Categories
Tagore Translations

Bolai

A story about Man and Nature written in Bengali by Rabindranath Tagore in 1928, translated by Chaitali Sengupta.

Simul tree, also known as Rokto Simul in Bengali. Photo Credit: Wiki

It is often said that human life is a culmination of various other life forms in this world. In our daily lives, most often, we come across diverse characteristics of other animals in a human being. Honestly said, in the character of a human, we see a blend of attributes usually found in animals. The domesticity of a cow and the ferocity of a tiger reside in the same human; it is, as if, the snake and the mongoose are both put together. It is somewhat like the melody that is created when the entire range of notes come together. Only then, a raga is formed. However, in a raga, one note can be more prominent than the other.

In the character of my nephew Bolai, I believe the affinity for flora and fauna, perhaps, reigned supreme. He was an observant child rather than an active one. Even at an early age, he’d quietly observe Nature around him. The dark, billowing clouds in layers, on the eastern sky would collect and pour. They would moisten his heart and bring forth the untamed breeze of the forests. It was, as if, his entire being could hear the pitter-patter of the rain.

He seemed to want to fill his being with rays of the departing sun, perhaps, in an attempt to collect something precious from it. In the end of Magh (the month of January), when the trees would be laden with the tiny fruits, an intrinsic, deep happiness, a joy defying description awakened in him. His inner nature would blossom forth, expand and take on a deeper shade of colour, much like those flowering Sal trees, with the advent of Falgun (the month of February). In those moments, he had a deep urge to sit in solitude, in conversation with himself, piecing together the various tales he’d heard. Like the story of that very old pair of birds, who had made their nest in the deep crevice of the ancient banyan tree.  He never talked much, this wide-eyed, staring boy. In the silence of his being, his thoughts ran deep.

Once, I took him along on a trip to the mountains. His joy was immense, when he saw the lush carpet of the green grass, sprawling across the valley from our house at the top.  In his mind, the grass carpet on the slope was not an inanimate, lifeless thing; he felt it to be a living one, that rolled playfully down. Often, he would roll down the slope, become a part of the grass, enjoy it tickling his back. He giggled aloud.

After a rain-washed night, when the first rays of sun gently broke free, and its golden light kissed the tops of the clustering deodar trees, he would tip-toe out of our home, alone. He would walk to those tall trees, and stand in awe, watching the motionless mighty trunks. In them, he’d envision a living spirit, a human presence, as it were. The spirits who wouldn’t talk but would know all our secrets like our ancestral grandfathers, from times immemorial.

His deep-thinking eyes weren’t always heavenwards. Many a times, I’d seen him roaming in my garden, his eyes on the ground, as if in quest something new or unusual. His curiosity knew no bounds, when he discovered new seedlings piercing out of the soil. Each day, bending down, he would talk to them, as if asking, “What’s next? Now what?” Those were, like his eternally incomplete stories — like those new, tender leaves, with whom he shared a strange affinity, verging on companionship.

And they, too, would be eager to ask him questions. Perhaps, they asked him his name. Or, about his mother, where was she? In his mind, Bolai perhaps would reply, “But I don’t have a mother.”

When someone plucked a flower from the tree, it hurt him. He realised soon enough that his concern or hurt was not at all important to others. He tried to hide his pain. When the young boys of his age threw stones at the trees, trying to bring down amlokis (gooseberries) from fully laden branches, he ran away from the scene. To tease him further, his companions would walk through the garden, thrashing the row of shrubs on both sides with their sticks; they would tear the branch of the bakul tree (Minnesap species) — he felt like crying but couldn’t. Then, others might have thought of him as mad. The worst days in his life were when the grasscutter came to mow the grass in the garden.

For he would have noticed the small tendrils of creepers, rousing their heads within the patch of grass, and those purple-yellow tiny nameless flowers, embedded with them. Here and there, the kantakari (wild eggplant) shrubs, with small bluish flowers sporting a speck of gold in their hearts. Those creepers of kalmegh (bitter medicinal plant) near the fence borders, and the anantamul (a medicinal plant) displaying their leaves; the sprouting neem that blossomed forth out of the seeds dropped by birds, how beautiful they looked! And all these were brutally mowed down by the cruel grass mowing machine. Nobody listened to their pleas or protests, for these were not the most sought-after plants in the garden.

Somedays, Bolai would come to his aunt, sit on her lap and wrapping his small arms around her neck. He would only say, “Why don’t you ask those grasscutters not to kill my plants?”

His aunt replied, “Bolai, don’t be a fool. These are overgrown weeds, almost a jungle, these must be cleaned.”

Bolai had by then understood that there were some pains, some sorrows, that were exclusively his own. Those never resonated with others.

Bolai probably was truly born in that age and time, when the universe first swam out of the womb of the ocean, taking its first breath, eons of years ago. At a time, when on the newly formed layers of mud, the nascent forests rose and cried out for the first time. Then, there were no birds, no noise, no life — only layers of rocks, slime and water. Those tall trees, heralding other life forms on the path of time, calling out to the glowing sun, with their raised hands, saying, “I’ll live, I’ll exist, I’ll survive, like the eternal traveler, through the cycles of death, through days and nights, rain and shine, I’ll progress on the path of my growth, my evolution.”

Those murmurings of trees can be heard still, through the forests and the hills; on the tendrils of their leaves the life force of Earth murmurs, “I’ll live, I’ll exist.” These mute trees, like foster mothers of the Earth, have milked the heavens for endless time, to gather life’s nectar, it’s radiance, for this planet. And endlessly, they raise their eager heads to the air, expressing their soul’s call, saying, “I’ll live.” In some strange, miraculous way, Bolai could hear that calling in the blood that coursed through him. The very thought had made us laugh.

One fine morning, as I was reading the newspaper, Bolai came up and took me to the garden. Pointing out to a small shrub, he asked me, “Uncle, what’s that plant?”

It was a small shoot of a simul (silk cotton) tree, growing through the crack of our gravel road. Bolai had made a mistake by bringing me there.

The sapling was a tiny one, just like the first babbling of a child; it was then that Bolai noticed it. Thereafter, Bolai had himself tended to the plant, watering it, checking it earnestly to monitor its growth, each morning and evening. Though the silk cotton plant grows fast, it could not keep pace with Bolai’s eager wait. When it grew to a certain height, Bolai observing the beauty of its rich leaves, was certain it was a tree of a special kind. His observation was quite similar to that of a mother who after observing the first hint of intellect in a child, marks him as a wonder. Bolai, too, had thought that he’d astonish me with his tree.  

