Categories
Poetry

Prose Poems by Mary Pomfret

Mary Pomfret

LOVING

One night in the dark, deep and black, you whispered ‘you and me’ and then I knew it would be me and you because you breathed those three words into me and my world became you and me, and even though the poet said one thing he knew for sure was ‘life goes on,’, I say one thing I know for sure is ‘you and me’, even though you are gone and I buried you by the seaside facing east and planted daisies on your grave and visit you every day, it is still you and me, and our photos sit high on the piano you used to play for me in the evenings when the sun was setting and the notes would float around us as I sipped my gin and gazed out across the fields of wheat and grain and you sang the song you wrote about me and you, ‘You and Me’.



SHELVING

I was always nagging you to clean your house, to tidy your mess, to hang your wet washing outside on the clothesline instead of on an old wooden rack in the middle of the lounge room. When I first started to visit you, it didn’t bother me much that your mantlepiece was still decorated with last year’s tinsel or that you had last century’s newspapers stacked on one end of the couch.
But when I began to contemplate growing old with you (it was you who suggested it, after all) I realised I could never live with such cluttered disorder no matter how much I loved snuggling up to you in your warm bed on winter nights, or sitting with you in the sunshine on summer afternoons beside your weeping cherry tree.
I lived in hope that you would change your messy ways so we could live together in harmony, spend our mornings in the garden, our evenings by a cosy fire in a beautiful house with everything shipshape.
Come over, you said, one rainy Sunday. I’ve done a bit of cleaning up. Excited at the prospect of seeing all the work you’d done to impress and please me, I drove through the fog to your door.
But everything looked the same, dusty as ever, except for the shelf with the framed photographs I had given you to remind you of me.
The shelf was polished and clear.
The photographs were gone.
I dusted off the shelf, you said smiling from ear to ear.
Have you dusted me off, too?





RELEASING

Difficult to sleep, she finally settles and dreams, an un-extraordinary dream. A small girl sits alone on a park bench waiting —just waiting—her tears spilling down into a pond at her feet.
Just before dawn, she drifts ghostlike out of her dreamscape into her kitchen. Familiar cobwebs, crumbs on the bench. A cockroach races behind the stove.
Making tea is her first line of defence. The water begins to bubble and just as the old tin kettle lets out a low screech, she feels a thick sob rising inside her, slow and deep, trapped in her throat, so hard it hurts.
She lets out a long loud moan, a sound that circles and hovers for a moment, then floats through tattered lace curtains fretting in the cool morning breeze and finally escapes like steam, through the open sash window to meet a golden sunrise and rests at the foot of the new day.

Mary Pomfret is an award-nominated writer whose creative work has been published widely in literary journals and anthologies. Mary lives and works in regional Australia.

.


PLEASE NOTE: 
ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Light Accompaniment by John Zedolik

From Public Domain
LIGHT ACCOMPANIMENT 


Feather follows me for a few
steps in my modest wake,
no exotic like a curlew
just a domestic make,

which has left this pen lacking ink
pointing without intent
but by no means pausing to shrink
even without consent

of the walker noting the quill
lacking an author’s hand
yet no light stuff, run of the mill—
obeying no command.

.

John Zedolik has published Measured Responses, 2026; Triple Muse, 2025; Lovers’ Progress, 2025; The Ramifications, 2024; Mother Mourning, 2023; When the Spirit Moves Me, 2021; and Salient Points and Sharp Angles, 2019.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

Poetry by Shazia Khatoon

Shazia Khatoon
“YOU AND I”

When You said, “This is your real home”
I start making a "home sweet home"
When You said, "I fulfilled every desire of yours"
I spend the whole day thinking when I last made a wish
When You said, "Stop working...sit at home...I will handle everything"
I wonder, "When you’ll give me a penny to spend"
When You said, "You are living the best life"
I think, "If it's the best then what will be the worst"
You said, " Neither do you participate in household tasks nor do you talk to anyone "
And when I try to do something, you stopped me because they don't like change
You said, "You have to go and spend time with them"
I think, "They are living in the past"...
I am struggling to find a connection between Your talk and behaviour
I slowly feel misplaced and am shutting down myself...
At night, I wonder when loneliness had learned to live within me...
Somewhere beneath the tears, a voice rises, "I am still here my dear you need time to recover"

Dr. Shazia Khatoon is an Assistant Professor in the Department of English, Karamat Husain Muslim Girls’P. G. College, University of Lucknow.

