Categories
Review

Tales of Secrets and Darkness

Book Review by Bhaskar Pariccha

Title: Keep It Secret

Author: Snehaprava Das

Publisher: Black Eagle Books

Snehaprava Das, a former Associate Professor of English, is a noted poet and translator. She has translated many Odia works into English and published five poetry collections. Her translations have received several awards, including the Prabashi Bhasha Sahitya Sammana, the Jibanananda Das Award, and the Fakir Mohan Anubad Sammana.

Keep It Secret is a collection of ten short stories. The relatively lengthy narratives are equally grounded in reality and fantasy. In the author’s view, these narratives strive to traverse the delicate, ephemeral boundary that exists between reality and illusion. They delve into the inner jungle to uncover the secrets that are meticulously hidden behind a facade of pretense and the artifice of a pleasing and socially acceptable exterior.

Engaging with her stories provides a rewarding experience. These tales encompass a diverse array of themes, including life and death, the supernatural, the real and the surreal, peculiar coincidences, and the intricacies of human relationships.

 In the Preface, Das provides a rationale for her stories, which contributes to their uniqueness. Citing Regina Pally, a distinguished psychiatrist and therapist based in Los Angeles, Das states, “Most of what we perceive occurs non-consciously and effortlessly, and according to her, this process can be described as a ‘survival instinct’.” This may lead the guilt-ridden mind to interpret and shape a future aimed at compensating for past wrongs. This ‘survival instinct,’ which entices individuals to assume and perceive various things, can even distort the true impact of actual events, creating multiple and bizarre interpretations of a single incident that may approach the surreal.

She bases her stories on the presumption made by Freudian scholars: “From error to error, one discovers the entire truth, observes Freud. Some of the stories aim at exposing the errors man is forced to commit, lured by compulsive emotions, which leave life irrecoverably difficult, and could at times prove fatal in that self-destructive process of discovering the truth. Some stories attempt to study the complex and shifting patterns of human relationships that hang precariously balanced between trust and distrust, and to observe the reaction of the characters while confronting the secret of that relationship, which was kept closely guarded till the end. The experience of that confrontation could be subversive in that specific moment of anagnorisis.”[1]

Some stories may not always offer a seemingly logical, definable, or happy ending.

Das’s short stories possess a cerebral quality, posing a challenge for discerning readers to fully appreciate her offerings.

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[1] ‘The other Freud: Rethinking the philosophical roots of psychoanalysis’ by Parker & Donald Lewis

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Categories
Poetry

Poems of Love and Living

By Luis Cuauhtémoc Berriozábal

Art by Rembrandt(1606 – 1669). From Public Domain
NOT YOUNG ANYMORE 

I am not young anymore.
In the evening, I stay home.
I have no bouquet of flowers
to offer for any beautiful girl.

In the evening, I keep to myself.
I buy no roses for anyone.
I write no love poems.
I do write a few for the birds.

I prefer a silent evening.
I prefer sleeping a little too much.
The birds sing me to sleep.
Their song pushes through my window.

I am not young anymore.
I pick at my scab I got from picking
oranges, not from picking flowers
for a beautiful girl. If you did not know,
the orange tree has sharp thorns.


I LOVE YOU

There is one thing I will never say to you.
And if I say it once, I will not say it again.
I will not say the one word I want to say
to you. There was a time I knew nothing.
Even my eyes gave me away. I settle for
what we have if it is just for a little while.
Let’s face it, a little while might be all I
have left. The hourglass has the sand
near the bottom. It will not be long when
I get too old or sick for you. I watch the
sky from my window. It goes from light to
grey to black. I am living this life one day
at a time. What is lost I will never get back.
There is one thing I want you to know.
I will not say it to you today or tomorrow.


MY OWN BOOK

I brought my own book for a ride.
I took it and stopped at 9th Street
pretending it is where it wanted me
to stop. I read a few poems to a
man that was just got off the train.
One line I read made him laugh. He
asked me to stop before he threw up.

