Categories
Poetry

Poems by Tulip Chowdhury  

Tulip Chowdhury
SILENT GIVING 

Spring, summer, and autumn,
while the birds sang their seasonal tunes
humans beat loudly their own drums.

The bees collected their nectar well
while swans in the lake nearby
found their life-long mates
and yapped their love notes,

while sound and sights captured
much of the yearly gifts to bless,
while in silence, a rose bush
gave her cloying fragrance
and red flowers.

In life, we give of ourselves:
the best of what we have.


HOPES AND DREAMS

The year 2025 found
the world at a crazy stage
on which life danced.

Amidst the maddening politics,
natural calamities and wars
took the hardest hits.
In the turmoil, I feel like an ant under an elephant

When I wish to make a difference in life
for someone in need — what have I to give?

Mother Teresa’s advice echoes
“If you cannot feed a hundred people,
then feed just one.”
I get up and venture out.

Surely, since I am alive and well;
there is something I can do for someone?

When hope for a better world crumbles like sand,
I send prayers up to heaven---
I know, they can move mountains.
And with prayers,
I plant new seeds of dreams
for a peaceful world of tomorrow.

Tulip Chowdhury, a novelist, poet, and columnist, writes from Georgia, USA. Her books are available on Amazon. 

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Categories
Conversation

Where Books Create Binding Bonds…

An interview with Amina Rahman, owner of Bookworm, Dhaka

In a world, where online bookshops and Amazon hold the sway, where people prefer soft copy to real books, some bookshops still persist and grow. There are of course many that have closed business or diversified. But what are these concerns that continue to show resistance to the onslaught of giant corporations and breed books for old fashioned readers? How do they thrive? To find answers, we talked to a well-known bookshop owner in Bangladesh.

Amina Rahman is an entrepreneur who runs such a concern called Bookworm, a haven for book lovers in Dhaka. Schooled in Italy, India and America, Rahman married into the family that owned a small bookshop. Started by her father-in-law, it was a family refuge till she took over the running and created a larger community – a concept that she believed in and learnt much about during her youth spent on various continents. She believes that just as it takes a community to bring up a child, a bookshop has to be nurtured in a similar vein. Bookworm started at Dhaka’s old airport in 1994 and eventually moved to a more community friendly locale at the town centre. Rahman took over in 2012, rebranding it, repurposing and breathing new life into it.

Bookworm houses books from all over the world, holds special launches, as they did recently of Sam Dalrymple’s Shattered Lands: Five Partitions and the Making of Modern Asia, and of many other local and foreign authors, like Vikram Seth and Aruna Chakravarti. They have even been adopted by the cats in the park! This month they are opening a book-café. Rahman has a unique outlook that makes her redefine ‘success’ and here she also talks about how she evolved into her dream project to make it a reality.

You studied environmental policy and environment, worked for several NGO’s and multinational concerns. What made you turn to or opt to run the bookstore over your own career options?

My choice of subject in university was impacted by a fantastic biology teacher I had in middle school at Rome. He took us out on regular field trips and made us collect garbage to learn about the environment! You can imagine — in 1984-85, when we were kids, he would pick up garbage and show us how diapers and cigarette butts were completely not biodegradable. Disgusting but effective. He told us it would take years before they deteriorated and dissolve into the Earth. These things stick in your mind.

To be honest, I followed the Environment path and ended up working for the King County solid-waste department in Seattle which was all about garbage and recycling and so fascinating. But as you get older and you travel through Asia, you realise the pointlessness of it all as none of it is applicable in the same way in our region. Bangladesh and Asia were green in those days until plastics were introduced in a big way about fifteen years ago. At the end of the day, the community is at the heart of taking care of everything, and if everyone takes care of their particular communities, it’s a better world. And this resonates with why I went into running the bookstore – to make community.

I realised that I was missing some kind of dynamism and I wanted to move forward. I wanted something more to happen. This had been a consistent strain I had with everything. You worked for organisations. They would become very top-heavy. Change happened slowly. When I shifted into the corporate world in Dhaka, I felt that was the most dynamic thing — it was fast moving.  I learnt much. Then I went into market research, which was incredible research into human behaviour but was completely tuned into making money at whatever cost. It all was very self-serving and opposite of a welfarist approach towards the community. Corporations trumped community here.

I lost inspiration.

My father-in-law and I had a mutual love for books. I fell in love with my husband over his books. I married in 2004, and it was in 2012, when I was taking time out to assess my goals that my father-in-law suggested I spend time in his bookstore. So, I did. What was an amazing coincidence, was that the Dhaka LitFest started the same year! And the chief organiser asked if Bookworm could be part of the it and I agreed. Vikram Seth was the star guest that year.

Amina Rahman

Can you briefly tell us the story of Bookworm?

