Categories
Nazrul Translations

Projapoti or Butterfly by Nazrul

Projapoti or Butterfly by Nazrul, translated by Professor Fakrul Alam

Projapoti! Projapoti! 

Butterfly, dear butterfly,
From where did you get such colourful wings?
Wings flaming red and blue,
Such sparkling, wavy wings!
I see you getting drunk sipping the honey of wildflowers.
Be my friend; share some of the liquor with me.
Lend me your pollen-tinted golden-silvery wings as well.
My mind doesn’t like the idea of going to school anymore.
Butterfly, dear butterfly—please, please take me along
As your companion. You dance in the wind as you go…
This day, why not share your delight with me too?
I don’t want to wear the dress I have on anymore.
Let me wear your flaming, sparkling dress from now on!
A rendition of the song in Bengali by a legendary singer, Feroza Begum (1930-2014)

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

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Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Nazrul Translations

Nazrul’s Response to Tagore

Nazrul’s response to Tagore’s 1400 Saal or The Year 1400” (1993 in the Gregorian calendar) written about 32 years after the first poem was published (1896), translated by Professor Fakrul Alam

1400 SAAL OR The YEAR 1993

A hundred years ago
O poet, you had thought of us
With such immense affection,
A hundred years ago!

Mystical one; child of mystery,
Taking off the cloak covering your eyes,
When did you arrive from some far-off haven?
Heading from the south and opening a window of our house,
O secret stroller into our dreams,
You came with the fragrance wafted by the spring breeze,
To where a hundred years later I was reading your poem
At nighttime.
An absent-minded butterfly, you saw us with pain-brightened and moist eyes—
With silent wings,
Fluttering casually, you went languidly away.
And we, a hundred years later,
Keep reading your poem, dyed in the tenderness of youth,
With rapt attention, affectionately.
In a reverie, and sleepy, with eyes drooping,
My beloved listens to your prophetic song
With tear-moistened eyes.

Alas, to this day,
The shut southern window
Opens again and again.
The restless spring breeze cries out in pent up pain.
In minds and forests and in murmuring blossoms,
Moist flowers shed from their braided beds,
Again and again.

The dark eyelids of the blossoms keep fluttering softly.
The female bee snatches honey from the beak of her mate.

The dark-eyed buds flutter in the gentle breeze.
Drenched in pollen, bees drink honey-sweetness fully.
The she-dove loses herself at the warbling of her mate.
The forest bride has decked herself in crimson robes of youthfulness.
Every now and then earth’s heart gasps
At the breeze’s passionate outbursts.

Immersed in the depth of your being, a hundred years later,
Oh sun-suffused one, I have been reading your poem,
With immense adoration.
At your gesture I wake up to your music,
O artful one, I’ve grasped your artfulness!
Stealthily you tiptoe
To our far away youthful beings,
In poetry, songs and in lush tones and colourful dreams.
All flowers that have bloomed today—all birdsongs,
All crimson hues,
Caressed by you, O ever-youthful poet,
Have become livelier!
In the morning hours of this spring festival,
You’ve become the song in our youthful festivities.
Once a darling child and now immortal in a bower
All of us youthful men and women await your nuptial hour.
Sing O dear one, sing again and again
The songs you would sing amidst blooming flowers,
Songs my beloved and I sing on our own or together,
Songs at whose end I slide into sleep, only to hear
In a dream appearing in a midnight hour,
My beloved weep, “Dearest poet, friend and wise one—“
Till my dream ends suddenly
And I view my beloved’s eyes moisten
Until tears trickle down her eyes.

I remember now, how a hundred years ago
You had stirred—and others too had awakened
In some far away cloistered state.
At your gesture a sad tune had spread its wings and flown.
Glancing back from the window momentarily,
It had caressed the tears lining your eyelids.
It had bent the curling tresses of flower buds.
And then vanished—leaving you sitting silently.
Moistened by the dewdrop of your eyes,
Your messages blossomed; some bloomed,
Some even resonated instantly,
And then were tucked away inside our dreams.