The man did not like my poetry.
He told me not to quit my day job.
That thought never crossed my mind,
and poetry was never a second job.
I got back in my car and drove my
own book home and put it away in
the bookshelf for the night to sleep.

Born in Mexico, Luis Cuauhtémoc Berriozábal lives in California and works in the mental health field in Los Angeles. His poetry has been featured in Blue Collar Review, Borderless Journal, Mad Swirl, Rusty Truck, and Unlikely Stories

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Categories
Poetry

Poems by Luis Cuauhtémoc Berriozábal

From Public Domain
CATCH THAT MOON

In the evening at sea
I fish the moon’s reflection.
It is my recreation
and my white whale.
I never catch that moon
but I like the challenge.
The lost souls at sea
sing throughout the night.
They sing an old song lost for years.
The song is a curse of course,
a spell from the waning moon.

GONE INTO EXILE

Pretend I am not here.
Pretend I am long gone.
Imagine my leaving
was no magic trick,
but something ordinary.
I do not feel my presence
is at all necessary.
Forget about me and
do not expect my return.

FLY AWAY MOTH

Fly away moth
To the moon
Of the streetlight
The hot bulb
That is miles
Away from the
Actual moon
Once you get
To the light bulb
Don’t let go
You’ll be satisfied
By the false moon
Its bright light
Warm and round
Like a breast

Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles in the mental health field, and is the author of Raw Materials (Pygmy Forest Press). His poetry has appeared in Blue Collar Review, Borderless Journal, Escape Into Life, Mad Swirl, and Unlikely Stories. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press. Kendra Steiner Editions has published 8 of his chapbooks.

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Categories
Poetry

Fires in Los Angeles

Poetry and Photography by Luis Cuauhtémoc Berriozábal

PUT OUT THE FLAMES: 01:12:2025

Rain is no consolation
but it is as essential as
sunshine, even more
so as the white smoke
and fire flow is what
your camera spotlights
for miles. So many dreams
destroyed. Each helping
hand is in need of rain, a
sea of rain to put out
the flames. Rain is no
consolation but crucial.

WEATHER REPORT: 01:22:2025

Behind the tree
The moon’s reflection
On a cold Wednesday morning

The fires in the distance
Still burn this winter season
With no rain in sight in the West

Acres burn, homes burn
And back in the South and East
Freezing temperatures and snow

Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles in the mental health field, and is the author of Raw Materials (Pygmy Forest Press). His poetry has appeared in Blue Collar Review, Borderless Journal, Escape Into Life, Mad Swirl, and Unlikely Stories. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press. Kendra Steiner Editions has published 8 of his chapbooks.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Oblivion’s Ashes & Other Poems

By Luis Cuauhtémoc Berriozábal

OBLIVION’S ASHES

Let’s take flight
like oblivion’s ashes
I will find
you in swirling breezes
Let’s tear up
the skies, you and me

On autumn
days when skies are gray
Show me your
sadness, I’ll show you mine

What thoughts have
you about me and you?
I know we
can live in harmony

Let’s take flight
on autumn days
when skies are grey
like oblivion’s ashes.

LEFT WANTING

I am left wanting
of everything
the world takes away.

I don’t seek excess.
I take a deep breath
and turn off the lights.

I find a cozy
bed, fall asleep,
and I dream away.

I let everything
go and sing a
melancholy song.

CLOUDY EYES

I stand on the balcony
crying rain from cloudy
eyes. It is a steady stream.
It becomes a storm being
pushed by the wind. If I
could, I would try to keep
it all inside. But the rain
falls out from cloudy eyes

like waterfalls. How it falls.
How it falls out of control.
I spray the crying rain with
fierce strength. It becomes
a raging flood. It falls
and falls till the world ends.
From Public Domain

Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles in the mental health field, and is the author of Raw Materials (Pygmy Forest Press).His poetry has appeared in Blue Collar Review, Borderless Journal, Escape Into Life, Mad Swirl, and Unlikely Stories. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press. Kendra Steiner Editions has published 8 of his chapbooks.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Winter Consumes by Luis Cuauhtémoc Berriozábal

From Public Domain
Winter consumes
the hungry
and the poor,
leaving them blind
at the river’s edge.
Police find them
and bag them.
Fathers and sons,
names to be
found later.
In dark water
too slow to swim.
Brothers, sisters,
in frozen graves.

