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A Special Tribute

In Memoriam: Star of the Stage Shines on Screen

Ratnottama Sengupta trains the spotlight on actress Swatilekha Sengupta(22nd May 1950- 16th June 2021)

Swatilekha Sengupta in action in Shanu Roy Chowdhury. Photo sourced by Ratnottama Sengupta

“Swatilekha is more talented and far better actor than I. Still, everyone keeps asking for me!” Rudraprasad Sengupta was not boasting to me – the helmsman of  the celebrated Nandikar Theatre Group was citing just one instance to show that “women in theatre still suffer bias[1].”

He wasn’t far from the truth: Swatilekha Sengupta, who passed away exactly a year ago on June 16 at 71, had graduated in English, mastered Western classical music in England, received guidance in theatre from iconic names like Tapas Sen, B V Karanth and Khaled Chowdhury. She composed music for, directed and carried on her shoulder Nandikar productions like Madhabi, Shanu Roy Chowdhury, Pata Jhore Jaay (Dry Leaves Fall), Naachni(Dancers).

Madhabi was adapted from Bhishm Sahni’s Mahabharat based play; Shanu Roy Chowdhury was adapted from Willy Russel’s Shirley Valentine; Naachni encapsulated the exploitation of the nautch girls of tribal Purulia. She wrote some, she composed the music for some, she travelled to UK and USA, Germany and Norway and Scotland… with husband Rudrapasad, with daughter Sohini, even to stage a one-woman play.  Yet, she is most recalled for playing Bimala in Satyajit Ray’s Ghare Baire (Home and the World, 1985) – although, ironically, she faced fierce criticism for its critical failure!

Growing up in Allahabad Swatilekha – then Chatterjee – had repeatedly watched Charulata (1964) and Mahanagar (1963) with her school friends. She even wrote to Ray seeking an opportunity to work under him. Of course the letter went unanswered – or perhaps it went astray? For, Ray watched Swatilekha in Nandikar’s Galileo and zeroed in on her for the dream role of Bimala: the wife of a forward-thinking zamindar, Nikhiliesh, whose concern for the welfare of the peasantry under his care is critiqued and upended by an upstart revolutionary, Sandip.

Tagore had written the novel, told through the personal stories of the three protagonists, in 1916 when the Nationalist movement was peaking. The 1905 Partition of Bengal had outraged both, the Hindus and the Muslims, and the protests against the religion-based partition also saw Tagore set Bankim Chandra’s Vande Mataram to music and singing the song to protest the imposition of foreign rule. But after the ‘administrative division’ was rescinded, the call to boycott foreign goods in favour of Swadeshi, indigenous, appealed to the masses – and that led to tensions between the anti-British activists and the idealists. Swadeshi was critiqued as being unaffordable for the peasantry by Nikhilesh in the film and by Tagore, who contended that humanity came before nationalism. Effectively, then, the drama had pitted the conservative versus the radical, rational versus the emotional, East versus West. In short, the home versus the world.

So keen was Swatilekha’s appetite for the character that, on the first day, she’d defied a local bandh[2] and walked from her home in north Calcutta to the legend’s Bishop Lefroy address across the city. On learning that she’d not read the Tagore classic the iconic director had insisted that she should NOT read it. On noticing that she was staring at a harpsichord Ray had asked her if she could play it, and on hearing that she played the piano he’d asked her to play a Beethoven and he had himself whistled along!

Swatilekha Sengupta & Soumitra Chatterjee in Satyajit Ray’s 1985 film, Ghare Baire. Photo sourced by Ratnottama Sengupta

All this camaraderie must have passed on to his actor: when the film released to the world, a prestigious American newspaper praised the “immense grace” of the “pretty, surprisingly wilful Bimala”. But the demanding viewers at home tore her to pieces saying “she neither lived nor looked the role”. Suddenly her ‘home’ had turned into a horrid world… “I sunk into depression and wanted to end my life!” Swatilekha had confessed to my young screen-writer friend, Zinia Sen, while preparing to return to the screen 30 years later — with the same co-star, Soumitra Chatterjee, in Bela Sheshe (In the Autumn of My Life, 2015), which is now considered a cult film.

The story of Arati and Biswanath Majumdar takes a curious turn when, on the eve of their 50th anniversary, the husband seeks to divorce his wife. Because? Arati, a typical, traditional housewife, happily spends her life cooking and cleaning, washing and nursing. For, in her vocabulary, those are just other words to say ‘I love you’ to her husband; for looking after her in-laws; for expressing her concern for her daughters and son and grandchildren… This is a far cry from her husband’s definition of a dream partner. For Biswanath, the proprietor of a fabled bookstore, has unending curiosity about the world and wants to travel beyond the map… 

The five relationships depicted in the film attempt to define the life-long companionship we brand as marriage. Do marriage vows ensure the fairy tale ending of happiness ever after? Is married life built upon promises kept and love requited? Or do unfilled expectations and unarticulated expressions also cement the friendship? Is it possible to walk into the sunset hand in hand?

Soumitra Chatterjee and Swatilekha Sengupta in Belasheshe. Photo sourced by Ratnottama Sengupta

Bela Sheshe made on a budget of Rs 1.1 crore reaped Rs 2.3 crore. More importantly, while reviving faith in institutionalised partnership it also breathed new box office appeal in the screen partners, Soumitra Chatterjee and Swatilekha Sengupta. In Belashuru (A New Beginning, 2022) the latest outing of Nandita Roy and Shiboprasad Mukherjee, the director duo have again cast them as Arati and Biswanath. This time, though, it is a new beginning for the husband is eagerly striving for his Alzheimer afflicted wife to recognise that the ‘stranger’ who follows her everywhere, even her bed, is her now-aged groom. For, Arati now lives in the past she left in Faridpur, along with the pond she’d fish in with Atindrada and the textile shop of her comrade in crime, when she got married…

The film pivots on Arati, and Swatilekha outshines one and all in the cast. Not surprising: the actor’s total commitment to the character is borne out by Zinia. She recalls that, “when the rest of the unit sat listening to Soumitra Da’s [3]enthralling anecdotes and Kharaj Da’s [4] humour filled recitation, Swati Di[5] refused to join in. Instead, she retired within herself, just as Arati would.”

Swatilekha Sengupta as Ammi in Dharma Juddha, a film that will be released in August 2022. Photo sourced By Ratnottama Sengupta.

This is echoed by Raj Chakraborty, the director of Dharma Juddha (Religious War ) which was screened in the recent Kolkata International Film Festival. He recounts that the film was shot in Purulia that suffers extreme summer, but “since the sequence was set on a winter night, she kept her warm clothes on all through the shoot. Such was her dedication to the character and the script!”

Having followed her theatre over a long time Raj counts it amongst his blessings that he could work with her. “I’m certain there was more left to learn,” he sighs as he awaits the masses’ response to the film which once again, rests on the sturdy shoulder of Ma/ Ammi/Dadi[6]. Raj could envisage none but Swatilekha as the protagonist who shelters to two sets of men and women when Ismailpur is seized by an apocalyptic night of communal rage. The pacifier succeeds in instilling brotherhood in the four victims from rival camps – until the tragic truth about her son’s death is revealed. It drives home the realisation that the foremost religion is humanism.

Like Swatilekha, Soumitra Da too had a strong presence on the stage. And fortunately, the screen pair’s daughters – Sohini and Poulami, respectively – are also deeply into theatre.  “I had chosen theatre when I wanted to direct,” he’d said to me when Sangeet Natak Akademi had decorated him, “because, if I make films, people will always compare me with Manikda[7].”

That is why I am doubly delighted that the makers marked the release of Bela Shuru [8]– the duo’s last film – around Swatilekha’s birth anniversary[9], with a unique exhibition. it showcases Soumitra’s typewriter, the script he penned for a play, a collection of pipes acquired on travels abroad; his paintings, poems, letters to his daughter from his Jaisalmer shoot for Sonar Kella (1974)… And it showcases Swatilekha’s violin and mouth-organ; the costumes she wore in Nachni and Bela Shuru; and, a congratulatory letter to Swatilekha, from a star admirer — Amitabh Bachchan…[10]

Soumitra Chatterjee and Swatilekha Sengupta in Bela Shuru. Photo Sourced by Ratnottama Sengupta

Surely a far cry from the bias that you lamented when you celebrated the 150th birth anniversary of Notee Binodini [11] in 2013, Rudra Da[12]?

*

Yes, theatre people the world over agree, that the ‘Moon of Star Theatre’ was deprived of her rightful honour when the theatre that was founded by her not named after her. Why? Because “the aristocrats would not like to enter a place named after a noti.” Thespian Noti Binodini might have been, but she was a fallen woman, wasn’t she? So what if this contemporary of Tagore was the first South Asian actress to pen her own story – Aamar Katha — a lucid memoir that portrays the 19th century society in Bengal which was at ease with European ideas but confined women to homes. So what if the sage Ramakrishna had gone into a trance as he watched her essay Chaitanya Mahaprabhu (1884)? Such was her portrayal that thespian Amritlal Bose wrote, “Whenever I bow to any wooden or painted image of Sri Chaitanya, I see Binodini before my eyes.”

Binodini Dasi had gone onstage at age 12, under mentor Girish Ghosh (1844-1912), and her career had ended when she was just 23. Merely 11 years, but those were the years when the proscenium theatre modelled after European convention was spreading in Bengal. In those 11 years Binodini enacted 80 roles, playing Sita, Draupadi, Radha, Kaikeyi or Pramila, Mrinalini, Motibibi, Ayesha. Please note: She pioneered modern stage make-up by blending European and indigenous styles.

“Because of this, people who had seen her in one role could not recognise her in another,” Girish Ghosh himself wrote. Yet this same stalwart of theatre, to please whom Binodini had drained her own resources and founded Star Theatre in north Calcutta, refused to write a foreword for My Story as it contained uncomfortable truths about Binodini’s patrons!

Why did the chroniclers of Bengal Renaissance overlook the contribution of this marginalised star to the land’s cultural mileu? “Because of the class-caste divide,” Soumitra Chatterjee suggests in his foreword for the memoir. “How could the Brahmo-Brahmin dominated upper crust acknowledge the talents of a lowborn ‘prostitute’?”

More than a century later, Swatilekha took it upon herself to train the spotlight on the fact that the years had failed to change the plight of another set of dancing artistes – the Nachnis.


[1] Women in Theatre suffer bias.’ – quoted from Times of India, article by Ratnottama Sengupta.

[2] Strike where transport was halted

[3] Soumitra Chatterjee (1935-2020)

[4] Kharaj Mukherjee : Actor and comedian

[5] Swatilekha Sengupta (1950-2021)

[6] Grandmother

[7] Satyajit Ray

[8] Release date: 20.5.2022

[9] 22. 5. 1950

[10] Amitabh Bachhan, one of the most nationally and internationally awarded and influential actors

[11] Play based on the life Binodini Dasi

[12] Rudraprasad Sengupta, husband of Swatilekha and a theatre personality

Ratnottama Sengupta, formerly Arts Editor of The Times of India, teaches mass communication and film appreciation, curates film festivals and art exhibitions, and translates and write books. She has been a member of CBFC, served on the National Film Awards jury and has herself won a National Award. Ratnottama Sengupta has the rights to translate her father, Nabendu Ghosh.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Categories
The Observant Immigrant

When is a mental illness not a mental illness?

By Candice Louisa Daquin

Shakespeare’s King Lear: Was he mad or grief stricken? Courtesy: Creative commons

Depending upon the country you live in, you may have to think back a long time or not so long, to imagine a time when talking of mental illness wasn’t mainstream. For many countries mental illness is still a taboo, but the internet has made knowledge of mental illness more wide-spread. You could be forgiven for thinking most people suffer from some form of mental illness. In reality, statistically, the majority do not. Most of us however, go through hard times where we may exhibit behaviour shared with those suffering from mental illness.

Having just finished co editing a large book on mental illness, I began to think about how we swung from one extreme (never acknowledging mental illness) to another (talking about it all the time). As a psychotherapist this isn’t perhaps surprising but the extent to which we label and evoke mental illness as explanation, might be.

Sometimes atypical behavior isn’t mental illness.

Teens, the elderly, the dispossessed, so many groups may suffer what seems like a mental illness but it really a natural response to a challenging situation. The adjustment of growing up. The challenges of getting older. Losing partners. Losing parents. Hormone changes. Trauma. Treating these events, the same way you would someone with a long-term mental illness like schizophrenia is ignoring the difference between an illness and a causative episode. With health insurance companies demanding categorisation in order to approve insurance, there has been a gradual shift toward ever-increasing terminology and labels. The problem with this is someone going through depression because they lost a parent can be seen as mentally ill — just like someone suffering from severe schizophrenia. But the two are not the same. We must be careful not to confuse malaise and regular responses to trauma and challenges, with a deep-rooted illness that might not be as curable. Why? Because we’re no longer understanding crucial differences in what we deem mental illness.

Therapists and medical professionals can be far too quick to state unequivocally that someone is mentally ill. This matters because just as ignoring mental illness and not talking about it, is wrong, so is over diagnosing it. The reason being, when you label someone, you set into motion years sometimes of inaccurate diagnosis and treatment which can do more harm than good.

Before you dismiss this as a rare event, think again.

Here are some case studies (real names not used) I have come across in my work:

John was told he was bipolar and was sent to an outpatient ‘group’ in a local residential center for mentally ill people. This was on the basis of his arguing repeatedly at his place of work and finally being fired. He also had several car accidents that he put down to ‘feeling angry’ and he attacked his wife during an argument. He was prescribed high dose psychotropic medication and his insurance was charged for the expensive therapy he received daily.

His family were horrified to find out their father was ‘suddenly’ mentally ill with bipolar disorder ll in his late sixties. They didn’t question the authority of the doctors until it became obvious something else was going on. At that time, he had sunk into a deep depression and seemed to be losing his ability to drive. The family asked the psychiatrists whether he could have dementia, to which they were repeatedly told — no he’s mentally ill. Firstly, this is an erroneous way of describing a condition as blanket-diagnosing mental illness, and second, they were wrong. John had the beginning of Alzheimer’s and his delayed diagnosis caused great heartache for everyone involved.

The question of how any competent psychiatrist could have diagnosed John with Bipolar ll which rarely if ever ‘suddenly happens’ late in life, is but one example of how a system will fit a diagnosis to its dominant perspective, in this case an assumption that certain behaviours are always congruent with a mental illness. John like many with Alzheimer’s did share some symptomology but nobody bothered to consider an alternative diagnosis and thus, the incorrect medication, expense and uncertainty caused a sad diagnosis of Alzheimer’s to become even more protracted and painful. Equally it should be mentioned for the sake of fairness, that there is an over-abundance of dementia-related diagnosis of older people where other causes are not considered and this is the same shortsightedness.

Liza, was diagnosed with schizophrenia based on muted affect, spells of catatonia and trauma response as well as insomnia, severe anxiety and depression. She exhibited paranoia and fearfulness as well as despondency and out bursts of anger. Even if those symptoms could fit the diagnosis for schizophrenia, they are too generalized to be assumed as such. Nevertheless, Liza was given EST (Electric Shock Treatment) and institutionalised for years, without another diagnosis being considered. It turned out Liza had never had schizophrenia but after years of medication it was hard to tell what was causing her behaviour. It wasn’t until years later when she began to open up to a therapist who cared, that Liza found out her symptoms were the reactions of severe childhood abuse and sexual abuse. These had never been considered because she was not asked about sexual abuse, and did not volunteer about it (most sexual abuse survivors don’t). It was easier to medicate her and inflict EST on her, than really understand what was going on. Liza went on to live a full life, but with the scars of her experiences and a deep mistrust of the psychiatric field (rightfully!).

These are two of many, many stories I could share of clients with misdiagnosis histories that caused them and their families a great deal of suffering. Of course, there is the flipside of people not being diagnosed with a mental illness and equally suffering and I acknowledge that happens too. The purpose of this essay is to consider the epidemic of over-diagnosis and how, maybe with good intention, we’ve swung from one extreme (nobody is mentally ill) to another (if in doubt, it’s a mental illness).

Whilst I am the first person to say accurate diagnosis and treatment can save lives when it comes to the mental health field. I have seen how doctors and practitioners can be subject to the undue influence of social trends in diagnosis and medication and how this can influence the accuracy of their diagnosis. Psychotropic drugs can have life-long effects which if that’s your only choice compared to the misery of a mental illness, you will accept, but what of those who didn’t need them in the first place? My concern is the over-medication and over-diagnosis of certain kinds of mental illness set a cascading storm into motion.

A colleague of mine who works as a psychiatrist had her own experience of being on the ‘other side’ when she developed a sudden onset illness. The illness included heart palpitations. My colleague went to the ER with chest pains thinking she might be having a heart attack. The physicians on call determined she wasn’t and their next recourse was to suggest it was an anxiety related issue. They prescribed anxiety medication and recommended she saw a therapist. My colleague went another appointment only to find out she was sitting in front of a psychiatric nurse. Despite her own qualifications as a psychiatrist, she said at the time she felt vulnerable, unsure of what was happening and very afraid. She explained her feelings of fear to the nurse, alongside her concern that she had no definitive diagnosis. The nurse did not refer her to another medical doctor for further tests. She recommended heavy duty anti-anxiety medications.

Because my colleague is a psychiatrist, she had the presence of mind to decline but it got her wondering what would have happened had she not been clued into the failings of the system? She could easily have been taking strong medications for a ‘suspected’ case of anxiety, without really finding out what was wrong and caused her heart palpitations. It took my colleague a long time to finally get an answer. A rare disease. With treatment she recovered. The lesson she learned however, terrified her. She now understood how at the mercy of doctors most patients were and how often diagnosis wasn’t a precise science or even an educated guess, but more of a ‘by rote’ method that was deeply flawed.

She showed me the thirty something bottles of medications she was given with every appointment and explained that had she been truly suffering from a serious mental illness, she would have had more than enough to overdose with, even given the safety protocols of modern medicine. She also explained the ease with which she was given extremely powerful drugs, without a documented diagnosis and how many side-effects those medicines potentially had. She is now an advocate for change, hoping the medical industry and the pharmaceutical industries can be cautioned against rash diagnosis and over-medicating. It worries me that it takes an expert in the field to raise a red flag and I remain pessimistic about her success in changing a well-oiled system that earns billions in kick-backs and profit from the perpetuation of an illness rather than a cure.

Getting into hospital unless you have a heart attack or amputated limb isn’t easy any more. The model is more about treating patients and sending them home. This works for many, and expands on the ‘care in the community’ concept with mental health (which has floundered since inception, creating huge groups of homeless mentally ill) but does not work for everyone, especially those with harder diagnosis. Consequently, many of us have learned what it feels like to be a patient going through a broken system, what you had to do to get what you needed and how hard that would be if say, you were in the throes of a serious illness (be it mental or physical). Some doctors are responsive, caring and compassionate, whilst others merely check a box. The inadequacy of systems set up to help both the physically and mentally ill is underfunded and the level of treatment often fractured, in favour of cost-saving protocols that were often unapplicable to those they served. How challenging must it be for patients to seek good help during some of the hardest times of their lives?

I have sympathy for the over-worked/under-paid GP/family doctor who is restricted by insurance protocols and limited in what they’re able to offer their patients. I understand how it may seem easier to offer an anxiety medication or label someone bipolar, than spend weeks trying to get to the real cause. But you don’t heal anyone with a wrong diagnosis, and you mar the field of psychiatry by misdiagnosis. It’s no wonder I’m often mistrusted as a mental health worker, because so many of my patients have had negative experiences of being judged, marginalised and labeled, by previous psychotherapists and doctor. It only takes one person to assume you’re not coping and must be clinically depressed, to set into motion a whole chain of events. What if that practitioner had looked beyond the obvious and considered the evidence more closely? But sometimes it’s easier to reach for the prescription pad. You are doing someone a disservice if you medicate a vulnerable person on the basis of basic symptoms rather than looking at the whole picture. It’s a catch-22 situation with such short appointment times and a burgeoning patient load.

In prisons, where a high number of inmates have mental illness that are not treated through accessible programmes, drugs have become the surrogate for competent therapy. It is simply cheaper to drug a patient than offer 1-1 therapy. Whilst it may not be fiscally possible to offer low-cost or free therapy to everyone who needs it, we shouldn’t use drugs as a substitute if they’re not the answer. Most psychotropic drugs were designed to be used short-term but many people take them for years. If you imagine some of those people could be misdiagnosed or not really suffering from a mental illness so much as a hard time that will resolve, then you’re responsible for drugging people who shouldn’t have ever been drugged. How is this an answer to anything?

In nursing homes, patients with dementia and other diseases often take over ten medications that ultimately won’t cure anything but will make the pharmaceutical industries rich. The reason? To keep them compliant and calm. So they won’t bite, make a fuss or tax the underpaid staff. Again, I can sympathise with wanting to medicate a troublesome patient, but in shrugging everything off to mental illness we lose touch with the real cause and effect and shirk our responsibility to accurately treat people. Maybe with fewer doctors and ever-increasing medical costs this is no longer possible, in which case as more of us age and get dementia or alzheimer’s, expect to see a steady increase in the use of psychotropic medication as a means of management.

I have met many who have had similar sudden onset, long lasting catastrophic illnesses. Many of them were told by doctors that these illnesses were psychosomatic or psychiatric in origin when it turned out to be a hundred percent physical. Whilst I don’t deny that some illnesses can be psychiatric in origin, many are not and women are far more likely to be told their illness is ‘in their head’ or ‘an issue of nerves’ – and this not just from the medical industry, but their families and friends. Like anything, when you’re in a dark place it’s very easy to convince yourself, the doctor is right, which can further exacerbate misdiagnosis and unnecessary suffering and stigma.

For the seriously physically ill, this is as bad as having a heart attack and being told ‘you are anxious you need to calm down’. It is counterproductive and often causes people who need help not to seek it. The blurring between the physical and the mental is unacceptable. Whilst there is clearly a mind-body link, assuming everyone with anxiety must be mentally ill (rather than anxious for a good reason) is short-sighted and potentially damaging. Likewise, labeling every woman histrionic because she’s panicking about something, is using mental illness categories as a weapon.

The gender divide between how doctors treat female versus male patients is a long-standing inequality, based upon the old concepts of hysteria (a female term applied toward women only) and the link between mental instability and the female body. Whilst it is true that menstruation, hormones and menopause can definitely change a person’s mood, this is not the same as true mental illness and it is high time we understand the difference between feeling anxious or depressed and suffering from clinical depression or anxiety. The only way we achieve this is by quitting our tendency to label certain groups without further enquiry. This includes women, people of colour and lower-income persons — all of whom are more often assumed to be mentally ill than other groups.  

The harm of a misdiagnosis is, as I said earlier, as bad as no diagnosis. The rush to come to a conclusion is something that turns into a scarlet letter for the bearer. Despite our best attempts, mental illness is still stigmatised, and as such, once diagnosed, this can affect everything from future job prospects, marriage, friendships to even housing. In the information age, medical privacy is constantly under assault, and even future employers are able to find out about people’s private lives. Should they discover that person has a mental illness that they stereotype as being negative, this could reduce a person’s equal chances. The old adage, ‘crying wolf’ also applies because we over-diagnose and popularise in unhealthy ways. That causes people to shirk when someone really does need help.

Why do we stigmatize the mentally ill? I often hear from clients who are overmedicated and some who are undermedicated, both extremes existing because one provokes the other. A lot of psychotropic medication is not effective and placebo at best, leaving the medical industry with a big question mark as to how to help the mentally ill. Whilst I don’t have all the answers either, I would say, ensuring someone is really mentally ill before acting on it, is one positive step toward reforming a broken system. Currently so much money is spent on mental illness but people are not getting better, they are getting sicker. That means something really isn’t working. I’m not convinced the recent move to online psychiatry is the answer either, given the danger of powerful medications. I’m also not convinced strong medications like Ketamine and Ecstasy should be given without close monitoring. I’m all for creative thinking in medicine, but not without caution.

Finally … when is a mental illness not a mental illness? We should be open to alternative diagnosis rather than the category of mental illness as a catch all for when we’ve no better answer. Just because something isn’t apparent, doesn’t mean it’s a mental illness. There is so much the medical industry doesn’t know and often it takes patience and commitment to discover a rare disease. If we didn’t spit people out and try hard to see as many people as we could, we might have time to discover the real cause and not send people home with incorrect medication. It’s damaging and it further stigmatises those who really need mental health treatment. On the other hand, sometimes feeling anxious is just feeling anxious, and not something to pathologise. We will all feel depressed or anxious at times, it doesn’t mean we need a category and our current system doesn’t seem to have another option. How about we start with asking the patient – what do you think is going on? Often, we learn the most from our patients, and they will help us know whether they have a mental illness or are just going through a hard time. The difference between providing short-term supportive care and getting someone on a life-time of strong medication is huge and we need to have our eyes wide open.

Candice Louisa Daquin is a Psychotherapist and Editor, having worked in Europe, Canada and the USA. Daquins own work is also published widely, she has written five books of poetry, the last published by Finishing Line Press called Pinch the Lock. Her website is www thefeatheredsleep.com

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL.

