Categories
Stories

The Mask

By Nishi Pulugurtha

Green all around, shades of green actually, that seemed to smile at her as she looked out. The tall moringa tree that seemed to reach up high, its small leaves dazzling in the play of sun and rain. That tree that met her eyes each morning as she looked out of that large window always made her feel nice. The rusted iron grills, the wooden window shutters broken here and there, did not shut tight, the latch rusted too, some bit of concrete laid bare a little of the masonry – her eye moved along.

***

Bimala arrived in this house after her marriage. It was an arranged one. Baba and Ma looked for a suitable groom for their youngest born and the marriage was solemnised in the traditional way. Dida (grandmother) wanted it to be done just that way. Dada (elder brother) was working by then and just a few years before this they had moved into an apartment on the eastern fringes of the city.

It was a modest one and Bimala took great pains to do it up — from choosing the colours of the wall, the upholstery, the curtains, the fittings in the bathroom, almost everything. Bimala had a keen taste for the aesthetic and visitors to their home always made it a point to refer to it.

Baba had worked with the state government and retired a year after her marriage. They were a middle class family, and a very happy one at that. Bimala was never pampered, Ma and Baba were strict disciplinarians who made sure their children had the best in life.

Anupam, Bimala’s husband, lived with his mother in a neighbourhood in the southern part of the city. Anupam had his education from some of the best institutions in India, he obviously had been a very good student. He had been working with a multinational company for some years now and everyone knew he would soon rise to the top. Kumar Kaku (uncle) knew the family well and vouched for Anupam. He and Kakima (aunty) always said, Anupam was a wonderful person, soft spoken and reticent.

“A reserved lover, it is said, always makes a suspicious husband,” Kate Hardcastle’s line from the play she read in college had come to her mind. She spoke about it to Ma and Baba. Baba said, “You can surely talk to him. If you don’t approve, we will not go ahead.”

She remembered Ma’s reply, “Kumar is distantly related to the family. We have known him for years, he is our family friend, we can trust him completely. When he says the boy is good, we could go along. I see no reason why we need to have doubts.”

She did talk to him a few times before the wedding and Anupam came across as a decent guy. They met up too a few times. She did not want to rush into it, she wanted to take some more time, but Kumar Kaku was insistent. “I know the family well. They are decent people.”

“That is alright,” Baba said. “It is a question of Bimu’s life, let her take some more time before she decides.”

Kakima too waxed praises galore, “Anupam was such a nice person.” She spoke highly of him and his family and called up Ma regularly. For some days, this was what went on in the household. Dada also agreed with Baba.

“Bimala could be given time to decide,” she heard Baba tell Ma. That was all the kind of conversation that went on at home, these days, she thought. As days went by, Kumar Kaku’s visits to their house increased. Bimala said yes after some thought. Kakima and Kumar Kaku were jubilant.

“I know both families and this is what is best for our Bimala,” she could hear his words as he spoke to Ma.

Baba did not say much. “Are you sure, Bimu, you want to go ahead with it? If you have even a little bit of doubt, any questions, anything, let me know. I am sure I can talk with your Ma about it.”

Bimala just smiled, “Na, Baba, it is alright.”

So in about less than twelve months, the marriage was finalised. A flurry of activity – arrangements were done, invitations sent out, so much taken care of. Kaku and Kakima took an ever more eager interest in everything. Things moved real fast after she had agreed. A modest wedding and soon her new “life” in the new house began.

The ‘mask’ came off in less than six months. “Don’t touch that.” “Don’t do this.” “This is my house.” “Do not try to show off your learning.” “All your ideas are worthless” – they just kept coming at all times.

“Why do you need appliances? My mother did all these by herself. “

“But Khokha, things have changed now. Certain things are needed these days. Had they been available earlier on, my home would have been so very different.” Anupam’s mother had been the voice of good sense, not that she had much say in the house.

He would just stare at her. Bimala felt nice talking to her. A year after the marriage, a massive heart attack ended that life. They had been talking when the end came and Bimala was in a state of shock for weeks after that incident.

In summer months the house was unbearable. Bimala had not been used to this heat. Anupam had said that he would make provisions so that life could be nice. That was before the wedding. Kumar Kaku and Kakima too had said that he would do all that was needed to live life well. Nothing happened. Bimala tried to reason with him, he ignored her. That day, about a year and half after they had been married, the television was blaring and Anupam was watching the news. She tried speaking to him about getting an air conditioner, he turned away. She again tried speaking.

This time she switched off the television. He shouted at her. She tried keeping her cool, he refused to listen to anything. Suddenly he caught her with his two hands, he held her neck. He held her that way and pushed her from the living room to the bedroom, she tried to break free, but the grip was too strong. Bimala was so taken aback by the whole think that she could not utter a single word. He pushed her on the bed, holding her neck in his hands, shaking her. She struggled and struggled. After a while, he eased the grip, went into the living room, switched on the television.

She lay on the bed, crying in pain, in hurt, in humiliation, insulted. All for some cold air, to live life well. After some time, she got up, there were marks on her neck. Who should she turn to, she felt so lost. She called up Kakima and told her what had happened.

“Such things happen in marriages. Don’t pay much attention to them,” she said.

Bimala could not believe what she said, “Things will be alright now, you see.”

After the conversation was over, she took out her suitcase and started packing her things. The next morning she left.

Anupam did not say a word.

Baba told her, “You did just the right thing.” Ma was upset with the turn of events but they were both happy with the decision.

Bimala never went back.

***

It has been five years since then. Restricted by the lockdown, amid reports of an increase in domestic violence cases, she got talking about it that evening. I knew that was a traumatic period in her life. She had tried picking up her life little by little. I have known her for years and have seen her as she tried to begin things afresh.

