Categories
Poetry

Mosquitoes & Daffodils

By John Grey

Courtesy: Creative Commons
MOSQUITOES

They've flown
in squadrons
since before
airplanes.

And they've 
been attracted
to human skin,
long in advance
of the first human romance.

Likewise,
they've sucked blood
for centuries, 
with enough 
dedication to the task
to put every vampire
in Romania to shame.

Does that mean
I respect them too much
to swat them?

No, just that
that the only good insect
is a dead antediluvian.

DAFFODILS

Massed daffodils in robust grass,
day after day – you know you’re safe.

For they bloom harmless, 
but deep with longing for the sun and rain.

Always rise up at morning’s call,
white-petaled, yellow-bud kisses.

Yesterday, the same.
Twenty years ago, no different.

Soft wind croons, low voltage beauty,
seeing them now like seeing them in retrospect.

John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Hollins Critic. His latest books are “Leaves On Pages”, “Memory Outside The Head” and “Guest Of Myself”, available on Amazon. 

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Categories
Poetry

Framed Mesh

By Antara Mukherjee

FRAMED MESH 

The rasp of sand on sieve,
flipping urgency 
in rice grains on heat, 
an entourage to the jangle 
of her dozen green translucent dreams 
sold to her at the village fair 
wafting of love
through hordes 
in sherwanis and seheras alike 
matched with mannequin reds 
conceding to a horoscoped fate 

indistinguishable 

like the men in her new home, 
who take turns 
to unveil her at nights  
distributed even 
by the hypostyles 
of power and precedence, 
polyandrous as Pandavas 
fading in the daylight 
that ripens guavas, pickles, needlework 
in the barefoot corridors 
while the granular language of being 
falls through 
her framed mesh 
—the penury of silence.

 Antara Mukherjee’s poems and stories have appeared in Kitaab, Sahitya Akademi, Muse India, The Chakkar, Joao-Roque Literary Journal, Usawa Literary Review, The Chakkar, The Alipore Post and Verse of Silence among others. 

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Categories
Poetry

A Love Poem by Candice Louisa Daquin

Courtesy: Creative Commons
TU ME FAIS MAL AVEC TA BEAUTÉ 

the shadows of us
were violet
with the crush of desire
racing in broken ways
toward the other
occasioning a need
to focus 
through glass
the elongation of
your beauty 

and this is for you
touche-moi avec ta douleur 
this is for you and all the moments
you weren't here 

You put your face up into my face
invading, disfiguring my space
like your hunger wasn't sate
near enough to avoid
being feral 
I lay my cheek
against your sharpness
and you bit into my fall 
joining burning fray
as if you belonged there
just as I

the shadows of us
were violet
with the crush of desire
racing in broken ways
toward the other
occasioning a need
to focus 
through glass
the elongation of
your beauty 

and this is for you
touche-moi avec ta douleur
this is for you and all the moments
you weren't here 

Glossary:

Tu me fais mal avec ta beauté: You hurt me with your beauty

touche-moi avec ta douleur: Touch me with your pain

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Candice Louisa Daquin is a Psychotherapist and Editor, having worked in Europe, Canada and the USA. Daquins own work is also published widely, she has written five books of poetry, the last published by Finishing Line Press called Pinch the Lock. Her website is www thefeatheredsleep.com

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Categories
Poetry

Poetry By Sutputra Radheye

Painting by Vincent Van Gogh(!853-1890). Courtesy: Creative Commons
(1)

the stargazing
the dinner dates
and the sleepovers can wait
it’s time to sleep
on the streets 
eating with your comrades
and resisting the bills



(2)

the blank wall
convinces me of my failure
to draw a graffiti
that will show solidarity
with the ants
trying to climb the wall
and the palaces of the rich
to dismantle their wealth


(3)

If you are searching for Rashid

Stop looking


Rashid is dead
Killed by a mob
His house 
           Bulldozed

Assam
UP
Delhi
Kashmir
He ran from every place

His name was his crime
And that’s what has been said

So, if you are searching for Rashid
Stop looking


(4)

cacophonies of the cradled heart
scared of silence, scared of sound
in a liminal space, i somehow exist
where fire threatens to catch me
from both the sides

I run. I run. I run. To the farthest
in the land I can see and yet the fire
somehow runs way faster than me.
“coward” they all call me
only I know to be me how brave one
needs to be

the wars on my body have deserted
the skin of any beauty that spring
brought upon me and the noise
of those jets flying like birds
have deafened the eardrums
of any music it held 

I seek no home, just a place
to rest in peace while I breathe

Sutputra Radheye is a young poet from India. He has published two poetry collections — Worshipping Bodies (Notion Press) and Inqalaab on the Walls (Delhi Poetry Slam)His works are reflective of the society he lives in and tries to capture the marginalised side of the story.

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Categories
Poetry

The Three Misses

By Rhys Hughes

Courtesy: Creative Commons
MISFORTUNE

She was poor and had a hard life
and everything that could
go wrong went wrong, as if Fate
was determined to make her wait
an inordinately long time
for any joy or satisfaction. A toy
of cruel chance,
even when she learned to dance
she remained alone,
nobody’s partner, nobody’s wife
and as a distraction
from her woes she took to driving
traction engines,
the most powerful kind
permitted by law,
one hundred horsepower or more.
One morning in a fog she crashed
into the limousine
of a very wealthy touring man, who
on an ocean cruise
during a storm
had already seen her face
in a dream. He fell in love instantly
despite his bruises.
A misfortune it had been
but her name
soon became Mrs Fortune.

 
MISADVENTURE

She crashed her biplane
in the depths
of the jungle. Her navigator
had bungled badly
and was beyond help now
but she survived
and began the long trek
home. Through
mountain passes on foot,
across lakes
on improvised rafts,
always alone,
over rotting rope bridges,
braving leopards
and snakes, the censure
of sentient apes,
until she found the lost city
and met the king.
So handsome!
A misadventure it had been
but her name
soon became Mrs Adventure.

 
MISALIGNED

Her mind never ran
in parallel with other brains,
her thoughts remained
unique. She would seek
answers to questions
that no one ever asked.
Her daily task was to doubt
ordinary phenomena
and drown out assumptions
with the music of wonder.
She was like Andromeda
but chained to the Strange
instead of a Cliff. A whiff
of magic could be detected
whenever she elected
to reveal her true self. But
then one day she met
an elf: old and wise, he was.
She was right for him,
she fitted in precisely
to his psyche, and his to hers.
Misaligned she had been
for years but her name
soon became Mrs Aligned.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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Categories
Poetry

Pie in the Sky

Written in Korean & translated by Ihlwha Choi

Starry Night by Vincent Van Gogh(1853-1890) Courtesy: Creative Commons
PIE IN THE SKY

As I get older, pies in the sky increase.
Now there are so many pies in the sky.

When I was young, I hoped to be a seaman,
but now my dream has become a pie in the sky.

Once, Pestalozzi, Dalgas, Schweitzer were my heroes,
but they all have become pies in the sky.

The friends from my boyhood,
the lassie to whom I wrote love letters,
all of them have become pies in the sky.

Boys, be cautious.
The dream -- like a brilliant rainbow --
will become a pie in the sky with the flow of time.

Ihlwha Choi is a South Korean poet. He has published multiple poetry collections, such as Until the Time, When Our Love will Flourish, The Colour of Time, His Song and The Last Rehearsal.

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Categories
Poetry

Menuki by Jared Carter

A found poem, consisting of various captions copied verbatim from descriptions of small figurines displayed in the Asian Wing of the Dayton Art Institute, in the state of Ohio, in the United States.

Menuki, sometimes called sword fittings, are matching or complementary pairs of tiny metal sculptures, traditionally secured to the hilt of a samurai sword and thought to improve the grip.

They were hammered from sheets of copper or alloys of silver and gold and were held in position on either side of a sword’s hilt by braids of silk.

— Jared Carter

MENUKI

Each in the form of a cluster of branches and a flowering plum
Each in the form of celestial dragons
Each in the form of a cluster of flowers wrapped around a rolled mat
Each in the form of a crane with spread wings
            nestled amidst the upper branches
                        of an ornamental spreading pine

One in the form of a prancing stag
            the other in the form of a stag nuzzling a recumbent doe
One in the form of a cluster of grasses with a crescent moon
            the other of grasses with the new moon
Each in the form of Mount Fuji

One in the form of a court noble in military dress
           the other in the form of a sage holding a book
Each in the form of a woven basket filled with sprays of flowers
Each in the form of a cluster of eggplants
One in the form of a crane taking flight
           the other in the form of a heron

Each in the form of a cluster of peacocks
Each in the form of a crawfish and waterweeds
Each in the form of crickets and wildflowers
Each in the form of two galloping horses
One in the form of a nightingale in flight
           the other in the form of the moon
Each in the form of a horse cleaning itself
           beside a shallow stream

One in the form of a stalking tiger
           the other in the form of a seated tiger
Each in the form of a fisherman walking
           with a large wicker basket

Each in the form of a samurai astride a galloping horse
Each in the form of three Chinese sages playing go
Each in the form of a gold pheasant
            backed by a cluster of kiku, millet,
                        wildflowers, and grasses

Each in the form of a fisherman poling a boat

First published in Nexus.

Jared Carter’s most recent collection, The Land Itself, is from Monongahela Books in West Virginia. His Darkened Rooms of Summer: New and Selected Poems, with an introduction by Ted Kooser, was published by the University of Nebraska Press in 2014. A recipient of several literary awards and fellowships, Carter is from the state of Indiana in the U.S.

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Categories
Poetry

Scents of the City

By Prashanti Chunduri

THIS CITY
 
I know of a tiny city by the sea
whose tread is a little slower than Father Time's.
Its womb is the one I grew up in
and it's old-school heart beats
in tandem with mine.
 
In this city, we write letters by hand
and read the words out loud, 
rounded by the warmth of our tongues.
We let our nibs explode ink onto the paper 
and with it, our love, our laughter, our tears.
 
I don't know how it works in the cities 
which have left us behind, but here, 
we hold hands when we fight. We let our 
rage sink into our skin, in real-time,
so that when it scabs over, it does so with grace.
 
We paint portraits that preserve the caress of paint
instead of selfies that evaporate by the minute.
We develop photographs in the dark room and 
slip them into albums, labelled and dated,
but most, we carefully preserve them behind our eyelids.
 
We eat with our fingers in this city of mine,
let the juices drip down our wrists, nary a care about etiquette.
The moans and groans of pleasure that accompany 
chilli powder and turmeric stained-fingers
are worth more than Michelin stars, says mother.
 
Sometimes, we forget our GPS at home,
and let our senses guide us, as in the days of old.
We pick up less-than-perfect bouquets of wildflowers,
a little brown at the edges but signed carefully with love,
so that no fancy florist knows to set up shop here.
 
I hear you worry about my untrimmed edges,
a little wilder -- but a lot less weary --
than the world as it flashes by.
But worry not, I am more than fine,
with this old-school heart of mine.
 
  
ODE TO MY NOSE
 
I come across a strange meaning
to words I thought I knew
because when I ask my brain about 
life, she leads me 
by the nose.
 
I
The first scent that drapes itself
over me as I toddle around on wobbly feet
is the yellow scent of summer mangoes 
caressed by the burning fingers of Indian summers
and here, I find the fragrance of my conscience.
 
II
The black miasma of new asphalt
as my city grows taller than me.
My nose is forced to cradle cement dust
but I long for the pollen, allergies and all.
 
III
But thankfully, home is smaller than my city,
infact, it is the five-by-five of my mother's kitchen,
for it houses the aromas of roasted chillies and garlic,
caramelised onions and curry leaves in hot oil.
 
IV
But once again, I renew my definition of home
as the twin caves of my sign board lead me to another.
I lose myself in the musty aisles of libraries, the minty walls of bookstores,
the scent of paper and ink -- a forever home I can carry with me.
 
V
I find home easily enough now
in the cherry blossoms that still fight to rise above the asphalt.
My leaking pens sing me lullabies on paper,
the old family recipe book that is more whiff than words.
 
VI
And I trust that I will never lose 
my way back to my homes,
for they gift my nose a piece of themselves 
so that I can always Hansel and Gretel it back

Prashanti Chunduri is a self-proclaimed aesthete and armchair globetrotter. Her poetry, prose and micro-fiction have been published in Terribly Tiny Tales, Poems India, Mad Swirl Poetry Forum, Women’s Web and Verse of Silence.

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Categories
Poetry

A Third Coming?

By G Venkatesh

KNOW THE ‘WHY’; FORGET THE REST


The ‘When’ and the ‘How’
Stimulate his mind
Towards half-baked theories
On the origin of mankind.
He talks of Crunches and Bangs,
Of black holes and dark matter,
Of infinite space and infinite time,
Endless prattle, idle chatter.

The gift of reasoning,
The power of thought
Which arrogant man
Has from somewhere got,
Is used by him
More often today
To explain the existence
Of its Giver away,
Quite as X
Would use Y’s pen
To pull him down
In the eyes of men.
The gift is taken for granted
The ‘Why’ never interests man,
As that probing would be exacting,
He would rather be Darwin’s fan.
Charlie boy, rise from your grave
And help the world to see wrong from right.
Would you rate a selfless do-gooder,
On par with a selfish and cunning sprite?

Hollow rhetoric, mere verbose
Reams and tapes for no reason
Except to pander to the basest of senses
And proclaim aloud the hegemony of Mammon.
Clamour and clutter,
Confusion and chaos,
A melange of unrest,
Erosion of ethos.
Will there be a Third Coming
Of Jesus the Christ?
Or a rebirth of Lord Vishnu
As man disguised?
For did not they say
That they would come again,
Whenever they would see
Their precepts in vain,
To tell all men around
That the mind is to be employed
To seek and understand
The pure Self, unalloyed?


Turn inward, a little will do,
The Lord is there at close quarters,
Give up your quest for the When and the How
Know the Why, obey His orders.
Shafts dug deep into diamond mines,
Spaceships launched far off into Space
Distract man and lure him away
From the near-at-hand divine grace,
Which serves to Know and not just know
Enables to Be, and not just be
And while Being, serve to launch
A veritable deluge of spirituality,
For black and white and brown and yellow
Rich and poor and fast and slow
To give and take, accept and offer
For eyes to well up at another’s woe.
Sink your shafts and get out the gold
To feed and clothe the millions
Languishing in gut-wrenching misery
Else worthless are your bullions.


The ‘Why’ of muscle and the ‘Por que’ of the brain
Not to be one-up on the less-endowed.
It is rather an unspoken divine command
Do His bidding – silently, untold

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G Venkatesh  is a Chennai-born, Mumbai-bred ‘global citizen’ who currently serves as Associate Professor at Karlstad University in Sweden. He has published 4 volumes of poetry and 4 e-textbooks, inter alia. 

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Categories
Poetry

The Serene Mornings

By Heather Sager

THE SERENE MORNINGS

During our long walk 
to the school bus, the dappled 
black-and-white cows followed us
slowly toward the road,
mooing behind their fence.
When they paused, if we strayed close,
the cows let our wide-eyed faces
near their steaming nostrils
or wagging tongues.
The music of the bells
round their plump necks
clattered on grey mornings.

Heather Sager’s recent work appears in OtolithsPoetry PacificRedEftMagmaBluepepperPoets’EspressoActiveMuseYgdrasilShabd AawegThe Bosphorus Review of BooksThe Fabulist, The Orchards and more. 

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