Categories
Essay

Himalayan Stories: Evenings with Nuru at Pheriche

By P Ravi Shankar

The Magnificent Himals… Photo courtesy: Ravi Shankar

The windows were getting misty. Outside it was freezing cold and rainy. However, the cast iron heater kept the dining room hot and toasty. We were enrolling trekkers/hikers for a study on high altitude. The Himalayan Rescue Association (an organisation catering to the health needs of trekkers, mountaineers, and the local population) conducts various studies in high altitude locations in Nepal. These studies are usually conducted during the peak trekking and mountaineering seasons in spring and autumn. The participants (trekkers) were enrolled either at Pheriche or at Dingboche, in the Everest region of Nepal. We had just finished dinner and were discussing the how the studies were going. We were happy. The room was warm, our stomachs full and the company interesting. The owner of the lodge, Nuru Sherpa often joined us. Other trekkers were seated at neighbouring tables and could join in. The atmosphere was relaxed and friendly. Our study leader had brought dried apple cider sachets from California, that could be reconstituted with warm water. The apple cider was delicious.  

Pheriche had been originally a yak pasture situated at a height of 4300 m in the Everest/Khumbu region of Nepal. There are several place names ending with ‘boche’ in this region. ‘Boche’ means a flat land seen from a hilltop. In this mountainous region a plateau like area is a rarity. As tourism developed in the Khumbu, several lodges were constructed. Pheriche however, is mostly overcast and windy.  Most trekkers prefer to stay in Dingboche, 150 m higher on the other side of the hill. The place is higher but gets more sunshine and is warmer.

The research team had split with two of our colleagues staying at Lobuche uphill at 4900 m. We had flown to the Tenzing-Hillary airport at Lukla and then hiked uphill acclimatizing along the way. There is a 700 m ascent between Pheriche/Dingboche and Lobuche and different studies have been done on this stretch of the trail. The Himalayan Rescue Association runs an aid post at Pheriche to provide medical treatment to trekkers, guides, porters, and locals. The post was established in 1973 and has seen extensive upgrades. It has been equipped with oxygen concentrators and has the ability to manage most cases of altitude sickness. The doctors volunteering at the clinic have been giving talks on staying healthy at high altitude every afternoon. We attended these talks, which even helped to recruit trekkers for our study. Later, we would hike uphill to Dingboche and visit the trekkers staying at different lodges. Even in 2007, Dingboche had more than twenty-five lodges spread out along the trail.

We were staying at the Himalayan Hotel in Pheriche. The hotel was run by Nuru Sherpa from Kunde who had studied interior design in Karnataka, India. The rooms were cozy but cold. In the tea houses (lodges), only the dining room is heated during the evening and sometimes during the morning hours. The lodge had squat toilets and Nuru used to mix some kerosene in the toilet water to prevent it from freezing. I saw a recent photo and the lodge has been expanded and now has private rooms with attached western-style toilets. There has been a lot written about toilets at trekking lodges. Some are luxurious, western-style flush toilets while others are just a hole in the ground. Most do not have a sewage system and the environmental consequences may be high. Lobuche had a terrible reputation for its toilets and was widely known as the armpit of Nepal. Things have improved significantly since then.

Most lodges have a greenhouse where you could sit, and lounge comfortably protected from the wind during the day. We used to take full advantage of the greenhouse. As the temperature inside was significantly higher, we could sit in our T-shirts. This was a great luxury in this cold and windy locale. Pheriche is often used as an acclimatisation stop by trekkers before heading higher. The hotel had a good collection of books and we used to spend hours in the greenhouse reading and chatting. People came and went but we stayed on. Staying put in a place in constant flux was a strange experience. Days coalesced into weeks and weeks into a month.

Pheriche had suffered damage during the earthquake of 2015 and rebuilding was mostly by local efforts. Today there are internet and phone services and websites allowing you to book lodges in advance. In the 2000s, you had to book the rooms physically. The lodge owners sometimes used satellite phones to access the internet, but it was expensive. During the peak trekking season in the fall, the lodges could get incredibly crowded. The global pandemic has negatively impacted tourism, and the economic consequences have been bad. Lodge owners often take loans at high-interest rates to renovate and expand their facilities and if the number of tourists drop, they can easily go into debt.  

The landscape was barren with a few shrubs struggling to grow in the high altitudes. There are spectacular mountain views from around Pheriche. These are among the tallest mountains in the world at over 7000 m. Pheriche and Dingboche are over 4000 m. The village of Pheriche is on the banks of the Tsola river. The wind roars across the valley and clouds, rain and snow follow. Tibetan Buddhism is dominant and mani walls inscribed with Lamaist prayers and cairns of towers of rocks are scattered all around. Prayer flags send the Buddhist law riding on the wind. On a sunny and warm day, the land is at peace and a hike through this landscape is enchanting. However, at these altitudes, the weather can change rapidly. As you climb towards Dughla and Lobuche, there are spectacular mountain views. There is a memorial to those who have died on Everest as you climb out of Dughla. There are a variety of memorials to climbers in this region. There is one on the grounds of the Pheriche hospital/aid post.   

