Categories
Humour Poetry

The Heart of the Matter

By Penny Wilkes

Why does the heart always get credit

When pleasure or pain take the breath away?

“We do the work,” say the lungs.

“Breathe. Breathe. We fix it.”

.

The heart claims it doesn’t break,

“I don’t even wrinkle.”

Fingers create fists, “We feel, really feel.”

“We run from distress,” the feet say.

.

Liver and kidneys shout that they

deal with all bodily evils first.

The eyes widen to say,

“Tears wash away the chaos.”

.

“Hey, don’t forget us adenoids and tonsils,

 if you still have them.”

“Anyone home?” asks the spleen.“Appendix

can’t even pronounce vestigial.”

.

The navel chuckles, “Don’t ask the colon’s opinion.”

Throughout this chatter

the brain has remained complacent.

“Have fun without me,” it sings

as it flits out an ear.

.

Penny Wilkes, MFA served as a science editor, travel and nature writer and columnist.  Along with short stories, her features on humour and animal behaviour have appeared in a variety of publications. An award-winning writer and poet, she has published a collection of short stories, Seven Smooth Stones. Her published poetry collections include: Whispers from the LandIn Spite of War, and Flying Lessons. Her Blog on The Write Life features life skills, creativity, and writing:  http://penjaminswriteway.blogspot.com/

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Categories
Poetry

Three Poems

By Paresh Tiwari

The Salt of Things 

You come back an ocean. Vast. Unpredictable. Blue. Four boats unmoored on your chest. You come back holding silence in your ears, the way sky holds grey. A primordial roar cradled within the conch shell.

Your feet now end in beaches. White. Boundless. Meeting the horizon of your stoic journey. Each finger is now a coral. Growing an inch every decade. 

In those in-between years, I spoke about you as if you were still here. Like I still need to worry about the cut of bread in your lunch box. Now that you are back, I seek the cleft of your chin. Bleached for eons under the unrelenting sun. Your skin is salt and wetness and sand. Crab holes breathing constellations. Your hair is shoal colonised by angelfish. They dart out when the moon is half. When the night has only just begun.

This moon was once an accomplice. The easy melody of a lullaby. 

You come back and your eyes are islands. Floating over the sweep of clear blue. Untouched. Wild. Distant. And I wonder which boat will ferry me back to your shores.

dragonflies —
the way we skitter
around topics

ellipses . . .
measuring the stillness
of every pause
 


Translating Rain

the window is a wound pried open. 
and when the rain comes down,
it’s a traveller of new roads.
the rain song hovers over the neon
neckline of Bombay. hangs from leaves 
and streetlamps. unsure. lost. orphaned 
in this city of vertical cardiograms. 

sitting across each another. there are no words to place on our tongues. to say that we can only make love in approximations. in the irrationality of never quite there. you reach out and take my hand. guiding it along, one breadcrumb at a time. to your breasts. rising and falling.

rain remembers falling. 
warbling in the throat of a chaatak. 
sloshing under the feet of a young girl.
rain remembers the time it wasn’t
when the womb of its cloud was empty.
and when the rain comes down, 
it’s a tapestry of mist and desire.

your name is half-moon on my lips. whispered in nastaʿlīq. the arch of your back, the gentle curve of a Ming bowl. blue. bluer still the softness of your moan stretching over seven syllables. each with a life of its own. sometimes the distance between two breaths could be a way to measure eternity. 

rain knows eternity.
it’s a child leaping over culverts
a deluge of laughter and 
wings and a rallying cry of dissent.
and when the rain comes down, 
it soaks into the lime-washed walls 
now a map of smudged borders.
 
The Anatomy of Violence

I unlatch the door and step inside to the heavy wag of a black tail. I stroke the now rough hair of the old dog, take an ear in my hand, fold it over, and run my fingers across his muzzle. He closes his eyes and leans into my hand. I can feel the weight of his head as I hold it up so I can blow over his damp nose. All part of the dance we taught each other long ago. 

There’s a pistol in the pocket of my coat. I pull it out and raise it to the dog’s long brow now peppered with the grey of time and place it between his sad eyes. The dog is impervious to the terror of cold steel. 

He continues to wag the tail. Thump. Thump. Thump.

protests
the taste of blood
in my mouth

.

Paresh Tiwari is a poet, artist and editor. He has been widely published, especially in the sub-genre of Japanese poetry. A Pushcart Prize nominee, his work has appeared in several publications, including the anthology by Sahitya Akademi, ‘Modern English Poetry by Younger Indians’ released to celebrate 200 years of Indian English Poetry. ‘Raindrops chasing Raindrops’, his second haibun collection was awarded the Touchstone Distinguished Books Award in the year 2017. Paresh has co-edited the landmark International Haibun Anthology, Red River Book of Haibun, Vol 1 which was published by Red River Publications in 2019. He is also the serving haibun editor of the online literary magazine Narrow Road.

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Categories
Poetry

Poems from Kashmir

By Ahmad Rayees

Unsettled Agonies

We lived — yes we lived in confinement

We lived in solitary confinement…

We were living in it yesterday and today.

We may be living in it tomorrow also.

.

I looked at the darkness that slowly grew around me

.

Spring suffocated in the gardens.

Flowers died on branches on their own

As the unborn died in the womb of a dead mother.

Faraway a little bird fluttered in pain and agony…

.

I sadly captured the hues of autumn…

.

The wild wind blew away a heap of dried leaves

And dust swept away dreams of daffodils,

Withering the petals to be embraced by winter.

Naked branches helplessly stretched out their longings towards the sky

.

I sat alone looking at the turbulent future in time

.

The river saturated into white snowy silence…

And the lonely boat half drowns into that cold aloofness.

Like the half- widows — half-dead, and half-alive

Suspended in life with a trickle of hope and deathly grief

.

I sat down on the horizon and looked at the sky.

.

It seems the Earth was angry with the sky

Just as the moon was angry with the sun and the stars.

Maybe Nature itself is slowly coming to a halt   

Oh God,  are you also in pain and despair?

.

The countries busily build walls of hatred and tyranny

While little Alan slept endlessly on the shores of the great sea

The angels are whimpering and awakening their dead ones

Remember that no amount of candies can wash away their pain

.

I’m still walking through the rubble of the city of hatred —

.

Here every soul is thirsty and everybody is hurt in the mayhem.

Here everyone seems to be oppressed  and enslaved.

Here everyone seems to be lonely, the rich and the poor.

Here everyone seems to be strangely normal and silently crying…

.

I searched like a wailing morning breeze of the mountains.

.

Today I know the pitcher of love is broken and dried

Today I am standing here and waiting for you my Prophet!

Bring us the magical verses that will melt our stoned heart.

Sing for us the song of sparrows, the songs of love and peace.

.

Sing for us the song of life, song of your eternal gardens……

.

Warrior Of Light: A Tribute To My Mother

 Mother, Oh mother, you are my  guardian angel, epitome of love.

All mothers are precious to their children, she’s the goddess of life

And my mother is my everything , she’s is the light of my eyes

Without her I will not exist, without her I will not sustain

My mother is the most courageous woman of our valley

She’s is the most ferocious , most beautiful angel of this paradise

Like the torrential waters of Jhelum, she went beyond the mountains and valley for truth

She’s is not afraid of anything or anyone when it comes to protect her children

Come soon mother the home is desolated in your absence

Reminiscence of your caring persona , your touch , your smell ,

Again and again resonating the sense of loss and sense of vacuum

Now we are the orphaned lambs of the meadows lost without our shepherd

When will you be back mom , Eid is here Muharram is gone

Years are passing in gloom without you in our life

Our screams are suppressed our pain is been ignored and forgotten

Our prayers, our shrines are vandalised by pellets and bullets

But your voice echoed in us , your shadow loomed around us

Your infinite love and compassion for humanity is our strength mother

You keep the promises of tomorrow , fighting injustice alone in the dark cell

Your persistence your determination is the vast silent Himalayas

Tall as the heavenly seraph slayer of evil, hold us in your encompassing wings

Mother you are my rock, you are my sword and shield

Mother come for once, make me sleep inside your warm “Phiren”

Make me sleep next to your heart, the pot of red embers.

.

Rayees Ahmad is a budding writer and poet from Kashmir. He has bachelor’s in mass communication and masters in Peace and Conflict Studies. He hopes to add a new colour to Kashmir and the conflict it faces through his poetry. He has written many poems and articles on the Kashmiri diaspora. 

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Categories
Poetry

Kolkata Poems

By Gopal Lahiri

Kolkata Scene-1

The mansions reach out to the sky-

in their shadows leaning are mud walls,

.

Darting spots of light, dust is in cryptic shade

love and death stay together,

.

Cricket on the narrow alleys, pan-shops prompt scores,

selling among other things, the bidis,

.

Evening glows here like an earthen lamp

the dry leaves gather on the tram lines,

.

Smoke rises above the bus shelter

road side stalls display Kalighat Pat paintings

hooded faces of slums breath through

the holes of the worn blankets.

.

The temple is filled with blowing of conches

the clamour of visitors,

.

The evening ushers in mystery and suspense

strings of jasmine welcome you to the earthly paradise.

Kolkata- Scene 2

The rosy daydreams can choose for themselves

how much they want to float away in the blue.

.

Missing smile, miss the hugged hello of my city

miss the traffic at rush hour, the mass of people.

.

Seasons will not be one of smoke and dust in lockdown,

sparrows and pigeons start revising the city-profile.

.

The red-brick building, anarchic roadways write sitcom.

silence is the new normal here, so is the boredom.

.

The sound and aroma-spice and sweet are absent. a diary

deletes the bells of rickshaws, horns of old buses.

.

Café wall will no longer store the hush and whisper,

those high notes of peppy music, unedited voices.

.

Each is a dash of colour, a healer, a layer of varnish,

chaos is a privilege now, noise is prized.

.

Gopal Lahiri is a Kolkata- based bilingual poet, critic, editor, writer and translator with 21 books published 13 in English and 8 in Bengali, including three joint books. His poetry is also published in various anthologies and in eminent journals of India and abroad. His poems have been published in 12 countries and translated in 10 languages. He has been invited to several poetry festivals across India.

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Categories
Poetry

The Girl on the Rooftop

By Mosarrap Hossain Khan

In this colony of refugees, history is lived
in the unpaved streets lined with open sewers,
in the molten iron of the factory spitting out
shiny Ambassadors and Contessas, in the stories
of old women with sandalwood paste on their
forehead, in the muddy cataract-filled eyes
of old men dozing off in the winter sun.

.

My small grilled window frames a patch
of sky and the sloping asbestos roof of the
un-plastered house. The girl in a white sari,
her eyes luminous with the blue of the sky
of her village, searches for home
amid shabby concrete rubbles
of this colony. She crossed a border too
like those who came before her.

.

My eyes seek out her loneliness. A Muslim man
reminds her of home. In this colony of
refugees, history is relived in longing for the
wrong man.

.


Mosarrap Hossain Khan teaches at O.P. Jindal Global University, Sonipat, Haryana, India. He is a founding-editor at Café Dissensus magazine.

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Categories
Poetry

Kargil

By Prof Dr Laksmisree Banerjee

KARGIL
by
Laksmisree Banerjee


Our tears have washed the Tricolour, intensified the ruddy blaze
Of rocks, rivers and streaming veins
                        With our white now gone stained and colourless
Our green has crossed mountains of flinty black pathos ------:
Vijay-Divas, our conquering day with no souls conquered,
Flags off or does it, to a better day perhaps!
.
The hills of Kargil touch the skies with tired hands,
With fingers gnarled, stony and eternally skeletal,
The summits weep with entrenched virulence in their wombs,
The azure mirrors the red fierce, gushing bruised wounds.
Cannons piercing the fluttering silenced throttled blue 
With the darkness of bloodstains gone dry, acidic.
.
Kargil and the martyrs, who sleep endlessly
On its forsaken beds of history waning into nothingness,
Our weeping songs praise their heights and heroism
With the blank stupor of choked voices, 
Damp hearts, with cascades of flowing tears and hues, 
In frail dreams of re-births, of possibilities or no hope.
.
We hear and speak the lessons of life in languor,
Of terror and trauma recycled forever,
                        With a soulful yearning for peace, that moment of the flower
Yet drowned deep in the ceaseless waves of love 
Perhaps, just perhaps, in the centuries to come,
We may return with the flying doves, to hold hands once more.

*********************************

This poem was first published in Peahen Passions (Author’s Press) in 2013

Prof. Dr. Laksmisree Banerjee, a Poet-Professor, a Scholar-Vocalist, has been widely published and anthologised across continents. She is a Sr. Fulbright (USA) and Commonwealth Scholar (UK) and a National Scholar and Gold Medalist of the University of Calcutta. An Ex-Vice Chancellor and University Professor of English and Culture Studies, she has Five Books of Poetry with One Hundred Twenty Research Publications, two Academic Books on Romantic and World Women Poetry, her focal areas of specialization. A Rotarian & Multiple Paul Harris Fellow, she is the Indian Rashtrapati’s Nominee on Boards of Central Universities. She has lectured and recited her Indian-English Poetry and Vocal Indian Music in premier Universities, Literary Festivals and Conferences across the globe.

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Categories
Humour Poetry

Nonsense Verses

By Vatsala Radhakeesoon

Birthday Party


Daf the centaur
and his friend Wi-Wi the pink lizard
share the same birth-day
Each mid-October
they unwrap a newly-designed
scales-shaped sofa
bounce on it
drum their Pringles cans
then relax sipping
strong Cappuccino coffee
reading the Libra horoscope
through their bluish specs
on Witty Sapphire website.

My Friend from Wales


I have a friend
who lives in Wales
He often says
he has a boat-whale
I remind him
“but it’s only a whale”
He emphasizes
“Indeed it’s a boat
that can perfectly sail.”

The Lady from Hectic City

There was a lady
who left Hectic City
and went to live in Forest-Greeny
But when she felt nostalgic,
she called Grizzly, the energetic
They both tap-danced till midnight
and metamorphosed the crescent moon
into a starry kite
Thus she won over nostalgia,
This lady from Hectic City.

Vatsala Radhakeesoon was born in Mauritius in 1977. She is the author of 8 poetry books  including When Solitude Speaks (Ministry of Arts and Culture Mauritius, 2013), Unconditional Thread ( Alien Buddha Press, USA,2019), and Tropical Temporariness(Transcendent Zero Press, USA, 2019). She is one of the representatives of Immagine and Poesia, an Italy based literary movement uniting artists and poets’ works. She has been selected as one of the poets for Guido Gozzano Poetry contest from 2016 to 2019.  Vatsala currently lives at Rose-Hill and is a    literary translator, interviewer and artist.

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Categories
Humour Poetry

Anti-Ode to Poems that Begin with O

By Aditya Shankar

If you do not know poetry beyond high school, all poems are odes. They go O…! Haven’t read any contemporary poetry? Haven’t seen poetry recitals except on primetime tv? All poems still go O…! Do not share your new poem in a circle of school friends or relatives. Even if you do, hear their comment ‘Wow! Awesome! Lovely!’ as ‘grow up to an ode that goes O…’. The retired revolutionary poet glances through your poem and says: not even worth the Z-division league of O Germany, Pale Mother. Not even a shadow of O, We are the Outcasts, reminds the senior postmodern poet. Poems titled Orange, Omelette, Oxygen aren’t quite the O poems, declares the lyric poet who reads O Blush Not So! twice daily. A tired and old O Do Not Love Too Long and his pal O Western Wind confess to a friendly new prose poem: we long to idle in our graves. But alas! Here they are, in ill-fitting attire of teleported primitives, holding centre stage in a bandwagon that fades around the corner. As good as a failed interworking attempt between H.323 and SIP or a brand-new showroom of CRT televisions. A retro hackathon in Fortran, an MMO Pacman event or the B side of an old VHS tape. The street is a river, a carnival of clichés and bygones.

