I was making toast in the appropriate season for a wholesome host of reasons in a trundling caravan on its way to Amsterdam.
Suddenly I encountered to my distress an obstacle hindering further progress: a rather tasteless traffic jam.
Undeterred I proceeded to spread that jam on my toast until the coast was clear. Hadn’t I been warned about the dangers of queued strangers by my mother?
In my haste I washed it down with strong Dutch beer and now I fear I have acquired a taste for vehicles stuck behind each other.
That’s right. Every night before bed I eat traffic jam instead of drinking cocoa.
From Public Domain
Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.
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Sunshine mottles through leaves, casting shadows of silhouettes on the pavement below.
Look down on a constellation map spreading out for pedestrians who stroll along.
Daytime sparkles stars laid out to travel light years from block to block,
wormholing through galaxies of heat waves between universes of neighbourhood trees.
A PASSION IN DAYLIGHT
She greets the rising sun like her daughter used to peek her head over the bed sheets to squint her eyes in the daylight bursting through her curtains.
But she has only herself to wake up now, to sit in the sun with her sewing machine like she used to do with her mamma cat purring on her lap.
She stitches together patterns of cloth that sprawl in Picasso cubism period. Once sewn together the piece functions under the interpretation in the eye of the beholder.
Her daughter hated to wear handmade skirts or perfect-seamed dresses. One of a kind made no impression because her daughter dreamed of conforming to her friends, a blend of sameness unravelling at the hems.
BY DARKNESS
He cultivates his office like a burrow with shades drawn, a 25-watt light bulb illuminating his lair so when he steps outside, he squints with prairie dog eyes standing upright to assess his dangers before progressing outward almost holding on to the door jamb until his fingers brush nothing, and he is released to forage down the carpet hallway until laughter whistles in his ears, and he darts back comforted by the darkness of his office burrow.
KALEIDOSCOPIC PRIZE
This must be what it’s like to walk inside a geode when I step across the cave’s threshold and behold colours sparkling in the interior.
An awe of wonder in 360 degrees pushes vertigo against my brain cells attempting kaleidoscopic reason between shape and colour,
Discovery of the prize inside like in a box of Cracker Jacks... the cave, the geode, the brain.
DRIFTWOOD WISH
Like dinosaur bones scattered by scavengers, driftwood tree trunks lie on the sandy shore awaiting discovery,
A crane-lifting ride to the museum where no seagulls sit and poop, where no rain or wind absconds with grains of self, where a plexiglass sarcophagus waits to house the carbon unit behind fingerprints and ooh/aah breath.
Diane Webster’s work has appeared in North Dakota Quarterly, New English Review, Studio One. She was a featured writer in Macrame Literary Journal and WestWard Quarterly. Her website is: www.dianewebster.com
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The weather has landed and moved on. The house evokes candy with its frosted roof, creamy shingles, and crystalline hangings. The grass is heavy with its burden of snow. And the trees gleam like porcelain in the tepid sun.
Bundled up outside, we leave visible footprints in the yard, whereas, in previous seasons, our presence lacked such evidence and yet, intuitively, we always know where we are, what is ours, who we belong to.
The winter merely reiterates the point I’m making. It lacks our self-awareness. So it sinks us deep instead.
ENVISION
Each evening, though shaped by oncoming sleep, my body informs me that knowledge need no longer conform to the physical. So I gaze at black waters of night, at sleep caves, dream tunnels -- Senses float...sight on sound, vision on taste. Something awakens in me. No, distractions ebb so consciousness can flow.
NO POINT LOOKING UP
Jupiter…it’s all just hydrogen and helium. A liquid body with a small solid core. No one gets to love on a planet like that. Or vote. Or watch sports. See movies.
The sky, for all its heavenly associations, is sure no cosmic comfort. The light is dead by the time it reaches me. And the moon, near as it is, is just a rocky squib.
My escape cannot be collapsing nebulae. Or atmospheres of methane and ammonia. Or icy dots. Or superdense neutron stars. And spare me your planet X.
There is no treasure up there. No future. No work. No woman. The good air sticks to what I know. If I’m to breathe it, I can only be here.
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John Grey is an Australian poet, US resident, recently published in Shift, River And South and Flights. His latest books Bittersweet, Subject Matters and Between Two Fires are available through Amazon. He has upcoming work in Rush, Spotlong Review and Trampoline.
