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Review

Reclaiming the Forgotten History of a Pioneer

Book Review by Bhaskar Parichha

Title: Daktarin Jamini Sen: The Life of British India’s First Woman Doctor

Author: Deepta Roy Chakraverti

Publisher: Penguin/ EBURY PRESS

History often celebrates great events, revolutions, and institutions, yet it frequently overlooks individuals whose quiet determination helped shape the modern world.

Deepta Roy Chakraverti’s biography, Daktarin Jamini Sen: The Life of British India’s First Woman Doctor, seeks to restore one such remarkable figure to her rightful place in history. Through meticulous research and deeply personal storytelling, the book brings to light the life of a pioneering physician who challenged conventions, crossed borders, and carved a path for women in medicine at a time when such ambitions were rare.

Jamini Sen (1871- 1933) was among the earliest women doctors of British India and the first woman to become a Fellow of the Royal College of Physicians and Surgeons of Glasgow. In the late nineteenth and early twentieth centuries, when the world of medicine was overwhelmingly dominated by men, her achievement was nothing short of extraordinary. To study medicine, it required courage and determination; to excel in it and gain international recognition demanded a resilience that few possessed.

Chakraverti’s book traces Jamini Sen’s journey from the changing social landscape of Bengal to the complex and often dramatic world of royal Nepal. Born in a time when child marriage, strict gender roles, and social conservatism defined the lives of many women, Jamini’s life unfolded against the backdrop of a society in transition. The opening chapters evoke a Bengal negotiating between tradition and reform—where ideas of modern education, nationalism, and social change were beginning to challenge entrenched customs.

It was in this milieu that Jamini took her first steps toward a career in medicine. The path was far from easy. As a woman entering a profession dominated by men, she encountered skepticism, resistance, and prejudice. Yet the biography portrays her not as a passive victim of circumstance but as a determined individual driven by conviction and intellectual curiosity. Her pursuit of medical knowledge reflects both personal ambition and a broader spirit of reform that characterized parts of Indian society during the late colonial period.

One of the most fascinating phases of Jamini Sen’s career unfolded in Nepal. She was invited to serve as physician to the royal family during the reign of Prithvi Bir Bikram Shah. Nepal at that time was a kingdom cautiously opening its doors to modern influences, and Jamini’s presence there represented an important step in introducing modern medical practices to the royal court.

Serving in the palace required far more than medical skill. Court life was shaped by hierarchy, intrigue, and political sensitivities. Yet Jamini’s professionalism, discretion, and quiet confidence earned her the trust of the king and the respect of those around her. The biography suggests that her friendship with Prithvi Bir Bikram Shah was marked by mutual regard, and that she played a role in supporting his aspirations for a more modern Nepal.

But the story of Jamini Sen is not merely one of professional success. The book also reveals the personal costs that often accompany pioneering lives. Loss, loneliness, and emotional hardship form a recurring undercurrent in her journey. She endured the deaths of loved ones and navigated difficult relationships yet remained steadfast in her commitment to her work and her ideals.

Chakraverti’s narrative emphasises that Jamini’s resilience was rooted not only in determination but also in faith and introspection. Moments of spiritual reflection and philosophical questioning appear throughout the narrative, suggesting that her inner life was as complex as her public career. This dimension of the biography adds depth to the portrait of a woman who was not simply a medical pioneer but also a thoughtful and introspective individual.

The author’s own connection to the story lends the book a distinctive emotional resonance. Deepta Roy Chakraverti is the last of Jamini Sen’s descendants through the line of Jamini’s niece, Roma Sen Chakraverti. A lawyer educated at King’s College London with a first degree in mathematics from University of Delhi, Deepta writes not only as a historian but also as a custodian of family memory.

In the prologue, she reflects on the idea that our ancestors live within us—not only through blood and lineage but also through memory and spirit. Her decision to write about Jamini Sen arose from a growing sense of injustice. Why had a woman of such accomplishment been largely forgotten? Why had her life been reduced to little more than a historical footnote?

That question became the driving force behind the book. What began as a short story gradually expanded into a blog and finally into a full-length biography. Along the way, Chakraverti discovered family heirlooms, letters, and personal belongings passed down through generations—small fragments of the past that helped reconstruct Jamini’s life.

The author also drew upon anecdotes preserved in family memory and earlier Bengali writings by her great-aunt, Kamini Roy, which provided valuable insights into Jamini’s character and experiences. These sources give the narrative an intimate quality rarely found in conventional historical biographies.

Structured across twenty-five chapters, the book moves through the many stages of Jamini’s life—from her childhood in a changing Bengal to her years in Nepal, her struggles and triumphs in medicine, and the legacy she left behind. The chapter titles themselves hint at the drama and complexity of her life: ‘A Woman in a Man’s World’, ‘The Fight to Wield the Scalpel and Stethoscope’, and ‘Becoming British India’s Saree Wali Daktarin Sahib’.