All of a sudden a door opened
In the spring morning your greeting came through.
The envoy of spring you’d sent a hundred years ago
Filled us youthful ones with intense yearnings.

O Emperor of all poets, though we haven’t seen you,
The Taj Mahal you created,
Sparkling like sandalwood on the forehead of time
Entrances us and we behold it breathlessly.
We curse our youth— “Why did it have to be a hundred years later?”
Alas, in this day and age,
We’ve never been able to glimpse Mumtaz and behold the Taj!

A thousand years later—O emperor of poets,
New poets keep coming to sing your praise
From sunrise to sunset songs celebrate your feats
And the tune that wandered away from you
Fill groves and forest shades with your message anew.

And in our time
A hundred tunes keep sounding from veenas in our homes
And yet the heart remains unfulfilled and the soul keeps yearning
Traversing a hundred years your song drifts into our dreams
Then it occurs to me our poet
You have settled in our horizon to light it up forever—
Our very own and eternal sun!

A hundred years ago,
You had greeted us -- young ones -- warmly,
Vibrantly and affectionately.
The same greeting is being sent to you this day
As a floral wreath to decorate your feet.

O perfect poet, it seems you’ve appeared in imperfect guise
Amidst us, softly, silently!
And with a trembling voice imperfect being that I am,
I sing your spring song in your spring bower
And send it to you a hundred years later!

(First published in Kazi Nazrul Islam: Selections 1, edited by Niaz Zaman, Dhaka: writers.ink, 2020)

Click here to read Tagore’s 1400 Saal, the poem that inspired this beautiful response from one of the greatest poetic voices of all times.

A rendition of Nazrul’s poem in response to Tagore’s 1400 Saal in Bengali

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International

Categories
Poetry

The White-Coloured Book

Poem by Quazi Johirul Islam, translated from Bengali by Professor Fakrul Alam

Perhaps you never ever noticed me
Reading this book day after day,
Or seen me looking from cover to cover
For other books in it, single-mindedly.

Tick tock the body clock kept beating.
Day would end and evening descend,
Time after time to the old page I’d return,
And yet I could never ever finish reading;

I had dipped in a river with no water at all,
I’d keep going down and down and still feel
I’d lost all sense of where I was—east or west;
This drying river would swallow me up whole!

A little later, all traces of the evening will disappear.
A shock will paralyse this desert-like land,
But the book will get stuck in the midst of the sand,
Perhaps, only for someone to lift it with his hand!

If you manage to take the book up in your hand,
No letter of the alphabet anywhere in it you’d see,
For this book full of white pages you took from the sand
Was the favourite reading matter of poet Jalal Uddin Rumi!   

Quazi Johirul Islam has been writing for over 3 decades. He has published more than 90 books, 39 of them are collections of poetry. His travelogues are very popular. He has been with United Nations, has traveled all over the world, worked in conflict zones, his bag is full of colourful experiences. In 2023, Quazi was awarded Peace Run Torch Bearer Award by Sri Chinmoy Centre, New York. He has also received many awards and honours in Bangladesh, India and abroad.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Demanding Longevity

Poetry by Quazi Johirul Islam, translated from Bengali by Fakrul Alam

The Creation of Adam by Michelangelo(1475-1564), Sistine Chapel. Courtesy: Creative Commons
One day I too burst into protest like marginal people do
Clamouring for longevity. 

Despite evolving for millions of years
How could us civilised, highly intelligent creatures
 have such short life spans?
This should never have happened!
When a man succeeds to stand tall on his own merit
Comes the call: “Exit from this world….”
How ridiculous! No way one should accept such a summon!
A man with a life span of only 60, 70 or 80?
Maximum 90, or—with an exception or two—a century—
Does this make any sense?