I said, “I’ve to tell the gardener to uproot the tree.”

Bolai was aghast. Those words were terrible for him.  He said, “No Uncle, I beg of you, please don’t get it uprooted.”

“I truly don’t understand you,” I told him. “It stands right on the middle of the path. It’ll spread cotton all over, once it grows bigger. It’ll be a nuisance.”

Bolai realised it was no use arguing with me. The motherless boy then went to his aunt. Sitting on her lap, with his arms around her neck, he sobbingly said, “Aunt, please tell uncle not to uproot the tree.”

His plan worked. His aunt called me and said, “Oh listen, please let his plant be.”

I let it be. Had he not shown me the sapling, I would have surely not noticed it. But now, I notice it every day. Within a year, the tree grew taller shamelessly. As for Bolai, he reserved his best adoration for this tree.

The tree continued to grow in a ridiculous manner, without paying any respect at all to anyone around. It grew to its full height, standing on that inappropriate spot. Whoever saw it, wondered why it was placed there. A couple of times more I proposed to uproot it. I tempted Bolai with my offer of nice, high quality rose saplings. I also proposed, “If you still opt for the silk-cotton tree, then let me get you a fresh sapling. We can plant it next to the fence. It’ll look pretty there.”

But any talk of uprooting it, alarmed Bolai. And his aunt said, “Oh, it doesn’t look that bad there.”

When Bolai was an infant, my sister in-law had passed away. The grief, perhaps, made my elder brother careless; he went abroad to study engineering. Motherless, this child grew up in my childless home, in the lap of his aunt, my wife. Ten years later, my brother returned and took Bolai to Shimla to school him so that he could accompany his father abroad. He was given western education in Shimla.

Bolai cried inconsolably as he left our home, turning it into an empty house.

Two years passed. During this time, Bolai’s aunt, saddened by his absence, dried her tears in solitude, and spent her time in Bolai’s room, arranging and rearranging a single torn shoe that he wore, a damaged rubber ball he played with and that picture book of animals. She wondered if Bolai had outgrown all these by now.

In between, the wretched silk cotton tree continued to grow shamelessly; so tall it had grown, that it was now absolutely mandatory to cut it down. I chopped it down one day.  

Very soon after this, Bolai’s letter reached us from Shimla. “Aunt, do send me a photograph of my silk-cotton tree.”

Before going overseas, Bolai was supposed to come and meet us once. But since that had now been cancelled, Bolai wished to take his friend’s photograph along.

His aunt called me, saying, “Listen, please bring a photographer.”

I asked, “Why?”

She showed me the letter in Bolai’s childish handwriting.

I said, “That tree has already been chopped off.”

Bolai’s aunt didn’t touch food for the next couple of days and stopped communicating with me for even longer. When Bolai’s father had taken him away from her, it was the severing of her umbilical cord; but when Bolai’s uncle uprooted his favorite tree forever, it shattered her world and deeply wounded her heart.

For, that tree was, to her, a reflection of Bolai, his substitute image.

Amloki tree

Author’s Bio:

Rabindranath Tagore (1861 to 1941) was a brilliant poet, writer, musician, artist, educator – a polymath. He was the first Nobel Laureate from Asia. His writing spanned across genres, across global issues and across the world. His works remains relevant to this day.

Translator’s Bio:

Chaitali Sengupta is a published writer, translator, journalist from the Netherlands. Her works have been regularly published in both Dutch and Indian literary platforms, her poems also been anthologized in many acclaimed collections.

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Categories
Poetry

The Lovers

 By Soma Debray

The two walked hand in hand.

They stopped awhile,

Embracing under the great Banyan tree

That lay upturned;

Or was it an apple tree? 

Hope and Hurt.

The booming voice questioned:

“Who has poisoned Man first?

Who has raked the autumn leaves

Till the soil, black and thick,

Flows down the river of blood

Beyond generations?”

Pitter patter.

Pitter patter.

Night dawns to day

As Hurt desires Hope.

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Soma Debray, Assistant Professor in English, Narajole Raj College, West Bengal, lives in a constant state of wonder at all the possibilities life has to offer. She enjoys being a woman lapping up the challenges of womanhood. Writing for her is a joyride she waits to happen.

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Categories
Interview

In conversation with Devaki Jain

Devaki Jain: With Permission from Devaki Jain and Speaking Tiger Books

A woman who at eighty-eight brought out her autobiography based on the urgings of among others, Alice Walker, author of  the Pulitzer Prize winning novel, The Colour Purple , and  Doris Lessing, the Nobel Laureate — only much later. Like Lessing’s The Golden Notebook, her biography is called The Brass Notebook. Does it talk anti-war or feminism or womanism? I am not sure. What it does show is a woman who despite being surrounded by patriarchal norms managed to live her life as she wanted without resorting to schools of ‘isms’ or feeling injured. In the process, she met many great people and tried to bring in changes or reforms.

Devaki Jain, born in 1933,  graduated in economics and philosophy from St Anne’s College, Oxford and is an Honorary Fellow of the college. She is a recipient of the Padma Bhushan (2006) and an honorary doctorate from the University of Westville, Durban, South Africa.

Needless to say the best introduction to her work and her person comes from well-known feminist journalist,  Gloria Steinem: “Your heart and world will be opened by reading The Brass Notebook the intimate and political life of Devaki Jain, a young woman who dares to become independent even as a country of India does. Because she’s also my oldest friend I can tell you there is no one like her, yet only here in her writings have I learned the depth, breadth and universality of adventures.”

The interview probably reinforces her non-conformist outlook. In an age when intellectuals bicker over terminology and social media becomes the fulcrum of our lives, she lives by her convictions. Despite writing an absolutely gripping autobiography, she has revealed only a bit of herself. Through the interview, I tried to entice more but I got only a very brief glimmer. Her autobiography painted a liberal, liberated and open thinker who fearlessly fought her way against patriarchal and colonial mindsets. In this exclusive, I invite you to savour her spirit at a stage in life when most talk mainly of geriatric issues. Devaki Jain for you —

You were a very independent lady for your times. Could you find parallels of women like yourself in diverse cultures?