When I joined the Bookworm, it was almost a forgotten venture. The family had moved on to other interests. It was used more as a refuge for relatives, old staff, dusty books, unpaid debts and stalled time.

I had never run a business in my life before. For the book business I literally had to climb from the bottom up. It was definitely not easy. I had to figure out the book world, the suppliers, the publishers, the distribution network. Customer preferences, not to mention accounting, taxes, salaries and taking over a small business and the responsibilities that go with it.

The publishing world and the distributing world is a whole different ball game from every other business. It’s a supply chain of such remarkability from the packers and warehousing to the authors and customers. You go from the very basics to the highest and that is so fulfilling. Nothing can compare to that.

Besides, the love of books, one thing I knew was at bookstore was community. It is the ultimate community for booksellers and writers to connect with the world. As you will know, we hit every audience — everybody from the newborn baby to the old man or woman to young adults to school students to university goers to the erudite pursuing literature. We cover just about everything. Ultimately a physical bookstore is where the community meets, and that’s where the ideas are shared, that’s where if you put attention to it people meet inspiration.

While the Dhaka Literary Festival, in whose first iteration Bookworm was a participant, seems to have petered off, Bookworm continues to hold launches on its own. Do you see the shop as a substitute for the festival?

Absolutely not. I mean book launches are wonderful and are a must for every physical bookstore. They connect the people, and as I tell everyone, if you want to sell your book, even if you written the greatest book, you need to work hard at promoting the book. So, every writer needs to have venues whether small or big to launch their books.

Every city needs to have a LitFest, and it is a must. Dhaka is absolutely famous for having our Boimela[1]. That is a real heritage.

What is it you offer readers other than books? Do you have a café?

Actually, we are opening one now.

We didn’t have a cafe in the store, but we’ve had very interesting sort of cafe and bookstore combination when we were in the old airport. We had a cafe next-door to us, which I finally assimilated, also adding to more space for the books. And that became our own little cafe. It wasn’t really anything great; it was just regular we did not even have a coffee machine. Coffee was the old fashion Nescafe, but it did the trick. The whole set up had a very local flavour. Most of all people just like having an area to sit and drink something hot while freely reading books. And this sufficed.

That was wonderful. That store was in the old airport, which we loved with all our heart, and we were there for 30 years. Then we left. I opened up a branch in Dhanmundi, which is probably the best place for books sellers because the book reading population is huge there. We also got the opportunity to open up our bookstore inside a very famous Coffeehouse called Northend. They had a huge base, and they asked us if we’d like to take some of it and we did and that was fantastic.

We had to close that for Covid. Many say they miss it. And that was the first time we had ventured out of our space and opened a new store like a second branch. Then we got this chance to be in a park where we don’t have a cafe inside of our bookstore, but on the other side of the park, which is why we opened a café in our store.

What do you see as the future of bookstores like yours with the onset of online giants like Amazon? Does that impact you?

Yes. Amazon has had a huge impact. Luckily, we don’t have Amazon in Bangladesh. Amazon has had a very negative impact on our fellow booksellers in India and other places. I won’t even bother to compete with them.

I think everyone’s realised that there is a big difference with access points and how Amazon works. At the end of the day, people who come to our bookstore for the experience, for meeting other people, authors too, and talking to their bookseller. It’s more than just getting the book you want to read — that’s part of it — but it’s also about browsing and finding quiet time.

I think that my great experience with books was in bookstores I didn’t have to buy a book. I could browse. Sometimes, you may not be able to afford the book, but you can open it on any page. You could just read a passage, and that might change you. You could come back and buy it or the passage could just stay with you forever. You know it’s those sort of fleeting moments that you have when you’re browsing a book that makes a bookstore precious. That’s a very different experience from Amazon.

Amazon is much more utilitarian. Both have their ups and downs, I guess. You can’t have book launches on Amazon, but I think, Amazon is a big competition… in the sense that it also gives so many discounts.

What kind of books does your store offer? What kind of writers?

I tried to offer everything. In the beginning when we started, I started to try to figure out what books to get. I started with the catalogues, and it was a bit of hit and miss. You slowly start to realise what works. One of the worst experiences for bookstore are books that sit on shelves and don’t move. Sometimes you can buy what is really number one on the best seller list and it just doesn’t move because it’s irrelevant or it’s number one in a different country. You learn by trial and error and then you start to figure out your customers. It was painstaking yet enjoyable.

We use social media to draw readers to our shelves.

As a wholesome bookstore, we have a bit of everything from literature to history, kids’ books, romance, young adult fictions, thrillers, bestselling thrillers, to fantasy. Christie, Sydey Sheldon, Gabriel Garcia Marquez, Manga, graphic novels, spiritual and religious books to Bangla books and collector’s items, special editions to lighter books that just bring solace. We see your customer choices and learn. You do not stuff literature down their throats. It has to be relevant to our customers.