Memorials to climbers… Photo Courtesy Ravi Shankar

Sherpas are the inhabitants of the Khumbu and have earned an enviable reputation as mountain guides. Sherpas originally migrated to Nepal from Tibet several centuries ago. Namche Bazar is the unofficial capital of Sherpa country. Potatoes play an important role in Sherpa cuisine. The introduction of the potato from the South American Andes made settled life possible in many mountain regions globally. Potatoes are used in several ways. Rikikur (potato pancake) is a breakfast staple. There is a small restaurant by a waterfall serving potato pancakes called rikikur on the hike to Namche Bazar. You wait and enjoy the scenery as your pancake is freshly prepared. A spicy chili sauce is a usual accompaniment. There is a type of red round chili grown in the Himalayas called dalle khursani or jyanmaara (life-taker) khursani. The chili is extremely spicy and can literally take your life away, hence the name.      

The Khumbu region at an average height of over 3500 m is one of the most spectacular on the planet. Getting there may not be easy, and you need to plan your journey properly. Acclimatization is important. Compared to other treks in Nepal this is more expensive and has a risk of altitude sickness. However, the spectacular views of the highest mountains on earth cannot be matched elsewhere. Things have certainly changed with the advent of cell phones and the internet. Roads have also made steady inroads in the surrounding regions. In the good old days, there were no roads in Nepal outside the Kathmandu valley and the early Everest expeditions used to start their walk from the outskirts of the valley. It used to take well over a month to reach the Khumbu region.

Hopefully, the pandemic will stay controlled. This will allow us to hike this autumn in the Khumbu region and enjoy Sherpa culture, religion, fresh air, cold winds, and the spectacular mountains!   

 

Fun in the snow… Photo courtesy: Ravi Shankar

N.B: We miss our friend Dr Ashutosh Bodhe who accompanied us on several treks. He passed away in 2021. His raw energy and passion for life will be missed!

Dr. P Ravi Shankar is a faculty member at the IMU Centre for Education (ICE), International Medical University, Kuala Lumpur, Malaysia. He enjoys traveling and is a creative writer and photographer.

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Categories
Poetry

Masquerade

By Sudakshina Kashyap

MASQUERADE

My body is an unmapped ocean
and I'm drowning,
constantly sinking
in the band-aids of fluidity.
You see, 
depression vivisects
every stanza of the anatomy of poetry, turning me into a lullaby
whose verses are unable
to find the chords of my breaths;
for I am blackout poetry, 
a tragedy 
masquerading as an art. 

Sudakshina Kashyap identifies herself as someone messy, who often had pixie cuts as a child to annoy her neighbourhood aunties, and now she gets lost even on straight roads— but being messy is only poetic. Her works have appeared on a number of literary journals, media houses, print and e-magazines. She’s an International Youth Delegate from India and a Co-Author of two poetry anthologies.

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Categories
Musings

 ‘You don’t have to understand life. You just have to live it’

By Shubha Apte

Life is never a straight line, and it isn’t all rainbows and unicorns. It always has ups and downs. By experience, we learn to navigate all the potholes and make the journey of life victorious. During this journey, we fall at times. But we pick ourselves up and continue to move forward. Confucius has said, “that our greatest glory is not in never falling, but in rising every time, we fall.”

 Looking through the rear-view mirror, we sometimes think of our choices and regret our decisions. But time does not standstill. It does not allow us to go back in time and change our decision. This is when the “what if” feeling grips us. We regret what we did, leading to a feeling of sadness.

As humans, we face millions of choices every day. Some of these choices can be good for us, but others can be damaging and significantly impact our lives.

When we make a wrong choice, we experience an overwhelming feeling of regret and know we cannot alter anything. We wish we could have done it differently. It can leave us stuck, always looking backwards and unable to move forward in our lives.

Trapped in this cycle of regret, we can become rigid, constantly blaming ourselves. But avoiding doing anything for fear of regretting it later is also not good as it tends to disengage us from relationships, opportunities and progress gets stalled. We cannot make all the correct decisions to make life perfect. A perfect life is more of an illusion. Accept that life is not perfect and start living.

“It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.

 “It takes no effort to miss the friends we didn’t make and the work we didn’t do, the people we didn’t do and the people we didn’t marry, and the children we didn’t have. It is not difficult to see yourself through the lens of other people and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out.

 “But it is not lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy.

 We can’t tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.”

