me,

“Carry all the love you have collected,

and spread it on the fields of tomorrow.”

And, I slept within a sparrow’s nest

as the night light died,

and all heavenly visions were seen,

I, me, mine.

.

Within The Din

His soul heard no welcome,

only murmurs.

It seemed he heard sweet singing.

The hope that he was right

stayed his sorrow.

His bedimmed dreams

came as angels.

As death became his friend,

he saw his own grace,

and all of sweet peace

wailed for him.

And within the din, welcome showed its hand.

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Linda Imbler is the author of four poetry collections published at Amazon.  Soma Publishing published two of her poetry books and one poetry-short fiction hybrid.  She began writing in earnest five years ago.  In addition to putting pen and paper to inventive use, Linda is an avid reader. This writer, yoga practitioner, and classical guitar player lives in Wichita, Kansas with her husband, Mike the Luthier, several quite intelligent saltwater fish, and an ever-growing family of gorgeous guitars.  She’s been nominated for a Pushcart Prize and several Best of the Net awards. Learn more at lindaspoetryblog.blogspot.com.

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Categories
Poetry

Passing Clouds

By Devangshu Dutta

Passing Clouds 
There are days that feel heavy,
      Like rainclouds, pregnant with tears unshed. 
On most days though, now,
      the winds of life just blow them along.
Cloud after cloud
      day after day, burdened with feelings,
          regrets
              and hopes
      heavy in the air. 
Someone says, "It's the monsoon",
      this, too, shall pass.



Us/Not Us
I'm firmly a grey character, my friend. 
Every side my side, I'm the murky air
    of polluted humanity
        here, there, and everywhere. 
Breathe me in, and you might die.
   And, then again,
You might live a life never imagined or taught. 
When there's nothing called the "other"
   Then everything is your own.

Devangshu Dutta is an entrepreneur, business advisor and a student of life. His published writing in recent years has largely been restricted to business analyses; this is his first non-business published work in decades. Upbraided frequently about not having put out a book yet, he promises to start working on at least one of the many manuscripts sketched out over the years before 2020 is out.

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Categories
Poetry

Measured in Halves

By Sanjhee Gianchandani

The two street lights outside

form a chiaroscuro in disdain

revealing only half their light

through the half-drawn curtains

Half raindrops on the window pane

form misbegotten semi-circles

The door is ajar, yet half closed

selectively unwrapping

the proceedings outside

The coffee mug is half-empty

I always liked it lukewarm

They desk’s half-cluttered side

has a book; half-read and

dog-eared like it’s been wanting

a reader for a longish time now

Parched pages and a half-faint  

fragrance of time-worn books

the other half of books unread

A half-broken photo frame peeks  

from a half-open drawer

Were we full couple? Or half in love?

A half-written note in scarlet ink

Lines with half-eaten words

perhaps written in a hurry

unfinished and unsigned

Shall remain a mystery maybe

A box of pills half consumed

and half scattered on the floor

A life full of promises half fulfilled

dreams half seen; secrets half kept

poems half written and words half said

Two halves complete the picture

Did I cross stormy oceans for you

only to get this knee-deep love?

A life half-lived; a death half-mourned

Write of halves when you

write off my whole.

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Sanjhee Gianchandani holds a Masters’ degree in English from Lady Shri Ram College for Women and a CELTA from the University of Cambridge. She worked as an English language assessment specialist. Her love for publishing brought her to her second job as an ELT editor in the K-8 space. She compulsively writes poetry to fill in the interstices in her day and to streamline the chaos in her head. Her poems have been published at several places including eFiction India, LiveWire, Setu, Indian Ruminations, Otherwise Engaged Journal and Poetry Northern Ireland. 

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Categories
Essay

Resurgence of the “New” Discourse

By Ria Banerjee

As the world is teetering on the brink of collapse, we are collectively participating in a mass elegy for a lost world.  The custodians of that world-security, stability-have receded into the archives of our memory. In Heath Ledger’s inimitable performance as the insouciant Joker in Christopher Nolan’s The Dark Knight (2008), he nudges a shattered Harvey Dent to “introduce a little anarchy, upset the established order.” It is precisely this order, a sense of clinging on to the last dregs of meaning that has gone for a toss in the wake of the pandemic.  And yet, the trajectory of human evolution bears testimony to mankind’s relentless quest to forge meaning out of chaos, to seek an eternal consonance amidst the cacophony of dissonance and dissent.