“As I look at the masks that we are to wear these days as precautionary measures, I am so reminded of the masks that people always wore.” We were chatting online, and Bimala said, “Kumar Kaku and Kakima’s masks fell off after I walked out of that marriage. All those years of friendship with my parents ebbed so quickly. They never ever got in touch with us, never again.”

Dr. Nishi Pulugurtha is an Associate Professor in the department of English, Brahmananda Keshab Chandra College and has taught postgraduate courses at West Bengal State University, Rabindra Bharati University and the University of Calcutta. She is the Secretary of the Intercultural Poetry and Performance Library, Kolkata (IPPL). She writes on travel, film, short stories, poetry and on Alzheimer’s Disease. Her work has been published in The Statesman, Kolkata, in Prosopisia, in the anthology Tranquil Muse and online – Kitaab, Café Dissensus, Coldnoon, Queen Mob’s Tea House, The World Literature Blog and Setu. She guest edited the June 2018 Issue of Café Dissensus on Travel. She has a monograph on Derozio (2010) and a collection of essays on travel, Out in the Open (2019). She is now working on her first volume of poems and is editing a collection of essays on travel.

Categories
Poetry

Black Beauty

By Dr Santosh Bakaya

THE BLACK BEAUTY\ Dr.Santosh Bakaya 

It was just a small thing.
Come to think of it, not actually small,
but pretty big.
Huge and black. A Black Beauty.
A figure stood silhouetted near the window,
watching the beauty in black.
It shimmered and glowed in the noonday sun,
waiting for that touch which would galvanize it into action.
Dreams rippled in the figure’s eyes
Body taut, in an agony of apprehension.
He craved no luxury.
But that car, he did crave,
albeit , a second hand one.
I don’t know whether it was the Hillman minx,
the Hillman Avenger, Hillman Super Minx
or the Hillman Husky.
But it was Hillman, just a car.
A second hand one
standing outside our University quarters,
waiting to be claimed for a paltry sum.
“No , I cannot afford to buy it” , the figure said , casting one last ,
lingering look at the black beauty , and hastened out ,
pinned up his trousers , pulled a hat over his head
and pedaled away towards his department .
From the sun- dappled lawn,
his much loved menagerie of cats and
dogs looked on. Unspeakably sad.
The devoted friends of this hatted, handsome professor.
My dad.
Nissim Ezekiel was to be the guest speaker that day
and he couldn’t afford to be late.
I watched him from the balcony
as he became a speck in the distance.
Yes, a speck. That dream too was a speck,
which remained quiescent in his heart till his last breath.
“It is just a small thing, and this craving for a car,
is so embarrassing, but I don’t know why ,
it keeps coming back.” He would often say.
That towering figure suddenly travelled far
sans car, and became a distant star,
the shards of his broken dream,
well- hidden,
bidding us goodbye,
all of a sudden,
leaving me with this overwhelming feeling of guilt.
This devastatingly destructive guilt.
Many a night, when the clock on the mantelpiece
goes tick tock tick tock and the house resounds with lost echoes,
tiny pigeons venture out of pigeon holes of memories, it is then that
the fossilized monster of guilt also yanks away its shackles
and hurls accusations at me.
I hear the cacophony of the clash of priorities,
our school and College fees, summer holidays clanging against
his dreams and tiny cravings.
I submit to the night’s scrutiny, and ask myself,
if his dream had been bigger,
would my guilt have been bigger, too?
Suddenly, piercing the night, that Black Beauty resurfaces.
Nostalgia gushes through my ruptured wounds,
and I am red all over.

Dr. Santosh Bakaya is an academician, poet, essayist, novelist, biographer, Ted Speaker and creative writing mentor. She has been critically acclaimed for her poetic biography of Mahatma Gandhi
[Ballad of Bapu]. Her Ted Talk on the myth of Writers’ Block is very popular in creative writing Circles . She has more than ten books to her credit , her latest books are a biography of Martin Luther King Jr. (Only in Darkness can you see the Stars) and Songs of Belligerence (poetry). She runs a very popular column Morning meanderings in Learning And Creativity.com.

Categories
Musings

If All I Have is Now

By Aysha Baqir from Singapore

Tsunamis of viral microscopic particles surge across continents to flood our cities, streets, and bodies. I stock up on masks, sanitizers, all that is anti-viral and anti-bacterial and watch my ‘home-store’ burgeon with a manic fascination ready to protest that I am not hoarding.

 Day or night, I check the news and numbers before I sleep, when I wake up, and every hour in between with a strange obsession until the whirlpool of theories statistics pulls me down. I strike out. Fear. Anger. Grief. Shame. What should I feel and when?  I clutch onto my planner and my to-do lists like a lifeboat only to see the ink fade and paper dissolve.

I click online to grasp a burst of pictures. I devour the jokes, memes, foods, and brain teasers for a few warm minutes until a cold post floats to the surface about someone who’s lost a friend, a friend of a friend, a good person, someone’s brother, sister, father, mother, aunt, or uncle. I mourn the loss. I knew them. The news doesn’t end. The news reports the youngest, the eldest, the first, the last, from my college community, or another group.  Too many are leaving, and leaving too soon.

Being a seventy’s child, I look to the ‘old heroes’ in the West for leadership. Someone will step up and lead the way. Someone will find a free cure. Someone will save the world.  Instead, I see the nations embroiled and torn in confusion, chaos and conflict as the numbers spike. My hope dissipates watching blame games, self-glorification, and trade wars. It’s a twenty-four hour non-stop live soap opera on the world stage. The headlines flash a new twist and slant until it’s hard to decode what’s true or not. I can’t help but grudge the movie directors for implanting a fallacy.  There are no supermen or superwomen left there, or perhaps I am not looking in the right direction.