 ― Matt Haig, The Midnight Library

This quote about regrets made me start thinking about my own journey and the regrets holding me back. Some of the professional choices did not work out the way I had imagined. I decided to join a company based on its brand value but later realised that my personal core values conflicted with the values of the people that I was working with. When frustration set in, I decided to quit the job at the peak of my career. Looking back, I realised I had better choices and opportunities, and I had boarded the wrong bus. The disappointment I experienced from this haunted me for days. With a lot of determination, I did come out of this phase. I did not allow pain and despair to drag me into depression. It required me to look at life with a totally different lens and not allow the past to discolour my present.

I read the New York Times bestseller “The Midnight Library” by Matt Haig around the same time when I was deeply entrenched in regrets, and the book resonated with me. This fictional story would resonate with anyone who has faced disappointment and regrets and wants to improve their life. The book is a gentle reminder to live life and find joy in the present moment. It is an affirmation of life’s many possibilities. We keep thinking of the days gone by and the opportunities that we may have missed, and in the process, ignoring the glories of the present.

Matt Haig is an English novelist and author. Through Nora Seed, the fictional character’s narrative, Haig encourages readers to let go of their past and make the most of their present. The central character, Nora Seed, has lost her job, her best friend, her brother and her cat, her relationships are a mess, and she decides to end her life. She ends it with an overdose of antidepressants, but she finds herself in the midnight library between life and death. Every book in the library offers her a chance to enter a life where she made a different decision and has regrets. By experiencing alternate versions of her own life, she realises there is nothing called a perfect life and prefers to live in her current state.

I loved the author’s idea of envisioning an infinite library between life and death.

The book compelled me to look at life from a totally different perspective. In life, you need to be strong from within, face the consequences of your choice and not get caught in the trap of regrets. We don’t need to understand life; we need to live it, and like Matt Haig said, “You don’t have to understand life. You just have to live.”

In the last few years, I have made many changes in my life. I have decided to use my potential to the best of my abilities and learn from my mistakes and the wrong choices that I had made and not to get caught up in regrets.

The past does not lead to happiness. The future is beyond our control, but it is the present that we are in complete control.

“It’s not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy”- Matt Haig.

Shubha Apte is an engineer, business leader, certified executive coach, speaker, trainer and a freelance writer based in Bangalore with focus on diversity initiatives and women leadership. Her articles have been published in online publications for LeadChangeGroup, Pratilipi, IndusWomenWriting, Unscreen.org, LinkedIn. She blogs at  https://www.shubhaapte.com/

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Categories
Excerpt

Villainy by Upamanyu Chatterjee

Title: Villainy

Author: Upamanyu Chatterjee

Publisher: Speaking Tiger Books

Death of late having been much on her mind, it did not seem surprising to Dr Mujumdar that she should, at seven-forty of a December morning, during her constitutional in the neighbourhood park, be the first to come upon the corpse or rather, to recognise it to be a dead body. Of course, they were all concentrating on striding along on the jogging track – rolling their hips, pausing discreetly on occasion, only for a micro-second, to break wind – and all moving clockwise as per the rules set down and put up by the Residents’ Welfare Association on the signboard at the entrance, and if they had eyes for anything, it was for the odd, protruding pebble in their paths and every now and then, a Johnny-come-lately in his new car outside the gates, prowling in search of a parking slot. But beneath the hibiscus bushes just before the Children’s Corner, they so stared her in the face, leapt out at her to shout out their presence that she marvelled that no one else appeared to have noticed them – a pair of off-white Bata tennis sneakers, stark against the dark, damp loam, blue socks in a heap at the ankles, khaki trousers that had ridden up to reveal scrawny calves, with the rest of the travesty mercifully hidden by the foliage and a mound of compost awaiting distribution. For travesty she knew it would be and she did not want to see it; for since when has death not been a travesty of all that holds meaning?

       ‘Something tells me that that is not a drunk Colony guard or municipal gardener sleeping it off,’ said she, aloud, to herself, glanced at her watch even though she knew what time it was, and continued silently, But could I still do my half-a-dozen rounds as though nothing has happened, or at least as many as I can before someone else notices something amiss? Or would that be callous and unfeeling of me? She lengthened her stride and began doggedly to pump her elbows in an effort to get away quickly. Her heart though was really not in it that morning. ‘It does seem shameful for someone who’s almost a medical doctor,’ she carried on her conversation with herself, ‘to run away from a corpse. Waddle away, more accurately. But people must never know. And all this – ’ She looked up and about her for a moment, blinked ‘ – is going to have to stop pretty soon, isn’t it?’ She exchanged a ‘Morning’ for a ‘Hello, dear’ as she overtook portly Mrs Gulati. ‘I mean, no one can possibly jog or skip rope or stretch or do his yoga and breathe through his anus or laugh his therapeutic Santa Claus belly laugh in the presence of a dead body, can he?’ And then, aloud, ‘Morning, Sanjeev-ji. You are early today?!’