Young men and
women shrieking.
Christ, it is cold.
They limp sideways.
The benches
and faces like ice.
Eyes raw unable
to stare or blink
in the snow.

Girls and boys,
to the light they go
when they are frozen
in their tracks.
A palm tree
bends down
just a little
at Christmas
of all days.

Beggars freeze.
Birds freeze.
Limbs freeze
and even
crutches freeze.
In winter
groins freeze.
Poor men and
women exposed
to a harsh season.

Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles, and was born in Mexico. His poetry and illustrations have appeared in Black Petals, Borderless Journal, Blue Collar Review, Kendra Steiner Editions, and Unlikely Stores. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press.

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Categories
Poetry

Let’s Sing…

Poetry by Luis Cuauhtémoc Berriozábal

THE BLANK SHEET

Let’s sing on the blank sheet
for an hour, half an hour, or
for a few chaotic minutes.
Let’s sing of days and nights,
of good and bad times with
words, with a sentence or two.
Let’s bring dancers around
who can dance as we sing.
Let’s sing of happiness and
misfortune. Let’s sing for the
birth of water and fire. Who
wants to join me in song?
Let’s sing of all things real
and surreal. Let’s sing about
you and me if there is any
space left on the blank sheet.

WHEN I SAY NOTHING

When I say nothing
that says plenty.
I pay attention.
I listen.
I let you talk
till the fly on the wall
cannot live another day,
till the cricket is the next
to talk from a crack
in the door. I keep my lips
rested for your kiss.
I am not going to stay
silent for much longer.
As sure as my breath can
no longer keep its secret,
my heart, my mouth, is yours.

 Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles, and was born in Mexico. His poetry and illustrations have appeared in Black Petals, Borderless Journal, Blue Collar Review, Kendra Steiner Editions, and Unlikely Stores. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

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Categories
Poetry

Poetry by Luis Cuauhtémoc Berriozábal

From Public Domain
OCEAN DREAM  

I am an early riser.
This morning I could not
get up. I was in an ocean
dream. The fish talked to me.
I was delighted to hear them
speak. I thought the ocean
dream was real. The alarm
clock must have been in
the ocean dream as well.

KNOWING NOTHING

Here I contemplate
knowing nothing.
There is my plan laid
out. It is a dismal

plan. Out in the town
I paint on walls, wooden
and brick ones, and
metal doors. Humming
a song, I paint question
marks and rain drops.
It’s nothing artistic
like a flower in a vase,
a yellow rose shining.


FATIGUED


Fatigued,
I dream so deep,
I become ashes in an urn.

I am below the earth, above the clouds.

In a dream,
a woman sleeps
with me and next to me.
A river flows outside our window.

Birds sing
baleful songs.

I feel my broken teeth
with my tongue --
there is no fixing them
or anything else.

Luis Cuauhtémoc Berriozábal lives in California, works in Los Angeles, and was born in Mexico. His poetry and illustrations have appeared in Black Petals, Borderless Journal, Blue Collar Review, KendraSteiner Editions, and Unlikely Stores. His latest poetry book, Make the Water Laugh, was published by Rogue Wolf Press.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Essay

From Place to Place

By Renee Melchert Thorpe

Formative years can imply simply a growing body or the development of a complex outlook on life.   My mother, born Mary Ann Hostetler in Pontiac, Illinois, lived her formative years in colonial India.   Here is what I know about two formative migrations that made her who she was.  She was a quick study, a keen photographer, and resourceful traveler, but she also had an uncanny sensitivity to the need of people to feel welcome anyplace.