I meditate. I focus on the rhythm and the sound of my breath. I move with my breath as I inhale and exhale. A ping. My phone flashes, my heart lurches, and my attentions wavers. Lying on my yoga mat, I breathe long and deep while hundreds of thousands of young and old fight for each breath in crowded hospitals or might not even make it there and die at home or on the way. Should I look inward or outward, here, there or where? What should I pray for, who should I pray for, and in what order? 

I step out for a walk and my husband turns back with a smile to hum one of his Steely Dan favourites. I snap, “Don’t do that.” He stares. I have no answers. I step out in fear, yet out of choice.  Thousands don’t have a choice but to step out to earn a living. Thousands more are carried out in body bags to be buried into mass graves.

At home, I crib about missing my weekly trip to the grocery store. It is impossible to order online. I cannot see, feel or smell the fruits and vegetables. I moan when the plain yogurt runs ‘out of stock’, when the page stalls and crashes, when the message pops out that there are no more delivery slots, and when three of the thirty five items I have ordered are dumped out of my cart because they are not available. How do I forget that million will go hungry tonight?

I call family back home. The connection breaks. I call them again, and the connection breaks again. I sit down. A hot darkness swirls around me. I sink into a sense of loss. What’s happened? What’s wrong? No flights. No connection. No control. What will I do if I can’t reach them? The phone rings and I am able to breathe again.

I know then that if I lose control, I lose this battle.

Every day across the world, hundreds of thousands of government staff and healthcare and essential industry workers leave their loved ones to fight an amorphous and dangerous enemy. Can I do the same while staying home? They are at the front line. I must stand right behind them. It’s not their battle alone. It’s my fight too.  

I cannot return to the past. I long to though, I admit.  Yes, I can try to imagine a future, a better and different future, but I cannot control it. I straddle an uncertain present between the past and the future knowing I cannot go back and I have little jurisdiction over the future. But, in hedging between the past and the future, do I forget about the power of now, the power that I possess to change, to create change, to sustain change this very instant for myself, my family and for others around the world?

It’s not easy to open myself to the power of now. There are distractions, blockages energies that I have to move past or simply ignore. I push my own needs aside. It’s not about me. It’s about others. I stumble, fall, and then rise up again. When I focus on gratitude and goodness and all that is positive around the world, there is a shift, a change and opportunities glow around me. In wonder and silence, I appreciate and applaud the change-makers around the world. The virus is now part of my eco-system. It will recede but can rise again, mutate and swell again. Why do I wait and for what? If I live now, then I must live in this moment, to act in this moment and change in this moment.

I salute all the healthcare workers and the essential services providers for saving lives. I salute the charities and not profit organizations for helping the homeless, the needy, and the hungry. I salute the trainers, the teachers, the chefs, the artists, the writers, the poets, the drivers, entertainers, and comedians who keep young and old engaged and entertained at this time. I salute my husband who gives me hope. I salute the young Singaporean graduate of NUS school of Medicine who has built a website that makes translations easily accessible to all the medical care teams. And again, I salute the thousand of healthcare and essential industry workers who are in battle now.

I pick up the phone to call my loved ones. I click my phone to help charities and the communities of migrants that need food or medical supplies. I donate to the homeless, the hungry, the needy or just reach out or mail a note to someone who has made me smile. I share information that can help others. I reach out wanting to create change this very instant and now. If I open myself to the power of now and the power of this moment, then I open myself to immeasurable and sustainable change and part of the future I imagine.  

Aysha Baqir grew up in Pakistan. Her time in college sparked a passion for economic development. In 1998 she founded a pioneering not for profit economic development organization, Kaarvan Crafts Foundation, with a mission to alleviate poverty by providing business and marketing training to girls and women in low-income communities. Her novel Beyond the Fields was published in January 2019 and she was invited to launch her book at the Lahore and Karachi Literary Festivals and was featured in the Singapore Writers Festival and Money FM Career 360 in Singapore. Her interviews have appeared in Ex-pat Living, Mount Holyoke Alumnae Quarterly, Kitaab, and The Tempest.  She is an Ashoka Fellow. www.ayshabaqir.com

Categories
Musings

Kolkata Diaries: Lockdown

                         

By Ketaki Datta

Lockdown! Stay at home!

I know not how long this period of incarceration will continue! More than a couple of weeks have already sped by!

But believe me, days are not appearing long, neither the nights.

The self, I was groping for in the closet of my being, peeped out and hollered to me, “So finally we meet!”

I cheer up, eyeing a happy prospect of getting a friend, though supernatural, ‘otherworldly’ , or non-existent to the ordinary mortals like me! But I get a friend here, in this apartment, where stay I and the Self!

 Last evening, just after I slurped the last drop of soup from my tureen, I saw her sitting in front of me, asking me, “So are you happy?”

 She is my lookalike. I feel uneasy, sometimes, to talk to myself. But, when I see her crooning old, long-forgotten numbers to me, when I find her analyzing my past deeds with a serious face, I simply sit back, relaxed, thinking that I am in good hands.

Last evening, my next-door neighbour, rang me up to inquire about my whereabouts and said, “I find you in good mood these days. Yesterday, in the afternoon, while I was having my siesta, I heard you talking loudly to someone. But in these lockdown days, who has dropped in at your residence? Please ask him/her to leave at the earliest. You may fall ill. It may even turn fatal.”

I told her, “I was taking classes, online.”

“I see, then it’s fine.”

I am not just working from home, but I also love to indulge in exploration of the self and the world around me. I did not know that the afternoon sky has so many shades, apart from azure. I was not aware of the morning breeze that has a fragrance latent in its being. I had no idea that the cuckoo that coos beneath my balcony has a companion who answers its call from the coconut tree, standing tall in my neighbour’s courtyard. I was blissfully ignorant of so many things, how could it be so? Why was it so?

A few weeks of the lockdown are over by now. I keep wondering how a virus goes raging across the length and breadth of the world, claiming lives, taking pride in a large toll, escalating with each passing day. Just a microbial being and all experiments in all world-class laboratories are failing to discover a vaccine, let alone an antidote! All sorts of primitive measures are being followed: Wash hands again and again, as though an indelible mark of wrong-doing gets stuck in between palms of each inhabitant of this planet, which “ all the perfumes of Arabia” cannot sweeten, not to speak of washing it off!

Why are we being fooled by a virus, which if contracted, or smitten with, will land us straight before the gate of Paradise, nay Hades? Or if spared, may leave us crippled with a pair of weak lungs? I cannot think any further.

At one point of time, I kept toying with the idea of going out. Yes, I am running out of provisions. I have curtailed many a thing, putting embargo (self-imposed) on luxuries; for example, I am not casting a glance even at the chocolate bar, the last of its kind, lying at one corner of my fridge, trying to lure me with its tantalising taste whenever I fling open the refrigerator-door! I am now going to curb all of my cravings, it seems.

My mom used to say, “You can attain nirvana by saying ‘no’ to all sorts of temptations but winning the allurement of chocolates would be the Achilles heel, for which your nirvana might have to wait or be deferred to an unknown date in future. You may even cease to exist without tasting the nectar of nirvana!”  Nirvana or no nirvana, I was happy with my irresistible love for chocolates! But these days, I am trying to say ‘no’ even to chocolates! If by any chance, I nibbled at the last bar, what would happen if I felt a craving at midnight with no chocolates around? So, I have to save it for some unforeseen desire for it!

  When through my balcony I cast a glance overhead at the purplish-black sky, I can see a few stars, a few dim celestial bodies but I cannot tell one apart from the other. I try to trace the Milky Way, but a zigzag row of stars pop-up, which might or might not be the one. Standing there, for quite some time, I was trying to empathise with the people from all walks of life, who are terribly affected by this lockdown, a 21-day-period of total collapse of social life, gregarious existence of the populace, beyond home, even normal buying-and-selling in the shops.

The picture at a medicine shop may be different, chock-a-block with people, who are queuing up mostly to buy Vitamin B or C strips or even expectorants or common medicines for cough and cold or diarrhea. I went out only one day after a gap of about fifteen days to buy essentials, mainly eggs and biscuits. That too, at about seven in the morning. I was astounded to see the busy thoroughfare, which generally teems with life at cockcrow was desolate. Absolutely secluded. The old man who used to sit and beg outside the metro station was not there anymore. I was worried as I used to buy him medicines for his heart condition.

I found the dog, who is generally sprightly and feisty, sitting dejected, in front of the closed shutters of a shop. I was happy to see the birds chirping on the trees. They trilled, crooned, twittered, whistled as they pleased. They were probably so delighted to find a sky — clear, above their head, with not a speck of smog in it. The greenery outside got a shade extra, it seemed.

The air outside also seemed fresh. The roads were just devoid of the shouts and screams of the jostling crowd, there was no sign of any sick hurry of the regular commuters to distant places. It appeared as though, life needed a respite, the thoroughfares needed a break from daily schedule, a nagging routine. The small lane that leads up to the main road usually stay crammed with vehicles since 6.30 a.m., but the serene road seemed to enjoy a breather with no vehicles honking or waiting in a long queue. The traffic light changed colours as usual, but there was no hurry, no avid wait of people for the ‘red’ changing to ‘green’.

  The sweet shop was about to open its doors. As I looked at it like a sleuth with my surgical mask on, the man drew a cloth mask from the counter and kept tying it round his nose and mouth. All of us, who came out risking our safety, were behind masks, as though to conceal our identities. A terrible something was about to transpire, it seemed. Only Nature and its feathered creatures seemed to have a field day. I could not sing within, I caught myself unawares, praying for the corona-affected patients who fought for life on the hospital bed, “Oh Lord, give them life! Let all the people come out unscathed and come around soon. Let others who are yet not affected by the viral attack enjoy health and secured existence. Amen.”

I was coming back that day with a vow to stay indoors from then on, and not to come out at all, howsoever necessity it would be. I haven’t reneged on my resolution as yet.

Ketaki Datta is an Associate Professor of English at Bidhannagar Government College, Kolkata, India. She did her Ph.D. on Tennessee Williams’s late plays and later it was published, titled, “ Black and Non-Black Shades of Tennessee Williams”. She has quite a few academic publications along with two novels, two books of poems and quite a few translations. She had been interviewed by Prof. Elisabetta Marino, University of Rome, archived by Flinders University, Australia. She won grants for working at American Studies Research Centre[1993,1995], Hyderabad, India. She presented academic papers at IFTR Conference[Lisbon], University of Oxford and University of California, Santa Barbara. Her debut collection of poems, Across the Blue Horizon, had been published from U.K. with the aid of Arts Council, England. Her latest poetry-book, Urban Reflections: A Dialogue Between Photography and Poetry has been published by KIPU, University of Bielefeld, Germany, with Professor/Photographer Wilfried Raussert [photographs of Street Art of Americas]. She has interviewed American novelist, Prof. Sybil Baker, recently for Compulsive Reader. She is a regular reviewer of poetry volumes with Compulsive Reader, USA. She interviewed poet Lucha Corpi of San Francisco, in 2018. She is the Regional Editor, India, of thetheatertimes.com, headed by Prof. Magda Romanska, Emerson College, Boston, U.S.A.