      Dr Mujumdar took more than her usual eleven minutes to cross the Children’s Corner, pass the Water-Harvesting Area and loop around the Nano Golf Course. By the time she turned into the straight stretch along the C-Block side of the park, a knot of the regulars, forced to abandon their burpees and their Hanuman pushups, had formed around the hibiscus bushes. Automatically, Dr Mujumdar slowed down, even wondered for a second whether she could about-turn and, disobeying the commandment of the RWA, clump away anti-clockwise.

       ‘Don’t touch anything! Just call the police.’

      ‘Could it be someone we know? Even a member of the Health Club?’

      ‘Doesn’t look as though his membership did him any good. Somebody had better telephone the police, I say.’

      ‘I can’t. My phone needs to be charged.’

      ‘I can’t either, unfortunately. I always leave my phone behind at home when I step out for my exercise.’

      ‘Why don’t you call them? They will respond immediately to your commanding personality.’

      ‘It is the RWA that should phone the police. After all, the dead body has been found in a public place. Just call Tutreja at the Association.’

      ‘I can’t, I just told you. My phone needs to be charged.’

      ‘Why are you carrying around a phone that doesn’t work?’

      ‘To time my rounds, if you must know. The clock works. And how damn nosey you are, if I might add.’

      ‘Is something the matter? I’m a doctor. A pharmacist, more accurately. Perhaps I might be of help.’

      The knot of exercisers, three-deep by then, stirred and parted like porridge to make way for Dr Mujumdar and then congealed around her even before she could look down once more upon the Bata shoes and the scrawny calves, the khaki trousers. The press of bodies made concentration all the more difficult.

      ‘We’ll have to pull him out and turn him over. Any volunteers?’ The doctor looked about her at the knot, watched it stir and thin. ‘Backache,’ murmured a man with a white moustache, his hand ready to clutch his hip.

      With a grunt of annoyance, portly Mrs Gulati planted herself in the hibiscus bed, pushed aside the vegetation and bent to grab an ankle. The shadow of a momentary queasiness crossed her features at the touch of that cold, alien flesh. She was suddenly surrounded by several fellow-residents whom she had abashed. Freely directing and admonishing one another, they lifted the body up and sideways and laid it down, face up, on the jogging track. The group emitted a sort of collective moan, part sigh, part gasp, on first seeing the face. With difficulty, Dr Mujumdar got down on her knees beside the body. The onlookers, four deep now, gathered about them as though caught in an eddy.

      He was dead, there was no doubt about that. The dead do not look like the living. She felt for his pulse. The wrist was cold and stiff. She extracted a large handkerchief from the pocket of her tracksuit and gently dusted the loam and grit off the face. A murmur, a commentary on the vanity of all that is not death, rustled through the group like the hint of a breeze.

Excerpted from Villainy by Upamanyu Chatterjee. Published by Speaking Tiger Books, 2022.

ABOUT THE BOOK

 Walkers in a Delhi neighbourhood park come upon a body on a mid-winter morning—an unidentified body, unremarkable but for an extraordinary scar right between the eyes.

A delinquent teenager—who prefers, to the rest of living, an Ecstasy pill with a beer, and the interior of an expensive car with a gun in his pocket—leaves home one evening for a joyride in his father’s Mercedes.

In the nineteen years separating these episodes, five killings take place—and one near-fatal battery—none of which would have happened if a school bus hadn’t been in the wrong lane. Deals are struck between masters and servants, money changes hands, assurances are given and broken. The wheels of justice turn, forward, backwards and sideways, pause and turn again. Old alliances are tested and new ones are formed in prison cells, mortuaries and court rooms. And every life is a gamble, for no one is entirely innocent.

A meticulously crafted literary thriller, Upamanyu Chatterjee’s seventh novel is a riveting story of crime and retribution, and a meditation on the randomness of evil, death and redemption. It will keep you spellbound till the end.

ABOUT THE AUTHOR

 Upamanyu Chatterjee is the celebrated author of English, August: An Indian Story (1988), The Last Burden (1993), The Mammaries of the Welfare State (2000), Weight Loss (2006), Way to Go (2011), and Fairy Tales at Fifty (2014)—all novels; The Revenge of the Non-vegetarian (2018), a novella; and The Assassination of Indira Gandhi (2019), a collection of long stories. He won the Sahitya Akademi Award in 2000, and in 2008, he was awarded the Order of Officier des Arts et des Lettres by the French Government for his contribution to literature.

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Categories
Review

  Is Villainy by Upamanyu Chatterjee a ‘Commercial Thriller’?

Book review by Indrasish Banerjee

Title: Villainy

Author: Upamanyu Chatterjee

Publisher: Speaking Tiger Books

                                                

Delhi has many sides to it. It’s the city of Islamic dynasties, transformative history, cultural finesse, power politics. However, some of the celebrated books in last the decade or so on Delhi — The White Tiger (Arvind Agida), The Capital (Rana Dasgupta) — have mostly highlighted its cynical side: the shallowness of its rich, the constant oppression of the poor, the misuse of wealth and power, the ubiquity of corruption, moral decadence and a casual acceptance of everything wrong. I spent a few formative years in Delhi in the 80s. Even back then the common view about Delhi was it wasn’t a place for the straightforward.  But people also felt the city had some redeeming qualities.

In last two and half decades or so, the Manu Sharma case(1999) where the murderer shot a bartender for refusing to serve him; the sordid  tandoor murder (1995) where a suspicious husband killed his wife and several other outrageous occurrences which wreaked havoc in the city exposing its underbelly  and shaped its reputation as a place where nothing is right. This is the timeframe of Upamanyu Chatterjee’s latest book Villainy.

Upamanyu Chatterjee shot to fame with English August in 1988. The Last Burden (1993), Mammaries of the Welfare State (2000) and many more critically acclaimed novels followed. He also wrote a novella, The Revenge of Non-vegetarians (2018) and a collection of long stories, and The Assassination of Indira Gandhi (2019). He won the Sahitya Academy Award for the Mammaries of the Welfare State in 2000 and, in 2008, was awarded the Order of Officer des Arts et des Letters by the French Government for his contribution to literature.

Villainy is structural delight. It starts in 2016 and then takes the reader to the late 90s, into a completely different narrative setting without any obvious linkage to the former strand. In 2016 a dead body of an anonymous person is discovered in a park one early morning when the residents of the area are starting their day. It remains anonymous even after the police leaves no stone unturned for establishing its identity. The other strain is set in 1997, a boy, a spoilt brat, high on Ecstasy pill, out with his father’s Mercedes Benz, murdered two people and a dog.

Loosely based on the high profile Manu Sharma murder case where a rich man’s son killed a woman and justice was meted out only seven years later, the novel would have been every bit a commercial thriller but for the literary style of Upamanyu Chatterjee. If you subtract the style, however, Villainy reads like a novel waiting to be adopted for a pacy web series. The narrative is speedy; the chapters are long, without becoming tiresome, and episodic; the scenes have a visual quality, and they transition swiftly.

There is another thing that reminds you that Villainy is a work of a literary writer: ideological hangover. When a literary writer writes a thriller, characters’ actions mostly conform to their ideological stereotypes. Nemichand, a rich jeweller, is (or has to be) an amoral man. His attitude towards social or economic inferiors is always driven by a bristling class consciousness. He is boorish and uses expletives whenever aroused but when his benefactors do the same, he feels they are acting above station. Atmaram, Nemichand’s driver, on the other hand, is no paragon of virtues – he has accepted money to have his son, Parmatma, falsely admit to committing the murders – but Atmaram is largely a victim of circumstances, which, being the making of the rich, morally exempt the poor man.

But whatever may be its biases, Villainy works at different levels. As a thriller it doesn’t give you too many boring moments. As a literary fiction it gives some moments to reflect on – you should read Chatterjee’s take on villainy in general. Chatterjee has been able to create a sense of time for both the periods (2016 and the late 90s) the plot operates in. His efforts are sometimes cliched like invoking the most talked about events of those times but sometimes they are subtler and less obvious giving you a feeling of reliving those days.

With declining sales of literary fiction and burgeoning popularity of web series, former literary fiction writers are taking to thrillers discarding their subtler muses. Villainy is quite a journey from English August.  But that the likes of Chatterjee are taking to popular genres is actually good news.  Villainy projects a picture of a society with all its flaws and failings — responsibly and deftly.

Click here to read an excerpt

Indrasish Banerjee has been writing and publishing his works for quite some time. He has published in Indian dailies like Hindustan Times and Pioneer, and Café Dissensus, a literary magazine. Indrasish is also a book reviewer with Readsy Discovery. Indrasish stays and works in Bangalore, India. 

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Categories
Poetry

The Village Remembers Devotion

By Amritendu Ghosal

           THE VILLAGE REMEMBERS DEVOTION

             An unhooked summer evening
    A few shops bob atop the bubbles of drowsiness
               The lanes are dim
         The seventy-year-old grocery man
           Opens a steel can of ghee
      For his friend --The cream is good
               Homemade-- he says.

       His friend in grey trousers and a white shirt
               Buys two cigarettes,
                a box of matches
        and a five-rupee pack of butter biscuits.

        My heart pings to the sky and pongs back
      Who would suspect that the world was on fire?
        The stars while away a few more minutes
            Smoking in the back alley
      Before broadcasting intergalactic lessons
           On space, time and proportion.

                Night descends
         The cows are back in the shed
    I hear, floating in with the western breeze
  Kirtan songs from the temple at the top of the hill
      Where they say Vishnu had set his foot
   So long ago nobody could tell exactly how long.
  The sweet cymbals mingle with the resonant dhol
         The eternal rhythm keeps playing
      The children fall asleep in the village.