Women have been revolutionaries, radical thinkers, resistance leaders, dissenters for centuries. There are not many records of this but one of my colleagues found that there were groups of women, for example, in China even as far as the 12th century who were dissenters. Therefore, the knowledge may not have been recorded but striking for independence and striking for justice has been a part of women’s lives for centuries. 

What drove you to be as you were? What made you feel that marriage was not the ultimate aim of all existence in the 1950s and 1960s?

(a)What drives people to do things differently? This is not an easy question to answer, people are born differently with different aspirations and different nervous systems. It is like asking an artist what helped you to be such a brilliant artist. Such questions are not appropriate. 

(b) I think this question is badly framed that I felt that marriage was not the ultimate aim, it was not like that. It was just that I felt there were other things that I wanted to do.

A young Devaki Jain. With permission from Devaki Jain & Speaking Tiger Books

How supportive was your family, especially your father, of your sense of independence?

My father was an enigma, while he wanted to submit to orthodoxy, he was also very respectful of those who wanted to do things differently. So, in a sense, I think he was supportive of my desire for independence. 

You did face some amount of familial sexual harassment. Did it scar you for life? How did you get over the trauma?

My uncle’s sexual assault on me did not scar me for life, there was no particular need to get over the trauma. In a situation of living in cloisters with family bounds there is no space for lifelong traumas.

You spoke of how funding went inadvertently hand in hand with a different kind of colonial outlook. Would you say that is still true?

No, currently I think both the donors and the receivers have understood the difference and respect the difference.

Womanism is a term you have spoken of in your book. How is this different from feminism in your perspective?

I was basically supporting Alice Walker’s definition and I support her perspective. Please refer to my quotation from Alice Walker*.

[*Alice Walker quote from Pg 173-174, The Brass Notebook, Speaking Tiger, 2020: “As long as the world is dominated by racial ideology that places whites above people of colour, the angle of vision of the womanist, coming from a culture of colour, will be of a deeper, more radical penetration. This is only logical. Generally speaking, for instance, white feminists are dealing with the oppression they receive from white men, while women of colour are oppressed by men of colour as well as white men, as well as by many white women. But on the joyful side, which we must insist on honouring, the womanist is, like the creator of the word, intent on connecting with the earth and cosmos, with dance and song. With roundness, thankfulness and joy. Given a fighting chance at living her own life, under oppression that she resists, the womanist has no or few complaints. Her history has been so rough—captured from her home, centuries of enslavement, apartheid, etc—she honours Harriet Tubman by daily choosing freedom over the fetters of any internalized slavery she might find still lurking within herself. Whatever women’s liberation is called, it is about freedom. This she knows. Having said this, I have no problem being called “feminist” or “womanist.” In coining the term, I was simply trying myself to see more clearly what sets women of colour apart in the rainbow that is a world movement of women who have had enough of being second–and third–class citizens of the earth. One day, if earth and our species survive, we will again be called sacred and free. Our proper names.”]

Do you think women’s issues across the world are similar? How should they be dealt with?

It is believed that women’s oppression comes from patriarchy which of course is worldwide. I do not think I can answer the second part of the question – “how should it be dealt with?” — except writing three other books.

With Fidel Castro in Cuba as a member of the South Commission. With permission from Devaki Jain & Speaking Tiger Books

You have spoken of how the South Commission fell through. Can you tell us why? Is this what happens very often?

The South Commission fell apart because of a failure of solidarity between the south countries. It was a political statement to join the South together as an economic platform. When it failed, it failed all that. 

You tried to bring many changes for the welfare of women across India and beyond. Will you tell us a bit about the perceived problems and solutions that we could find?

I do not think I attempted to bring changes for the welfare of women. I think I was basically pointing out the contribution that women made to the economy and how they were being discriminated against. 

What are your future plans, presuming you are going to be a grand dame of 150 years?

I would like to write, write and write.

What would be the advice you would like to give young women living in today’s world?

Follow your dreams and don’t be frightened of orthodoxy. 

Thank you for giving us some of your time.

Nelson Mandela, Graca Machel, Devaki Jain, Lakshmi Jain at a reception. With permission of Devaki Jain & Speaking Tiger
With Dr Julius Nyere (centre) in Cuba, 1989. With permission from Devaki Jain & Speaking Tiger Books
With Desmond & Leah Tutu, Pretoria, 1998. with permission from Devaki Jain & Speaking Tiger Books

All the photographs are published with thanks to the author, Devaki Jain, and the publisher, Speaking Tiger Books.

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This has been an online interview conducted by Mitali Chakravarty.

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Categories
Poetry

A Request To A Son

A Nepali poem by Swapnil Smriti, translated by Pranika Koyu

Swapnil Smriti

Dear son,

You have a right to ask every question. 

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That ageing Himalaya is your ancestor. 

The deep sky is your wish. 

The playful breeze bustling from one tree to the other 

Is your life.

Those winding roads, hanging around the hills across, like the strings  

Are your dreams. 

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Your two eyes and 

The innumerable stars are kin. 

All the snow of the winter, 

All the flowers of the seasons, 

Are like a transient rainbow. 

And a short kiss I plant on your cheek — 

It is our life.

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The one who bore and raised you, 

And made you this lovable 

That is the Earth.

She is our mother — both yours and mine.

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My dear son! 

Be ready with questions of all kinds. 

However, 

About the moon by the bamboo grove  

That wanes for fifteen days 

And waxes for fifteen days 

Never, Never, ask … 

Why, at times, does it rise in the afternoon? 

Why, at times, does it become a crescent? 

Oh simpleton, it is like that only… 

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Why? 

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I replied — 

That is the long-lost love of your father’s youth! 

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Swapnil Smriti (b. Nov. 14, 1981), a contemporary Nepali poet, hails from Panchthar district, and resides in Lalitpur at the present. He works at Nepal Academy of Music and Drama. He has to his credit two anthologies of poetry: Ranggai rangako Veer (2005) and Baduli Ra Suduura Samjhana (2011). Smriti is of the opinion that poetry is an artistic outburst of the subconscious mind.

Translator’s Bio: Pranika Koyu is a poet and human rights activist. Her poems highlight socio-political context of women in Nepal. Bhaav is her first anthology. Her poems translated in English have been have been published in Zubaan and Mitra. She is the editor of Chronicles of Silence.

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Categories
Excerpt

The Brass Notebook: A Memoir by Devaki Jain

Excerpted from The Brass Notebook: A Memoir by Devaki Jain. Published by Speaking Tiger Books, 2020.

Upturning Hierarchies

‘She has wheels on her feet’: I think this phrase is used in several Indian languages to describe women who are constantly travelling (‘kaalile chakram’ in my own language, Tamil). The phrase sometimes carries with it a sense of exasperation or dismissal: why can’t she stay in one place? I was just the sort of person to whom that phrase applies. In retrospect, it amazes me to find that over a span of about fifty years, starting 1955, I have travelled to ninety-four different countries. I have also had the privilege of visiting every one of the twenty-nine states and seven Union Territories in India. In most of them, I have visited some of the poorest and most marginalized villages to meet women and to try to understand their struggles. Very little of this travel was for tourism or holidays. Nearly all of it was professional travel with my costs covered.

This cycle of constant travel began in a sense in childhood, when I accompanied my father on his trips and safaris. So many of my memories of childhood are of me in the back seat of a car, en route to somewhere unfamiliar. But I really became a self-sufficient traveller in my own right in 1962, when I found myself part of an unusual, and now almost impossible, overland trip from Oxford to Delhi. The leader of this bold travelling party was Elizabeth Whitcombe, an Oxford student who had studied ‘Greats’: that is to say, the four-year degree in Greek and Latin languages, literature, history and philosophy. She had only two conditions for members of her party: one had to be able to drive, and to contribute £100 to the kitty. In the end, there were four of us: two men and two women in a hardy Land Rover.

We started, of course, from where we were, in Oxford, and took the ferry across the English Channel into France. We drove across France and Switzerland, all the way down to Greece and then Turkey. Throughout, we stayed in what were called ‘mocamps’—camps for motorists to park their cars and spend the night. Sometimes, we slept out in the open in our sleeping bags. Elizabeth, a seasoned camper who had climbed mountains in New Zealand, brought all the necessary equipment. A well-read scholar, she could educate us about the antiquities in Greece and Turkey—archaeological sites and ancient monuments—that we visited.

From Ankara in Turkey, we went on through Trebizond, Batumi, Erzurum, Tabriz, stopping in each town, walking through and occasionally shopping in the bazaars. We all bought leather coats in the market in Istanbul, where the sturdiest and cheapest leather goods were to be found. The one memory of that part of the trip that stayed with me as a traumatic experience was seeing the decapitated heads of cattle being used to hang things on—bags, hats and so forth. The heads still had eyes and it was like they were staring right back at me when I looked at them.

One of my co-travellers, a mathematician from New Zealand called David Vere Jones, wrote to me recently with some of his memories from this leg of the journey: of a mosque with a wooden floor and many squares of old carpets, of leaving the mosque after dark in search of a camping ground, of eventually settling down for the night in a dry riverbed where some nomads were camping opposite. Some of the children and old men in their encampment came to visit us, bringing us melons; we accepted gratefully, offering them cigarettes and brandy in return. They sang for us, and one old man chose a particularly bawdy number that sent his companions into convulsions of laughter. David can also remember swimming in lakes, and the constant stomach upsets to which we all fell prey during the journey.

About the Book:

In this no-holds-barred memoir, Devaki Jain begins with her childhood in south India, a life of comfort and ease with a father who served as dewan in the Princely States of Mysore and Gwalior. But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.

Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Henry Kissinger, and Iris Murdoch.

 About the Author

Devaki Jain graduated in economics and philosophy from St Anne’s College, Oxford and is an Honorary Fellow of the college. She is a recipient of the Padma Bhushan (2006) and an honorary doctorate from the University of Westville, Durban, South Africa.

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Categories
Musings

No Longer Smug in South Australia

Meredith Stephens gives a first person account of how the pandemic free South Australia is faring balancing fears

Not only does Australia feel geographically isolated, South Australia feels isolated within Australia. Thanks to this isolation we somehow feel immune to the pandemic and enjoy months of zero cases. We look at the evening news aghast as cases soar in Europe and America. Finally, our neighbouring state Victoria gets the numbers under control, and travel between the states becomes possible. Alex has been looking forward to the borders with Tasmania opening so he can sail there from Adelaide and circumnavigate the island. First, he will sail to the historic town of Robe in the south-east of the state, and from there he will sail to Tasmania, weather permitting. He enjoys the extensive preparation, ordering a new inflatable life raft, a new dinghy, a new chart plotter, and installing a wind turbine. He has the standing rigging replaced too.

I want to sail with Alex but can’t because I’m teaching online. I wouldn’t be able to readily access the internet at sea due to the slow satellite connection. I ask Alex to prepare one of his T-shirts for me to take to bed in his absence. He wears the same T-shirt for several days in order to permeate it with his scent.

Suddenly there is news of a six-day lockdown. We have been spared lockdowns to date as we have smugly watched television news of excruciating lockdowns elsewhere. We have until midnight to attend to immediate business. The Chief Medical Officer appears on television and tells us we must decide where we will stay for the next six days. I opt to stay with my ailing mother and take Alex’s T-shirt with me to comfort myself.

I part from Alex and dutifully head to my mother’s home. After making her dinner and cups of tea, I accompany her to her bed, and make sure she takes her medicines. I heat her wheat bags to place behind her neck and on her toes. I watch some television to distract myself, and then exchange texts with Alex. Next, I have to face the night away from him. I don his T-shirt and hope his scent will soothe me to sleep, but it’s no substitute. I wake up with pain throbbing in my right temple and shooting up the right side of my neck. I touch my temple and feel the familiar dilated vein.

I must teach two classes online. I want to cancel because of my migraine, but if I do so I must make up the classes, so I persist with the lessons. The bright light of the screen pierces my eyes, but I find relief when I usher the students into breakout rooms and lie down for five minutes each time they interact with one another.

I search the house for pain relief. I beg Mum for some of her prescribed opiate tablets. She only has two left and permits me to have a quarter of one which she has cut out with the tablet cutter. Then the pain intensifies. I cannot find any aspirin but manage to find some Panadol from an expired blister pack. This gives me no relief. I am not sure I could get a doctor’s appointment at such short notice. Going to the emergency room would be counterproductive during a pandemic. I resolve to go to my daughter’s house. I know that she has two left-over prescribed opiate tablets. I determine to make the long drive despite the injunction not to leave the house. I go into Mum’s room to explain, but she is sleeping. So I leave a note on her bedside table. I leave my laptop there because I will be back in the evening.

I venture onto the deserted main roads. Will I be stopped and questioned by the police? After twenty minutes of driving, I see ten police cars on the opposite side of the main road, stopping drivers. I resolve not to take that route when I return to Mum’s. When I arrive at my daughter’s house, there is a text from Mum:

“Where are you? Are you okay? I am worried about you. I heard you leave.”

“I left a note by your bedside table. Didn’t you see it?”

“No. I missed it.”

“I’ll come back tonight.”

“No, Darling. I’ll be okay for the night. It’s too dangerous for you to drive in your condition.”

“Okay then. I’ll pop back tomorrow morning in time to Zoom my classes.”

Then my sister Rebecca texts me and asks after Mum. I explain that I have had to leave her in search of pain relief. I continue that I am worried about having left the house, but then my other sister Jemima forwards me a government message from social media saying that you may leave the house to care for an infirm relative or friend. Now I can consider my daughter’s house to be my base, and my trip to Mum’s to be legitimate. Rebecca and Jemima offer to take turns to stay with Mum until I recover.

I retrieve one of the prescribed opiate tablets at my daughter’s house, but the pain persists until the morning. I telephone the local clinic and make a telehealth appointment. The doctor calls me back at the appointed time and texts me a script.

Alex texts me asking how I am, and I send him the government message indicating that movement to care for someone who is unwell is legitimate. He offers to visit me and pick up the medicine on the way. My daughter shows me how to forward the script to him on my phone. Alex receives it and promises to come. I absorb his resonant voice, gentle tone, and the calm in his measured and carefully articulated speech. The tension eases and somehow, I find myself explaining to him that I am finally without pain.

Alex arrives at my door with my prescription tablets, but by now the pain has subsided. Knowing that I have left my laptop at Mum’s, he has brought me one of his. Not only that, he has brought South Australian yellowfish tuna which we can eat as sashimi, oysters, and some salmon. We sit down together while he explains to me how to use the Chromebook laptop, but rather than fixing my eyes on the screen I fix them on him, and once again imbibe his scent. We enjoy each other’s company for an hour before Alex has to return home.

Then my daughter informs us that the lockdown has been shortened. It appears that there was a misunderstanding during one of the contact tracing interviews and that the lockdown period will be reduced to three days. Travel within the state will be permitted.

Alex is relieved that at least he will not have to forego sailing, even though the circumnavigation of Tasmania will have to wait. Instead, he will sail into Spencer Gulf, within the state. The ocean is beckoning him, and he is grateful that he can now heed her call. The months of planning equipment, meals, and reading material will have paid off; he can resume his position at the helm, catch fish and squid for his meals, make use of his instinctive sense of wind direction, and be free to move or to stay according to whim, without a single care for COVID.

Meredith Stephens is an applied linguist in Japan. Her work has appeared in Transnational Literature, The Blue Nib, The Font – A Literary Journal for Language Teachers, The Journal of Literature in Language Teaching, The Writers’ and Readers’ MagazineReading in a Foreign Languageand in chapters in anthologies entitled What’s Cooking Mom? Narratives about Food and Family, The Migrant Maternal: “Birthing” New Lives Abroad, and Twenty-First Century Friendshipall published by Demeter Press, Canada.

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Categories
Poetry

Blessing the Cup

By Tom Merrill

      
 
 While morning yet was rose,
 not thorn,
 earth glistening
 as if newly born,
 I came across
 a romance here:
 he hadn't seen
 the shadows clear,
 nor seemed
 to be at all aware;
 she watched,
 and was content to stare.
  
 I thought of how a love began,
 of Eden, too,
 the dawn of man
 and how that garden
 turned to grief;
 of sorrow
 borne without relief;
 and yet,
 I did not fail to bless
 the tainted cup of happiness,
 nor reverently to tiptoe by
 this sleeper in the flower's eye.
   

Poems by Tom Merrill have recently appeared in two novels as epigraphs.He is Poet in Residuum at The Hypertexts and Advisory Editor at Better Than Starbucks.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
Young Persons' Section

Sara’s Selection, January 2021

Hello folks!

A very Happy New Year to all of you, and especially to Ms Sara. We always hope for a better future — let it be filled with magic, stars and rainbows! And may we all be able to interact with all our families and friends… This time Ms Sara has a cheerful collection giving hope in the New Year — 2021! Presenting Ms Sara in 2021–

Thank you! Ms Sara is back again. Hey there everyone, wish you a fabulous New Year on this page, both on behalf of Bookosmia and Borderless.

Poetry

We start with poetry welcoming the New Year. Here is a jolly poem talking of a jolly time, by 9 year old Noah Batolar from Gurgaon.

A Jolly Time of the Year

By Noah Batolar

Christmas is a jolly time of the year

Where everyone opens up to good times and cheer.

Nothing can stop this holiday

Almost everyone celebrates this day.

All negative thoughts are thrown into a pit —

Christmassssssssssssss, what a jolly time.

Put up the decorations,

Light up the fireplace,

Sing the carols and

All of that is just the beginning for a cheerful new year!

7 year old Anvi Sankhyan from Gurgaon now gives us a fun poem about Aliens!

Green Blue No Clue

By Avni Sankhayan

In the black space

Two Aliens in their UFO’s

were having a race.

They stopped

As their view was blocked

By a ball which was blue

But they had no clue

It was green which nobody had seen.

What is this beautiful place

Which has stopped their race?

Mountains, rivers, beautiful humans, desert, snow —

They wanted to know.

They went into a little girl’s dream

So that she would not scream.

The little girl said this:

 My mother Earth full of trees, life which makes it green 

Which you haven’t seen.

The water makes it blue. 

Now you got the clue!!

Next, we have a little mischievous take by 10 year old Shreyash Bajaj from Singapore. Warning: Please do not try it out!

How To Bunk School– A Poetic Recipe

By Shreyash Bajaj

Ingredients:

A cup of sleeping
A jar of excuses
A tablespoon of lateness
A teaspoon of secrecy
A bowl of willingness
2 cups of plans
A pinch of cleverness
A spoon of hiding.

Directions:
Wake up late,
You’re doing great!

Go over the plan again,
How and when.

Don’t brush your teeth
Don’t make your bed.
Go over the excuses in your head.

Go and make a fuss.
Try to miss the bus.

When you arrive at school,
Keep your cool.

Find a place,
To hide your face.

And lastly,
Have secrecy.

So now don’t be a fool,
Start bunking school!

Stories

We move on to stories now. Here is 9 year old Prakalya Krishnamurthi from Erode, Tamil Nadu taking us on an exciting marine adventure.