Categories
Essay

No One Is Tamed, No One Is Equal

Dustin Pickering on Shakespeare’s The Taming of the Shrew

A literary work is often a code that reveals distinct things. Sometimes these things are simply too advanced or the logic of them too cruel. The Taming of the Shrew is one of Shakespeare’s most performed plays and its language is easily read and understood. However, the embedded symbolism may pass by even the most astute mind.

The play is obviously about gender battles, and it seems to some that Kate is tamed by her husband. However, a deeper look at the intricately woven tropes exhumes a critique of culture, a sense of equal justice, and the way institutions impress on our minds. The play extends beyond property relations and the inequality of women. It also poaches one of theatre’s daunting faults. In Shakespeare’s day, women could not play the female roles and instead teenage boys were selected. The theatre was considered dangerous and women too unfit to perform. There was lead in the makeup and the stage action too rough. Theatre was too bawdy.

The Taming of the Shrew contains puns on horses, games, “moveables”, music, and theatre itself. Props or “furniture” signify costumes; there are witty puns revealing the dissembling nature of appearances. In Act IV, Scene III, Petruchio says, “And as the sun breaks through the darkest clouds, / So honor peereth in the meanest habit.” The sun in this respect is the human mind because it is “the mind that makes the body rich”. After Petruchio is delivered a faulty wedding dress, he pontificates on the problem of physical beauty. It is true that he uses this reasoning to tame Katherina. It is part of the ploy to obfuscate her with a list of her own faults. He seeks to embody her worst aspects so she can learn from them how devilish they are. This discussion concerning the gown further moves toward critiquing the use of teenage boys to fill roles meant for females. Again, Petruchio: “is the adder better than the eel, / Because his painted skin contents the eye?” I remind the reader of the lead makeup.

Perhaps Shakespeare intends to remind us real world experience supplements bookish learning. When Vincenti is confused with a young virgin boy by Katherina (Act IV, Scene V), she realizes her error and admits to being “bedazzled with the sun”. Taking up from the aforementioned sun symbolism, Katherina’s error stands in as a trope for pure reason. With pure reason absent of categories, all things merge without identity or qualities. Her vision of green is one of seeing the world “light”. Much of the symbolism in The Taming of the Shrew references binaries such as bottom/top and heavy/light. There is a wild pun on the nature of matter. Actualities contain density while potentialities are ethereal. In an early passage, Tranio prescribes a middle way between the Stoics and Ovid. He advises Lucentio, “The mathematics, and the metaphysics, / Fall to them as you find your stomach serves you: / no profit grows where no pleasure is ta’en.”

Other engaging puns bring to mind property relationships of the Elizabethan era. A role reversal encouraged by Petruchio, of Katherina and Dian, and the playful engagement of dungeon metaphors parody imprisonment. I doubt it can be said with certainty what sort of political statement Shakespeare is making. Is he reflecting the faults of that era, or is he acclimatised to them? The bandying about concerning an imprisoned Kate, her shrewness, and the several occasions where property relations speak on their own behalf invite me to this conclusion: the play is comedic not just in form, but it is a satire of an unequal socio-political environment.

Continuous role reversals, contradictions, and allusions to myths concerning rape and chastity lead me to assume the play indicates that property relations sever our deepest humanity. Katherina can either be her husband’s chattel slave, or she can remain chaste. Both these options are not appealing and neither can be safely ruled out. Perhaps Petruchio marries for the dowry, or maybe he realises his error. After all, the play puns and moralises on looking beyond surface appearances.

Katherina is intent on remaining a shrew but Petruchio is set in taming her. Perhaps in the process both learn something new.

Dustin Pickering is the founder of Transcendent Zero Press and editor-in-chief of Harbinger Asylum. He has authored several poetry collections, a short story collection, and a novella. He is a Pushcart nominee and was a finalist in Adelaide Literary Journal’s short story contest in 2018. He is a former contributor to Huffington Post. 

Categories
Poetry

The Mending Egg

By Juan Pablo Mobili

The Mending Egg

To Victoria, my grandmother

My grandmother had inherited
a wooden egg from her mother who
had used it to mend countless old socks;

its surface now thoroughly smoothed
after having sewn away so many holes
and reuniting so many wounded siblings.

I don’t believe I ever saw my grandma
fix a single sock with it; by then
we did not have to, we were fortunate that way,

but the egg remained carefully placed
atop the box where she gathered threads,
needles, and a tribe of orphaned buttons.

We never spoke about the mending egg
or how it earned its place. I think now
that she meant some sort of altar for it

because to neglect what gave its life
to repair what had been torn would be a sin
or, even more, to disrespect her mother.

Juan Pablo Mobili was born in Buenos Aires, Argentina, and adopted by New York, a long time ago. His poems have appeared in First Literary Review-EastThe Poetry Distillery, Anti-Heroin Chic, Red Planet Magazine; or are forthcoming from Spirit Fire Review, Mason Street, The Red Wheelbarrow Review, and The Journal of American Poetry.  In addition, he co-wrote a chapbook of poems in collaboration with Madalasa Mobili, “Three Unknown Poets,” published by Seranam Press.