Amritendu Ghosal works as an Assistant Professor in Department of English at Anugrah Memorial College, Gaya. He has completed his doctoral research from Banaras Hindu University, Varanasi and has worked as a Fulbright Foreign Language Teaching Assistant at Brown University, Rhode Island, USA. His poems have appeared in Ucity Review, Mad Swirl, Visions, Shot Glass Journal, The Tipton Poetry Review, The Sunflower Collective etc.

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Categories
Review

Limitless

Book review by Bhaskar Parichha

Title: Limitless: The Power of Unlocking Your True Potential

Author: Radhika Gupta

Publisher: Hachette India

What do you do when you are rejected for your dream job and can’t handle one more person telling you to be strong? What stops you from asking for that big role at work when you know you have a shot at getting it? For many, the real world of work isn’t cool to navigate and life’s challenges hardly ever have simple answers.

 Limitless: The Power of Unlocking Your True Potential by Radhika Gupta has answers to these vexing questions. The three essential batons in this book are: one, the world is full of possibilities; two, each of us has infinite potential to fly; and three, the book tells how to climb up the ladder.

MD and  CEO of  Edelweiss Mutual Funds, Radhika Gupta  is one of the youngest CEOs in corporate India and the only female head of a major asset management company. A graduate of the Wharton School at the University of Pennsylvania, a hedge fund manager and an entrepreneur, she has been listed by several media outlets among top powerful men  and young business leaders. Her audiovisual ‘The Girl with a Broken Neck’ has inspired lakhs of viewers. 

What Radhika does in this book is this: she offers straight-talking advice on how one can multiply one’s chances at attaining success. It begins, she says, by investing in the most valuable asset one possess: one’s own self. 

Drawing on personal experiences of overcoming adversity and attaining success, Radhika’s intensely stirring stories and sharp, practical counsel provides all the motivation one need to discover self-confidence and live one’s best life. The account is her own and those of other achievers she has met. 

Case one: “Vinita is a student at an engineering college in Pune. In her family, she is not only the first girl to have left her home city to study outside, but is also the first prospective engineer. Every girl, she says, should make ‘use of every opportunity she has and every resource she is provided’. Vinita is driven, ambitious, and clearly wants to be someone. And yet she feels more than a little low. This is the last week of her final year at engineering college, and, she has been rejected by five companies during the campus placement process.”

Case two: “Prateek is 32 years old. He graduated from business school nine years ago and works for a well-known multi-national company in Mumbai. His work hours are comfortable and he has been with the company for five years. He is paid well enough and has received two, promotions since he joined. He wants to try something different–joining in a higher position in a smaller company, starting his own business, just anything that is different, really. He wants to take a risk. But he just can’t seem to make that jump.”

Through several such real-life instances, Radhika’s advice is: “Own your ambition. Embrace your uniqueness. Recognize the role your critics will play in your achievements. Build adaptability. Allow rejection to redirect you to your desired destination. Cultivate resilience.” Cherished tips indeed.

Cut to her own story. In the concluding chapter, she has some animated questions like what are the challenges of being a young woman in the male-dominated world of finance. She tells how she is asked a version of this question nearly every day on panels, in interviews and on social media. She states, characteristically, as if this question has to be asked and she has to respond.

Luckily, for Radhika, her gender hasn’t posed challenges. But she acknowledges that Sexism- both conscious and unconscious still exists, despite the progress we have made. Even if there is no outright bias, there are subtle reminders that make you feel dissimilar.

Divided into seven chapters and with a little over 270 pages, this handy self-help book makes for indispensable reading–particularly for youngsters who have to swim through the banalities of the corporate world.

Her inspirational wisdom in the book is so uplifting!

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Bhaskar Parichha is a journalist and author of UnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Categories
Poetry

The Sky Salutes

By Shailja Sharma

THE SKY SALUTES

To those who patiently listen behind the stutter
To those who smile at an untended feeling hidden in a tantrum
To those who see the chance of fire in the rub of two stones
Lighting up pathways in a dark forest
The sky salutes 

To those who nod at words spoken from a distant alley
To those who shake hands with the person and not their credentials
To those who drag the sun amidst a hundred clouds
Sparking a hope on the solemn face of Earth
The sky salutes 

The sky salutes by embracing them in a bright-yellow hug 
And by sprinkling confetti around the moon
The sky celebrates them floating orange petals at their sun-set
And covering their heads with eternity
The sky simply salutes 

Shailja Sharma is a mental health provider and a multilingual author.  Apart from scholarly publication, her literary writings have been nationally/internationally published. 

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Categories
Stories

The Persistence of Memory

By Vedant Srinivas

Despite rolling the window firmly shut, Dhruv could still feel the dust swivel inside the car and settle on his skin. He could smell the combined whiff of fried pakodas mixed with rotting trash, as if the transparent glass pane was no barrier for the hazardous environment outside to which he had once belonged. Sweat rolled down in beads and collected at the nape of his neck, and he wiped it with a crumpled handkerchief. Small apartment blocks came into view on both sides, with cycle rickshaws parked on either side of the gate. Rusted clotheslines jutted out from the balcony on each floor. They were hung with clothes of varied shapes and colours. A car honked twice, and someone yelled in return.