What are the challenges of running a bookstore like yours in a country where English is not the first language?

I think actually it’s a challenge to run a bookstore anywhere in, especially with the new market forces of Amazon and online shopping and the digital world. Having physical stores is becoming a challenge. I have travelled to bookstores all over the world and learnt from the experience. A bookstore is more of a tactile experience for all people, readers and non-readers. Humanity has learnt from tactile experiences and to touch and smell a book, browse and sit amidst books is very much that. When realised that people were not coming to me, I took the books to them. I took our books to every mela(fairs). Social media was the next big thing. The ultimate was of course the Dhaka LitFest. People were excited to see our English books, and they all sold. Bangladeshis would travel to other countries to buy books as Bengalis love reading.

The LitFest helped a lot. It brought big authors, like Vikram Seth, for they were interested in exploring new readers.

We also started a delivery service. Some customers said it was hard to get to our store. So, we started a thrice week delivery service and then increased it. We bought a cycle for the rider. He went out and delivered the books that readers had ordered and paid for.

When Covid hit, it was prime time for many to turned to books and we had everything in place – our social media and our delivery service. We did well during that phase, though that is not a good thing to say.

What do you see as the future for your bookstore? There are chains like Takashimaya, Times Books and others — which despite having shrunk, post online bookstores, maintain an international presence. Do you see yourself as a chain that will grow into an international presence?

I think a chain store goes beyond the community. It is a model for more profit-oriented sellers. I would rather have a community-based culture where all people are welcome and find something that draws them and gives them a sense of quiet.

A lot of people mistake success with earning huge profits and if that’s what you’re in for that’s fine too — that’s business but what I do isn’t that. I get fulfilment out of other things –- community health and happiness, and you know just interaction. I think one of the ways to make a very powerful long-lasting brand and business is trust and good service. There’s no substitute for hard work and passion. When you love something, you really put your mind to it. And that helps you keep your friends forever.

Sam Dalrymple gives his opinion of Bookworm after his session ( 9th November 2025)

[1] Bookfair

(This online interview has been conducted over transcribed voice messages in What’sApp by Mitali Chakravarty. All the photographs have been provided by Amina Rahman.)

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Categories
Poetry

Two Poems by John Grey

From Public Domain
EVICTED

There’s a slowness to packing boxes
when there’s nowhere to take them.
It’s the deliberation that surrounds
every item of clothing
as it’s neatly folded,
placed gently with the others.

With the child, there’s an even
greater sluggishness when it
comes to the dolls and stuffed animals,
an unwillingness even
for fear that
there won’t be enough room
to fit them all.

For haste in that apartment house,
you’d need to look to
the landlord’s first floor apartment,
the tapping of his fingers on the kitchen table,
like tiny impatient jackhammers.

For mother and child,
the sidewalk awaits.
It’s both leisurely and brisk…
and indifferent,
which is not a speed at all.


KISS AND MAKE UP, THE LATEST ITERATION

Your words slap my face around.
Now you have me where you want me –
an effigy of everything you hate.

My response is a prison-riot
of old angers.

Pain doesn’t travel well
so hurting others is our go-to.

We learned it from our parents.
We were taught it in school.

To be cruel is a mega-aspirin,
a vein-load of morphine.

But we love each other.
Our harshness knows this.
Our rages are intrinsically aware.

So our voices soften.
Red cheeks whiten.
Flaming eyes are doused by tears.

Then it’s kiss and makeup time.
Our mouths are like tunnels in a mountainside.
Tongues collide
but there’s little collateral damage.

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John Grey is an Australian poet, US resident, recently published in Shift, River And South and Flights. His latest books Bittersweet, Subject Matters and Between Two Fires are available through Amazon. He has upcoming work in Rush, Spotlong Review and Trampoline.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Poems by John Zedolik

John Zedolik
HELD PURPOSE 	                                                                      

The coppery husk of a cicada clings
to the neighbour’s concrete, pertinacious
in its position, carapace, crust open
to the air, denizen departed old long since

in summer’s singing night after seventeen
years for this former flier, now a clawing
remain that will in weeks, months crackle
like a tasty treat needing only salt pinch,

at last falling under some casual foot
encased whose owner will not distinguish
exoskeleton from spent leaf—just another crunch
punctuating the surface prone to popping

in the naked weather under seasoned time


SIEVE

I was carrying sand in plastic bags
that weighed down the cousin plastic crate
in which they, jumbled, sat—

for seconds after I lifted the frame

then splinter! crash!

the assemblage lay in shards and grains
upon the sidewalk and adjacent grassy ground

except some bags in my suddenly relieved arms,
which bled white quartz, slipping, slipping—

I was out of time with no hourglass’s pinched channel
between now and the safe back then

below me the resting place not my choosing,
the order now a sprawling mess

due to my underestimation of the desert’s weight in my charge—

or hubris at the thought of carrying what the wind
will carry away to invisible

(How heavy could it be?)

unequal to the strength of my arms and back
accustomed to gravity’s pull
upon much more dense concerns

John Zedolik has published five collections of poetry: Lovers’ Progress, 2025; The Ramifications, 2024; Mother Mourning, 2023; When the Spirit Moves Me, 2021; and Salient Points and Sharp Angles, 2019. 

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Categories
Poetry

Two Poems by John Grey

BUS OUT OF TOWN

The kids in the seat behind me
are already pushing and shoving each other.
They’ll be bored out of their tiny skulls
before the bus even gets to Worcester.
We take Grand Street out of town,
and pass an estate sale
at one of the mansions
that once housed prosperous mill-owners.

The sloping front lawn
is like a giant green shelf
piled with boxes and evening clothes,
antique chairs and tables
and, as a genuine gift to poets,
an escritoire and an armoire.
I didn’t need to see this
to know it was time to leave
this dying town.
But the buyers sure do look like vultures
as they pick among books and jewelry.
My guess is they’re not
from around here.

The kids, done fighting, are now
whining to their parents,
“We got nothing to do.”
So take a bus out of here,
I want to tell them.
But wait – they’re already doing that.


NARRAGANSETT BEACH IN AUGUST

This is a town of seaside pleasure
from barefoot steps on sand
to flights of terns and shearwaters.

The beach is fragmented
by waves coming and going,
skittery sandpipers, darting sanderlings,
but there’s enough
wet and dry for all.

Here the world is bird-nesting cliff-face
dunes that rise soft as clouds
and rocks offshore
that bear the brunt of brief battering.

Fun is democratic:
old man and woman
in chairs shaded by umbrella,
young women on towels tanning gently,
children splashing in shallows,
older siblings bobbing in the deep.

The sky towers overall.
The sun smells of salt.
And, every now and then,
somebody laughs for no reason.

Little used on the day,
the mind doesn’t mind at all.
From Public Domain

John Grey is an Australian poet, US resident, recently published in New World Writing, River And South and The Alembic. His latest books, Bittersweet, Subject Matters and Between Two Fires are available through Amazon. He has upcoming work in Paterson Literary Review, White Wall Review and Flights.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Review

A Tapestry of Human Stories

Book Review by Rupak Shreshta

Title: Rose’s Odyssey: Tales of Love and Loss

Author: Sangita Swechcha

Translated from Nepali by Jayant Sharma

Publisher: Book Hill International

Rose’s Odyssey:Tales of Love and Loss is a translation of ‘Gulafsangako Prem1’, a short story collection in Nepali by Sangita Swechcha. Jayant Sharma, the translator, has displayed his incredible skill transmitting  the essence and the texture in his translation as they are in the original version.

Swechcha’s writing moves across geographies and emotional landscapes. In Rose’s Odyssey, we see the influence of her own journey: born and raised in Nepal, her time spent in Australia, and her life in the UK. Her experience of multiple cultures gives her work both depth and relatability. She writes not just as a woman, or a feminist, or a diasporic voice, but as a humanist. Her stories resonate because they are grounded in truth and told with generosity.

Several reviewers on Amazon have echoed the sentiments generated by the stories. Dr. Tamer Mikhail describes the experience as “mesmerising,” noting how vividly the characters come to life. Ketan Varia praises Swechcha’s exploration of how life unfolds and the unintended consequences of human choices, while Nirmala Karanjeet highlights the wit, humour, and deep perception of human emotions in every story. These voices of readers moved by the same qualities.

Among the twenty stories, a few stood out with particular force. The titular story, ‘Rose’s Odyssey’, reminded me in scope and ambition of Homer’s Odyssey. Yet this is no imitation. Swechcha’s tale of love, betrayal, vengeance, and repentance transcends a simple love story. It is a story within stories, a tapestry woven with dramatic shifts and psychological insight.

Another memorable piece is the final story, presented in diary format. The narrative offers a poignant glimpse into diasporic life, told in a male voice, which is an unusual and ambitious choice for a female writer. The story’s ability to inhabit male psychology with such authenticity is no small achievement.

The shortest story, ‘Ram Maya’, dealing with the issue of human trafficking, is devastating. In just a few pages, it trembles with urgency. Then there is ‘Shattered Dream’, a story I had previously read in its original Nepali and was eager to revisit in English. The translation, no easy feat, is executed beautifully, preserving cultural nuances while making the narrative accessible to a broader audience. In fact, I was reminded of Toni Morrison’s The Bluest Eye (1970), particularly in how Sweccha addresses themes of bodily autonomy, survival, and the commodification of womanhood.