Categories
Musings

COVID claims jobs

By Devraj Singh Kalsi

Covid-19 seems far away from the district I live in. But deprivation has already set in. On my way home with a bag full of grocery items from the nearby kirana store (minimart), I was stopped by two masked women outside the park. One of them flashed a weak smile that disappeared as soon as she measured from my bag and body language that I was not the person she was waiting for. She asked me whether the distribution of food grains was scheduled in the park – whether they should queue up and wait. Being absolutely clueless regarding any such distribution plan and feeling a sense of remorse for carrying something these women were eagerly waiting for, I chose to suggest the adjacent house for reliable information in this regard.

I replayed her question in my head to assess her plight. Her voice did not quake with any sentiment of doom. But her face did carry a disproportionate mix of hope and worry. From her readiness to wait, it appeared she was expecting recovery and normalcy to return soon. Just like her, the entire nation was pregnant with hope of a turnaround. Except the corporate world that had already aborted it.  

Despite chanting mantras of positive mindset and chewing the motivational gum year after year, there seems to be a well-orchestrated unanimity in the prediction of business slump. Salary cut sounds a pretty neat term – quite like a bearded guy choosing to become clean-shaven and still looking dapper. Nobody seems to grudge pay cuts and there is a smile on every face if you mention it, as if it is an increment or Diwali bonus.

Weighed against the other alternative of job loss, this seems like a life-saver. While we are still a long away from finding the vaccine, it seems we have already found the cure that keeps us immune from lay-offs. Thousands of employees and workers are going to serve with renewed motivation because they have families to feed and regular debts to service. The vicious cycle continues.

It is barely a month of lockdown in India and companies are feeling the heat. They have to pay salaries when there is no cash flow. It pinches them hard. This comes as an ideal opportunity to downsize the workforce. Instead of waiting for two months to see how the situation evolves, companies have already started communicating their new human resource policies through email and phone. Seems there is no contingency fund to tide over the crisis and emergency credit lines will not meet their requirement.  

Before the Covid-19 crisis set in, I met my employers for a raise and the first draft of their script was ready. Every single line suggested they were waiting for the pandemic to blow up before they unfolded their mega plans in front of employees. It was a clear indicator that they were going to release a voluntary retrenchment scheme, or they would come up with a revised plan of salary packages.

After the 21-day lockdown ended and the extension happened, the advertising agency began its trial run on me. To be honest, I had an inkling that this exercise would begin with me. The owners communicated their decision to flatten my salary curve – slash 50% of it from next month. It was cold, insensitive, and brutal. The email exuded the same indifference. Since I was not ready to accept the new offer, I communicated my decision to quit my job in the next three months and served them my notice period.

Some friends called me to know about my job status. Did you get hit? The urban workforce hides its collective shame in this clever expression that helps salvage pride and dignity by playing the victim card — as if it was an enemy bullet that hit us while we were serving our corporate dukes in the battlefield.    

During Covid-19 times, the chutzpah to leave a job is certainly not what any employer would expect. A meek, timid acceptance would have warmed the cockles of their hearts. What I delivered was a bitter pill of gross insubordination and rebellion. I knew all their domestic clients were on board, and several of them were government clients. This was a temporary setback and the clients would resume operations after the lockdown. What was the tearing hurry then?

Imagine what happens to hordes of employees in the private sector in the coming months. People are going to suffer heart attacks, strokes and even contemplate suicide. And the organisations have no humanitarian approach or policy to address such a major problem. If they do not wish to utilise the resources acquired over the years of operations for the benefit of employees, it shows their rank opportunism and insensitive disposition in such trying times. 

Most of the companies operating in India have not existed since 1971. The corporate boom is a fairly recent phenomenon that arrived after liberalization was introduced in 1991. They have not seen wars or famines during their lifetime. All they are busy doing is axe, axe, and axe. As if jobs are like overgrown branches that need to be pruned from time to time.   

Corporates have a fairly typical mindset: expand hiring processes when business grows and contract when business shrinks. Remember the faces of those animals that perceive the slightest danger and curl up for protection – corporates are like that. Unreliable, fair-weather friends you can go on a date with provided you carry an umbrella or a raincoat of your own. When it starts pouring suddenly, do not expect them to take you under their umbrella.

Covid-19 crisis is yet another eye-opener that reveals the real predatory nature of corporate entities. Sadly, this realisation will soon be forgotten as the corporate juggernaut resumes its roll.   

Devraj Singh Kalsi works as a senior copywriter in Kolkata. His short stories and essays have been published in Deccan Herald, Tehelka, Kitaab, Earthen Lamp Journal, Assam Tribune, and The Statesman. Pal Motors is his first novel. 

Categories
Essay

COVID-19: Governance And Scientific Temper In India

By K.P. Fabian

The media, the Indian as well as the international, have  covered the continuing plight of the inter-state migrants resulting from the nation-wide lock-down announced with a calculated abruptness, not uncharacteristic of the Government of India (GOI) judging from the disastrous demonetization and the hurried and thoughtless implementation of GST.

Yet, none in the media has given a proper explanation for the failure of the GOI to anticipate the plight of the millions of inter-state migrants. It has been pointed out that these poor citizens come to the attention of the government only when there is an election. However, there is another explanation which the mainstream media, more or less intimidated by the establishment, do not dare to say: Any such major decision should have been taken based on a cabinet paper as the Rules of Business of GOI mandate. Such a cabinet paper  would have been prepared by the relevant Department/Ministry and submitted by its Secretary to the Cabinet Secretary who would have circulated it to the departments concerned, and even consulted with the states, as they have to implement the decision. That paper would have argued the pros and cons, listed out the actions to be taken before the announcement, and thereafter. It would have listed the anticipable problems such as the plight of inter-state migrants, the supply chain management and more. It certainly would not have recommended an announcement at 8P.M. to be effective at midnight.