Note:

O Germany, Pale Mother by Bertolt Brecht/O, We are the Outcasts by Charles Bukowski/O Blush Not So! by John Keats/O Do Not Love Too Long by W.B. Yeats/O Captain! My Captain! by Walt Whitman

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Aditya Shankar is a Pushcart and Best of the Net nominated Indian poet, flash fiction author, and translator. His work has appeared in international journals and anthologies of repute and translated into Malayalam and Arabic. Books: After Seeing (2006), Party Poopers (2014), and XXL (Dhauli Books, 2018). He lives in Bangalore, India.

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Categories
Humour Poetry

20,000 Leagues under the Sea

By Rhys Hughes

I assumed that the leagues

were vertical

and that the Nautilus dived

precisely that number

down, and not

knowing what a league was

I remained without

concerns, but

then I happened to look up

the word in a

dictionary and my brow

wrinkled in a

frown as profound as the

boundless ocean.

.

A league is approximately

three miles long,

the distance that an average

man can walk in

one hour (he is walking

to see the flowers

of a distant garden?) Pardon

my confusion but

when I worked it out, it was

clearly impossible

for any sealed vessel to drop

20,000 leagues

through the waters of the sea

and put itself to

bed on the slimy abyssal plain.

The deepest trench

is only two and a quarter

leagues down.

.

The Nautilus would pass right

through the Earth

and emerge from the other side

and continue out

into space. The crew would see

only stars through

the porthole windows. No! This

simply couldn’t be

the case. In my haste I must have

misinformed myself.

.

I did the calculations again but to

my dismay they came

out the same way and I now began

to grow angry with

Jules Verne. What a cad! To play

with distance this

way would drive me mad. And so

I turned away from

his books. I learned to cook as an

alternative pursuit

and burned myself once or twice

on bubbling sauce

to be eaten with rice. But this has

nothing to do with

Captain Nemo. It wasn’t his fault.

.

The years swam past

like fish and I forgot my confusion

amid the tides and

surges of everyday life. It was a day

like any other when

the truth erupted inside me, boiling

my mind, bubbling

and bursting: a submerged volcano.

.

20,000 leagues under the sea, yes!

but horizontally! That

was the meaning. And I stopped to

stare dreaming at the

blue sky, another sea above me, the

clouds for ships and

people the fish in the depths, squids

and urchins, whales

of a time and quarrel reefs. Why did

it never occur to me

before? Jules Verne you are forgiven.

Am I forgiven too?

.

(And the walking man finally reaches

the sunken garden

where the anemones bloom)

.

Rhys Hughes has lived in many countries. He graduated as an engineer but currently works as a tutor of mathematics. Since his first book was published in 1995 he has had fifty other books published and his work has been translated into ten languages.

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Categories
Humour Poetry

A Dumb Query

By Sunil Sharma

There was this dogged donkey

befriended by a supple monkey.

The unusual pair

roamed freely, everywhere,

in the silent city,

resented by the bipedal monkeys

and donkeys, real,

long- imprisoned in

their smelly dens, 

by a new global master,

invisible,

and, to the wonderment

of the duo,

this dreaded dictator

called strangely

as COVID-19,

in the year 2020!

Sunil Sharma is Mumbai-based senior academic, critic, literary editor and author with 21 published books: Seven collections of poetry; three of short fiction; one novel; a critical study of the novel, and, eight joint anthologies on prose, poetry and criticism, and, one joint poetry collection. He is a recipient of the UK-based Destiny Poets’ inaugural Poet of the Year award—2012. His poems were published in the prestigious UN project: Happiness: The Delight-Tree: An Anthology of Contemporary International Poetry, in the year 2015.

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