Categories
Poetry

Miscellaneous Poems by Michael Burch

Painting by Claude Lorrain (1604-1682). From Public Domain
COWPOKE

Sleep, old man ...
your day has long since passed.
The endless plains,
cool midnight rains
and changeless ragged cows
alone remain
of what once was.

You cannot know
just how the Change
will sweep the windswept plains
that you so loved ...
and so sleep now,
O yes, sleep now ...
before you see just how
the Change will come.

Sleep, old man ...
your dreams are not our dreams.
The Rio Grande,
stark silver sand
and every obscure brand
of steed and cow
are sure to pass away
as you do now.


DESPERADO

Have you ridden the fences
of plains never-ending
as the wind sighed for lovers
long past, or long gone?
Have you dreamt of a night
with a pale moon ascending,
as Death stole a kiss
from your lips before dawn?

If love is the gold that you seek,
are you fleeing
for fear that its luster
may blind you again?
Oh, desperate lover, I loved you
not knowing
you would flee from my arms
through this cold, driving rain

to wander alone where the stars do not shine
having stolen the brightness from love — yours and mine.



TWELVE-THIRTY

How cold the nights become so quickly;
now a small fire does little to quench
the winter's thirst for warmth.

Sometimes it seems that all my life
has been an endless winter:
the longer it grew, the more of me it demanded...
and time goes slowly when a man's strength
is not enough to meet his needs.

Tonight I feel an old man
creeping into my bones,
willing to die and sleep and never dream,
and I accept him,
not because I wish to lie and live a life of peaceful ease
until I die,
but because I’m too damn weak and weary
to wish it otherwise...
and a man is so very close to the edge
when he lacks the strength to wish.

Long ago, when I was young,
I would run and fall and cry
and not give up.
But now it is twelve-thirty,
the darkest hour of the night,
and I am at the darkest point
that I have ever known in life.

So even as the frigid winds
pass silently across the hills,
I feel my spirit sigh within
and steal into its cell.

No longer does it venture forth
to dare new feats and find its fate,
but it lies asleep throughout the night
and does not awake except to eat
a little more of my life away.

Michael R. Burch’s poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into fourteen languages, incorporated into three plays and two operas, and set to music by seventeen composers.

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Categories
Poetry

The Moon Never Speaks to Me

By George Freek

Moonlight by Edvard Munch (1863-1944). From Public Domain  
THE MOON NEVER SPEAKS TO ME 

Life unrolls from day to day,
like an endless carpet
full of ancient mysteries.
I watch day become night
like a moth emerging
from its cocoon,
as the moon reveals
some hidden scheme.
I have no idea what it means,
but the moon soon vanishes,
along with the night,
and dust falls from the stars.
In some other world,
far beyond our sight,
another sun is rising
to provide light,
for life there,
as it begins its unknown,
precarious start.

George Freek’s poetry has recently appeared in The Ottawa Arts Review, Acumen, The Lake, The Whimsical Poet, Triggerfish and Torrid Literature.

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Categories
Poetry

Where Lies the End of this Unquenchable Thirst?

Poetry by Atta Shad, translated from Balochi by Fazal Baloch


Had we known the fate of tomorrow,
Today would’ve not slipped
So carelessly from our hands.

Alas! On the gallows of follies,
Desire stands condemned.

True — it is the heart alone
That bears witness to God’s existence,
Not the eye,
For each reflection is a slave to sight.
But what the heart feels —
That alone is the truth:
The rest is illusion.

Some walk with reason,
Some, in a dreamlike haze,
Yet all are bound together,
Step by step,
Carrying the weight of longing
In the folds of a thirsty soul.

In the vast realm of my imagination,
Stands the idol sculpted by my own hands.
I bow before it—
This endless expanse but remains devoid of the Divine.

From being, nothingness emerges,
And from nothingness,
The being is born, over and again.

The lament for yesterday,
The hopes for tomorrow,
The wealth of ages
In search of unseen wisdom,
Wander upon the shores of today.
Either the flood shall wash them away,
Or the shore shall stand unshaken
Before the surging tides.

Where lies the end
Of this unquenchable thirst?
From Public Domain

Atta Shad (1939-1997) is the most revered and cherished modern Balochi poet. He instilled a new spirit in the moribund body of modern Balochi poetry in the early 1950s when the latter was drastically paralysed by the influence of Persian and Urdu poetry. Atta Shad gave a new orientation to modern Balochi poetry by giving a formidable ground to the free verse, which also brought in its wake a chain of new themes and mode of expression hitherto untouched by Balochi poets. Apart from the popular motifs of love and romance, subjugation and suffering, freedom and liberty, life and its absurdities are a few recurrent themes which appear in Shad’s poetry. What sets Shad apart from the rest of Balochi poets is his subtle, metaphoric and symbolic approach while versifying socio-political themes. He seemed more concerned about the aesthetic sense of art than anything else.

Shad’s poetry anthologies include Roch Ger and Shap Sahaar Andem, which were later collected in a single anthology under the title Gulzameen, posthumously published by the Balochi Academy Quetta in 2015. 