Julia and Dolphi

By Prakalya Krishnamurti

One pleasant day,  I, Dolphi , the dolphin and my friend, Walrus were playing at the seashore. We met a girl, her name was Sarah. She used to come walking with her dad. Sarah loved to play with me and Walrus so we became best-friends and buddies. A week later, Sarah came walking, her face down and smile missing. Walrus and I asked her, “Why are you sad? Come let’s play.”

Sarah said, “Hmmm….There’s a pet contest at my school, Oakland Elementary and I have no pets at home. I don’t know what I’m going to do on that day in school.”

We got an idea!

“Aren’t we your lovable pets and your best-friends and buddies too?”

Sarah was so happy and said, “You guys are so kind! Ok, now let’s get on with the contest. The contest is in a couple of months. So you both prepare the   tricks. I will prepare the props and costumes, sounds good?”

“Yay! Wonderful, I am so happy to be with you Sarah,” I said.

We practiced for the contest everyday at the sea shore.

“Ok, you both are performing very well and I am sure we’ll win the prize tomorrow,” said Sarah. “I will come tomorrow at 8 o’clock to pick you up for the contest.”

“Ok, Sarah, we will wait by the sea shore,” I said.

We were playing happily at the shore without knowing that we were about to be captured. Suddenly, two hunters saw us playing. They came quietly and captured us and sold us to a ‘Sea School’.

The next morning, Sarah went to pick us up but we were not there. She searched the whole seashore. Sarah started to worry and went to the contest  alone. The contest started at the open auditorium, which had a big pool in the center. Everybody performed. At last Sarah’s name was called out.  She went next to the pool with a sad face. Suddenly, she heard voices calling her, “Sarah, Sarah, Sarah! ”

It was us! She was astonished to see us but without another word we started  our performance. We gave a mind blowing performance and won the first  prize. Sarah was really happy but she wanted to know what had  happened. We understood her and answered her question, “Ok, we will tell you,” I said. “That day, when were practicing the tricks, suddenly we were  captured in a net by hunters. They left us at a Sea School. There, two caretakers came to see if we were valuable animals for the school. Luckily,  they were very kind. After we told them our story, they immediately said we will help  you get to your contest.”

Sarah hugged us tightly and said, “You both are the best friends in the world!” Suddenly a big wave of snow fell over us.

I opened my eyes and was looked around. I realized that it was only my dream and I was a dolphin in the dream. Slowly, I, Julia realized that after I went to Shedd Aquarium in Chicago with my family to see a dolphin show, I hadn’t stopped thinking about it. In my dreams, I had imagined my adventure as a Dolphin.  

My whole family laughed and my little brother rolled on the floor when he heard my story.

Here is an adventurous story by 8 year old Kiyan Jal Bulsara from Kolkata that will spur you into action. Aliens, monsters and a young hero….get ready!

Run for your life

By Kiyan Jal Bulsara

One day Mike got up and quickly readied himself for school because he was late. When he reached school, it started to rain very heavily. It just wasn’t his day. Somehow he was able to dash into school in the nick of time.

Mike saw something form in the sky, he was curious. It was a massive portal. After five minutes, thousands of monsters started to fall out of the portal and everyone started to panic except for Mike.

He went out of school and asked one of the monsters why they had come to planet Earth? The monster, whose name was Gigi, told Mike that the most  powerful villain Choba had escaped and was on a killing spree. Choba had  killed the king of all monsters, Nachi, so he could take over the throne and be the next king.

Therefore, they had come to ask for help. Mike called the Monster Busters and told them what had happened. They formed teams and were ready for the  battle. The Monster Busters used special weapons like a lightsaber to battle  Choba. The battle started the next day and finished after ten days and the  humans won but thousands of innocent busters died.

The monsters went back to their planet and promised to live in peace and harmony.

Watch out! 7 year old Aadya G from Chennai has her own Frozen sequel written out and this one is in India!

Anna and Elsa’s Visit to Taj Mahal

By Aadya G

Once upon a time there lived two sisters Anna and Elsa. They lived in Arendale. Christoph, Olaf and Sven were their friends.

One day they were gazing at Arendale’s palace and wondering if there could be a more amazing building. They wondered if there were more such beautiful monuments  across the world.

Christoph said, “I know a beautiful palace in India called  Taj Mahal. It is located in Agra and is one of the seven wonders of the world.”

Everyone got excited and said they wanted to visit the Taj Mahal. They started their trip to Taj Mahal by flying to India.They looked for a taxi ride and finally got one to drive to Taj Mahal. On their  way,  they saw a big giant monster. Anna quickly put a fireball on the monster.

The monster ran away. Finally, they reached Taj Mahal. They were surprised to see the Taj Mahal. They saw that it was very large and   made of white marble. They were excited to see the beautiful  carvings on Taj Mahal. They sang and danced and had lots of fun at the Taj Mahal.

Essays

If you were a bird in a zoo, how would you feel? Would you love it? Or, would you  rather be free?

9 year old Atreyo Bhattacharyya from Kolkata shares his perspective, in this epistolary (letter writing) piece.

Exciting Egret

By Atreyo Bhattacharya

Dear Grandpa,
I am very sad as I have been locked up in this cage. I am in an enclosure named ‘The Egrets’. But people still admire me for my beautiful snow white plumage.

We have cages that restrain a bird from flying away. I was brought to this zoo by a man named Kalan. He first dug a big hole and then covered it with leaves. Without seeing properly, I stepped on that and fell into it. I miss my freedom and how I used to roam around and jump from one tree to the other.

But the advantages of this zoo are that I regularly get good food to eat and big bowls of water everyday. My life in this zoo is comfortable because the people give me food and water at the right time and take care of me properly.

But I feel lonely here because I can’t talk to my friends. Slowly, I am forgetting  how to fly as this is a small cage, nor do they allow us to fly much. My flight feathers are becoming of no use. I miss my freedom and abhor this life of a prisoner.

Hope I could fly back to you whenever I wish as I used to do….

Miss you Grandpa
Yours lovingly,
Jack

This thoughtful essay by 9 year old Sia Patel from Ranchi is one that unites the whole Earth under a single rainbow.

The Seven Colours of the Rainbow

By Sia Patel

When I was small, my dad always told me how important it was to love and  respect every individual, be it our own family members or strangers.

He always gave me the example of a rainbow.

