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Bhaskar's Corner

‘Language… is a mirror of our moral imagination’

By Bhaskar Parichha

Prof. Sarbeswar Das (1925–2009): A scholar of depth, a teacher of light. Photo Provided by Bhaskar Parichha

In the intellectual history of modern Odisha, Professor Sarbeswar Das stands as one of those rare figures who seamlessly bridged scholarship, ethics, and social commitment. A luminous teacher, an erudite writer, and a quiet Gandhian, his life and work embodied the moral seriousness and intellectual curiosity that marked a generation shaped by the freedom struggle and the promise of a newly independent India.

Born in Sriramchandrapur village in the Puri district of Odisha in 1925, Sarbeswar Das grew up in a milieu where simplicity, discipline, and community values were deeply ingrained. His brilliance shone early—he topped the matriculation examination across Odisha and Bihar, a distinction that foreshadowed a lifetime of academic excellence.

His educational journey took him first to Ravenshaw College, Cuttack, the cradle of higher education in Odisha, where he absorbed the liberal spirit and rigorous intellectual training that the institution was known for. He later studied at Allahabad University, one of India’s foremost centers of learning, before proceeding to the University of Minnesota, for advanced studies in English literature.

His exposure to American academia at a time when few Indian scholars ventured abroad profoundly shaped his intellectual orientation. The years in Minnesota opened to him a new world of thought—modern literary criticism, American fiction, and the philosophy of democratic humanism—all of which left a deep imprint on his teaching and writing in later years.

On returning to India, Das joined the teaching profession, which he would pursue with remarkable dedication and grace for several decades. He served as a professor of English in some of Odisha’s most respected institutions—Christ College (Cuttack), SCS College (Puri), Khallikote College (Berhampur), and Ravenshaw College (Cuttack).

As a teacher, he was known not only for his formidable command of English but also for his clarity of expression, quiet humour, and empathetic engagement with students. He could bring Shakespeare and Emerson alive in the classroom, weaving them into the moral fabric of everyday Indian life. His pioneering initiative was the introduction of American Literature as a formal subject of study in Indian universities, long before it became fashionable to do so.

In an age when English studies in Odisha were largely confined to the British canon, he expanded its horizons by introducing writers like Walt Whitman, Emily Dickinson, William Faulkner, and Mark Twain to Indian classrooms.

Das believed that literature must connect with lived experience. He often told his students: “Language is not just a means of expression; it is a mirror of our moral imagination.” This conviction shaped generations of students who went on to become writers, teachers, and civil servants. Among them was the late Ramakanta Rath, later one of Odisha’s most celebrated poets, who fondly remembered Prof. Das as a teacher who inspired intellectual courage and aesthetic sensitivity.

Alongside his teaching, Prof. Das was a prolific writer and scholar. He authored around twenty-five books spanning essays, literary criticism, translations, and reflections on education and society. His writings in English and Odia reveal a mind steeped in both classical and modern traditions. Fluent in English, Odia, and Sanskrit, he was at ease quoting from the Bhagavad Gita and Hamlet in the same breath.

His essays in English reflected on the role of language in education, the cultural responsibility of intellectuals, and the need for moral clarity in modern life. He consistently argued for a vernacular humanism—a belief that English education must not estrange Indian students from their cultural roots but rather help them view their own traditions through a broader, universal lens.

As a principal, he brought administrative efficiency and human warmth to his role. His tenure is remembered for reforms that encouraged academic discipline, faculty collaboration, and student participation. He believed that education was not merely about acquiring degrees but about shaping ethical citizens.

Prof. Das’s intellectual life was inseparable from his moral and civic commitments. As a young man, he participated in the Quit India Movement, aligning himself with the Gandhian values of simplicity, non-violence, and service throughout his life.

Late in life, Prof. Das turned inward to recount his journey in his autobiography, Mo Kahani (My Story), which has since acquired the stature of a modern Odia classic. Spanning eight decades of personal and social history, it offers not only a memoir of a life well-lived but also a vivid ethnography of Odisha across the twentieth century.

In Mo Kahani, he paints rich, affectionate portraits of his family—his parents and sisters, Suruji and Hara Nani—and evokes the rhythms of village life, with its festivals, hierarchies, and hardships. His account of the great famine of 1919, passed down through family memory, is a haunting narrative of suffering and resilience.

The autobiography captures the moral universe of rural Odisha—its compassion, faith, and silent endurance—while chronicling the social changes wrought by modernity, education, and political awakening.

The book transcends personal recollection to become a social document of rare authenticity, preserving the voices and values of an era in transition. Scholars have hailed it as a valuable resource for understanding Odia social and cultural history, as well as a significant contribution to Indian autobiographical writing.

Prof. Sarbeswar Das passed away in 2009 at the age of 84, leaving behind a legacy of intellectual depth and human kindness. Those who knew him remember his calm demeanour, his Gandhian simplicity, and his unwavering belief in the power of education as a moral force. His students and colleagues regarded him not merely as a teacher but as a guide who exemplified integrity and humility in every aspect of life.

His contributions to English literary education in Odisha were transformative. By introducing American literature, promoting cross-cultural study, and insisting on a pedagogy grounded in ethical reflection, he helped modernise the study of English in the state and inspired a generation to approach literature as a bridge between worlds.

Even today, his writings—both critical and autobiographical—continue to speak to the challenges of our times: the search for meaning in education, the reconciliation of global and local cultures, and the enduring need for moral clarity in a rapidly changing world.