Humans should live as long as they want to.
Like a ruler of any impoverished nation, 
God has seemingly dictated even our retirement age! 
Look at the developed countries of the world, O God,
No retirement age there! One retires when one wants to
And no one is forced into retirement.
Humans should live or die as long as they want to.
I want the freedom to choose death
I called out to all at the top of my voice—
“Let us all die only when we want to!”
To my protests the Compassionate Almighty paid heed
And came down to our protest meet.
Putting a hand on my shoulder, he said,
“How long would you like to live?”
I could have asked Him then to give me
Four or five hundreds, or even a thousand years of life,
But I didn’t, not being the kind of opportunistic leader
Who’ll slow down a movement by accepting bribes!
I had confronted the Almighty face to face
And told him: “Till the time you can ensure the right
To die, only when a human being wants to die,
Our movement for this cause will go on and on!      
A smile on his face, God said: “Haven’t you realised yet
It’s up to every human being to decide his or her fate!
I’ve shark bone hangers holding up millions of fleshy dresses
All kinds of fleshy dresses sway in the breeze,
But what makes you think such dresses equate life?”

“Life, for sure, is strewn across the ways of the world
Marked by the footsteps of your kind
Every day you fidget and frown
And draw images one way or the other
Serve those who are in distress or need help
Embrace trees and burst into tears
Such going-on typify your lives.

“Clothes wear and tear
There comes a day when they have to be thrown away
Do you want eternal life for your attire? 

“You’ll live by the footsteps you etch on earth
Didn’t your predecessors themselves decide on how long they would live?
Didn’t Moses, Christ, Mohammed, Buddha, Socrates, Rabindranath and Einstein
Decide in their own ways how long they would be living?

“Decide on your own how long you want to live
Stop worrying about how long your clothes will last!”  


Quazi Johirul Islam has been writing for over 3 decades. He has published more than 90 books, 39 of them are collections of poetry. His travelogues are very popular. He has been with United Nations, has traveled all over the world, worked in conflict zones, his bag is full of colourful experiences. In 2023, Quazi was awarded Peace Run Torch Bearer Award by Sri Chinmoy Centre, New York. He has also received many awards and honours in Bangladesh, India and abroad.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Barnes and Nobles

Poetry by Quazi Johirul Islam, translated from Bengali by Fakrul Alam

Courtesy: Creative Commons
Going up from East River to all heated up 46 Street,
Crossing quite a few avenues one after another,
Just where 5th Avenue comes into view jarringly,
One comes across America’s biggest bookstore, Barnes and Nobles,
Poised at this point of the city like an ancient philosopher.
And when I say “biggest”, I mean one store of a really big bookshop chain.
There may perhaps be a bigger shop than this one somewhere else,
Or perhaps there may be none comparable in size!

On weekdays I stand there for some time around ten
Perhaps because of its proximity to Diamond District,
The morning sunlight here—an amalgam of diamond and gold—
Streams onto the 5th Avenue pavement.

Perhaps to pick them up,
Causal and loosely clad, white-skinned women flood the street.
Usually, I buy a glass of smoothie from the Mohican youth
Making energy drinks on his machine,
Savouring afterwards a glass of the diamond-gold drink.

I can take many roads to come to F train station,
But I always use this particular crossing point.
On evenings, while returning from the UN building,
Unthinkingly, I enter Barnes and Noble’s cavernous stomach
Two concrete monsters cover the orange-coloured cloud.
What can a man possibly need in a bookshop?
It is quite one thing if it is a bar or a meat shop!
Of course, Americans crowd vegan shops nowadays,
Who knows if one day vegans will alter the American language?

From some aisle of the shop, on any given day, I’ll pick up any one.
The other day it was that old man from the Vermont Hills, Frost.
As soon as I picked him up, he wanted to make me wise in my ways.
“Try and fathom out the music of verse—that is it essence!”
What rubbish! The guy is still stuck in the 1960s! 
The world of poetry has marched forward a lot,
And has been crossing all sorts of holes and pits nowadays,
And prose’s highs and lows.
The old man is such an ignoramus! 
 