This propensity to fall back on fragments and carve something concrete is the momentum behind the establishment of a new regimentation. Human agency strives, unabated, to discover measures and means in an endeavour to engage with this pathogen in a new way- it is the mechanism of co-existence. But such cohabitation involves the resurrection of a ‘New’ normalcy altogether. Currently, the pandemic has unearthed a fertile field of scholarly inquiry into this domain of the multiple “New” discourses that offer some semblance of a revamped normalcy in the post-Corona world. But what are the challenges encountered as we navigate through this? Are these measures available for and accessible by all and sundry? What are the prerequisites for activating such measures and who are the intended recipients of the ‘New’ normal?

The virtual space in the prelapsarian state (the pre-Corona world that is) was a universe of frivolous escapades; it offered us the much needed succour to unwind at the end of a long day. It was a space to visit and revisit in between the rigmarole of life. And yet, we were acutely aware of the disjunction between the ‘real’ and the ‘virtual’. The lockdown phase has completely blurred that demarcation- the ‘virtual’ is now the ‘New’ real. Virtual classrooms on virtual platforms are instrumental in ensuring that quality education continues to be imparted without any hindrance. But here is the catch.

Conducting online classes is based on the presumption that everyone is equipped with the necessary amenities. In third world countries where thousands of people are knuckling under crushing poverty and falling prey to unemployment, education becomes a luxury that exists in imaginative spaces. Thus, in effect, the right to education becomes a prerogative of the select few, of the ‘privileged’ coterie who dictates the dominant ideology. While online education has become an imperative in the present scenario, it is equally necessary to ensure that it does not end up magnifying the digital divide and depriving a section of the “basic” right to education.

The pandemic has also aggravated, if not exposed, another kind of lethal contagion. Alienation and estrangement, as studies show, are no longer literary motifs that dominate the creative space — it has a tangible presence and form now. The attendant mental repercussions of being cocooned in our homes for long has escalated the sense of loneliness- the definitive offshoot being bouts of depression, anxiety, angst and a restlessness.

Many have succumbed to emotional meltdown during these volatile times. Ensconced in a world bereft of the comfort and sanctity of human “touch”, we are gradually being sucked into a treacherous whirlwind of monotony and repetitiveness from which there is no respite. Deliberating on mental health at a time when we are compelled to make a ‘world” of our ‘home” is slightly paradoxical.

Home makes for a good cameo appearance, retreating into oblivion for most of the time. The pandemic has catapulted the “home” from relative anonymity into limelight but such is the quirk of fate that we can longer acclimatise ourselves to such an orientation any more — as if, ‘home’ exists in contradistinction to the ‘world’  and has no existence outside of it. Needless to say, the pandemic is exposing before us the chink in the armour. Social distancing might be an imperative now, but a fundamental element of disconnect had long infiltrated the bond between the “home” and the “world” and ruptured it.

 And perhaps, even when we are negotiating the unprecedented changes in our socio-cultural spheres, the greatest challenge is to be with our own selves. The hustle and bustle of life, as it were, had demolished the aspiration to confront the individual in us. The “Me-time” myth was an illusion. Self indulgence (to chill, as they say in common parlance) was never about rejoicing in the sole company of oneself but to unleash the beast in us in the company of others. But self-isolation had interrogated those deeply nurtured ideas. The lockdown had compelled us to shun our non-confrontational demeanour. Looking inward, forging a communion with our lost and suppressed identities had proved to be an art that takes time to master.

While our lives hang on a precarious rope of appeasement and adjustment, the gradual movement from a world dictated by chronological time to one bereft of it has proved to be unnerving. Life was an assortment of events, bound by minute strands of temporal gradations — our approach to life was economic and measured.

The Corona crisis had ended up shattering that temporal yardstick against which we would construct and consolidate the flux of life. Longing for a heartfelt interaction with your beloved in a different time zone can be accomplished through video calls no doubt; online teaching can be smoothly conducted by mastering a bit of technical know-how and yet, does it feel real? Can one accommodate the pulse and throb of life in the click of a button?

So, what are these “new discourses” advocating for? The protocols and maxims we had lived by before the pandemic can no longer contain the crisis we are now encountering. The “new” normalcy is a call to refashion ourselves. Perhaps it is time for us to embrace an emerging world order that will mould us to become better versions of ourselves. Like all the other epidemics, the Corona crisis will remain in the historical imaginary for transmogrifying the world into a dystopian wasteland; the resurgence of the “new” discourses will be a quest for and towards a different utopia.