Fazal Baloch is a Balochi writer and translator. He has translated many Balochi poems and short stories into English. His translations have been featured in Pakistani Literature published by Pakistan Academy of Letters and in the form of books and anthologies. Fazal Baloch has the translation rights of Atta Shad from the publisher.

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Categories
Poetry

Unmade Worlds

By Aditi Dasgupta

The winds were brittle and thin
in —Lia, —Ria, —Ine, —Iti.
Countless small, starved shadows entered the promised gates of Arbeit macht frei
now clung to memories’ bones

They were no older than nine when the world turned to ash
as hands of mothers in —Ria shovelled fifty-eight-point-six-inch graves
under smoke-kissed skies.

Prayers spiralled from broken chimneys,
for the lives too brief to make the heavens care.
Radios flashed hundred different types of despairs in —Ine;
some were named by its taste:
Sawdust bread laden with the salt of silent tears.

Steel eyes pierced into every household,
flashing their drug-laced lanyards
inflicting wounds on bullet-sized hearts.

Barracks were the coffins that held the living
like rows of ribs rising and falling in unison;
like small defiant fires in a world of ice.

Dreams were exchanged under uprooted trees like contrabands.
As rhythms of death marched in,
their slow, deliberate cadence of boots
worn by my friends who were taught foreign tongues
practiced to toy with a godless lottery of borrowed time.

I heard in worlds that don’t end with —Lia, —Ria, —Ine, —Iti
they fight to build identities.
Here, I choose to be invisible; without name
wearing frost and dust like second skin.

As I write on a bomb-exploded paper,
I see liberation come, sudden and strange;
Freedom feels like a coat that doesn’t fit;
Breads taste like gruel
And our stomachs continue to shrink.

As I search for faces on burnt grounds,
a shadow held my hand and showed me
the stars.

* Arbeit macht frei, German for ‘work liberates’

Aditi Dasgupta is the author of the book Silencing of the Sirens, which has been internationally circulated. She has also completed the Yale University’s programme, ‘Storytelling: An Art for Non-Fiction Writers’, on partial scholarship, which sees applicants worldwide annually.

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Categories
Poetry

The Farmer by Ashok Suri

THE FARMER

I still plough the field,
Sow the seeds,
With utmost devotion,
Though there’s no need.

Rain or shine,
I love to work in the field,
Sweating and singing songs.
This is how
I have set right thousand wrongs
And in the face of several problems,
Kept myself sturdy and strong.

Ashok Suri is a retiree and is settled with his family in Mumbai. He tries to convey with simple words what he wants to say.

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Poetry

Poems by Phil Wood

From Public Domain
CLING

The nimble promise of half-light
finds me, while nested sleep claims you
to solitude. I know your curves.

Allegro weaves my waking cloth,
a scimitar of nestlessness,
I have no rest. You clothe in leaves.

The morning forest stretches songs,
not tremulous, no tentative
whisper. They scythe a curve of moon.

A wakeful door, a hem of sun,
the hum of bees, wakefulness splashes
so loud you turn around to me...

Like the curve of the moon,
Like the curve of the hills,
Like leaves you cling to curves,
I stretch to you.

BEACH OBSERVATION

His hands behind his head,
no weight, what with the sky
shuttered and sea at play
along the sleepy bay.

Eyes closed, and yet he knows
this weight, the busy spade
and bucket pouring time
over his feet. He trusts

her even when the worry
of sand comes on his heart.
A father gives his time
no weight. His daughter digs.

Phil Wood was born in Wales. He has worked in statistics, education, shipping, and a biscuit factory.  He enjoys painting and learning German. His writing can be found in various places, most recently in: Byways (Arachne Press Anthology), The Lake, Fevers of the Mind (a collaboration with photographer John Winder), and the Borderless Journal.

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Categories
Poetry

Four Poems by Kiriti Sengupta

Kiriti Sengupta. Courtesy: Bitan Chakraborty
VIABILITY 

The laughter line
adds to my age.

I make room
for the concealer
in my grooming kit.

PHOTOGRAPHY
(for Raghu Rai*)

1
camerawork—
anticipating
the perfect moments

2
camerawork—
recounting
the stories

3
camerawork—
the eyelashes
freeze in place

*Raghu Rai is a well-known photographer.

HER SACRED MIST

The daughter soaked joy
for the past few days
amidst her parents and children.
When I woke up early,
the trees, the leaves,
and the grasses were damp.
The rising sun parched them
before late.
I probed the air:
Did the Mother weep as
she left for Kailash?

The wife returned to her spouse.


Note: Hindu mythology holds that Goddess Durga brings her children when she visits her paternal home annually in autumn. After a designated period, she returns to her husband, Shiva, at Mount Kailash.


DURVA
(for Durba Chatterjee | DOB: 25 September 2023 )


1
As I learn more about you,
I'll pick up a batch or two
wherever I reach.

2
The courtyard knew my boyhood days.
You embraced my unshod limbs
and healed my bruises as I slipped.

You made up the loving drape
the earth donned for my convenience.

3
You taught us harmony. Resting in your mesh
were the rice grains. Strengthened by prayers,
you sat on my scalp for the nuptials. The bride
held you in her hair.