How people looked forward to see the rainbow after the rains. The colours, when united look, so beautiful and have a unique identity, just like our  country. Unity in diversity.

The seven colours of rainbow always lived happily together.

One day the colours started to fight among themselves on how important and powerful they are individually.  They forgot how beautiful they looked united.  Each colour wanted to show off their own importance. Because of their differences, they started living separately.

Children were disappointed as they could no longer spot the rainbow when the sun shone after it rained.

Rainbows were only in stories and pictures now. Soon people stopped looking for a rainbow in the sky. The colours were so busy fighting that they never realised that slowly they were losing their significance.

The colours, who had started living separately, felt sad and lonely.

They lost their charm.

One day a little girl heard stories about rainbow from her grandmother. She  was upset to hear about their fights and decided to help the seven colours become friends again.

Slowly the colours realised how powerful and beautiful they looked when  united. Together they brought smiles and happiness into so many people’s life. They  never fought again and promised to stay together.

If every individual realises their role and importance in staying together, there will be no hatred in the world.

Hey friends, Sara here. 10-year-old Khushyati Sachwani from Hoshangabad, Madhya Pradesh shares her heartfelt experience on how her dad and her family faced the Corona virus.

My Father is a Corona Warrior

By Khushyati Sachwani

I was disturbed from the moment I heard that my father has tested positive for coronavirus. I immediately Googled and tried to find out the ways to help him get rid of it but it was not as easy. 

For a few days, we had to separate from him. He had to be admitted to a hospital. Initially his condition was not too good. It was difficult to stay with other patients who were also suffering from the same but he did not lose courage. He was deprived of love, family and home food but he kept our spirits up by assuring us that this would last only a few days then he would meet us soon, hale and hearty. 

His optimism felt heroic to me and I realised that my father is certainly a warrior who, with his positive bent of mind, defeated this disease and came back home safely. 

Here is the last essay, hoping 2021 will a year full of hope, hope embodied by the young writers who write here. We hope for a future which can only get better. Sia Patel from Ranchi gives as another lovely piece — a wonderful welcome to the new year, even after a very tough 2020.

It’s Time to Leave 2020 Behind

By Sia Patel

2020 wasn’t as exciting as I thought. It was more like a prison but it was good spending quality time with my parents, my sister and my pet dog. In this pandemic I hardly bothered about day, date, and month because everyday seemed the same to me.

Soon online classes started. Initially, it was boring as no one understood the instructions given by the teachers. They did not mute themselves and time was wasted. We could not talk to our friends which was the worst part. If it  would have been school I could have played with them at lunch break but there was no school so no playing and mostly no talking.

Soon we made a friends group on mobile and we started doing zoom meetings but that also did not happen often as our parents restricted our screen time. Because of this pandemic, I wasn’t able to meet my new class teacher or my  new friends in the class.

I did get to learn many new things while staying at home like  doodling from a  book by Liz Pichon known as Tom Gates. I read lots of books, yes, a total of 31 books! Few things were really fun doing while staying at home.

What I missed most was celebrating festivals like we did earlier and vacations to a new place. Everything was restricted with a limited number of friends and relatives. I even lost my grandfather in September this year due to his illness. I miss him so much. He loved and pampered my sister and me a lot.

The only thing that was good this year was I got my first pet dog, Bingo.  He is very cute and mostly a good friend of mine. I had so many plans for 2020 with my friends. We had already discussed our ideas for celebrating our birthday parties with different themes but nothing could be executed because of  coronavirus. We did most of the celebrations virtually this year.

Now that it’s time for the year end of 2020 so let’s welcome 2021 and say goodbye to 2020. Let’s  stay strong for facing all the problems in future and  hope that 2021 brings lots of good time and positivity to everyone.

And now this is Sara wishing you hope for the new year and a fantastic future.

( This section is hosted by Bookosmia)

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Categories
Contents

Borderless, December 2020

Festive Greetings!

Interviews

In Conversation with Aruna Chakravarti

Sahitya Akademi Award winning translator and writer, Dr Aruna Chakravarti reflects on her journey as a writer. Click here to read.

‘He made History stand still on his Pages’

An interview about an eminent screenwriter and author who has had yet another anthology of translated stories, Mistress of Melodies, just been published, Nabendu Ghosh. His daughter, senior journalist Ratnottama Sengupta unfolds stories about her father. Click here to read.

Stories

The Literary Fictionist

Monalisa No Longer Smiles Here by Sunil Sharma is a poignant story of child labour in India. Click here to read.

I Grew into a Flute

Balochi Folktale involving magic retold by Fazal Baloch. Click here to read.

Ghumi Stories: The Tower of Babble

Nabanita Sengupta delves into relocation and its impacts. Click here to read.

The Initiation

Gauri Mishra explores the unusual desires of a young girl. Click here to read.

Flash Fiction: Happily Ever After

Sohana Manzoor explores the myth of happily ever after with three short & gripping narratives set in modern urban Bangladesh. Click here to read.

Musings

Musings of a Copywriter

In Pray to Win, Devraj Singh Kalsi gives an entertaining account of Tumpji pujas across India during the US elections. Click here to read

Time and Us

Anasuya Bhar takes us through 2020 — what kind of a year has it been? Click here to read.

Happy Hanukkah!

Kavita Ezekiel Mendonca tells us about the ancient Jewish festival of Hanukkah with its origins in the early BCEs and the Seleucid Empire. Click here to read.

There’s an Eternal Summer in a Grateful Heart

Sangeetha Amarnath Kamath brings a Singaporean School to our doorstep with a sentimental recount of her experience at relief teaching. Click here to read.

Essays

US Polls: What should We Celebrate?

Candice Louisa Daquin, a senior editor by profession, reflects on the US Poll results. Click here to read.

Hold the roast turkey please Santa !

Celebrating the festive season off-season with Keith Lyons from New Zealand, where summer solstice and Christmas fall around the same time. Click here to read.

The Lost Art of Doing Nothing or the Pursuit of Wasting Time

Anwesha Paul explores the pace of our lives and the concept of FOMO in context of today’s race towards ‘doing’. Click here to read.

Cinema Viewing: Zooming In & Zooming Out

Gita Viswanath and Nikhila H explore the how the world of moviegoers has changed with time and with COVID19. Click here to read

Cyber Nationalism: Can that be a reality?

Pratyusha Pramanik explores the impact of social media. Click here to read.