In the final measure, Prof. Sarbeswar Das remains not only a scholar and educator but also a moral historian of his age—one who chronicled the soul of Odisha with the sensitivity of a poet and the precision of a teacher. His Mo Kahani endures as his final lesson: that learning is not a mere accumulation of knowledge, but a lifelong practice of understanding, empathy, and truth.

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Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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Bhaskar's Corner Tribute

Ramakanta Rath: A Monument of Literature

By Bhaskar Parichha

The death of Ramakanta Rath, a provocative figure in contemporary Odia poetry, has left a considerable gap in the literary landscape. Born on December 13, 1934, in Cuttack, Ramakanta was a prominent modernist poet in Odia literature. He obtained his Master’s degree in English Literature from Ravenshaw College and joined the Indian Administrative Services (IAS) in 1957.

His work was significantly shaped by the influences of poets such as T.S. Eliot and Ezra Pound, often delving into themes of mysticism, mortality, and human isolation. Ramakanta Rath’s contributions have profoundly impacted modern Odia literature in various ways. He brought modernist themes and styles to Odia poetry, drawing significant inspiration from Western poets such as T.S. Eliot and Ezra Pound. His examination of topics like the search for the mystical, the concepts of life and death, and the experience of inner solitude facilitated a transition in Odia poetry towards more contemporary and universal themes.

 Rath’s poetry is marked by symbolic references to spiritual and metaphysical dimensions of existence, which enhanced the intellectual richness of Odia literature. This methodology enabled readers to engage with intricate philosophical concepts through the medium of poetry. Rath’s poetry is noted for its somber tone and symbolic references to the spiritual and metaphysical dimensions of existence.

His significant literary contributions include Kete Dinara (Of Bygone Days, 1962), Aneka Kothari (Many Rooms, 1967), Sandigdha Mrigaya (Suspicious Hunting, 1971), Saptama Ritu (The Seven Seasons, 1977), Sachitra Andhara (Picturesque Darkness, 1982), Sri Radha (1984), and Sri Palataka (Mr Escapist, 1997). Rath was honoured with the Sahitya Akademi Award in 1977, the Saraswati Samman in 1992 for Sri Radha, the Bishuva Samman in 1990, and the Padma Bhushan in 2006. He also received the Sahitya Akademi Fellowship in 2009 before which he was the vice-president of the Akademi.

Rath is particularly celebrated for his lengthy poem, Sri Radha, in which he reimagines Radha, freeing her from theological limitations and depicting her as a remarkable character who embodies deep emotions, love, defiance, and resilience. This poem uniquely intertwines themes of erotic love with existential introspection. This notable work initiated a new trend in Odia poetry that echoed the confessional styles of poets like Sylvia Plath, infusing a personal and introspective quality into Odia literature.

He skillfully combined traditional Odia poetic meters and techniques with contemporary free verse, creating a unique hallmark of his artistic expression. Odia poetry is characterised by its extensive use of classical meters and forms, such as chhanda, chautisa and  champu which serve to articulate intricate emotions and themes in a structured and rhythmic manner. By incorporating these traditional elements, Rath infused his poetry with cultural richness and musicality, thereby amplifying its emotional resonance and thematic depth.

Ramakanta Rath’s integration of traditional Odia meter enriched his themes in multiple ways. By using these familiar poetic forms, his work connects more profoundly with readers who recognise them. This cultural connection amplifies the emotional resonance of his themes, making them easier for his audience to relate to. Additionally, traditional Odia meters often hold symbolic significance, which Rath skilfully utilises to deepen his modernist themes.

The combination of symbolic annotations and modernist concepts enhances Rath’s poetry, adding depth and encouraging reflection. By contrasting traditional forms with modernist ideas, his work creates a dynamic tension. This tension amplifies the emotional resonance of his poetry, prompting readers to navigate the clash between traditional values and contemporary realities, which adds layers to his themes. Rath’s incorporation of traditional meters with modern free verse invites readers to think critically about his poetry.

This fusion of styles encourages a deeper exploration of his themes, leading to a more profound appreciation of his work. While the traditional Odia meters offer a cultural base, Rath’s modernist themes keep his poetry relevant on a global scale. This interplay between tradition and modernity enables his work to reach beyond local confines, attracting a wider audience interested in existential and philosophical questions.

Rath’s poetry stands out for its masterful incorporation of irony and wit, elements that add depth and complexity to his body of work. Critics note that his use of irony can often be challenging to interpret, reflecting the nuanced and multifaceted nature of his poetic viewpoint. This unique approach, combined with his thematic explorations, has sparked a resurgence among a new generation of Odia poets, playing a crucial role in the advancement of modern Odia literature.

Ramakanta Rath’s impact has been instrumental in shaping the landscape of contemporary Odia poetry, solidifying his reputation as a monumental figure in the realm of Indian literature today. His passing signifies the conclusion of a significant era in the narrative of Odia literature, leaving behind a legacy that will continue to inspire future writers and poets.

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(First published in Odisha Plus)

Read his translated poems by clicking here.

Bhaskar Parichha is a journalist and author of Cyclones in Odisha: Landfall, Wreckage and ResilienceUnbiasedNo Strings Attached: Writings on Odisha and Biju Patnaik – A Political Biography. He lives in Bhubaneswar and writes bilingually. Besides writing for newspapers, he also reviews books on various media platforms.

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PLEASE NOTE: ARTICLES CAN ONLY BE REPRODUCED IN OTHER SITES WITH DUE ACKNOWLEDGEMENT TO BORDERLESS JOURNAL

Click here to access the Borderless anthology, Monalisa No Longer Smiles

Click here to access Monalisa No Longer Smiles on Amazon International