Author’s Bio: Ria Banerjee is an M.A in English Literature (First Class First) from Shri Shikshayatan College, affiliated to Calcutta University. She is currently engaged as a faculty in Prafulla Chandra College, Department of English.

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Disclaimer: The opinions expressed are solely that of the author.

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Categories
Poetry

Hope Enlivened

By Pravat Kumar Padhy

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He is driven to a world of different

In the isolation ward.

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He contours yesterday’s rainbow of life:

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With twin kids and his better half

Strolling in the park, swinging in the seesaw

Running after the colourful butterflies

Searching the ball in the bushes

And the spark of smiles in each step.

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Today he dwells in the past

As if the clock stops for a while.

In the quarantine ward

In between the beds:

The sun sets for someone

And awaits

To enter into another darkness.

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Like a tree

Struggling with the stormy wind,

Still, he dreams

The world is alive outside.

One day he will walk again

And greet his family

In the fresh morning sunshine.

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Pravat Kumar Padhy has obtained his Masters of Science and Technology and a Ph.D from Indian Institute of Technology, ISM Dhanbad. His poetry has been featured in many journals and anthologies. His poems received many awards, honours and commendations including the Editors’ Choice Award at Writers Guild of India, Sketchbook, Asian American Poetry, Vancouver Cherry Blossom Festival International Haiku Honourable  Mention, UNESCO International Year Award of Water Co-operation, The Kloštar Ivanić International Haiku Award, IAFOR Vladimir Devide Haiku Award, and others. His work is showcased in the exhibition “Haiku Wall”, Historic Liberty Theatre Gallery in Bend, Oregon, USA. His tanka, ‘I mingle’ is published in the “Kudo Resource Guide”, University of California, Berkeley. His poem, “How Beautiful” is included in the Undergraduate English Curriculum at the university level. His haiku, tanka and other poems on Corona pandemic have been published in Country Roads, Covid 19 Haiku Anthology, Lockdown 2020, Penning The Covid,The Alipore Post, and others.

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Categories
Poetry

The Guardian & Wishes

By Huguette Bertrand

The Guardian

Lonesome
this woman moves along
in the grayness of a city
carries within
a strange happiness
she walks

she walks between rumors
shakes the ashes of sleeping bodies
spreads clay words
she is the guardian

guardian of unpublished instants
buried in the night
strolling between rocks
she blows

she blows on embers
freeing old days silences
reviving the memory of this deserted city

 


Wishes

Break all the walls down
to let the flowers grow
and all the trees also
fragrance and shade
will radiate the whole landscape
of the wounded minds
laying on the canvas
of dusty times

Let's take the bricks of walls
to build houses
leaving open
smiling doors
to enjoy the wind blowing
enchanted words
wrapped in the light
of good wishes

 

Huguette Bertrand is an international French-Canadian poet, editor and digital artist, born in Sherbrooke (Québec), Canada. She has been writing and editing French poetry for 37 years and has published 38 poetry books some of them with artist’s artworks. Her poems were published in many international journals and anthologies and translated in multi languages. Besides her publications, she participated to poetry readings, book shows, art exhibitions of her poetry paired with artworks in Québec, France and Norway, gave workshops in Quebec and France.

http://www.espacepoetique.com

https://www.facebook.com/huguette.bertrand.9

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Categories
Poetry

Chameleon

By Sreedevi Anumula

She makes minutes move backward lightly

 tapping

 holding

 glass sheets of wind above

 twig.

.

 Her eyes roll to sides

 as she pushes color from her blood to

 bough,

 bush and breeze

 until

 old forest trembles to ware this sudden

 heavy

 hue

 with no sound but only sun and mixing of color.

 .

 At dusk

 when wind circling round hill

 howls on hamlet

 and

 fish ballooning air

 thinks camaraderie

 in its steel fins,

 this chameleon

 goes home

 too tired of throwing air

 in and out of her

 soul.

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Sreedevi  Anumula  writes short stories and poetry  both in Telugu and English.  She has published her poetry and research articles in national and international Journals.  She teaches Modern British Poetry and American Literature at the Department of English, Osmania University, Hyderabad, India.

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