What ties all these stories together is Swechcha’s ability to write about complex emotional terrain with elegance and restraint. Each story is deeply personal, yet universal. The immigrant experience, cultural duality, gender, longing, and resilience are all present without ever feeling heavy-handed. It is heartening to see readers on Amazon responding so positively. One reviewer calls it “an easy and interesting read,” while another from Holistic World notes how each tale is “captivating and alluring,” connected by “the thread of love.” This feedback is not only encouraging, it also affirms the book’s power to reach readers from all walks of life.

In addition to the warm reader responses and literary features, I also recall Shahd Mahanvi, author of White Shoes,  at the launch event aptly described Rose’s Odyssey as “a powerful exploration of human emotions.” She added that it is “a compelling collection that delves into themes of control, mistrust, the impulse to hurt those we love, and the complex intersections of human relationships, provoking deep reflection.”

In the year since its release, Rose’s Odyssey has had a successful run, from warm reader responses to literary features, several book signings in the UK and Nepal, and community events. Its journey is far from over. The success of the book is not just a testament to Swechcha’s literary talent, but to her ability to connect across continents, cultures, and hearts.

  1. The Love with a Rose ↩︎

Dr. Rupak Shrestha, a London-based Nepali poet from Pokhara, is acclaimed for diverse literary forms and translation. He also serves as Advisor to the International Nepali Literary Society (INLS) UK Chapter.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL. 

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

My Stetson’s Replica

By Joseph C. Ogbonna

MY STETSON'S REPLICA

Readily I have my hat made.
Skillfully, it has been crafted.
It’s bright and just won’t fade.
Two precious fabrics were grafted
To make this Stetson’s replica.

I wore it on a sunny day
To see my fondant Jessica.
It was a merry Saturday,
The best to exhibit it’s splendour.

En route to her house, it caused a stir,
As my regally crowned head raised it.
Every eye trailed me with a fixed stare.
There never was a hat ever seen
Like my Stetson of rare sheen.

Joseph C. Ogbonna is a prolific poet from Nigeria. He is published. He is also an Amazon International Best Selling Co-author. He lives in Enugu, Nigeria.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Poetry

Seasonal Poems by John Grey

Fallen Tree by Alexandre Calame (1839-1845). From Public Domain
DEAR MAPLE

You had to come down.
You were just too close to the house.
Your branches tapped on the windows
and your roots were upsetting the foundation

But, as I stood beside you, my fallen giant,
I couldn't help but count the rings.
I almost made it to a hundred
before your beginnings
crowded out my eyes.

A truck hauled you away
leaving nothing but the odd scattered leaf.
And the stump of course,
already claimed by foraging insects.

One hundred years of life,
now no more than remnants
scatter to the far fences --
a chunk of wood reduced to rot
and the feeding of the nameless.

My being here was your bad luck.
I have to keep that in mind those times
when I think I’ve made a difference.


ON A MORNING IN MAY

Red cardinal, blue jay, goldfinch,
perch on a nearby branch –
looks like they’re working on a spectrum.

The trees are in full regalia.
And the bird’s cry for a mate
is answered in a heartbeat.

The pond ripples as constant
as the wind.
A snowy egret steps
as slow as consideration.
Willows are in water-kissing mode.
And the morning sun
is on the lookout
for its own reflected self.

This is the view from my window.
Such modest ways
of holding nothing back.


THE MAN FROM THE NORTH

He comes down from the north.
Do not go looking for him.
He’s more spirit than solid flesh.
It’s too chilly out to manifest more.

Yes, there’s someone out there
but the light is as poor as our skin is thin.
So, we hunker down in our fire-warmed houses,
prefer not to make his acquaintance.

He’s grown so large, yet still invisible.
All presence. No substance.
We see the white bird
but not the shoulder it’s perched upon.


John Grey
is an Australian poet, US resident, recently published in New World Writing, River And South and The Alembic. His latest books, Bittersweet, Subject Matters and Between Two Fires are available through Amazon. He has upcoming work in Paterson Literary Review, White Wall Review and Flights.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Categories
Stories

‘Jai Ho’ Chai

By Snigdha Agrawal

From Public Domain

The sun beat down mercilessly on the railway platform of Karwar Railway Junction, where a group of rotund, saffron-clad priests huddled together, fanning themselves with cardboard pieces ripped from cartons. Their expressions were grim, their bellies noticeably less jolly than usual.

“It’s the end of an era, brothers,” sighed Pandit Upadhyaya, his triple chins wobbling like unset strawberry Jello. “First, they replaced bulls with tractors. Then, they put machines in our post offices. And now; NOW, they have brought AI into our temples!”

The sacred threads worn over their left shoulder, diagonally across the body, seemed to protest against their protruding bellies, yellowed and stringy, yet proudly declaring the caste hierarchy would soon be rendered null and void.  The looks of concern on their faces screamed, “Not fair…not fair at all”.

From Public Domain

“I still cannot believe it!” moaned Pandit Shastri, wiping his forehead with the end of his dhoti[1]. “A robot priest? Is this then the end of the Kalyug [2]? Else, how can a machine do what we do?”

“They say it chants flawlessly,” added Pandit Joshi, shaking his head. “Not one mispronounced shloka[3]!  No breaks for tea or chewing on betel leaves! No accidental burps during the aarti[4]!”

“Profaneness!” chorused the group, clutching their prayer beads in outrage.

“I even heard,” Pandit Sharma whispered conspiratorially, “that the AI priest does not accept dakshina[5]! No envelopes, no fruit baskets, no ghee-laden sweets. What kind of priest didn’t accept gifts?” they nodded looking puzzled.

Pandit Upadhyaya lamented. “What is our next recourse? If these AI priests take over, who will feed us? Who will drape us in silk? Who will offer us ghee-laden sweet boxes?”

A train pulled into the station just then; the platform transformed with the usual activity commencing on arrivals. Passengers stuck their heads out, looking around for tea and snacks.  Pandit Sharma suddenly came up with an idea. “Not all is lost yet.”

“Meaning?” asked Pandit Joshi, narrowing his eyes suspiciously.

“We shall sell tea! But not just any tea—Prasad[6] Chai! Sacred! Blessed! Tea infused with the wisdom of the Vedas!”

The priests considered this. It was true. If there was one thing, they were experts in, it was making offerings with dramatic flair. Why not apply that skill elsewhere?

Within weeks, they set up stalls on the platform, offering passengers their special chai.  As trains pulled in, the platform echoed with the chorus…”Om Chai Namah![7]” “Divine Masala Chai.  Guaranteed to bring you good karma!” “Blessed by Brahmins, brewed with bhakti[8]!”

Soon enough, their stall was milling with passengers keen to taste this unique concoction, prepared by none other than the four Brahmin Head Priests. The spectacle of their tea-making performance, with dramatic gestures, had everyone gawking. Served in earthen cups, each sip elicited murmurs of appreciation from the passengers.  The “Jai Ho” brand of tea didn’t take long to become a hot success.

Word spread like wildfire in the temple town.  Business boomed. The tea, laced with just the right amount of saffron, cardamom, and sacred nostalgia, had an irresistible charm. Soon, the platforms were buzzing with satisfied sippers. Every train passing through the station had passengers stepping out to sip on this special tea.

As they counted their first earnings, Pandit Upadhyaya sighed, “Brothers, who knew AI would push us into a more profitable business?”

But then, one day, a group of railway officials swooped down on them in their khaki outfits with officious looks on their faces. One of them, a spectacled man with a voice that needed no loudspeaker, spoke, “Pardon me, Swamiji’s, but we’ve received some complaints. Your tea business is so blessed that passengers are delaying boarding their trains. This is causing major delays and loss of revenue to the railways.  Moreover, it’s illegal to do business on the platform without a licence from the authorities.  Can you show the vendor licence?” he asked hesitatingly.

The priests exchanged guilty glances.

The official adjusted his spectacles, “Of course, we can set that right, as we have received a special request from the high command. The Railway Ministry wishes to introduce your “Jai Ho” chai at all major railway junctions!”

Jowls dropped, mouths agape, the priests couldn’t believe they heard right. The tufts of hair on the back of their shaved heads stood erect in surprise.

Pandit Upadhyaya beamed, “Brothers, the Gods have truly blessed us! It no longer matters that non-humans have overtaken our profession, we continue to gain from selling the brew the Gods’ drink!”

As they sipped their divine brew, laughing heartily, they looked up at the temple in the distance, where the AI priest continued chanting slokas flawlessly.

“Well,” chuckled Pandit Sharma, “at least that machine can’t make chai!”

And so, from AI adversaries to tea sellers, the priests of Karwar found their unexpected salvation—not in temples, but in terracotta cups of steaming, saffron-infused chai.

From Public Domain

[1] A loose piece of cloth wrapped in the lower half of the body

[2] The current age according to Hindu eras, supposed to be dark.

[3]Sanskrit chants 

[4] Holy offerings

[5] Honorariums

[6] Offerings blessed by Gods

[7] Bow to the blessed chai

[8] Devotion

Snigdha Agrawal (nee Banerjee) is an author of five books and a regular contributor to anthologies and e-magazines.  A septuagenarian, she has recently published a book of memoirs titled Fragments of Time, available on Amazon and Flipkart.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Excerpt

The Wild One, Birds, Rabbits and Kittens…

Title: Fragments of Time (Memoirs)

Author: Snigdha Agrawal

Publisher: Notion Press

To say I was the wild one out of the four would be an understatement. The non-conformist in me surfaced very early on.  I never tired of climbing trees, sitting on the guava tree branches, gorging on the half-ripe fruits, rescuing kittens from overflowing drains, cycling around the golf course, swimming and dancing in the rain. Activities one would tend to associate with boys. Indulging in these activities gave me a high, like no other, despite the occasional mishaps, sometimes returning home with cuts and bruises and once a sprained ankle.  The latter memory still brings on chuckles and many more acts of dare-devilry, often landing me in serious trouble.