.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Kindle Amazon International

Categories
Poetry

The Spider’s Web

By T. Manjunath

THE SPIDER’S WEB

Every morning, the spider rebuilt its web
between two branches that never stood still.
The night's rain had erased yesterday's work,
yet dawn found no trace of regret.

When the first sunlight touched its threads,
they shimmered with colours not their own.
Even the gentlest breeze put them to the test,
yet they held their place without a sound.

Perhaps hope is not holding on forever,
but quietly beginning again.
Some hearts are woven the same way—
broken in the dark, rebuilt with the light.

If a spider never counts
how many times its web has fallen,
why do we measure our lives
by the things that did not last?

T. Manjunath is a young writer from Andhra Pradesh. His poetry reflects on nature, resilience, and human emotions through thoughtful observations.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Elixir of Life

By Veerashetty Aurad



Elixir of Life

Water—
You remember every thirst.
In cracked villages
You vanish into dust,
While in anger
You return as flood.
I have seen hands
Walk miles for a drop,
And hearts divided
At the edge of a well.
Now pipes arrive—
Yet old wounds echo.
Still, you flow
Beyond caste, beyond borders—
A silent truth:
We survive in you,
Or not at all.

Veerashetty Aurad is a poet, author, and educator from Karnataka. His poetry explores nature, humanity, spirituality, and social consciousness with lyrical simplicity and depth.

.


PLEASE NOTE: 
ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Resilience in Verse

By  Subramaniam Cheemalapati

Papillary Carcinoma or thyroid cancer cell. From Public domain
PAPILLARY CARCINOMA

Four hours of sleep, they said, would see it through.
But pressure rose, and so the date was moved.
Two days I waited. Then the surgeons knew
the time had come; the growth would be removed.

They cut the thyroid, and the growth, and more,
the nodes as well, in case the sickness spread.
I touched my neck and felt the wound still sore,
raw at the throat, as if I'd nearly bled.

The lab confirmed what no one wants to hear:
papillary carcinoma, out loud.
I went quite numb. Two tears came, sharp and clear.
The doctor spoke. One hope was still allowed:

"This is the safest one, and caught in time."
I held those words. I made his comfort mine.

Subramaniam Cheemalapati is a writer based in Mysore. His work explores memory, family, faith, caregiving, and place. He is working on a memoir, a literary novel, and personal essays.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Corners by Ryan Quinn Flanagan

CORNERS

Corners are a meeting place,
they hold the room together.
Spiders know this and construct their
webs there to catch the most traffic.
The masons knew this as well,
what are walls without corners, natural supports?
They provide guiding architecture like a city limits.
An artful design and definition.
Wallflowers use corners as an escape,
albeit a most temporary one.
Corners marshal the eye away from monotony,
from the sprawling of plaster monsters.
They can be storage for things less immediate.
Provide a sacred geometry put into practice.
Act as a mediating intersection between things.
You could write an entire poem about them.
Corners have become that important.
Art by Piet Mondrain (1872-1944)

Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Borderless Journal, GloMag, Red Fez and Lothlorien Poetry Journal.  

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

The Yellow Brick Road: Poems by Luis Cuauhtémoc Berriozábal

From Public Domain
WHAT PATH SHOULD I TAKE? 

What paths should I take?
I hear laughter ahead of me.
It makes me sad to think I am
the source of that laughter.

I follow the yellow brick road.
My steps are labour at my age.
Under a desolate sky I think I
will never get to my destination.

I feel listless on the new path.
I blink when I see a light coming
toward at me in record speed. I
will sleep like sheep under moonlight.


THE UNFORTUNATE ONES

Suffering for some is how much more
wealth they cannot accumulate.
Others are lucky to have one decent
meal a day procured from a trash bin.

Hope for some is being able to buy a
bigger mansion, a larger yacht.
Others hope for a tent that keeps out
the rain or rats rummaging for scraps.

Here in this world everything is for sale.
The unfortunate ones pay with their lives.
There is blood in the streets from which
warmongers collect the blood money.

Dead and buried in the debris from
bombing attacks lie the unfortunate ones.
Trampled under the foot of hatred,
people are crushed along with their flag.

The tears of oblivion fall from the eyes
of the unfortunate ones cold and wet.
The purveyors of death will get theirs.
Their hope for immortality is just that.