Role of Editors in News Media

Bhaskar Parichha explores how news is chosen selectively to sway public opinion. Click here to read.

Remembering Rokeya: Patriarchy, Politics, and Praxis

In this tribute, Azfar Hussain takes us on a journey into the world of Madam Rokeya who wrote more than a century ago in English, Urdu and Bengali. Her books talk of women, climate and issues related to patriarchy. Click here to read.

Poetry

Click on the names to read

Michael R Burch, Anita Nahal, Sekhar Banerjee, Megha Sood, Jessie Michael, Y. Deepika, Ashok Suri, Anjali V Raj, Netra Hirani, Md Musharraf, Soma Debray, Jenny Middleton, Ihlwha Choi, Sangeeta Sharma, Sonya J Nair, Tom Merrill, Shakti Pada Mukhopadhyay

Humour

Vatsala Radhakeesoon, Sekhar Banerjee, Rhys Hughes

Translations

The Library by Tagore

A part of Bichitro Probondho (Strange Essays) byRabindranath Tagoretranslated by Chaitali Sengupta from Netherlands. Click here to read.

Lesya Bakun translates three of her own poems from Ukranian and Russian to English. Click here to read.

Ten Islands has been written and translated from Korean by Ihlwha Choi. Click here to read.

A Nepali poem for a nuclear war victim by Manjul Miteri, who is currently helping sculpt a Buddha in Japan, has been translated to English by Hem Bishwakarma. Click here to read

Poetry from Nepal by Nabin Pyassi, translated by Haris C Adhikari. Click here to read.

Poems from Armenia by Eduard Harents translated from Armenian by Harout Vartanian. Click here to read

Book Excerpt

No strings Attached: Writings on Odisha by Bhaskar Parichha. Click here to read.

Reviews

The Brass Notebook: A Memoir is a recently penned autobiography by eminent economist Devaki Jain, written based on a suggestion made by Doris Lessings in 1958, with a forward by Amartya Sen and reviewed by Bhaskar Parichha. Click here to read.

Nitoo Das’s Crowbite  has been reviewed bBasudhara Roy. Click here to read.

On the first anniversary of a movement that seems to be a reaffirmation of democratic processes in a nation torn with angst, Meenakshi Malhotra reviews Shaheen Bagh and the Idea of India. Click here to read.

Rakhi Dalal reviews Mistress of Melodies by Nabendu Ghosh, translated stories edited by Ratnottama Sengupta, which not only bring to life history as cited in his Bangiya Sahitya Parishad Lifetime Achievement award but also highlights his ‘love for humanity’. Click here to read.

Sara’s Selections

December, 2020

A vivacious oeuvre presented by writers from Bookosmia. Click here to read.

Editorial

Festive Roundup

Mitali Chakravarty gives up a rounding up of 2020 on Borderless and a quick view of some of the content. Click here to read.

Categories
Editorial

Festive Roundup

Season’s Greetings from Borderless Journal!

Borderless has completed three-quarters of a year or nine months of its virtual existence and bonded us all together in a shared web of ideas — ideas that generate the concept of a world beyond borders. We have all travelled together with words as our tools, gathering thoughts that can create links among all humans despite our perceived differences. During our journey towards the future, we have made alterations or additions where necessary. This month, we have a new addition to our editorial board, Michael R Burch, a poet from USA with 6000 publications under his belt. He brings in new writers and fresh splendour with his own poetry. This time we carry his poems on Gaza — poems of empathy and harmony, one of which has featured in an Amnesty International publication which is used as a resource for training human rights’ activists.

We have plenty of poetry with translations from Armenia, Ukraine and two from Nepal. We also have one of Tagore’s lesser-known essays translated by Chaitali Sengupta. We have interviews with translators too this time: Sahitya Akademi award winning translator of Saratchandra’s Srikanta, Dr Aruna Chakravarti, and senior journalist and writer, Ratnottama Sengupta, who not only translates her father, Nabendu Ghosh, but also compiles anthologies with multiple translators bringing his works to those who cannot read Bengali. We have one of Ghosh’s new collections of short stories, hosting multiple translators, Mistress of Melodies, reviewed by Rakhi Dalal. Bhaskar Parichha has reviewed economist and feminist Devaki Jain’s memoir and Meenakshi Malhotra has done a review of a book on Shaheen Bagh, observing that the spot has become commemorative of democratic values devoid of violence and angst. An interesting concept.

In her essay, Candice Louisa Daquin has commented on how the election results are affecting Americans. On a lighter note, our columnist, Devraj Singh Kalsi, has spoken of the Tump pujas(worship of Trump) that coloured India during the recent US elections. An essay I found immensely relevant by Bhaskar Parichha has been included in our journal, an essay to demystify news media for all of us. The other essay I would like to mention republished from Daily Star, Bangladesh, thanks to their literary page editor, Sohana Manzoor, is on Begum Rokeya, a woman who lived nearly a century ago but thought and wrote of climate and the equality of genders in those days. And she wrote in three languages —English, Bengali and Urdu — impressive! This time we have seven essays.  Do check them out.

Rounding up the year is Anasuya Bhar’s musings. We have the festivals Hannukah and Christmas covered in musings, essay, poetry and a lovely write up by a young girl in Sara’s Selection — a vivacious, happy set of poems, stories and essays, brought to us by Bookosmia — thanks to Nidhi Mishra and Archana Mohan. Keith Lyons from New Zealand has added to the variety of festivities — Santas in shorts— by telling us how Christmas is celebrated together with summer solstice ‘down under’! More on a lighter tone can be found in verses by Vatsala Radhakeesoon and Rhys Hughes and in an essay that talks of ‘the lost art of doing nothing’. I will leave the book excerpt as a surprise for you to uncover. Let it be said it is a book by a writer whose voice is much respected for its candidness and largeness of vision.

We have a number of stories. Our regular columnist, Sunil Sharma has given a poignant exploration of child labour — one of the most touching stories by him. Sohana Manzoor has given us a flash fiction — three short tales of modern life. This time we also have a Balochi folklore retold by Fazal Baloch — magic and a happily ever after fairy tale scenario — I really liked it.

We have a bumper issue of more than 50 posts this time — unravel them and enjoy during your Christmas holidays. Thank you dear readers for being there to make writing a pleasurable activity for us practitioners.

We wish you all a fantastic festive season full of reading and happy thoughts.

Best wishes from all of us at Borderless Journal.

Mitali Chakravarty