Holding a milk-honey concoction on her lap sat the Punjabi girl, Rupi Kaur.
Seeing me, she sprang into my lap.
India seemed to tremble as fingers touched soft dark skin.
Though someone who was still in her teens only yesterday,
She couldn’t resist dishing out advice. She said:
“Forge a knife on your own dear poet; hold the weapon in your hand,
The time has come to slice things with one stroke after another!”

The day I banged against Rae Armantrout, was the day I learnt about her verse,
About how in their silences became representative of language movement poetry. 

I saw many others in their welcoming aisle as well! 

I saw Ezra Pound trying to suppress a smile when I entered,
For sure I did not dare go near him out of fear
But let me whisper this into your ears:
I sure did mangle his poetry in trying to translate it!

I saw Amiri Baraka’s unruly beard fly in the air conditioner’s wind.
Nude Ginsberg was walking up the stairs leading to the second floor,
Shouting as he did so, “They don’t understand people’s sufferings
So obsessed are they with “development”!
John Ashberry was looking at the Hudson with one eye,
His tears stonily registering some hidden pain there
The other eye was all ablaze
All of a sudden, like a scene in some animation film,
The man’s eye’s fire made Manhattan burn.

I fled the fire that was burning so
Thinking as I did then—
How could Barnes and Nobles accommodate such hostile pronouncements,
                                                                                              such wrath!

				Holliswood, New York
				24 June, 2022

Quazi Johirul Islam has been writing for over 3 decades. He has published more than 90 books, 39 of them are collections of poetry. His travelogues are very popular. He has been with United Nations, has traveled all over the world, worked in conflict zones, his bag is full of colourful experiences. In 2023, Quazi was awarded Peace Run Torch Bearer Award by Sri Chinmoy Centre, New York. He has also received many awards and honours in Bangladesh, India and abroad.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

A Hunger for Stories

Poem by Quazi Johirul Islam, translated from Bengali by Professor Fakrul Alam

Quazi Johirul Islam
As a boy I heard the same story from my father again and again:
My grandfather hadn’t left behind for his son any kind of plot
Where seeds could be planted that would yield a garden full of yummy stories.
In the same vein, a hunger for stories engrossed me in my childhood and teens. 

I know that all ye still to be born children
Will cry glumly like I once had, hungry for stories.
That is why I’d braved cresting, roaring waves,
Cooked soups of stories on immigrant cookers on wintry nights;
Diving to the bottom of the sea, I’d seen how marine species
Dance to the rhythm of hidden waves,
And write on whale bodies of the sea!
From empty spaces, I captured wild African stories of desert bisons;
Standing in the chilling North Pole blizzards, 
I was able to divine stories of stormy nights;
From Gibraltar, I fetched the bright light of new stories
Which I then strewed on Casablanca’s ancient eyes!

Out of my sweat and blood, I create endless stories for coming generations
For I know that even though all other causes of hunger may die, 
What will only survive in the dark is the hunger for more and more stories. 

From wintry prairies to grey Savannahs,
And in all pathways of the world,
I’ve been sowing seeds of new stories every day.
Climbing down from the lap of juicy fruit-filled gardens,
Seated on the soft mat that is earth,
They keep developing the craving for new stories endlessly.
Endlessly, the hunger for untold stories
Vibrate all sleepy pathways of the world!    

Quazi Johirul Islam has been writing for over 3 decades. He has published more than 90 books, 39 of them are collections of poetry. His travelogues are very popular. He has been with United Nations, has traveled all over the world, worked in conflict zones, his bag is full of colourful experiences. In 2023, Quazi was awarded Peace Run Torch Bearer Award by Sri Chinmoy Centre, New York. He has also received many awards and honors in Bangladesh, India and abroad.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

In Another Galaxy

Poetry by Masud Khan, translated from Bengali by Fakrul Alam

Sun by Edvard Munch  (1863–1944) Courtesy: Creative Commons
The Sun’s old. Deadly rays leak out of its decrepit body,   
Lashing planets, satellites and asteroids. 
Fleeing for dear life, humans and animals run helter-skelter.
 