Therefore, we conclude that the lock-down decision is not an instance of good governance. The lock-down was necessary. But in government even a good and necessary decision has to be taken and implemented  in the right way. Government procedures are there for a reason. Unless there are extenuating circumstances, the procedure should be respected.

The Finance Minister said that she barely got 36 hours to come out with a financial package. Looking at the half-baked package, her complaint is legitimate.

Let us now look at the strategy of GOI to address the Covid-19 pandemic. The sad truth is that there was no strategy because no attention was paid to the looming disaster though we have a National Disaster Management Act enacted in 2005. On 30th January 2020 the first case in India was detected in the State of Kerala. The patient had returned from Wuhan where she was a student. By 3rd February, two more students who had returned from Wuhan tested positive.

Let us look at the response of the Government of Kerala (GOK) and GOI.  Five days before the first case, the State Health Minister K.K. Shailaja, set up a high-level committee. On 4th February, GOK declared a ‘state disaster’.

The GOI did not take note of what was happening in Kerala. Is there a system of a state government sending an urgent report on such matters to the GOI? Whether it is there or not, the media covered the cases in Kerala, and nothing should have prevented the GOI from asking for an urgent report. Whether such a report was asked for or not, sent or not, the Union Ministry of Health issued an advisory on travel to China only on 17th January. It said that Indians going to China should take care in view of the contagion. On 25th January, a second advisory said that travel to China should be for ‘essential’ purposes only. There was no advisory in February. The third advisory was on 5th March, advising against travel to China.

Question: Why was there such delay? Our Embassy in China would have reported about the raging contagion. Taiwan took prompt action by medically screening arriving passengers from Wuhan, initially informally, and formally after China informed the W.H.O. of the contagion on 31st December.  What is even more important is that Taiwan started making testing kits as a precaution. Surely, our trade office in Taiwan would have reported all this.  By 20th January, the W.H.O.  published the action under way in Thailand, Japan, and South Korea. Our missions in the three countries would have reported on all this.  Our Permanent Mission in Geneva would have reported on all this though the web site of the organization was giving the information.

We conclude that the GOI was not alert.  President Trump and P.M. had a five-hour long session on 25th February. Trump had disallowed flights from China in early February. Did they discuss this contagion?

A related question: Why did Trump come at all, if he had made up his mind to indefinitely postpone a trade deal? Was the sole purpose to get an over-choreographed reception in Ahmedabad to a large gathering who might not have understood what he said as there was no interpretation? What was the raison d’etre of this Wagneraian opera at some cost to the people of India? To show GOI’s support for the candidate Trump? If so, is it wise to pick a side in the election in another country? Good diplomacy advises against such action.

Another instance of the deficit of good governance is that the resourceful military has not been mobilized to assist with the supply chain and the manufacturing of testing kits, PPE (Personal Protection Equipment) and much more.

There is a basic confusion in the mind of the GOI. Lock-down is required only to the extent it produces the conditions necessary for social distancing. Lock-down per se is not desirable.  The imaginary cabinet paper would have had three lists of economic activities:

1) Activities compatible with social distancing with minor modifications.

2) Activities that need more modification to be made compatible with social distancing.

3) Activities not compatible with social distancing.

Talks with the sectors of the economy and its representative bodies would have started on day one of the lock-down if not prior to it.  We see that the corporate sector is finding it difficult to accommodate the workers inside the plant or even to arrange for their transport. Democracy implies dialogue between the government and the rest of the society the initiative for which should be taken by the former. India has an excellent, or potentially excellent bureaucracy and sadly it has not contributed as much as it can into decision-making and implementation. Why is it so?

Above all, we need a scientific temper to successfully deal with such crises. Such temper seems to be absent among a section of the Delhi elite as seen from a WhatsApp message that went around:

The candle flames have temperatures in the range of 400° to 500° Celsius. When so so so many candles will light for 9 minutes, imagine the impact on the environment and the heat so generated will decimate the virus. Why 9 mins, 9 P M and 5th Apr (5+4)?9 in the numerology is an adamant digit, which cannot be destroyed.

It was Jawaharlal Nehru who coined the phrase ‘ the scientific temper’ that he defined in 1946 in The Discovery of India as follows:

“What is needed] is the scientific approach, the adventurous and yet critical temper of science, the search for truth and new knowledge, the refusal to accept anything without testing and trial, the capacity to change previous conclusions in the face of new evidence, the reliance on observed fact and not on pre-conceived theory, the hard discipline of the mind—all this is necessary, not merely for the application of science but for life itself and the solution of its many problems.”

It will be most useful if the P.M. in one of his addresses to the nation draws attention to article 51 of the Constitution which requires the citizens to cultivate such a temper.

This is not the time to find fault for the sake of finding fault. But unity of action in a democracy comes only when the government is self-confident enough to listen to criticism and benefit therefrom.

Let us work unitedly under the leadership of the P.M and C.M.s. India is too large a country to be micro-governed from the capital.

K.P Fabian is a former Ambassador

This article was first published in Countercurrents.org

Categories
Stories

Flash Fiction: A Curse

by San Lin Tun

It was shadowy in the forest. No sounds at all. Only some living creatures were crawling in the undergrowth, producing inaudible sounds. An inquisitive young man entered the forest with a smile on his face. He fancied that there might be some hidden treasures in the forest after browsing through a recent book on treasure hunting.

That evening he went to the edge of the forest out of curiosity. He did not know what dangers would confront him. He went in unprepared with bare-hands and curiosity. He also liked to gaze at trees, big and small. He wondered if the forest housed exotic and colourful birds as shown in the documentaries on television.

