Categories
Nazrul Translations

Nazrul’s Response to Tagore

Nazrul’s response to Tagore’s “1400 Saal or The Year 1400” (1993 in the Gregorian calendar) written about 32 years after the first poem was published (1896), translated by Professor Fakrul Alam

1400 SAAL OR The YEAR 1993

A hundred years ago
O poet, you had thought of us
With such immense affection,
A hundred years ago!

Mystical one; child of mystery,
Taking off the cloak covering your eyes,
When did you arrive from some far-off haven?
Heading from the south and opening a window of our house,
O secret stroller into our dreams,
You came with the fragrance wafted by the spring breeze,
To where a hundred years later I was reading your poem
At nighttime.
An absent-minded butterfly, you saw us with pain-brightened and moist eyes—
With silent wings,
Fluttering casually, you went languidly away.
And we, a hundred years later,
Keep reading your poem, dyed in the tenderness of youth,
With rapt attention, affectionately.
In a reverie, and sleepy, with eyes drooping,
My beloved listens to your prophetic song
With tear-moistened eyes.

Alas, to this day,
The shut southern window
Opens again and again.
The restless spring breeze cries out in pent up pain.
In minds and forests and in murmuring blossoms,
Moist flowers shed from their braided beds,
Again and again.

The dark eyelids of the blossoms keep fluttering softly.
The female bee snatches honey from the beak of her mate.

The dark-eyed buds flutter in the gentle breeze.
Drenched in pollen, bees drink honey-sweetness fully.
The she-dove loses herself at the warbling of her mate.
The forest bride has decked herself in crimson robes of youthfulness.
Every now and then earth’s heart gasps
At the breeze’s passionate outbursts.

Immersed in the depth of your being, a hundred years later,
Oh sun-suffused one, I have been reading your poem,
With immense adoration.
At your gesture I wake up to your music,
O artful one, I’ve grasped your artfulness!
Stealthily you tiptoe
To our far away youthful beings,
In poetry, songs and in lush tones and colourful dreams.
All flowers that have bloomed today—all birdsongs,
All crimson hues,
Caressed by you, O ever-youthful poet,
Have become livelier!
In the morning hours of this spring festival,
You’ve become the song in our youthful festivities.
Once a darling child and now immortal in a bower
All of us youthful men and women await your nuptial hour.
Sing O dear one, sing again and again
The songs you would sing amidst blooming flowers,
Songs my beloved and I sing on our own or together,
Songs at whose end I slide into sleep, only to hear
In a dream appearing in a midnight hour,
My beloved weep, “Dearest poet, friend and wise one—“
Till my dream ends suddenly
And I view my beloved’s eyes moisten
Until tears trickle down her eyes.

I remember now, how a hundred years ago
You had stirred—and others too had awakened
In some far away cloistered state.
At your gesture a sad tune had spread its wings and flown.
Glancing back from the window momentarily,
It had caressed the tears lining your eyelids.
It had bent the curling tresses of flower buds.
And then vanished—leaving you sitting silently.
Moistened by the dewdrop of your eyes,
Your messages blossomed; some bloomed,
Some even resonated instantly,
And then were tucked away inside our dreams.

All of a sudden a door opened
In the spring morning your greeting came through.
The envoy of spring you’d sent a hundred years ago
Filled us youthful ones with intense yearnings.

O Emperor of all poets, though we haven’t seen you,
The Taj Mahal you created,
Sparkling like sandalwood on the forehead of time
Entrances us and we behold it breathlessly.
We curse our youth— “Why did it have to be a hundred years later?”
Alas, in this day and age,
We’ve never been able to glimpse Mumtaz and behold the Taj!

A thousand years later—O emperor of poets,
New poets keep coming to sing your praise
From sunrise to sunset songs celebrate your feats
And the tune that wandered away from you
Fill groves and forest shades with your message anew.

And in our time
A hundred tunes keep sounding from veenas in our homes
And yet the heart remains unfulfilled and the soul keeps yearning
Traversing a hundred years your song drifts into our dreams
Then it occurs to me our poet
You have settled in our horizon to light it up forever—
Our very own and eternal sun!

A hundred years ago,
You had greeted us -- young ones -- warmly,
Vibrantly and affectionately.
The same greeting is being sent to you this day
As a floral wreath to decorate your feet.

O perfect poet, it seems you’ve appeared in imperfect guise
Amidst us, softly, silently!
And with a trembling voice imperfect being that I am,
I sing your spring song in your spring bower
And send it to you a hundred years later!

(First published in Kazi Nazrul Islam: Selections 1, edited by Niaz Zaman, Dhaka: writers.ink, 2020)

Click here to read Tagore’s 1400 Saal, the poem that inspired this beautiful response from one of the greatest poetic voices of all times.

A rendition of Nazrul’s poem in response to Tagore’s 1400 Saal in Bengali

Born in united Bengal, long before the Partition, Kazi Nazrul Islam (1899-1976) was known as the  Bidrohi Kobi, or “rebel poet”. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. In addition to his prose and poetry, Nazrul wrote about 4000 songs.

Fakrul Alam is an academic, translator and writer from Bangladesh. He has translated works of Jibonananda Das and Rabindranath Tagore into English and is the recipient of Bangla Academy Literary Award (2012) for translation and SAARC Literary Award (2012).

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Categories
Musings

The Significance of Roll Numbers

By Shahriyer Hossain Shetu

“What is your roll number in the class?”