Unable to endure the sun’s excruciating heat, 
Men and women prepare to move with the Earth forever—
Moving with the planet they love more than any other,  
They will seek sanctuary in some distant young galaxy,
Just as bewildered people, uprooted by some raging riot somewhere,
Flee far away to some distant land, lives in their hands,
Forsaking their country, destined to be refugees forever. 
 
One morning, at sunrise,
Planets, satellites and asteroids will stare in astonishment.
At a nine-planet orbital village, a stellar union council of nine wards, 
Looking immense, elliptical, though everything else will be the same! 
Other planets will be in their orbits as always!
Only cunning, conniving and naughty earth will elude their gaze!
 
The Sun, that incarnate ball of fire, will be so fiery and indignant then 
That it will dart out its mile-after-mile long murky tongue
Spewing furious fumes of loud hitherto unheard curses, 
Gurgling lava spilling out from some swollen uvula forever...
It will pursue Earth as long as it can, chastising it all the time
It will flicker its fiery, thundering, curses-spewing tongue incessantly! 
 
As it flees, casting furtive backward glances, 
Will Earth ponder for even a moment and exclaim:
“Alas, what’s going to happen to those ill-fated planets—
To Mercury, Venus and Mars?”   

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh (Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Poetry on Rain by Masud Khan

Translated from Bengali by Professor Fakrul Alam

Courtesy: Creative Commons
RAIN - 1 

It’s raining abroad now, in countries close by or far away. 
Occasionally a cold wind from some other land blows this way 
This summer evening brings with it sadness and beauty 
Blowing this way from some distant land!
 
A cold, cold wind keeps blowing
Slowly stirring desire, fomenting longing
For alien rituals on such an evening.
 
In the distance, in a riverbank ruled by beauty
In another land, wonderfully wet in the rain,
Lightning flashes time and again
Stirring desire for one’s lover steadily
Inevitably, on such an evening!
 
Towards my homeland
The cold wind keeps blowing
O my alien lover
Where could you be staying?

RAIN - 2
 
It’s raining
Over distant lands
Over Brahma’s world,
Over Rangpur and Bogra’s vast expanse
In alluvial plains,
The rain veils Burma’s evening fields
And keeps streaming down.
 
And below these lightning flashes,
At the rain-formed night’s third quarter
Radiant races
Spring up at home or abroad
Like hyperactive frogs leaping
Into the unknown.
 
Provoked by thunder and lightning’s violent outbursts, 
Allured by their promises,
In the thick veil 
And swirling stream,
In the darkness of the wet wind, 
In the eastern expanse, 
Underneath the sky
In vast and empty fields
Under the vast spread-out arum fields of the east, 
Incredibly, unformed new nations emerge --
Innumerable unsteady chaotic nations,
Restless, perturbed, incapable of standing up, 
Lending themselves to grotesque maps,
Forming unstable, quivering, permeable boundaries
Governed by ill-defined laws and dwarf impotent ombudsmen 
And armies marching past unimpressively,
They spring for no good reason
And seem destined to be doomed.
 
The night draws to a close. The rain too appears spent. 
When day’s first light breaks out,
Those nations that would thrive and grow
And glow with innumerable rituals and fast-spreading religions 
Feel their bodies disintegrating and disappearing
Under the vast spread-out arum fields of the east.
 
*Rangpur, Bogra— Two small cities in the northern part of Bangladesh

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Masud Khan in Translation by Fakrul Alam

Homa-birds are mythical birds of Iranian origin
HOMA-BIRD 
 
Once I fall, how much must I drop down before I can rise up again? 
 
As this thought crosses my mind, I am reminded of the Homa-bird found high in the sky. It even lays its eggs there. The eggs then fall down. But because the bird lives so high in the sky its eggs take ages to fall. Its chicks hatch even as the eggs descend. And then it’s time for the chicks to fall. As they begin to fall the chicks sprout eyes and feathers and wings. And one day they discover that they are falling down and down. It is then that they begin to fly to their mothers high up in the sky. They fly so high now that they emerge as specks scattered all along the spread-out body of the sky
 
We are of the breed of these birds. We procreate, raise children; we drop down and rise up again!
 