He was free of ancient fears and dogmas because he believed in science. He thought that a forest was only of trees and animals and there could not be any harmful or playful spirits lurking in the deepest, darkest corners.

He needed to tread carefully in the forest, he discovered, otherwise, he could stumble and fall on the protrusions made by the obtrusive roots of the big banyan trees. He suddenly started humming the lyrics of the Guns and Roses’ song called ‘Welcome to the Jungle’ in his mind.

After walking about thirty minutes in the forest, he thought that his throat was dry. He was thirsty. He looked for a stream to drink cold and clean water. He listened carefully to the gurgling sounds of a stream somewhere. Suddenly, he saw a butterfly flapping its wings gently in front of him. It aroused his sense of curiosity and wonder. The butterfly led him to the stream.

He was very happy when he found the stream. When he looked for the butterfly, it had disappeared. He thanked the butterfly in his mind from the bottom of his heart. He squatted at the edge of the stream and bent down to long mouthfuls of water. It completely quenched his thirst.

After drinking the water, he washed his sweaty face to refresh himself. Then, he felt a bit hungry and remembered he had not had enough lunch that afternoon. He thought that he would look for some fruits. Then, he found some wild, peachy fruits growing on a big tree near the stream.

He pondered whether to climb the tree to pluck them or hurl stones to bring them down? He found some pebbles in the stream and gathered them. He hurled those pebbles at the fruits. Some stones hit the fruits and they fell off the tree.

Happily, he picked up one big fruit and bit into it. It was tasty and so he bit it again and again. After having three or four fruits, he found his belly was full. He lay down on his back and instantly he fell asleep.

His sleep was punctuated by a strange dream. He found a gnarled and crooked-nosed, red, bulgy-eyed woman trying to talk to him. She had a long and curly nail which she tried to insert into him. It seemed that she was the guardian spirit of the tree.

Petrified, he yelled out aloud. But no one heard him. He was completely alone in the forest. He could not move his body a single inch. Gradually, the guardian spirit came nearer to him and tried to say something to him. He apologized to her for not asking for permission to eat fruits of the tree. But, she took another step towards him.

‘‘Arrrrrrr’’ – the sound was so loud, even the owls resting on the trees were startled and flew away. He knew that it was the end of his life. He tightly closed his eyes. He saw his feet start to turn into a flap of a bat. Soon, he was going to be a bat and sleep upside down. The guardian spirit would rear him as her pet.

He did not want that. But he did not have strength to fight back. Instead he had to yield to her because he felt that he was paralyzed. He noticed that his hands were changed into wings which had started to flap slowly. He could not resist the strength of the spell. Within a minute, he completely changed into a bat. It was a metamorphosis.

The forest seemed to have spelled its curse on him.

He tried to speak out. Comprehensible human language was replaced by the sounds of a bat. He understood that his life was gone, completely gone. He did not know how he would regain his human form. He blamed his own foolish fate because no one warned him against going into the cursed forest.

He knew that he should not have indulge his whim.

***

Daytime brought the young man back to his village in his own form as a human. He related the story to his fellow villagers who did not believe him and assumed that he was an exhibitionist buffoon trying to draw attention to himself. He insisted that he had really turned into a bat the night before because of the spell cast by the guardian of the tree. People laughed at his story and they thought that he had made it all up to gain importance and sympathy.

As darkness gathered the village into its folds, the villagers started to go back to their homes. Suddenly, someone noticed that the young man was missing, they could not see him. They called out to him. But there was no response.

 Only, a bat persisted in flying towards them, hovering up and down over their heads. It almost flapped on the scurrying villagers’ heads. There was chaos.

San Lin Tun is a freelance writer of essays, poetry, short stories and novels from Myanmar and English. Sometimes, he draws cartoons for fun. His writings has appeared in Asia Literary Review, Kitaab, Mad in Asia Pacific, Mekong Review, NAW, PIX, Ponder Savant, South East of Now, Strukturriss and several others. He has authored ten books including ‘‘An English Writer’’. He lives in Yangon, Myanmar.

Categories
Musings

Time is money

By Sapna Agarwal

Today my daughter came to me and said – ‘its evening, lets make tea’. A common statement but uncommon because it did not have a time stamp – as in ‘Its 5:30 pm, lets make tea’.

It set me thinking what a luxury it has been to be free of the ever-ticking time bomb.

For the past many years my life has been a series of time stamps – get up at 5:30 am, wake daughter up by 6:00 am, make sure she’s at the bus stop by 7:00 am, get ready by 7:30 am and reach destination by 9:00 am ( before the traffic builds up) etc etc…ending in – switch off the lights by 10:30 pm so that the same routine can start again.

Its as if my entire 24 hours have been mortgaged to some force and I get them back in bits and pieces. I have forgotten that the day has many hours that can be morning, afternoon, evening or better sounding dawn, dusk etc. The time is all mine and not all these hours have to be productively used – some can be used doing nothing or just relaxing or doing some activity which does not have an end time.

Now that the time bomb is relaxed (albeit temporarily and for the larger good hopefully temporarily) I am just revelling in the luxury of time. The clock is immaterial – just another accessory. The sunrise and sunset are indicators enough and no two days are alike in time schedule. No amount of money can buy this state of mind. As a child I learnt that ‘time is money’ and after all these years I really understood the meaning.

Sapna Agarwal is a management professional and has worked in the corporate and education sectors for long years. She writes short poems and articles  mostly on current issues. She is a keen observer of human nature and how they react in good times and bad. She lives in Bangalore with her eleven-year-old daughter.