She had a deeply fond memory of arriving with her family in West Bengal when she was a mere 2 years old.  On the dock of Calcutta, waiting to greet the Hostetlers, was another Mennonite missionary, a man who would escort the family to the mission compound.  Dispatched aloft by her mother, little Mary Ann absolutely “sailed into his arms”, feeling sincere love and comfort from this steady and attentive new man.  He would sometimes take her for walks in the farms and villages, letting her reach out safely.  There was nothing to fear in this new place, and she was allowed to build her confidence.

Crates and luggage would have been handled by porters, a first lesson in India’s system of echelons, privileges and defenses, which even Anabaptists would adopt. India would embrace Mary Ann with her cacophony and vibrancy.  There was always the conservative life at home and in the classroom, but she could escape into the chowrasta[1], eat street food, and read the discarded letters such food was wrapped in.

From the age of 5, she boarded at a dreary school in the extraordinary altitude of Darjeeling, wintered in the rural outskirts of Calcutta, spoke street dialect like an urchin, and learned to draw from memory a Mercator map of the world showing the borders of all the British colonies.  During school break back in her parents’ mission compound, she and her brother might pass time picking fat ticks from the tender hide of a little bullock her parents kept, but her favourite activity in those warm days was to climb an old mango tree which stood just out of range of her mother’s call and read a book.  Any book.  She was never without one.

She and her family made two returns to the US, the first in 1936 for a Mission Board furlough, and again in 1944, when she had graduated from high school and the war, closing in first on the Straits Settlements, and soon after striking the Calcutta docks, was too close for comfort. 

For that 1936 furlough, the family stayed a few days in Calcutta’s Salvation Army hotel while her mother shopped for items to bring back with them to the States.  Her list would have included a tablecloth and sheeting, cotton yardage, British wool, perhaps a few sandalwood items. These things would not have been exotic souvenirs but rather, practical items for their year ahead enduring America’s Great Depression.  They were, after all, the family of a pastor, disinclined to appear exceptional or proud.

Through their Salvation Army hotel window, my mother gazed down at the Fairlawn Hotel next door, where well-heeled families relaxed with tea service on white rattan furniture, children scattered gleefully on the vast greensward, late afternoon birdsong above, and a distant Victrola warbling from inside the forbidden edifice.  She longed to experience such pleasures, and decades later, she did finally stay a few nights at the Fairlawn in 1992, with me, as I had chosen the hotel without knowing its gnawing maneuvers deep in my mother’s soul.

Checking in, we met the flamboyant and zaftig British redhead in charge of the place, my mother’s very age, daughter of the owner from those last days of the Raj.  That woman could scream gutter Bengali at the top of her lungs, and the next moment turn to my mother and politely ask about some little thing important only to little girls from a faraway garden city.  I watched as these two disparate women embraced and laughed together.    

The day she and her own mother arrived in the Los Angeles port of San Pedro, she was astonished to disembark and hear sweaty stevedores yelling and chattering in English.  This told her more about America and what was purportedly its classless society, than any adult’s own description could have.  She thrilled at this discovery.  She was unconcerned about fitting in with new school mates, got along well with them, even though they whispered amongst themselves about “her brogue.”

She never told me anything about her trip back to India, a year later.  But she would have sailed again, stuffed into Second Class.  I imagine her trying to lose her parents, availing herself of the ship’s library.  But I don’t know.

She graduated from Mount Hermon School as the “Best Girl,” although if you visit there, you can discover that the clueless new headmaster from her graduation year neglected to have the big silver trophy emblazoned with her name for the class of 1944.  Her brother’s is there with the year 1943 on the school’s “Best Boy” cup.  But he simply forgot to put in the engraving order when it was Mary Ann Hostetler’s honor.  My mother harbored few resentments, but this was a sore point, as she had worked very hard at academics.

I have never seen Bombay Harbour, where she finally left India as a young woman, but this is what she has told me.  It was wartime, 1944, but she was full of hope and thrilled to be out of that grim and cold school in the clouds.   

Mary Ann and her family boarded a passenger liner repurposed to carry a large number of troops.  A little sister had been born in India, making the family five, now billeted in what was once a First Class cabin, as were other American families leaving India.  Of course, no monogrammed towels or French milled soaps awaited them, but she relished the luxury of portholes and her own bunk.

The ship left Victoria Dock in April of 1944, mere days before the catastrophic accident of the munitions-laden SS Fort Stikine accidental fire and explosion, which destroyed every vessel in the harbor.  Wartime secrecy held successfully for decades, and my mother never learned of the near miss until many years after the war was over. 

All kinds of security measures were taken, even though the atmosphere on the crowded ship was convivial and relaxed. No flags flew.  And they sailed a zigzag course as a precaution against torpedoes.  They were in a convoy with two other soldier and civilian transports, but never saw the other ships except when in harbour.  One of those harbours was Melbourne, where boarded dozens of Australian war brides, and every last one of those young women, my mother said, had a screaming infant.  Those women shared second class cabins.  Two mother/baby pairs had bunks and one pair slept on their cabin floor.

Everyone aboard seemed to be flirting with the soldiers and welcoming distraction.  My mother and her new girlfriends, and even a few of the young Australian mothers, were nurturing chaste romances and enjoying their youth.  It was so much fun, and so stress-free, that my mother looked down at her wrist one day, where there had flourished for many months a large filiform wart, resembling some sort of fleshy agave plant; it had vanished. 

They went through the Panama Canal, a surprise for everyone aboard as well as for their stateside families.  All had been told by the war department that the convoy would land in San Francisco.  Instead, they went to Boston.  Plans were upset, lives were disrupted, and thousands of families who had made their way to California were now faced with crossing the wide country to meet their loved ones.  Typical instance, my mother said, of the war and the US government inflicting the population with whimsy, wasted efforts, or red tape in the name of national security.

To glimpse at last the American flag flying in Boston harbour gave my mother an indescribable feeling of safety and delight.  Worries carefully buried were truly gone.  The war would end in a little over a year’s time.  She had the rest of her life ahead of her.  

The USA was a safe harbour for a few years of university before she was off again, this time to Japan.  Decades later, with an empty nest, she and my father chose Italy.   Migrations were just part of living, and wherever she went, if she met another person displaced by whatever reason, she had a new best friend.  I knew them, too.  The Finnish dry cleaner, the Salvadorian woman who answered the phone at the Honda repair shop, or the Japanese lady who ran an art supply store: these people came from away, and so had she.

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[1] An intersection of four roads.

Renee Melchert Thorpe has fiction and nonfiction work has appeared in several Asian journals and magazines.

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Categories
Poetry

Spring Poems by Luis Cuauhtémoc Berriozábal

A NEST IN THE BRANCHES 

I offer you a night
of bliss by the river
and unconditional
love. I offer you a

nest in the branches

my little night bird.
It is March, spring,
and your body will
be floating in water.

You will not die.

But float under silver
stars and the moon,
silver as well, and your
thighs will be tickled

by nests branches.


IN THE WOODS

In the woods
one can walk
for miles and
miles in a
long circle.

Time will slow
down or speed
up. It all
depends on
your mind’s state.

Birds will chirp.
Your belly
will growl. Fruit
can save you
from the end.

The sounds of
the woods will
linger on
in your dreams,
an echo

of birdsong,
branches and
twigs breaking,
your belly
growling like

a stray dog’s
growl, the hiss
of a snake,
a rattle
and hum; wind.

Born in Mexico, Luis Cuauhtémoc Berriozábal lives in California and works in the mental health field in Los Angeles, CA.His poetry has been published by Blue Collar Review, Borderless Journal, Escape Into Life, Kendra Steiner Editions, Mad Swirl, SETU, and Unlikely Stories.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International