4
You embody divine grace.
You are more pristine than water
that turns holy as it lets you sink.

5
You add to the sanctity of the soil.
Blessed are the humans raising you
in their yards.

Like Draupadi, the planet mourns
when the veil is withdrawn.


Notes:

Durva or Durba is a common Bengali name for girls. It denotes Bermuda or Conch grass, known for its many therapeutic properties and frequent use in Hindu rituals. Numerous Puranic stories are linked to Durva grass.

In the Mahabharata, the Kauravas stripped Draupadi, subjecting her to great humiliation and distress.

Click here to read a conversation with Kiriti Sengupta

Kiriti Sengupta has had his poetry featured in various publications, including The Common, The Florida Review Online, Headway Quarterly, The Lake, Amethyst Review, Dreich, Otoliths, Outlook, and Madras Courier. He has authored fourteen books of poetry and prose, published two translation volumes, and edited nine anthologies. Sengupta serves as the chief editor of Ethos Literary Journal and leads the English division at Hawakal Publishers Private Limited, one of the top independent presses established by Bitan Chakraborty. He resides in New Delhi. Further information available at http://www.kiritisengupta.com

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Categories
Poetry

The Tyne is Still

Poetry by Stuart McFarlane

River Tyne at Newcastle. From Public Domain
                       I                         

The Tyne is still, the water's calm,
a restful, reassuring balm.
In Newcastle our train has stopped.
From here it seems the perfect spot.
Where the iconic bridges span,
where, once, a different river ran;
well, different water, anyway,
flowing on into yesterday.
An errant cloud floats in the sky,
as if it's only passing by.
Nimble fingers unpick its seams;
on water sunlight softly gleams.
Transporting good to buy and sell;
the stories this river could tell!
Riverside harbours, wharfs and docks,
today replaced by concrete blocks.
Where there was muck once there was brass;
now buildings of shimmering glass,
high-tech hubs, computer centres;
the past flees; the future enters.
Newcastle, grimy, built on coal;
Have you now sold your northern soul?
Those hardy people of the past?
How long will their memory last?

II

Will the march of modernism harm
that fabled humour, Geordie charm?
Will your essential being change,
or will it just remain the same?
We're too busy with our smartphones
to dwell on our ancestors' bones.
To get on YouTube; that's our goal;
we are not used to heaving coal.
Those people, they belong to then;
yet the people now come from them.
Through generations runs a thread;
They are by shared history wed.
Yet, perhaps, they who once were here,
who, too, enjoyed a pint of beer,
are still with us; at least in thought,
their lives unfinished; dreams still sought.
Will our hopes, too, be unfulfilled,
our vision struck, our voices stilled?
We share with them. husband and wife,
the fickle randomness of life.
Now the train jolts into motion
and dispels my idle notions.
One final glance, one final time.
The Tyne is still; and still the Tyne.

Stuart McFarlane is now semi-retired. He taught English for many years to asylum seekers in London. He has had poems published in a few online journals.                                                                                                                    

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Categories
Poetry

Suburban Meanderings

By George Freek

Painting by Vincent van Gogh (1853-1890). From Public Domain
NIGHT IN THE SUBURBS

As the night deepens,
the sky seems like a hole
that stars fall into.
Branches suddenly wave
like spastic arms,
as a wind from nowhere
sets them in motion,
and life quickly passes by,
leaving no time
to even wonder why.
The earth continues spinning,
like an alarm clock
with malfunctioning hands.
My wife is dead.
My friends are old.
Why did I live?
I have no idea.
I was never told.


EVENINGS AT SILVER MOON LAKE

The day stretches before me
like the water in the lake,
flat and dull.
I sit thoughtlessly,
as if riding the waves
like a somnolent gull.
A sudden breeze passes by,
like the rough touch
of an invisible hand,
but it’s quickly gone.
Like bygone days,
it didn’t last long.
As waves beat the shore
like the erratic notes
of a mad composer,
I’ve finally had enough,
and I close my door.

George Freek’s poetry has recently appeared in The Ottawa Arts Review, Acumen, The Lake, The Whimsical Poet, Triggerfish and Torrid Literature.

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Categories
Poetry

You’ve Already Made It

By Stephen Philip Druce

YOU'VE ALREADY MADE IT

Don't you strive for the fame
or pursue its fortune --
play a roulette game
like a business tycoon,
climb a high status ladder?
don't even start,

you've already made it,
you've got a good heart,

don't boast your conquests -
your qualifications,
the talent contests --
the expectations,
don't conquer the mountains
or top the charts --

you've already made it,
you've got a good heart,

don't be frightened to lose,
or to take a rejection,
wear an ego bruise
for your imperfection,
your legacy is sleeping -
you've got a head start,

you've already made it,
you've got a good heart,

don't stack on your power,
don't you mass on appeal,
build the tallest tower
or sign a record deal,
bin your trophies -
certificates -
rip them apart,

you've already made it,
you've got a good heart.

Stephen Philip Druce is based in Shrewsbury UK. He is published in the USA, India, the UK and Canada. He’s written for theatre plays in London and BBC 4 Extra. 

Contact: Instagram – @StephenPhilipDruce

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