I was never able to answer this question. At a very young age, I realised that the importance of having a roll number is highly significant in our society. This significance includes three important aspects that reflect a student’s life: First, on a scale of balance, the weight of a roll number placed next to a grade is heavier than any other qualities of a student. Second, it adds an enormous impact on careers availing people to differentiate between the best and the worst. And third, it clarifies who deserve all the importance as well as compliments from everyone.

Back then, I was not familiar with the concept. Due to my unfamiliarity with the term, I ended up questioning my Abbu (father), “What exactly is this roll number thing, why does everyone keep on asking me this question?” His answer, being straightforward as always, was, “Ask your Ammu (mother).” His reply was very much expected considering how hasty he has always been because of his work as a journalist. Asking my Ammu would have been a waste because she too would give me a similar response to Abbu. The scenario was like a football match where I, like a football, was being passed between one player to the another from the same team, unable to determine where exactly I was going.

Before getting admitted to a school, I mostly spent my time watching television. CN (Cartoon Network) was my best mate with whom I had spent most of my childhood. I got so obsessed with the fictional characters of CN that I started to draw them on papers using pens of different colors. My obsession started to develop into a habit and gradually to an escape from reality. But my escape route had to be closed as I was told by my parents that it is religiously prohibited to draw human figures. Plus, there is no particular future in such an obsession. “The real talent only lies in books and knowledge.” And to have a bright future, the first step is to reach the top position in the classroom. Thus, I stopped drawing.

I did my schooling in an ordinary English Medium institution located in Dinajpur. Because of my father’s job as a district correspondent, I was lucky to spend my childhood in that beautiful region. One well-known place in Dinajpur is the Boromaath (literally, Large Field), a huge green field that can be considered as the heart of the district. My school was close to Boromaath and we would often bunk our classes to play cricket or football on the big field. Our school was the only English medium institution in that locality and the idea of O and A level was not much appreciated by people who lived outside the capital. Thus, very few students in our vicinity were English medium students because people were also suspicious of the system in such schools.

As we were fewer student, the idea of having roll numbers was futile. Although, instead of roll numbers, we had registration numbers that were not given based on any academic excellence, capability, or talent. These numbers were like a code that they had shared with us as evidence for being a part of that institution. One can say that the numbers were an unnecessary adjunct, occupying an extra space in our school identity cards right under our long names.

The idea of classifying students was visible, even though we had no discriminating term as the roll number next to our grades in school. This categorisation of students based on academic grades came with extraordinary packages that concerned only the top candidates — too much care from the teachers, applause from parents, and the privilege of having too many friends. Unfortunately, I was not among the good ones to receive such privileges as my marks were never satisfactory and the dream of achieving the “extraordinary package” was never a reality for me. Due to my incapability, I had to go through an extreme ordeal of taunts and insults from my surroundings. I was already declared as the “worst” kind.

The ordeal phase was mostly because of a particular distant relative who could’ve been a millionaire if criticising could be called his full-time vocation. I still can recall the face of that overly concerned person who loved to critique my every action like a war hawk. He assumed that I was too embarrassed to share my roll number with anyone because of my poor grades. I wasn’t sure of the reason for his fantastic assumption. His way of speaking seemed too absurd to me, and I ended up raising my voice to prove my point, wrecking all traditional beliefs. As a result, I received the title of a “discourteous” child in the family. He even informed my other relatives about my “rudeness” just to prove his point.

Being raised by a middle-class family that only follows ethics and traditions, I am not supposed to defend myself from elders (not even to save my dignity) as it is religiously as well as societally prohibited. Although, using the code of “seniority,” an elder can cut and split me into two with his sharp-edged words.

He still reprimands my parents for not raising me properly because of that particular reason. How can defending ourselves from senior citizens who are almost toxic, wicked, and torturous be wrong? What does it have to do anything with our parent’s nurturing method? I still couldn’t figure it out.

The importance of roll number is still high in our country. Is it necessary to analyze a child’s future just by seeing his academic grades and categorizing him/her in first to last numbers? I don’t know. But I do know that this idea is destroying lives before it even started.

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Shahriyer Hossain Shetu is a student in the Department of English & Humanities, ULAB. Some of his writing has appeared in Daily Star, Bangladesh.

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Categories
Nazrul Translations

Purify My Life

A translation of Kazi Nazrul Islam’s Shuddho Koro Amar Jibon by Shahriyer Hossain Shetu

Kazi Nazrul Islam (1899-1976) Known  Bidrohi Kobi, or “rebel poet”, Nazrul was born on 25th May in united Bengal, long before the Partition. Nazrul is now regarded as the national poet of Bangladesh though he continues a revered name in the Indian subcontinent. He was a Muslim, married a Hindu and wrote songs mingling Hindu and Muslim lores. In addition to his prose and poetry, Nazrul wrote about 4000 songs. He was charged with sedition by the British for his fiery writing and jailed repeatedly.

Purify My Life

Purify my life, like dawn let me rise

anew each morn.

Let me be the sunrise,

redefine my life; make me thrive

I’ve been like a depressed widow, a hurtful drop

from Bakul.

Place your hand of blessing on my head

so I grow like a verdant tree when the summer rain

pours on my bosom.

Purify my life like sunrise,

so I become the waking sky.

Turn me into every child’s book of first letters,

and the song of early birds.

Purify my life, so that I

become an island;

Or, childhood, or a new stream of rain;

I’ve drowned in pain and loneliness

And stood like a debdaru.

Purify my life like a fresh blooming flower

so I wake up like a morning’s sleepy eye.

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*Bakul and Debdaru are both trees that grow in Bengal. Bakul bears flowers that are fragrant and white.

Shahriyer Hossain Shetu is a student in the Department of English & Humanities, ULAB. First Published in Daily Star, Bangladesh.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL