Categories
Stories

A Lump Stuck in the Throat

Nasir Rahim Sohrabi

A Balochi short story by Nasir Rahim Sohrabi translated by Fazal Baloch

The bus had stopped in front of the roadside hotel, but the dust from the road still hung around it. The passengers, before getting off completely, were busy brushing the dust off the from their travel. The fatigue caused by the delipidated road was visible on their faces and in the creases of their clothes. I had been following the bus and was now sitting under the thatched shelter, drinking tea from a small boy’s cup. The sun was at its peak, glaring down like an angry man. The grime from the boy’s hands on the hot teacup had not yet dried when a red ambulance pulled up in front of the hotel. The dirt and dust stuck to it showed clearly that it had travelled a long way. Two men got out, dusted their clothes, and walked straight toward the water to wash their faces and hands.

The hotel waiter watched them closely. Then the back door of the ambulance opened and their third companion stepped out. His shoulders seemed burdened with many years, and he walked forward with heavy steps until he reached the shade of the shelter. He greeted everyone, and sat down leaning against a wooden pillar. A glass of water was placed before him, but he didn’t touch it. His eyes remained fixed on the ambulance, from which dust continued to rise as though it were still on the road.

After a while, the other two men joined him. Their faces were clean now, but the dust still clung to their ears, eyes, and nostrils. They ordered food. To their third companion they said only, “Come, let’s eat.” But he kept looking at the ambulance fixedly. They didn’t ask him again.

The young boy who had been watching him from a distance placed my tea before me and went toward the man. He touched his shoulder and asked,
“Why aren’t you eating?”

The man was startled as if waking from a deep sleep. His gaze shifted from the ambulance to the boy’s face. He looked at him the way someone, seeing the world for the first time after eye surgery.

“I can never eat alone,” he said. “Food never sits well with me unless someone eats with me. Will you sit here with me?”

The boy nodded.

Offering him the first bite, the man said, “I’ve always fed him the first bite. Until I fed him, he wouldn’t eat at all.”

“Who was he?” the boy asked.

The question seemed to trouble him. His teeth tried to chew the morsel while his eyes stayed fixed on the boy’s face. I saw clouds of dust gather in his eyes, and their darkness spread over his face. Pain began to pour like rain. Lakes of grief rose within him. His breath grew heavy. At last, composing himself, he said: “He was my son. But he had taken my father’s place in my life. When he was a child, I fed him. But over time, I became used to eating the bites he offered me. His mother left him and me long ago. She went away with those who were demanding water and electricity along with the young, the old, and the children. I pleaded with her not to go, but she didn’t listen. She left and never returned. At first, people wrote poems about her. But now, people have too much water in their eyes and too much brightness from electricity in their homes. Now they’re concerned only with their own reflection. She once lived in people’s memories, but the world has forgotten her now.”

After a pause, his eyes drifted again toward the ambulance, though the rain inside him didn’t stop.

“He was in a hurry too, just like his mother. He was always in a rush for everything. He would run to school and never delay returning home. He grew up before my eyes. One day he said to me, ‘Now you sit and rest. It’s my turn to look after you. I’ll feed you now.’ I insisted that my turn wasn’t over yet, but he was in a hurry and won the argument. Then he joined Captian Qasim’s boat as helmsman. But he didn’t stay there long. A year later he became a sailor on Ibrahim’s boat. He never hid anything from me, but after joining Ibrahim, I seldom knew when he left for the sea or when he came home. Whenever I asked, he only said, ‘Whenever the boss orders, we’re ready to go.’

This time too he was in a rush. The moment he came home, he said, ‘We’re leaving for the deep sea. We’ll be back in a few days.’ I wanted to stand up and hug him goodbye, but before I could rise, he had already stepped out the door. Then news came that their boat had caught fire. It didn’t sink, but it was badly burnt. Thanks to the boss, they sent us to Karachi by air. But maybe this time it was the order of the Great Boss. Or maybe the son was in a hurry to go to his mother. He didn’t stay in Karachi even for a day.”

The bus horn blared and the passengers hurried toward it. The boy got up too and began to put on his sandals.

“I haven’t even eaten yet,” the man said. “Where are you going?”

“Look, the bus is leaving. I have to hurry,” the boy replied.

The sun had now slipped behind the western mountains. The shelter had emptied. The red ambulance was gone too. But the old man still sat leaning against the wooden pillar, his eyes fixed on the road. The bus sped off, trailing dust behind it.

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Nasir Rahim Sohrabi lives in Gwadar, Balochistan. He occasionally writes short stories. This story originally appeared in Monthly Balochi, Quetta in year 2000 and translated and published with  permission from the author.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. 

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Categories
Poetry

Where Lies the End of this Unquenchable Thirst?

Poetry by Atta Shad, translated from Balochi by Fazal Baloch


Had we known the fate of tomorrow,
Today would’ve not slipped
So carelessly from our hands.

Alas! On the gallows of follies,
Desire stands condemned.

True — it is the heart alone
That bears witness to God’s existence,
Not the eye,
For each reflection is a slave to sight.
But what the heart feels —
That alone is the truth:
The rest is illusion.