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Spring, summer, and autumn, while the birds sang their seasonal tunes humans beat loudly their own drums.
The bees collected their nectar well while swans in the lake nearby found their life-long mates and yapped their love notes,
while sound and sights captured much of the yearly gifts to bless, while in silence, a rose bush gave her cloying fragrance and red flowers.
In life, we give of ourselves: the best of what we have.
HOPES AND DREAMS
The year 2025 found the world at a crazy stage on which life danced.
Amidst the maddening politics, natural calamities and wars took the hardest hits. In the turmoil, I feel like an ant under an elephant
When I wish to make a difference in life for someone in need — what have I to give?
Mother Teresa’s advice echoes “If you cannot feed a hundred people, then feed just one.” I get up and venture out.
Surely, since I am alive and well; there is something I can do for someone?
When hope for a better world crumbles like sand, I send prayers up to heaven--- I know, they can move mountains. And with prayers, I plant new seeds of dreams for a peaceful world of tomorrow.
Tulip Chowdhury, a novelist, poet, and columnist, writes from Georgia, USA. Her books are available on Amazon.
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I often find myself amidst the crumbling cliffside, mumbling words to myself. Within the mouth of the weeping river, I must disperse the ashes of an awakening. Through the darker brush, colour would soak the dry paper. In the corner of an eroding house, I lack the search I'm entrusted. The mist I've felt this morn, now buries me in a shawl of memories.
The tiny tendril holding onto the iron railing, unwinds in the solitude it enjoys. It swirls in the nightly gale, swaying in its shallow reflection.
A feeling surges in me, as the poison in a pitcher leaf. It urges the nightly stillness to visit the lonely house, its amber curtain still intact. The long lane, in front of me, is waning under the new moon. It was once the pen, I had written my childhood with. The ink had flowed evenly, such as the poison in my drink. And now it must end abruptly, the tiny man in his bottle of wine. The twilight sky drinks the last few rays of the sun, while I sink in my purple drink.
Gautham Pradeep was born in Kerala, India. He is now pursuing an MBBS degree. He tries to explore the existential dilemmas of the his generation. His poems have been published widely.
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When strong winds blow, daffodils twist so the backs of their petals face into the wind.
In air-flow experiments, a flexible fiber always settles at the boundary between the smooth stream and turbulent whirls, following a universal shape, like a flag flapping back and forth in a steady pattern.
STRAWBERRY FIELDS
For Marnie MacLean In memoriam Donald MacLean
The summer after my husband died, the strawberry fields burst forth with their greatest abundance in forty-five years of our farming.
I sense Don’s lingering presence. as I walk the uneven furrows between the rows of strawberry plants. I hear his voice in my ear, calculating, planning, suggesting.
We rotated our fields on a three-year cycle. After the harvest, the weeds took over, and we plowed it all under. The next spring, we began again and harvested the second year.
I picture him riding his tractor. A straw hat shields his face. He is wearing jeans and a plaid shirt. His tractor roars down the rows. Blackbirds wheel about his head.
Our children didn’t want the farm. They envisioned other lives. Ten years ago, we sold the land to the county conservancy to preserve it as farmland in perpetuity. Each year since then we leased it back.
At night I walk outside with my dog. Once an owl flew so low over my head I sensed its shadow, though heard nothing, and a shiver of fear went through me.
Now there is no sound but the breeze. I smell the sweetness of the berries. and I bless these fields that they may bring peace and love to those who come to pick and eat our luscious fruit. This season will be my last.
Anne Whitehouse is the author of poetry collections: The Surveyor’s Hand, Blessings and Curses, The Refrain, Meteor Shower, Outside from the Inside, and Steady, as well as art chapbooks, Surrealist Muse (about Leonora Carrington), Escaping Lee Miller, Frida,Being Ruth Asawa, and Adrienne Fidelin Restored. She is the author of a novel, Fall Love.
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We speak through what goes unspoken like singers between songs. We could move as dancers do, through unrehearsed steps. Let’s speak a language of fluent silences, quiet breaths. When I yearn to sing and dance with you, I rewind our unheard conversations. The tape holds only silence, Yet still, I sing. Still, I dance alone.
From Public Domain
Laila Brahmbhatt, a Kashmiri/Jharkhand-rooted writer and Senior Immigration Consultant in New York, has published haiku and haibun in several international journals, including Cold Moon Journal and Failed Haiku.
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On the sidewalk of his existence, he signs a lease for his coming days. He earns a license of freedom that puts him above the king of kings.
He’s a drifter waiting for the tide to turn but happy if it never does cause what he feels is the envy of people, what he does not have is their fear. On the surface, they pity him. In the depths of their soul, they envy him.
Their expectation leads to disappointment. Their defeat sounds like confinement. His truth smells like liberation and his liberation provides him with freedom.
Fortunate are those who have very little, for they may not know that they own the world. Poor are those who have a lot, for they may not know that they own nothing.
He sits on the sidewalk lays back on his blanket, his pillow is deeper than the ocean. He watches the stars, wishes the kings could share his view, and wonders if the tide will ever turn.
Ramzi Albert Rihani is a Lebanese-American poet who resides in Maryland, USA. His poems have been published in the US, Canada, UK, and Ireland. He received the 2024 Polk Street Review first-place poetry award.
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Not Ptolemy’s Kasperia, nay, not Kashyap Mar – Kasheer is the abode of irrevocable loss. Homes razed to ground by centuries of betrayal: we stand as mute specters – the ruins and I.
Kalhana, your word is lost! Spiritual defeat has finally come to pass. The era of pit dwellers and sun worshippers is gone, And now the faithless grave worshippers abound.
“In time past, we were; in time future, we shall be; Throughout the ages, we have been,” quoth Laila Arifa. I shove back the diggers, frantic to cover the long-lost city buried in my mind.
Kasheer might have forgotten the monster Jalodbhava, Were it not for the wine bottles dangling from barbed wires. I had happily lost my memory of you, until It was revived by the fish bones on mountain tops.
The mythical, the legendary -- that Kasheer is non-existent. The snow endures longer than the memory of the dead. It’s getting way too dark. Tell me a new story– of Kasheer – the land reclaimed from the sea of sighs.
From Public Domain
Glossary
Kasperiais the ancient Greek name of Kashmir as mentioned by Ptolemy
Kashyap Mar is he abode of Kashyap, Kashmir, in Kashmiri
Kasheer is Kashmir in Kashmiri
Kalhan wrote Ratnagiri, an account of the history of Kashmir
Laila Arifa is a 14th century poetess who wrote in Kashmiri
Jalodbhava or Waterborn was a mythical demon who tormented the inhabitants of Lake Satisar in Kashmir. He was destroyed by the joint efforts of the sage Kashyap, Parvati and Vishnu. His destruction destroyed the lake and led to the formation of Srinagar, the current capital of Kashmir.
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Saba Zahoor, an engineer from Kashmir and self-styled peasant poet, views poetry as a portal to alternate realities and has been published in several literary outlets.
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A river bridge in Minneapolis, the ragged sky all cloaked in river mist.
The only man to make the Furies weep plaintively sings; he can no longer sleep.
In verdant meadows high above Rhodope, shades cling to cypresses with little hope.
A backward glance in Avernus’s valley left us these songs and ruined Eurydice.
Twice dead is dead; though hyacinths still bloom, the rooks will leave their shadows on the moon.
EARLY AUTUMN
A northern flicker kicking up small clouds
of dust and needle duff beneath the blue spruce
in the yard. Some sparrows flit away from the lone
land-foraging woodpecker. I’ve seen the bird before,
I’d like to say, but it’s probably not the one
that drummed the soffit of our roof so many
mornings in a row a couple springs ago.
ANOTHER AUTUMN
That saw-whet owl in the boxwood along the banks of Ecorse Creek.
Woodland sunflowers yellow above the mud, their green leaves glistening
with water. October rain has turned to October sun.
A culvert sings with run-off. I wonder if the built world will reclaim me.
Greek Mythology: Haemus and Rhodope turning into Mountains as they were punished by Zeus for calling themselves Zeus and Hera. Greek Mythology: Eurydice dies of snakebite as she was about to be wed to her beloved Orpheus. From Public Domain
Cal Freeman is the author of the books Fight Songs, Poolside at the Dearborn Inn, and The Weather of Our Names. He lives in Dearborn, MI, and teaches at Oakland University.
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