When I was about ten or eleven, I found myself clutching a squash racquet, sitting impatiently in the upper gallery of the court. My sibling and our best buddy were monopolising the game, deaf to my relentless pleas for a turn. Frustrated, I finally resorted to threats. “I’ll jump down and physically drag you two out!” I declared, pointing to the six-foot drop beneath me.

They burst out laughing, waving off my threat as an empty bluff. “Alright then, here I come!” I announced with dramatic flair before leaping off the gallery like a tragic superhero. Predictably, I landed flat on my skinny, bony backside, twisted ankle and all. Tears of pain and humiliation stung my eyes as I sat there, my busted pride compounded by the unmistakable warmth of pee spreading beneath me.

The scene was absurd: me, sprawled on the court floor, ankle throbbing, dignity in tatters and wet underwear adding to the shame. To their credit, the two culprits did feel a little bad. They hoisted me up and hobbled me home. Thereafter, I was sentenced to two weeks of house arrest with a plastered leg. My heroic leap had cost me not only a turn at squash but also a chunk of my pride.

The ‘Jamun’ (Java plum) season brings back more laughs—and another painfully ridiculous memory. The broad trunk of the Jamun tree in the backyard was too tall for us kids to climb, so we enlisted the gardener to shimmy up and shake the branches. The purple fruit rained down like magical stardust, scattering across the ground.

In a frenzy, I dashed across the open drain, gathering the fleshy fruits in my frock, which I’d rolled up to create a makeshift pouch. In my excitement, I missed a step and went flying face-first into the drain. The Jamuns soared into the air in protest, pelting down on me like purple confetti as I lay sprawled, filthy, and bruised.

My loyal partners-in-crime stared down at me, their goofy grins quickly morphing into full-blown laughter. Their hilarity was so contagious that even I couldn’t help but laugh at my misadventure. Covered in muck and Jamun juice, I climbed out of the drain, purple-tongued and scratched up, determined not to let Ma discover my mishap.

With my frock a casualty of war, I sneaked past her, heading straight for a long, scrubbing shower to erase all evidence of the day’s follies. No way was I going to cry or complain. If there’s one thing childhood taught me, it’s that a little dignity can survive even the most spectacular disasters.

Growing up with pets

During this period, the animal world entered our home, each one leaving under different circumstances.  Out of the many, the first that appears in my mind is a monkey, kept in the garden shed, brought out occasionally to be fed, and patted.  The gardener spotted the baby wandering around amongst the flower beds, looking lost and forlorn, in search of his mother, who probably had been chased back into the nearby Sal forests.  Baba decided to parent this little guy till he was of age and able to fend for himself.  Honestly, I never liked this furry creature, with large round eyes, vying for Baba’s attention.  Six months later, he was seen bounding off with confidence, probably in search of a mate.  

A parakeet with an orange beak, vibrant green feathers, and a long-spotted tail was the next addition to our home. This feisty little bird quickly made its presence felt, taking liberties whenever it was let out of its cage. It would hop onto the dining table and help itself to the food, unbothered by anyone’s protests. Though it was most attached to Baba, it also formed a special bond with Didi, the eldest sister. The bird would happily perch on her shoulder, observing the household with a sense of ownership.

Despite our many attempts to teach it to sing catchy tunes, the parakeet refused to comply, displaying an attitude far too big for its tiny frame. The only sound it ever uttered from its hooked beak was “khuku…khuku,” Didi’s pet name.

One day, the bird decided it was time to spread its wings—literally—and see the world beyond the confines of its cosy cage. The catalyst? A heated argument between Baba and Didi, during which Didi earned herself a thorough scolding for talking back. When she started crying, Laljhuti, the parakeet, seemed to lose its tiny green mind.

Squawking like an avian alarm, Laljhuti transformed into a miniature cyclone, zipping through the room at breakneck speed. It knocked over cups and sent saucers crashing, turning perfectly folded papers into a confetti of chaos. In its final act of rebellion, Laljhuti delivered precise nips to both Baba and Didi, leaving behind small but meaningful bite marks—souvenirs of its outrage. And then, with a dramatic flair, worthy of a Bollywood hero storming out after a family quarrel, Laljhuti shot straight out of the house.