A foreword by Hany Eteiba, President of the Royal College of Physicians and Surgeons of Glasgow, adds an important institutional recognition of Jamini Sen’s achievements. It situates her story within the broader history of global medicine and acknowledges the significance of her pioneering role.

Daktarin Jamini Sen is more than a biography. It is an act of historical recovery—a reminder that many women who challenged social boundaries and advanced professional fields were gradually erased from public memory. By reconstructing Jamini Sen’s life, Deepta Roy Chakraverti restores one such figure to the narrative of South Asian history.

Jamini Sen emerges from these pages as a courageous, intelligent, and deeply human figure—a woman who carried both the stethoscope and the burden of breaking barriers. Her story reminds us that the progress of society often begins with individuals who refuse to accept the limitations imposed upon them.

In telling that story, this book ensures that Jamini Sen will no longer remain a forgotten pioneer.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

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Bhaskar's Corner

Can Odia Literature Connect Traditional Narratives with Contemporary Ones?

By Bhaskar Parichha

Odia literature is characterised by a profound tradition of classic narratives, with notable examples such as Fakir Mohan Senapati’s timeless Chha Mana Atha Guntha[1].  This literary corpus is further enhanced by an array of mythological and folk narratives that hold significant importance in the cultural legacy of Odisha.

These narratives persist through time because they reflect universal human experiences, encompassing themes such as land, power, family, and morality, all while being intricately linked to the historical context and cultural identity of the region. They serve not only as stories but also as reflections of society, having been shaped and refined over the years.

Readers are consistently attracted to these literary works for reasons similar to those that draw us to the writings of Shakespeare or the epic narrative of the Mahabharata: their themes are enduring, and the insights they provide remain pertinent. Similarly, publishers and curators, even at the national level, often revisit these classic tales, a trend that is entirely justifiable.

However, it is the transition to contemporary matters that strikes a significant chord. Odia literature has been progressing, albeit perhaps not as prominently or visibly as certain other Indian literary landscapes. Modern voices are addressing current issues—urban isolation, the influence of technology, caste relations, and environmental deterioration. The change is evident, yet it remains less pronounced than it has the potential to be.

What accounts for this? There may be multiple reasons.

The literary tradition of Odisha is profoundly embedded in its heritage. Classic literature is not only revered and taught but frequently eclipses modern works. Both publishers and readers exhibit a conservative inclination, preferring established texts. This trend is not unique to Odia literature; for example, Tolstoy remains a central figure in Russian literary discourse. As a result, this inclination obstructs the acknowledgment of new authors.

Modern Odia literature faces considerable challenges in its distribution. In contrast to Bengali or Tamil literature, which benefits from larger urban readerships and established translation networks, Odia books often struggle to reach broader audiences.

While digital platforms are making significant strides in this domain, the overall development is still sluggish. Without a strong market, numerous authors may opt to concentrate on more conventional themes that are viewed as more commercially viable.

The demographic composition of Odisha is primarily rural, where numerous readers find a stronger connection with stories that delve into village life or ethical dilemmas, as opposed to genres like cyberpunk or themes focused on existential angst. Although there are urban Odia authors, their readership is frequently limited in range. As a result, contemporary themes may seem alien to those who maintain a deep bond with traditional cultural settings.

The literary language of Odia typically possesses a formal tone, significantly influenced by its classical roots. This can lead to a conflict with modern terminology and global themes, posing challenges for writers who wish to innovate without jeopardising their connection to the audience. In contrast, languages such as Hindi and Malayalam readily incorporate colloquial expressions, which thrive in contemporary literature.

Nonetheless, modern Odia literature is dynamic and progressing. Short story writers are exploring a variety of topics including religion, science fiction, feminism, leftist ideologies, and climate change. Prominent authors such as Sarojini Sahu, Satya Mishra, Rabi Swain, Sadananda Tripathy, Jyoti Nanda, Bhima Prusty, Janaki Ballabh Mohapatra, Ajaya Swain, Biraja Mohapatra, Sujata Mohapatra and young writers like Debabrata Das  are actively investigating these contemporary themes. Publications like Kadambini, Rebati, and Katha are offering platforms for these creative narratives.

Despite this, the main obstacle remains the need to improve visibility. Social media and over-the-top (OTT) platforms have the potential to revolutionise this landscape—just picture an Odia adaptation of Black Mirror[2]!

There is an immediate need for greater investment in Odia storytelling to effectively bridge the gap between traditional and modern narratives.

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[1] Six acres and a Third, a novel by Fakir Mohan Senapati(1843-1918) published in 1902

[2]Black Mirror is a British dystopian science fiction television anthology series that started in 2011 and is still on the run.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International