[Homapakhi; Translated by Fakrul Alam]          

GONE WHO KNOWS WHERE 

An unending queue of children flowed forward
Going who knows where?
 
With great difficulty, I spotted my own child there.
But when I tried kissing him 
I ended up kissing someone else’s child!
 
And then I lost him— lost him forever! 
Dazed, distressed— I seem doomed to a lifetime of waiting.
 
[Aggato Uddesh; Translated by Fakrul Alam]


REJECTION
 
Abruptly today a baby is expelled from its mother’s breasts.
Though it keeps gravitating towards her— hopefully— 
It continues to be rejected. Startled, it still keeps trying.... 
   
How can the innocent baby make sense of such evictions? 
It can comprehend nothing— neither the implications 
Nor the reasons behind its mother’s bizarre actions. 
All it can do is wonder— is mother playing with it? 
Or is she just being cruel, suddenly unmotherly, 
Distracted by the sudden heat wave of the season? 
  
The baby broods, all alone, helpless. And then once again 
It turns towards its mother, only for another round of rejection... 
  
Now inconsolable, it breaks out into tears, feeling hurt     
And rejected, sobbing endlessly till sleep silences it... 
  
Only its craving for love keeps striking one’s ears 
Its magnitude scattering here, there, everywhere! 
      
[Protyakhyan; Translated by Fakrul Alam]          

Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Carnival Time

Poetry by Masud Khan, translated from the Bengali poem, ‘Aj Ullash Diba’ by Fakrul Alam

Courtesy: Creative Commons
It’s carnival time today.
Serfs and plebeians pour into streets.
Behold the giggling, decked up undertaker’s wife, 
That man over there, completely soused, is her spouse! 
He holds his pay tight in his fists and grins grotesquely, 
See the sweeper there, lips reddened by betel leaf!

There he is— the constable— sporting a shiny wristband. 
And look at that rotund young eunuch—
All merry, like dusky Abyssinians or Afghan revellers in the rain. 

Today it’s time to collect wages and bonuses and forget files. 
Today superiors have trade place with subordinates

And mandarins have transformed themselves into mere clerks.

The roly-poly slave and Kishorimohon Das
Sleep fitfully next to each other near the town reservoir, 
Stirred again and again by the mayor’s snores,

The hapless water bearer gets completely wet. 
The woman over there is a streetwalker,
Visiting town for the first time with her snotty-nosed brother. 
That man there trades in lead, and there is the perfume seller, 
He is the accountant, and he, the treasurer,
And next to him on this day of intermittent rain 
Is the petty thief’s no-good brother.
And there— leaning, bent by the weight of his imagination, 
As if in a trance, is the poet, the king of poets!

This day all have spilled out into the streets and stroll there 
Endlessly — intransitive
Wrapped in newly spun silk.


Masud Khan (b. 1959) is a Bengali poet and writer. He has, authored nine volumes of poetry and three volumes of prose and fiction. His poems and fictions (in translation) have appeared in journals including Asiatic, Contemporary Literary Horizon, Six Seasons Review, Kaurab, 3c World Fiction, Ragazine.cc, Nebo: A literary Journal, Last Bench, Urhalpul, Tower Journal, Muse Poetry, Word Machine, and anthologies including Language for a New Century: Contemporary Poetry from the Middle East, Asia, and Beyond (W.W. Norton & Co., NY/London); Contemporary Literary Horizon Anthology,Bucharest; Intercontinental Anthology of Poetry on Universal Peace (Global Fraternity of Poets); and Padma Meghna Jamuna: Modern Poetry from Bangladesh(Foundation of SAARC Writers and Literature, New Delhi). Two volumes of his poems have been published as translations, Poems of Masud Khan(English), Antivirus Publications, UK, and Carnival Time and Other Poems (English and Spanish), Bibliotheca Universalis, Romania.  Born and brought up in Bangladesh, Masud Khan lives in Canada and teaches at a college in Toronto.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International