Didi was inconsolable. Her beloved Laljhuti was gone. For days, she stood on the veranda, calling its name with the kind of desperation usually reserved for lost lottery tickets. But the green tornado had no intention of returning. Laljhuti had flown the coop, leaving behind only chaos, confusion, and a few well-placed dents in family egos.

To console her, Baba brought home a flock of colourful Budgerigars. These cheerful, social birds were more manageable and quickly became part of our household. They lived in a specially built cage, which Baba cleaned daily, ensuring their water and food bowls were always replenished. Their lively chatter often blended with our own, filling the house with a delightful din.

Over time, however, we lost a few of them and Baba decided to set the remaining ones free. With that, the “bird phase” of our lives came to an end, leaving behind memories of fluttering wings and chirping voices.

Next came a bunny rabbit, a fluffball with the whitest fur, pink glassy eyes, and a bushy tail that wiggled with mischief. This little creature was treated like royalty, roaming freely around the house and being pampered with baby carrots.

While everyone adored it, I had my grievances—specifically its habit of leaving tiny black droppings in the most inconvenient places. The worst was finding them nestled in my school shoes. There’s nothing quite like starting your day by gagging over rabbit poop.

To this day, I can’t recall what became of the bunny. One day it was there, twitching its nose and ruling the household, and the next, its cage had been unceremoniously relegated to the garden shed. Perhaps it hopped off to greener pastures, or maybe someone had finally had enough of the shoe sabotage. Either way, the bunny left its mark—quite literally—all over my childhood memories.

The last one was a surprise birthday gift for me and my twin, which arrived packaged in a shoe box, lined with layers of cotton.  A two-week-old Siamese kitten got from a litter of eight and was as tiny as the palm of my hand.  I watched Baba and Ma taking turns feeding this one with milk, prying open its mouth and squeezing the cotton ball soaked in milk.  He was named “Tuuta” and as he grew, the colour of his coat changed from white to grey and then a darker shade of grey. From milk, he graduated to eating goat entrails mashed with cooked rice and was a happy camper, rubbing his back against Ma’s legs, perhaps as a reminder it was feeding time. My twin and I fought over him, as one would fight over toys, setting dates for Tuuta’s sleeping schedule under our blankets.  One week in my bed, the next week in my twin’s bed.  Soon enough the fights ceased, with “Tuuta“, going out for overnight dates with the stray cats in the neighbourhood, probably the most sought-after male in the cat kingdom. The reasons could be his debonair looks, his pedigree and the fact that he lived in a bungalow, served gourmet meals, slept on whichever bed he fancied and most importantly, had his toilet created out of a wooden crate, filled with sand, where he performed his daily business.  Cleaned periodically. And if we so much as watched him at his job, he gave the stinky eye as if to say — “Get lost.  Let me shit in peace!”  

His entry/exit route for the overnight dates was through the open bathroom exhaust window.  One morning when Ma found he had not turned up for his breakfast, we looked everywhere and found him in the half-filled bathtub with water up to his neck, trying to scramble out, with little success.  The philanderer had missed his step on the ledge of the bathtub and landed inside.  Of course, that didn’t change our love for him.  He continued with such escapades, sowing quite a few wild oats, and ended up catching rabies.  A very sad end for him and us.  My twin and I had to take the rabies injection for a fortnight.  Very painful shots in the hips, administered by the Company doctor in the hospital.  Thus ended the saga of “Tuuta” the Siamese cat with whiskers that tickled, my favourite.

About the Author

Snigdha Agrawal (née Banerjee) is an aspiring writer who views herself as a perpetual learner on an ever-evolving creative journey. A graduate of Loreto Institutions and brought up in a cosmopolitan environment, she weaves a rich tapestry of Eastern and Western cultural influences into her literary work. Her writing is also shaped by two decades of corporate experience, which lends depth and realism to her narratives.

Spanning genres from short stories to poetry, her lifelong passion for creative writing is fuelled by a desire to connect with readers, evoke emotions, and spark reflection through her vivid storytelling.  She is a published author of five books, the latest Fragments of Time (Memoirs) is available on Amazon worldwide and on Flipkart, in Paperback, Hardcover and Kindle formats.

Now in her 70s, she embraces life with curiosity and an unquenchable thirst for learning. When not immersed in writing, she explores new places and shares her adventures on her travel blog.

Based in Bangalore, India, Snigdha finds enduring inspiration in her husband, her partner of nearly fifty years. Together, they continue to cherish and celebrate the ever-changing journey of life, which serves as the foundation for her creative pursuits.

About the Book

Fragments of Time is a heartwarming memoir that celebrates the beauty of life’s quiet yet meaningful moments.  Written by a woman in her seventies, it offers reflections on childhood, love, loss, and ageing, transforming the ordinary into the extraordinary.  With grace, humour and honesty, these stories reveal the richness of a life well-lived, reminding readers that even the simplest experiences hold profound value and are worth cherishing and sharing.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International