Categories
Musings

Hope in Troubling Times

By Nishi Pulugurtha

My college is closed, classes are off and examinations have been deferred. We need to go in only if and when there is a need. It is not a holiday as I keep telling all my students, it is a shutdown, done for the sake of social distancing and isolation.  It is difficult convincing all about the seriousness of it all, how important it is to take precautions. There are many who dismiss it as media hype, as unnecessary, as India is safe, etc. Convincing does not seem to work, nor does rationale, some just refuse to see logic and reason.  No, I am not in a state of panic, just being careful. Trying to do my bit. As I began writing this. news came in of the first case in Kolkata.

As I was reading news about COVID_19 a few days ago it seems like some dystopia, a sci-fi movie or novel, only this time it is not fiction. It is for real and the earlier we realize it and take all necessary measures the better. Life for the daily wage earner could be even more difficult. The driver who came in yesterday morning told me that since many like me who will not be needing their services for sometime, his income is going to fall sharply. What happens to people like us, he said. I did not have an answer.

The shutdown gives most of us time to slow down, to work at other things that we can. I recorded my first lecture last night, a brief one, a test one. I shared it with my fourth semester students in a group that we created, our virtual classroom for the time being. I need to make sure that they are connected to their books and studies. Some of them did watch my video and even asked pertinent questions. I am sure many more will do it too, will take it seriously. Yes, we are angry and disturbed that so many of our plans, our schedules, our trips, our holidays, our getogethers, our parties, our functions, our movie dates, our programmes, so much of our lives that we looked forward to are all cancelled. We need to make the best of a bad situation. We are all in it together and maybe that is what will help us tide over it all.

Yesterday I noticed a post by a young dentist interning right now, miles away from home, she spoke about restraint, about taking precautions, about being careful. That post gave me hope, that in spite of the many who are throwing precautions to the wind and taking things very casually, there are sane voices. I know things sound depressing, who wants to be stuck at home. Even though I have prepared a long list of things I plan to do during this shutdown, I am not sure how much I will actually get down to doing.

It is going to be difficult for the elderly and for those with other health issues and ailments. My mother is in an advanced stage of Alzheimer’s Disease and is immobile now. I have been writing about our journey with the disease for some time now so as to create an awareness, just to talk about it, to give voice to those who are no longer able to speak for themselves as the tangled nerves in their brains prevent them from doing so. I need to be extra cautious as a result. She needs constant supervision, her hands need to be washed as she very often puts her fingers into her mouth, just like a baby. The caregivers at home have been instructed to take precautions.

A group of friends came up with a brilliant idea to reach out to those who need help. The Facebook post which I then shared spoke of reaching out to parents of friends, colleagues and acquaintances living alone in Kolkata as their children are abroad or in other parts of the country and are unable to come back now. It spoke of reaching out to them, checking on them to find out if they are alright, if they need anything, of making arrangements so that they have basic supplies, medicines they need. Work on it has already begun, people on both sides have begun to reach out, help is reaching homes. A friend is worried about her father undergoing dialysis at a city hospital and the worry is absolutely justified. The most I can do is to reach out to her. A word of help, of consolation, I believe work.  That friend, too, is part of this group reaching out to the elderly. There surely is much hope and compassion in times such as these. Let us look out for them, reach out, just be there.

Dr. Nishi Pulugurtha is Associate Professor in the department of English, Brahmananda Keshab Chandra College and has taught postgraduate courses at West Bengal State University, Rabindra Bharati University and the University of Calcutta. She is the Secretary of the Intercultural Poetry and Performance Library, Kolkata (IPPL). Her research areas are British Romantic literature, Postcolonial literature, Indian writing in English, literature of the diaspora, film and Shakespeare adaptation in film and has presented papers at national and international conferences in India and abroad and published in refereed international and national journals. She writes on travel, film, short stories, poetry and on Alzheimer’s Disease. Her work has been published in The Statesman, Kolkata, in Prosopisia, in the anthology Tranquil Muse and online – Kitaab, Café Dissensus, Coldnoon, Queen Mob’s Tea House, The World Literature Blog and Setu. She guest edited the June 2018 Issue of Café Dissensus on Travel. She has a monograph on Derozio (2010) and a collection of essays on travel, Out in the Open (2019). She is now working on her first volume of poems and is editing a collection of essays on travel.