He eyed the outside proceedings with a strange fervour, his eyes taking in the action that seemed already imprinted in the depths of his memory. It wasn’t so much perception as re-creation; he had, after all, spent his childhood roaming the same streets of north-west Delhi. Remembrances swept to the shore of his mind, summoning up something buried and forgotten inside him. He distracted himself with more practical concerns. What was he to say to Digant’s father? Would he recognise him?

The taxi took meandering turns down narrow lanes. “They all look the same,” the driver remarked, his tall figure bent as he struggled to look through the windshield. Indeed, the roads did look the same — row after row of vehicles were parked in every inch of space available. Yawning over them were emaciated trees providing respite from the excessively harsh sun. Two boys with long rakish hair zoomed past on a motorcycle, their sunburnt faces exuding joy.

The car took a right turn and came upon an apartment gate populated by people in white. Some were on the phone while others were standing together in groups, waiting for instructions to be given. Dhruv paid the taxi and stepped out, smoothening the creases on his white kurta. He felt a strange sensation in the pit of his stomach. He had, since he received the news, thrust it in the back of his mind, refusing to engage with it, and had himself been vaguely surprised by his stoic reaction. Now it was bubbling in his gut, threatening to spill over.

Dhruv exchanged handshakes and condolences with people he assumed were family, and was shown directions to the flat on the first floor. The door was open, and smoke billowed out from the narrow entrance, wafting in tune with the pandit’s recitations. Some of the furniture had been moved and replaced by threaded mats to accommodate the shraddh ceremony ( funeral rites). There was an air of forced busyness inside the flat; people scurried about carrying various things, whispering quietly to each other or into their phones, as if stillness would collapse the facade that had so painstakingly been constructed by everyone present. Without this structured pretence, reality itself would lose its consistency, and make them confront that which perhaps lacked definition.

In one corner of the room, some women sat huddled together, rocking to and fro. Dhruv recognised Digant’s mother amongst them. Her eyes were red and puffy, and her distant gaze seemed to pierce through the opposite wall. A ceiling fan turned lugubriously near to where she sat. Mr. Singh, Digant’s father, sat next to the officiating priest, his fingers locked tightly together as he tried to follow the priest’s sharp intonations. His eyes were glued to the body that lay in front. The flicker of recognition in his eyes upon seeing Dhruv soon transformed into a dull glaze.

 Dhruv moved closer, his hands folded in a namaste-like posture. It was wrapped in a white shroud, with cotton buds placed in the nose. There were dark pouches under the eyes. The skin too had aged; the glowing white of ten years ago had now turned into a sickly yellow. He peered hard at what had once been Digant. Try as he might, Dhruv ​​couldn’t muster anything as complete and engulfing as grief. The pinch of bereavement he felt was for a life snuffed out, a death that had taken place, utterly devoid of particularities.

Dhruv had received the news last night through the school group. More details had emerged, once the initial outpouring of shock and concern had subsided. The rope had been tied to the ceiling fan, and the door locked from inside. No note had been found and no foul play suspected, though he had been known to lead a rough life.

Dhruv glanced around the room and spotted a familiar face at the end of the passage. He walked towards Rohit and they hugged awkwardly, putting one arm sideways around the other’s shoulder. Rohit had been in Digant’s section, and had also been part of the football team with Dhruv. His hair had already started greying; a paunch of considerable size jutted out from his middle. Standing next to him were two other schoolmates whose faces he recognised but whose names he couldn’t recall. They politely nodded at each other. It felt odd to meet under such circumstances.

Leaning against a wall, Dhruv and Rohit observed the proceedings, with hands clasped respectfully at the front. The priest was pouring ghee into the crackling fire while chanting archaic mantras. Their eyes smarted from the smoke of fiery oblations; tears of grief freely mingled with those produced by the stinging fire. Dhruv found his mind wandering. He wondered what view tradition accorded to such an event, and whether the rites would be different in this case. There was an uneasiness in the room that belied even the genuine concern he could see entrenched on faces and eyes. Rohit turned to Dhruv, put a hand around his shoulder, and said in a caressing voice, “I can’t even begin to imagine what you are going through. After all, you guys were best friends.”

Dhruv started, his feet almost giving away under him. Suddenly thirsty, he stumbled towards the kitchen, wading through the ever-increasing number of people. More than concern, it felt like an unbidden accusation. Surely calling them as best friends would be going too far? Yes, they had spent some important years of their childhood together, but that was true for everyone who had lived in the locality and gone to their school. It felt intrusive to think that someone else had formed such an important opinion without bothering to consult him or the facts.