THE BIG BABY CRIED

(After Noor E. Zahra)

The big baby cried
and the earth began to shake.
Mountains crumbled.
Dead bodies multiplied with each cry.

The big baby cried
and every tree tumbled down.
The sun and moon
fell into the ocean to their extinction.

The big baby cried
and its tears became rivers and floods.
The grass was drowned.
The stars glittered in the ocean waves.

The big baby cried
and every heart began to break in two.
The baby’s tears flooded the earth,
which could not take all the weight.

The big baby cried
and the sky began to fall. There was
nothing that could make the crying stop
as darkness fell all over the earth.

The big baby cried
its tears into the void filled with sorrow
and pain one might surmise. These
alligator tears were just a tantrum that
brought the rain of all rains to earth.

The big baby cried
and the earth shed all its blood.
The big baby howled
and not even the big bad wolf came.

Luis Cuauhtémoc Berriozábal, born in Mexico, now lives in California and works in Los Angeles. His poetry has appeared in Blue Collar Review, Borderless Journal, Hobo Camp Review, Mad Swirl, and Unlikely Stories. His poetry book, Peering into the Sun, was published by Poet’s Democracy.

.


PLEASE NOTE: 
ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Three Poems by John Grey

From Public Domain
THE CROWS AT DUSK

From the porch,
I could see a string of crows
on a high branch.
Then, as night came in,
with my half-blind eyes,
it seemed as if the very trees
were crows,
deep black
with wings fluttering
in the chilly west wind.
And the hills were crows,
And the road,
The fence,
The yard.
Yet the caw came
only from where
I had first seen those
silken ebony birds.
Even in darkness,
the tree crows
put on hold
the crows of my imagination.


SNAKE ENCOUNTER

The snake lifts its head slightly.
Its bead eyes fasten on me.
So where is that ancient fear of man
instinctive to every serpent?
Why doesn’t it slither away?
But it would rather hiss softly as it takes my measure.
Maybe it senses something vulnerable in me,
a phobia it can play like a well-tuned harp.

I say something dumb and human, like "Shoo."
But it doesn’t retreat. It doesn’t even blink.
I am not prey but I am an interloper.
My breath is an uneasy truce between two beings.
We spend this unplanned armistice trying to read each other.


A DYING BLACKSMITH

I'm fading - not like sunset, no -
like the cooling of iron
left too long on a sideboard.

Sleep is near death,
my bed’s a coffin
with a forge for a crematorium.

Dreams speak the tools of my trade
but twist them in ways
that make my brows knot.

I wear that rutted road,
not proud, just unsure
how to smooth it out.
And the flame is not my friend.
My handle burns.
My hammer’s head
is about to shatter.

John Grey is an Australian poet, US resident, recently published in Shift, Trampoline and Flights. His latest books — Bittersweet, Subject Matters and Between Two Fires — are available through Amazon. He has work upcoming in Levitate, White Wall Review and Willow Review.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Categories
Poetry

Patio Poems by George Freek

KNOWLEDGE IS HARD TO COME BY

Wind plays the leaves
like tambourines,
but the stars aren’t listening.
Clouds swim in the sky,
Like fish out of water,
but they’re only clouds,
and they depart
as the night’s illusions
quickly pass by.
Things I can’t see
often affect me.
It makes me feel
I’m more stupid than a tree.
I imagine such irrelevancy
will emerge as poetry.
Thinking like this
has become my deepest need.
As subterfuge,
it’s a way
of avoiding reality.


AFTERNOONS ON THE PATIO

Three evenings, with long
afternoons and a way
of forgetting words,
which probably
shouldn’t even be spoken.
The thoughts
I recall and a drink
called something pink.
At its bottom, tomorrow
stretched and curled
like a cat, toying
with a lazy afternoon.
The shadows were blue,
and the roof went ping,
when you touched
your earring.
Then it rained,
and the day became long,
and suddenly there were
other people here.
Something was always wrong.

Painting by Pierre-Auguste Renoir (1841-1919)

George Freek’s poetry has recently appeared in The Ottawa Arts Review, Acumen, The Lake, The Whimsical Poet, Triggerfish and Torrid Literature.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access Wild Winds: The Borderless Anthology of Poems

Click here to access the Borderless anthology, Monalisa No Longer Smiles