Some walk with reason,
Some, in a dreamlike haze,
Yet all are bound together,
Step by step,
Carrying the weight of longing
In the folds of a thirsty soul.

In the vast realm of my imagination,
Stands the idol sculpted by my own hands.
I bow before it—
This endless expanse but remains devoid of the Divine.

From being, nothingness emerges,
And from nothingness,
The being is born, over and again.

The lament for yesterday,
The hopes for tomorrow,
The wealth of ages
In search of unseen wisdom,
Wander upon the shores of today.
Either the flood shall wash them away,
Or the shore shall stand unshaken
Before the surging tides.

Where lies the end
Of this unquenchable thirst?
From Public Domain

Atta Shad (1939-1997) is the most revered and cherished modern Balochi poet. He instilled a new spirit in the moribund body of modern Balochi poetry in the early 1950s when the latter was drastically paralysed by the influence of Persian and Urdu poetry. Atta Shad gave a new orientation to modern Balochi poetry by giving a formidable ground to the free verse, which also brought in its wake a chain of new themes and mode of expression hitherto untouched by Balochi poets. Apart from the popular motifs of love and romance, subjugation and suffering, freedom and liberty, life and its absurdities are a few recurrent themes which appear in Shad’s poetry. What sets Shad apart from the rest of Balochi poets is his subtle, metaphoric and symbolic approach while versifying socio-political themes. He seemed more concerned about the aesthetic sense of art than anything else.

Shad’s poetry anthologies include Roch Ger and Shap Sahaar Andem, which were later collected in a single anthology under the title Gulzameen, posthumously published by the Balochi Academy Quetta in 2015. 

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights of Atta Shad from the publisher.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Stories

The Melting Snow

Story by Sharaf Shad, translated from Balochi by Fazal Baloch

The moment he stepped into his home, he sensed that something was wrong. A strange desolation and silence crept down the walls and doors. His wife, upon seeing him, stood up. Her voice trembled overwhelmed with anxiety. She whispered: “The snow is melting.”

“What?” At the mention of snow, his eyes flared with alarm. He rushed to the room where the snow statue was kept. As usual, it stood there like an impregnable mountain. But now, a tiny teardrop was trickling down its right cheek. The line of the rolling tear seemed to slice the statue into two, like the slash of a sword. He knew that if the melting continued, the statue wouldn’t last much longer. The mere thought of this brought tears to his eyes.

A few years ago, the sea had gifted him that very statue. In those days, he used to visit the sea every evening. He adored the sea and its rising tides, drawn to the depths and the vastness that made him feel immortal. It was that very sense of immortality that pulled him to the shore night after night. Despite the violence of the waves rising and crashing, he continued captivated by them.

One day, as he was lost in watching the rise and fall of tides, he noticed the statue gleaming amidst the water, like a giant pearl. He picked it up, marveling at nature’s artistry. He wondered how such a beautiful statue could exist in the midst of such chaos. Then, a voice echoed from the tides, addressing him: “It’s a gift for you, from me. Every evening you came here and shared my grief. Take this statue home. It will bring you peace, health, and prosperity.”

The wind, tracing lines upon the surface of the ocean, was impressed by the sea’s generosity. It told him that, to help preserve the statue, it would maintain constant climate. When everything becomes kind to someone, time will surely follow suit. Thus, time assured him that it would never bring decay or harm to the statue.

He took the statue and placed it in the finest spot in his home. As the sea and the wind had promised, the statue became a symbol of prosperity and success. Under its shade, his life flourished. But that day, the snow had started to melt!

He knew that this was a sign that his life would soon be stormed with worries and torments. He quickly stepped out of the room. The wind was swirling dust in the courtyard. Like a man who finds comfort in a familiar face during a calamity, he tearfully told the wind that his snow statue was melting.

“Everything perishes in its due time,” the wind replied indifferently.

“But you promised to protect the statue and keep the climate unchanged.”

“I still stand by what I said. It is man who claims the climate is changing. Everything—the sky, the earth, the sea, the wind, the stars, and the moon—remains as it always has. It is only man who changes.”

“I don’t understand what you mean,” he blurted out in frustration. “Just tell me how to escape this curse!”

“Everyone must find their own way forward,” the wind replied.

“All roads seem closed to me,” he lamented.

“When all roads appear closed, that’s where a new one opens,” the wind whispered as it blew away, filling the lanes with dust.

To remind time of its promise, he turned to it for answers. The time listened patiently, as if it already knew the situation. After a brief silence, it gently spoke, “In this world, everything changes its shape sooner or later. Even things that seem unchanged eventually undergo some transformation. Your statue has fulfilled its purpose, and this is the law of nature. Everything new will turn old, and when it does, it changes. Your statue may have taken on a new form—one that may not be as appealing to you as it once was—but it will never truly decay.”

“My life now depends on this statue,” he said desperately. “By its virtue, my family has lived in prosperity. Since it arrived in our home, worries and sorrows of life have forgotten our door. Who knows what curse might fall upon us once it’s gone? Its new shape could bring harm and loss to me.”

“Who knows?” the time replied indifferently.