The water filter beeped a faint red as water began to drip out of the nozzle. Flashes of the distant past, sieved through his memory, came upon Dhruv — bunking school and spending the day playing pool at one of the shady centers in Pitampura, the regular fights they’d get into, alcohol, rustication… Image after image played successively in the recesses of his mind; he was unable to think of a single school memory that didn’t have Digant in it.

Dhruv suddenly felt swamped by unreality. His current existence — his job as an advertising filmmaker, his daughter and wife back in Bangalore — had nothing to do with the memories that now assuaged him from all sides. He had lost touch with everyone as soon as he entered college, and had somehow managed to do well for himself, despite the odds, proving everyone — including his parents — wrong. He was now fully wedded to a life of ‘upward mobility’ and the sophistication that came with it. Indeed, his entire childhood, including Rohit and the others lounging outside, seemed now like a mythology that had been invented from scratch. To think that he had grown up in this grimy locality of corruption and crime, sharing secrets and confessions, shouting songs of friendship and love, with the same people whom he could barely recognise seemed to him a fiction of the highest order. 

The kitchen window was blowing wind like a furnace, and he found it difficult to breathe. Stepping out, he made his way to the bathroom and locked the fledgling door. The drain cover had mounds of wet hair stuck to it. Sitting on the commode, another hazy image assuaged him, sending shudders through his body. A drunken reverie, teenage angst, him and Digant, valiant and masculine, proclaiming their allegiance to the famous 27 club as a revolt against life, their deaths too enshrined in history …

Later, at the crematorium, the men listlessly shifted their weight and scratched their faces as they stood huddled around the burning pyre. Dhruv had helped with the preparations and now, standing at a distance, watched plumes of smoke merge with the blinding sky. Bereft of its materiality, Digant again existed as he had before, as a submerged and fleeting reminiscence. Dhruv suddenly felt tired and nauseous. A vague feeling of inertia hit him. The present moment curdled in the heat of the afternoon, and he was confronted with lumps of empty time as it stretched across the burial ground, shimmering and undulating like the funeral fire. Unable to stand it, he nudged Rohit on the shoulder and whispered into his ear if he wanted to go have a beer afterwards.

 *

Years later, while directing some extras for an advertising shoot in Himachal, Dhruv would spot a local theatre performer — a dot on the camera monitor — struggling to master the sequence. In exasperation, he would yell out, “Digant, keep to your mark and don’t stray out of the circle.” Non-plussed faces would stare back at him, unsure of who he was talking to. The words that had come crashing out would be swallowed back just as soon, followed by a long period of silence. For the rest of the day, he would walk around in a reeling daze, and try not to stare at the young man who had unwittingly, instantaneously reminded him of what had once been.

Vedant Srinivas studied Philosophy and went on to do a diploma in Filmmaking. His interests fall in the interstices of literature, anthropology, cinema, and poetry.

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Categories
Poetry of Jibananda Das

All Afternoon Long

Poetry of Jibananda Das, translated by Fakrul Alam

ALL AFTERNOON LONG
All afternoon long I saw Bashir inside the paddy field.
All through the afternoon the skeleton of that three-storied red brick building
Besides the paddy field was being set up.
				(Everything is turning urban!)
Who owns that building? Why is it being built?  
	In the minds of the birds perched on this shore in fading evening light, 
		Or unlike the birds, or the boatmen in the boats plying here or the other shore
With their usual outcries,
The blue sky looked on impassively, its mind vacant. 
	In my dream at night, I saw Kolkata’s tram company getting ready to be here as well.
		Bashir’s bullocks twain out in this day’s sun look for a break  
As domesticated quadrupeds of the world will.
		Which country’s what animals’ and which tribes’ sketches will they resemble
		In becoming museum tales for the high-born and in being immortalised?
						The truths about them will be lost steadily!
			And yet in this land of museums, in the soundless but open room of one of them,
Could it be they would go up in flames without making civilisation any poorer
				Despite its stupendous piston?
Here the only story everyone still knows is of the jackdaw and the fairy tale princess, Shankhamala!
There are innumerable bird, nests and eggs on treetops here but still they haven’t been able to build
 this day a scientific poultry shop!   

(These translations are from Jibanananda Das: Selected Poems with an Introduction, Chronology and Glossary, translated by Fakrul Alam, published by The University Press Limited, Dhaka, 1999. Republished with permission from the original publisher.)

Jibonanada Das (1899-1954) was a Bengali writer, who now is named as one of the greats. During his life he wrote beautiful poetry, novels, essays and more. He believed: “Poetry and life are two different outpouring of the same thing; life as we usually conceive it contains what we normally accept as reality, but the spectacle of this incoherent and disorderly life can satisfy neither the poet’s talent nor the reader’s imagination … poetry does not contain a complete reconstruction of what we call reality; we have entered a new world.”

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibanananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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