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Slices from Life

To Bid or Not to Bid… the Final Goodbye?

That is the question Ratnottama Sengupta is asking with so many grey heads since London’s Westminster voted in favour of Assisted Dying

From Public Domain

“She was in so much pain these last four months that we are not mourning her final exit. We are celebrating her liberation.”

Speaking with Bhabhi’s[1] nephew last week forced me to readjust my emotions regarding the final goodbye. Condolences are in order, worldwide, when a dear one departs the mortal world. But of late I have been noticing that people “celebrate the life’ of the departed soul rather than mourn the death. Yes, every departure is a loss, taking an emotional toll of those left behind. And still I am not shocked nor angry that on June 20, a day after Bhabhi breathed her last in Singapore, the British Parliament voted in favour of a bill to legalise Assisted Dying for terminally ill people.

This has paved the way for a long debated social change that has, for as long as I can remember, been held in abeyance. Because? It has always been argued that, since we cannot bring the dead to life, we do not have the right to take away life. Indeed, the UK parliamentarians voted on the subject 10 years after it was first proposed, I learn from the news reports. And even as the Wise Men of London debated the issue, demonstrators outside were crying out, “Kill the Bill, Not the Ill.”

Once the Bill is passed by the House of Lords, the Terminally Ill Adults (End of Life) Law will give “mentally competent, terminally ill adults in England and Wales with six months or less life to live, the right to choose to end their life with medical assistance. Those who would want the procedure would have to gain the compassionate “Aye!” of two doctors and a panel of experts.

While the scrutiny by the Upper House might take months, it is unlikely to be blocked now that it has gone past the Commons and secured a nod from the PM.

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My first acquaintance with the concept was garbed in the words, ‘Mercy Killing’. I was a school-going teenager when I read a Bengali courtroom drama, Parashuramer Kuthar (1989, Parashuram’s Axe) where the son was in the dock, fighting the charge of murdering his mother with morphine. “Night after night she would cry out of acute pain. Night after night I sat by her bed, watching her inch towards death. The doctor had prescribed the morphine that let her sleep at night. But when that failed, I gave her a repeat dose so she could go to sleep…”

Half a century ago that sounded ominous. Now, having seen — and digested — the ‘Assisted Suicide’ of celluloid icon Jean Luc Godard [2] in the autumn of 2022, I have been weighing my responses to the concept. 

Godard, born on July 7, 1930, had lived in France from where he had revolutionised cinema across the globe. At the age of 91, with “multiple disabling pathologies” — to quote his doctors — he went to Switzerland because that was the only country to have legalised euthanasia as long back as 1941. Albeit they have specifications, the overriding one being this: the person assisting the suicide must not have any selfish — read, monetary — motive to provide the seeker the means to exit. 

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“Euthanasia is death with dignity,” my Jyotish Pishamoshai had said three decades ago. At 90 something, the man who went around all his life in trams and buses, to look up his younger cousins, simply hated to be bed bound. Besides, he had seen his youngest brother Dinesh “hang till death” at age 20, without a trace of remorse for having bombed the Writers Building in the Capital of the Raj. So why would the elder brother, his memory intact, want to “be a burden” to even his only son? Mercifully, Sudhir Da did not have to go the way of Parashuram. The almighty in heaven voted for the nonagerian’s exit.

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My response to the issue peaked when I read this poem, ‘Antim Akanksha’ (The Last Wish) , by Purnendu Ghosh of Jaipur. This IIT-ian from Kanpur, a diehard cinema aficionado, has penned the same thoughts in Bengali and English too. But I had already translated his anguish in Hindi before I spoke with him. “I had written these lines when I was sitting by my mother-in-law, then languishing in the hospital. When I had first seen her, she was 46. Over the next 46 years, I was witness to the transformation age had forced upon her  I could only watch, helpless, because the final exit is in the hands of only the Almighty.”

I am still weighing my responses. Yes, I believe in the Existence of a Superior Force. Still, when a person has to lie waiting to bid goodbye to pain, would he or she wait for His mercy, or that of the medics?

[1] Sister-in-law

[2] https://www.onmanorama.com/entertainment/entertainment-news/2022/09/16/filmmaker-film-critic-jean-luc-godard-suicide-debates-switzerland.html

Ratnottama Sengupta, formerly Arts Editor of  The Times of India, teaches mass communication and film appreciation, curates film festivals and art exhibitions, and translates and writes books. She has been a member of CBFC, served on the National Film Awards jury and has herself won a National Award. 

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