“If this statue continues to melt, my entire house will be ruined. That’s why I don’t want it to change its form.”

“It cannot be stopped from changing now,” the time said firmly.

Feeling disheartened by the time’s response, he wandered, lost in thought, searching for a way out of his dilemma. While he wandered absent mindedly, he felt a hand on his shoulder. Startled, he turned to find a tall man dressed in white, standing beside him.

“Hey man, I’ve seen you wandering these lanes for a while now. Is everything okay?”

Like a drowning man catching at a straw, he poured out the entire story. After listening, the tall man said, “You’ve pleaded with the wind and the time, and now you’ve told me, a mere wayfarer, your troubles. But you never approached the one who gifted you the snow statue.”

Startled by the realisation, he sprang to his feet, as if pulled up by ten men, and hurried away without thanking the tall man.

He rushed to the sea and bowed before it, pleading, “My snow statue is melting— please, do something to help me.”

“I cannot do anything,” the sea replied indifferently. “Your statue has run its course. Everything has its lifespan and eventually decays. It is an illness without a cure.”

“The fate of my house depends on this statue. There must be a way to escape this curse!” he cried, his voice filled with frustration and despair.

“The sea doesn’t find a way out for anyone,” the sea responded, its voice now filled with arrogance.

“Then no one should find a way for the sea either,” a voice echoed behind him. He turned and saw the same tall man standing there. The sea seemed embarrassed, lowering its head in shame. After a brief silence, its lips trembled as it muttered: “Go home. The blessing of snow will shower upon everything in your house.”

Overjoyed by these words, he grasped the tall man’s hand gratefully, thanking him. The fire that had been consuming his soul was suddenly soothed by the sea’s promise. He hurried home and rushed straight to the room where the statue stood. The teardrop that had once fallen from the statue had dried. Relieved, he smiled, content that the statue had been spared from decay.

Eager to share the joyful news, he went to find his wife and children. But as he stepped into each room, a strange, eerie air of grief and sorrow greeted him. Everything in his house had turned to snow—the windows, the doors, the curtains, and even his wife and children had transformed into frozen statues of snow. The sea’s words echoed hauntingly in his mind: “Go home. The blessing of snow will shower upon everything in your house.”

His heart shattered. Madness and despair took hold of him as he raced back to the sea. But when he arrived, his worst fears were realised. The sea was gone. In its place stretched a vast, dark desert.

He turned back and wandered through the streets, searching every lane and alley for the man in white. He needed to tell him how the sea had deceived and betrayed him. But after scouring every corner of the city, he found no trace of the man. Overcome with disappointment, he returned to the road leading to the sea, holding on to a faint hope that it might have returned.

When he arrived, there was no sea—only the endless desert stretched out in its place. His body, weak and exhausted, could go no further. He stood there, frozen, like a lifeless piece of wood.

He remained in that spot for years, unmoving. The changing seasons, the winds, and the harsh climates left their marks on him. Over time, his form withered into a blackened log, lying forgotten by the roadside. His body had turned dark — black as a stone, disconnected from the people, the sea, and the snow.

Sharaf Shad

Sharaf Shad is simultaneously a short story writer, poet, translator, and critic. The richness of narrative is one of the defining features of his short stories. Death and identity crises are recurring themes in his works. A collection of his short stories, titled “Safara Dambortagen Rahan” (Journeying Down the Weary Roads), was published by the Institute of Balochistan, Gwadar, in 2020. The story presented here is taken from that collection and is being published with the author’s permission.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Cast Away the Gun: Balochi Poetry by Mubarak Qazi

Translated by Fazal Baloch


Mubarak Qazi (24 December 1955 – 16 September 2023). Photo courtesy: Kamanchar Baloch
Fellow traveler! “Moons and seasons” have changed.
The eyes and the gaze are now trailed to elsewhere. 
You too forget the roar of muskets and bullets, 
Of our sorrow and happiness, the reasons have changed. 
Speak of the sun,
Of the moon.
Speak of light, 
Of life.
Cast away the gun! 
  
Fiddle pain, pluck soulful strings. 
Stop rhyming songs, extolling the curse of war. 
Don’t raise the fire of envy and hatred anymore. 
I long for love, its love I’m so desperate for. 
Speak of wine,
Of wineglass.
Speak of pain,
Of colors. 
Cast away the gun! 
  
Remind me of soft-treading maidens, 
And of sweet and dainty betel nuts.
Nobody’s pain is ever healed by fire and steel. 
Remind me of those fair and pretty damsels.
Speak of flowers,
Of lips. 
Speak of love, 
Of intimate moments. 
Cast away the gun! 

Mubarak Qazi (1955-2023), is one of the most prolific and popular of modern Balochi poets. He is credited with making poetry a vocation for the masses in a lucid vocabulary. In other words, Qazi is lile the conscience of the people — one who addresses them in a language they can easily comprehend and decipher. Instead of maintaining a subtle or vague approach, he conveyed his sentiments in simple and unembellished language. He has published ten anthologies of poetry. The translated poem is taken from the second edition of his first anthology published by Drad Publication Gwadar in 2007.

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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