Book Review by Gemini Wahaaj
Title: South to South: Writing South Asia in the American South
Editor: Khem K. Aryal
Publisher: Texas Review Press
Taken together, the stories and essays in the new anthology edited by Khem K. Aryal South to South, Writing South Asia in the American South, offer an intimate, richly articulated expression of what it means to live in the American South as a South Asian immigrant. Several stories construct the enduring feeling of loss, both for new immigrants and old. Sixteen authors have been featured. Some have dealt with the issue through fiction and some, through non-fiction.
In “The Immigrant”, a short story by Chaitali Sen, a young immigrant man Dhruv tries to compose a letter to his parents describing his new life in America but fails to find the language. While dining next to the hotel where he is staying during a work trip, Dhruv is upset by the disappearance of a small boy and the fruitless search of the distraught parents, which reminds him of his own state in America, where he seems to have lost his way. In “Pine” by Hasantika Sirisena, a young Sri Lankan mother of two small children tries to hold on to her customs from home. Her husband walks out on her in a bid to make a new, successful life in America, unburdened by the trappings of culture and religion. She seems in danger of losing her two children also, who are more interested in Christmas trees than the rituals she wants to share with them. In a startling turn of events, she comes to terms with her own uprooting with touching courage.
Several stories remind us of the remarkable flexibility of South Asian immigrants, who transform themselves and become new people after putting down roots in a new place. One such story is Aruni Kashyap’s “Nafisa Ali’s Life, Love, and Friendships Before and After the Travel Ban”, about a young married woman from the war-torn region of Assam, whose mother and husband in India constantly worry about her safety. Nafisa lives next door to a couple as different from her as possible; they do not work, they drink and they have public sex – yet, Nafisa feels drawn to them as she embraces her new relationships and identity in America to escape her traumatic past. In “Nature Exchange”, Sindhya Bhanoo tells the story of a South Asian woman married to a white man whose relationship with her husband comes to an end when their son dies in an all too typical American phenomenon, a school shooting.
Repeatedly, we see immigrant women in a state of extreme desolation and isolation, left to their own devices to find meaning afresh in a foreign land. Whether they feel their children moving away from them or they literally lose a child, children seem to act as an anchor for the immigrant mother, but in each story, this most intimate of relationships only proves transitory. There are also contradictions. Whereas Sirisena’s story shows a man more willing to assimilate and adapt to America, in Kashyap’s story, the husband, sitting in India, draws easy conclusions about America (denouncing drinking, dancing, and their anti-immigration status), whereas the wife in America, tired of the stresses of living in a war-torn country, finds respite from her homeland’s history of trauma by partying with her office mates and Southern neighbors.
Parallel themes run through the entries. Both stories and essays articulate the craving for tea, one aspect of their identity that South Asians have carried overseas. Also poignant are tales of the early days of migration and the transformation people undergo over the years. Jaya Wagle writes of having an arranged marriage and making the long journey by plane with the man she marries to another country. The whole experience of her new marriage seems as unknown, fragmented, and mysterious as the new country to which they have come. The essay is poignant for the specificity of haunting details, and the transformation of an immigrant evident over the years.
But what makes these South Asian immigrant experiences uniquely southern? One pattern apparent through all the stories is the lack of public transport and public space. The new immigrants in these essays and stories are in cars and Ubers, tucked away in suburban houses or secluded apartments in small towns, the lack of public community accentuating their isolation. Added to this physical landscape is the South Asian immigrant’s alienation from the politics of the region.
The essays, compared to the stories, seem more concerned about identity and more strident about equating immigrant identity with patriotism and allegiance to the Democratic Party. In “Gettysburg”, Kirtan Nautiyal writes about playing the game Sid Meier’s Gettysburg based on the battle of Gettysburg, admiring Union army heroes, imbibing American history in school, and watching the film Gettysburg, wanting to prove himself an American. Throughout the essay, he seems to correlate being an immigrant with proving one’s patriotism towards his adopted country. He stretches it to a point where he would be willing die in a battle – a price, it seems, immigrants must be willing to pay to show their love for America. The essay, predictably, ends with the story of Captain Humayun Khan, who was killed in the Iraq war, told at the 2016 Democratic Convention. Anjali Erenjati writes about taking a fun car trip with her new immigrant friends who do not share her trauma of growing up in the deep South, where she faced a racist incident as a young teenager.
Essays, also, seem more directly to address the question of identity, specifically, being questioned about one’s identity. In Tarfia Faizullah’s humorous essay “Necessary Failure”, she is asked repeatedly where she is from, as her answer, “I grew up in Midland, Texas,” fails to satisfy her co-worker in a theater festival box office in Alabama. On Jaya Wagle’s first night in America, two policemen accost her husband in Texan English when she mistakenly calls 911. Later, the old women she meets at her library writing workshop ask her how long it took her to learn English, a language she has spoken all her life.
The editor Khem K. Aryal is an associate professor of English at Arkansas State University. He is a writer, editor, and translator from Nepal. His short-story collection, The In-Betweeners, is forthcoming from Braddock Avenue Books.
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Gemini Wahhaj is the author of the forthcoming novel The Children of This Madness (7.13 Books, December 2023) and the forthcoming short-story collection Katy Family (Jackleg Press, Spring 2025). Her fiction is in or forthcoming in Granta, Third Coast, Chicago Quarterly Review, and other magazines.
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